It’s a sort of positive for me that the summer drought on the Strait of Juan de Fuca coincides with painting season. More like consolation, with even driving to the coast not a guarantee of finding waves. Busy now, it gets crazier in September when people start panicking about getting their castle dolled-up before the rains start getting more consistent. Finding time to devote to my other passions, including drawing and writing, becomes more challenging.
BUT I do have time while scraping and painting and second-coating to think, THINKING, IMAGINING being the most crucial component in each of these activities. Imagine what the drawing COULD look like, imagine WHAT I want to convey.
IT’S A PROCESS. Not dissimilar to house painting, actually. To use the project I am currently working on as an examlple, the homeowner has a vision of what she wants her Victorian home to look like; I have my own ideas. A few color changes later, we do it her way,. with eventual agreement that it works AND it’s what the person paying me wants.
SO… I prep and paint, and it’s never one coat of any color. I paint, and then TIGHTEN UP the paint, picking up missed spots (‘holidays’ in the vernacular), making sure the transitions are crisp and clean, the result being a job I can be proud of and the client will both pay me for and recommend me to others because I did it (right).
BRIEF SURFING INTERJECTION- Having missed one opportunity summer surf, and being pissed because I could have gone and didn’t, I did get a few waves recently. Just enough, with passing fancy rigs with boards on them on a daily basis along SURF ROUTE 101, to cause me to want more. MORE.
TIGHTENING. I am going to a memorial later today for a person I have been bumping into for years on the PORT TOWNSEND. I have a story I told his widow I would tell, and I’m going to try to write it out rather than ramble on in some fashion that might embarrass the others as well as me.
BUT FIRST, “SWAMIS,” the novel I’ve been thinking about, writing, rewriting, tightening for way too long. Having thought about how I needed to tighten a SCENE with the protagonist, JOEY, and the closest character to an antagonist, BRICE LANGDON, I tried to devote a bit of time to it yesterday, but got an urgent text: THE floor guys didn’t show up, could I PLEASE do some painting. PRAYER EMOJI. Shit! Fuck! I made the changes, pulled out the thumb drive. The emergency painting and looking at another project pretty much did the day in. OH, and then thunder and lightening; the weather kind. I went to bed and did not get up early… enough.
ORIGINAL ERWIN NEWS- I paid back some seed money I was loaned by local master builder/climber/skier/hiker/all kinds of other stuff, JIM HAMILTON; the money intended for my investment in getting some t shirts going, which, four months later, I did. Most are gone now. Thanks, Jim. BUT, DWAYNE at D&L LOGOS has been working on a FULL COLOR DESIGN, and I am SOOOO excited to see the results.

DWAYNE did some digital editing and had eight of the image printed up. They are heat-transferred, in a modern, way-better version of the hated ‘iron on’ process. I have to wait to see what the my cost will be. SEVERAL are already promised. WE’LL SEE. I will get back to you on it.
IN A NOT-UNRELATED STORY, I showed my most recent illustration to the clients I met with yesterday, friends of ANNIE FERGERSON, the woman behind the recent documentary about, you know, me. NOW, I REALLY BELIEVED folks would have to have a copy. I had forty printed up, two sizes. I have 38 left, BUT, hey, sales is not what I’m good at.

Although I haven’t given them an estimate, I did get a text back saying, “this would make a great t shirt.” “Open for discussion,” I texted back. I should have included the PRAYER EMOJI, way more convincing when the two hands come together. WE’LL SEE.
ADDING TOO MUCH CONTENT to make the best use of my semi-free minute, here is a poem/song I’ve been working on. THE PROCESS is, again, the IDEA- overhearing a conversation about you; the FIRST DRAFT- this includes singing verses, trying out rhymes. This takes some time; usually when driving to or from a job; harmonica to see if there is a tune. It has to flow. And repetition to make sure I have it memorized. WRITING- Putting it on the thumb drive. REWRITING, EDITING, CHANGING- making sure it tells the story. TIGHTENING, TIGHTENING, TIGHTENING.
AGAIN, THIS is an imagined scene. Fiction. Maybe it’s a song I’ll never sing in public, a poem I’ll never recite; I don’t know; I wrote it and it’s part of the driving song collection, along with favorites by others, the result of many years of song writing.
I HAVE TO GO, and I still have to write something about the late PETER BADAME. Get some waves, huh? See you on the highway. OH, and I do claim and reserve all rights to my work, so…
A PRIVATE CONVERSATION
an excerpt from some longer story
It was a private conversation, words I was not yet meant to hear,
Thought I’d surprise you at the station, couldn’t have known that I was near.
Your words and tears shared with a stranger, someone you’ve met along the line,
I should have known this was a danger, if I did not the fault is mine,
I’m sorry, so sorry.
You spoke of time apart and sorrow, now… I could barely hear your voice,
You said that love’s something we borrow, said freedom is a frightening choice.
You spoke of hope and disappointment, small victories, great tragedy,
In all the time we’ve been together, you never disappointed me.
Not ever, not ever.
I saw the touch, though at a distance, saw how your fingers were entwined,
You didn’t put up much resistance, offered a kiss, you did decline.
That’s when I walked out of the station, this is my last apology,
You should need no more explanation, perhaps we’ve set each other free.
It’s frightening… so frightening.
But that’s another conversation, a private conversation, a very frightening conversation,
A private conversation
This version: August 9, 2024. Some changes August 17, August 18, 2024. AND YES, I did make a couple of changes after I put it on this page. FLOW.