Happy Halloween

Greetings from Doctor Pervertius Speculus and his dear woman… well, actually I forgot Oceanna’s stage name, and I’m not actually sure of Stephen’s stage name.  Oh, and I’m also not sure if Oceanna is spelled with one n or two.

However, I do have a photograph of the couple from last weekend.

EvpervertSteve

According to Steve, a woman came up to him at one of the (at least) two events the couple participated in, first saying his teeth were disgusting (rude), and then asking him what he was supposed to be.  Rather than giving a sarcastic answer such as, “I was supposed to be a rude and judgmental elitist snob,” Stephen claims he said, “I’m a per-vert!”

I’m a little disappointed that you can’t get the full effect of this with my mere extending of the word.  Steve would have, no doubt, delivered it with a bit of salacious eye-rolling, perhaps an in-character ogling of the woman who made the comment.

Hey, I wasn’t there.

ANYWAY, Stephen and Ocean(n)a are now partners and owners of THE CELLAR DOOR, an already-established nightspot in (under, actually) Port Townsend.  Steve, with years of experience as a restaurant owner and chef, has been sorting through ideas for the menu. Oceanna has experience in the bar/restaurant trade (evidently selling liquor is kind of important, revenue-wise), and has many contacts among local entertainers.

THE CELLAR DOOR has been a top venue for live performances in the city for quite some time, and will be reopened as soon as all the liquor license paperwork gets done.  Again, important).

The effect on Steve’s surfing might not be too detrimental.  Most of the surfing in these parts is done in daylight.  WE’LL SEE.  I’ll keep you posted.

MEANWHILE, I did have a bit of an issue with my latest ORIGINAL ERWIN T-SHIRTS.  I had twenty shirts, various sizes, ready for screening.  After screening the graphics on the back, it was discovered, while doing the logo on the front, that the image was, OOPS, upside down.  ERRRRRRR!

SO, I’m holding on to a couple, handed out some more, and took the four rightside-up shirts  to TYLER MEEKS’ DISCO BAY OUTDOOR EXCHANGE.  I (we) have a bunch of shirts at the screen shop, and, hopefully, today or tomorrow, I can pick them up, ready for sale for the weekend.

I will get some more of this batch of ORIGINAL ERWIN shirts, and, since they are, by design, all limited editions… I don’t know; I’m hoping that means something.

The DISCO BAY shirts will have the shop logo I designed on the front, with one of two images on the back.  There are a range of sizes and colors.

 

If I get the shirts I will immediately post this on this site, right on top of Steve and Ocean(n)a.  No offense.

HAPPY HALLOWEEN

The Stupid Car Fire Incident

I wrote the following piece for the Quilcene Community Center Newsletter, e-mailed (not by me) to selected people; so, to increase any possible audience, I’m publishing it here.  Thanks for reading.

BUT FIRST:  OOPS! My silkscreeners had a bit of a problem with my latest Original Erwin t-shirts. It seems 16 of the twenty shirts were printed with the logo on the front upside down.  SO, there are four available at Tyler Meeks’ Disco Bay Outdoor Exchange, and, I’m figuring the rest will be more valuable… eventually.

 

Next week there will be quite a few Disco Bay t-shirts ready, logo (hopefully right side up) on the front, two different versions on the back.

 

     I’ll let you know when they’re available.  Pretty excited.

What Could (Possibly) Go Wrong?

It was dark; so dark, and stormy; and my car was parked just off the fog line, on the shoulder of highway 101.  The hood was up and there was a fire in the engine compartment.

Fire!

Yeah, fire; and I had no extinguisher, no water; and, again, my car was on fire!

Okay. “Sure,” you say, “How did… I mean, fire… how could this happen?”

STUPIDITY.

WELL.  My 1985 Toyota Camry wagon, my surf rig, did have a bit of an oil leak.  Slight, and somewhat mitigated/slowed, if not stopped by the addition of some sort of treatment.  BUT I had made a couple of surf trips (140 miles, round trip, to my favorite spot), and wasn’t at all sure when I’d last checked the oil level.

Not at all sure.  This is the thing.  It wasn’t just the oil.  I had purchased two items at Tootsies Drive Through in Sequim; a swiss cheese mushroom burger (on sour dough- this will come up later) for me; and a Wild West burger, with a sweet barbecue sauce and lots of onions (on a regular-type bun), for Trish.  Her burger comes with onion rings (weird), but Trish prefers those on the side (and Tootsies agreed), and no mayonnaise (“No problem,” the Tootsies ‘order here’ voice said). 

One sandwich/burger was to bring home, one was for me; and I was hungry.  I had already made the rounds in Sequim: Home Depot for, among other things, various dimensions of eight foot lumber, pushed over the passenger seat, and onto the dashboard, Costco for multiple packs and/or mega-sized this and that, Office Depot for artsy stuff, Michaels for some t-shirts for my Original Erwin line of, obviously, Original Erwin t-shirts, WalMart for cheaper prices (not arguing cheaper than where) on some grocery items.

Tootsies was my last stop. 

I must back-track here.  Tootsies is kind of the expensive version of Frugal Burger, a drive-through in Port Angeles.  Both offer various burgers including one with mushrooms, my favorite (not, along with avocado, Trisha’s).  So, a while back, up in PA, Trish was driving and I was hungry.  She ordered her condiment-specific burger, and I got the mushroom burger.  When we got home, it was discovered that I had, possibly due to some inherited lack of tastebuds and discretion, eaten her burger.  She was pretty upset; and, understandably, refused to eat the mushroom burger.  So, of course, I did.

This act was, Trish maintains, another one of my ‘GREEDY FAT BOY TRICKS,’ learned, practiced and perfected (possibly) because I was the second oldest of seven children, and, from an early age, made brown bag lunches for my parents and siblings.  Four cookies each… chomp, chomp… three cookies each… you get the idea.  Greedy fat boy tricks.

So, the FRUGAL INCIDENT was kind of on my mind when, not quite out of Sequim, I chomped into one of the two plain-paper-wrapped Tootsies burgers.  I actually called Trish.  Again, it was dark, the weak little overhead light in the Toyota not nearly enough to discern between a sourdough bun (mushroom burger) and a regular one (Trisha’s).  “Does it taste sweet?” “Um, uh… sweet?”

I STOPPED EATING.

BUT, on the Quilcene side of the short passing zone, a couple miles south of the 7 Cedars Casino, I thought I heard something over the noisy muffler, something different than the noisy fan motor.  Maybe it was rods knocking.  Maybe.  I could just pull over, add a little oil.

No problem; right?

Well, I turned the engine off, left the lights on, popped the hood release, grabbed a quart of oil from the back of the wagon, raised the hood, and used my cell phone to help find the place where one puts the oil (let’s call it the oil receptacle). 

EVIDENTLY, while leaning over to remove the oil receptacle cap, the bottom of the quart container melted on something hot (radiator? Manifold?), and, unaware of this, I moved the leaking quart toward the back of the engine, and enough spilled onto the still-hot manifold to, um, uh, ignite. 

FIRE! WHOA! 

NOW, by way of further over-explanation, I have had two other engine fires in my long career as a car killer; didn’t drive away from either of them. So, “NOOOO!”

I sprang into action. I knew I had a towel in the backseat, but, in the dark, in my haste, I mistakenly grabbed my sixty-dollar Hobie’s Surf Shop hooded sweatshirt, and stuffed it into the sort of valley, engine-wise (if you need an image, imagine the bottom of a hibachi), not quite fully smothering the fire. 

“LIQUID!”  What?  I grabbed the Costco three pack of one percent milk (half gallon each), ripped open the box, pulled the little plastic stopper out of the spout on the middle one, and poured about a third of it onto the sweatshirt and fire.

SIZZLE.  STEAM.  White steam. Yeah, but the fire was extinguished.

NOW WHAT?  Things had to cool down.  Would the car start?  Light; I needed light.  Oh, I had no flashlight in this vehicle, but, wait; yeah; I had just purchased a three pack of flashlights at Costco.  They were, of course, packaged in that sort of plastic and cardboard encasement that guarantees no one without scissors, pliers, and a hammer can open it. 

Unless one is desperate, in the dark, cars and trucks whizzing by.  I ripped open the package, several AAA batteries (handily included) falling out to the pavement.  To make it work, two batteries would have to go one way, two the other.  50 percent chance, and my cell phone’s battery was (all the using it as a light) down to 42 percent.

YES, the flashlight worked.  Now I could, at least, survey the damage.  The engine’s still sizzling; too hot to check the oil level.

So, I waited.  I’m not good at waiting.  Probably six minutes after the fire went out, I dropped the hood, said a little prayer (with appropriate hand gestures), and turned the key. 

Bbbbbbbrrrrrrrrrrroooooo-ooowm.  Ignition.  YES!

The car and I made it home.  I guess Trish was happy about that. I had, however, again, eaten half (I thought it was more like a third) of Trisha’s burger. She, not surprisingly, refused to eat the remaining portion; repeatedly pointing out the obvious difference between a hamburger bun and whatever one calls a round piece of sourdough bread, cut in the middle to accommodate things like meat, cheese, my ‘beloved’ (her word, but accurate) mushrooms.

Oh. Uh huh.  So, greedy fat boy trick, I got both.

I checked the oil the morning after the STUPID CAR FIRE INCIDENT.  Not actually low.  Hmm.  OH, YEAH. Evidently what I misheard as engine knocking was from the vibration of the various-sized pieces of wood.  OH, and I do now have a flashlight AND a fire extinguisher, and, oh, my Hobie’s Surf Shop hoodie might not be, um, toast… does smell a little… milky.  I’m optimistic.      

 

Illustrations for “Swamis,” the Novel

The manuscript for “Swamis” is up to, and slightly over 70,000 words.  That doesn’t mean it’s nearly complete.  I just looked at a painting project with a client whose background is in teaching and a knowledge of writing and writers.  When I mentioned the word count, adding I never thought I’d get to 60,000, and now I probably need another 30,000; and that, every time I take the time to work on the novel, I end up tightening up rather than adding onto the story.

“Well,” she said, I tell my students writing is never done, it’s merely due.”

Without going into any particular neurosis, I have similar issues with drawing.  I’ve been concentrating on pen and ink, and only occasionally risk pencil or watercolors.  BUT, for the novel, I want some of the illustrations to convey that soft, backlit look that John Severson accomplished in the early “Surfer” magazines.

Yeah, well; this is easier said than accomplished.

Incidentally, since, in “Swamis,” ostensibly a memoir, I steal stories and experiences from myself (and others), give them to the narrator, Joseph DeFreines, Jr.; and because I want people to know Joseph is not me; I have included, along with fictionalized versions of real people from my life, a character named Erwin.

So, that Erwin is the illustrator.

I think he is, also, a bit neurotic, unable to decide on his own when something is truly complete.  SO:

 

The first illustration, above, is the pencil drawing scanned in black and white, the second was scanned in grayscale, the third, after I (I mean Erwin) went back in with ink.

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I do kind of like the underlying white lines from laying it out with a very hard pencil, as I was taught in art classes at Palomar Jr. College, back in 1969.  Maybe…

Should I add that, now that I’m getting closer to the end of the story, I’m getting a little bit paranoid, a little less willing to share the various storylines?  NO, probably not, but I could tell you that I know who killed Chulo, not sure who killed Joseph DeFreines, Sr.

Stay tuned.

Sidenote at the Art Exhibition

My brother-in-law, Jerome Lynch, texted this to me. My youngest sister, of four, Melissa, died two years ago.  She was an artist with skills I seem to be able to only aspire to achieve.  She could do portraits, live, a sketch in her mind a finished piece of art in anyone else’s.  If a rendering can capture a soul or a spirit, she was the eye and hand and heart and mind capable of accomplishing that deed.  That feat.  That goal.

Magic.

When I told Melissa that, with my limited time for things artistic, I could either turn out some quick drawings, or considerably fewer quality works.  “Oh, go for the quality,” she said, “Definitely.”  Jerome told me Melissa would go back into works he thought were perfect, editing, fussing, making subtle changes.  Jerome knew his wife couldn’t be satisfied with something that didn’t live up to the vision in her mind.

He knew, as I know, as Melissa knew the fear of touching a work that you’re pretty happy with, knowing you are as apt to make a mistake that will ruin it as you are to add something that will make it… better.

Better.  We always want our little stop-motion illustrations, our attempts at capturing a specific moment or mood or memory, or magic, a bit better.

“Oh,” Jerome said, “she’d put more time into piece, and then I’d have to go, ‘oh, so that’s what she was going for.'”  Yes. Always.

JEROME sent me a text saying some of Melissa’s art works were part of an exhibition at the University of Illinois Urbana-Champaign.  Their son, Fergus, had written this note to go along with his mother’s paintings:

                                                MELISSA LYNCH

 I CAN ONLY SPEAK FOR MY MOM’S CREATIVE JOURNEY AS I SAW IT.                                                           She had begun a new chapter and desired to diverge from the business of perfecting the craft,               Of honing technical skills.                                                                                                                                         She was striving to communicate, not only in a visual medium,                                                                             But in a more fundamental language.                                                                                                                    She was seeking to speak in a way only truthful art can.                                                                                   Her struggles with mortality cleared a passageway for this expression                                                         And freed a voice within which spoke of wounds, fear, anxiety,                                                                      But, also, of the glory of our imperfect lives.

 In some of these works you can find tool marks,                                                                                              Damage control,                                                                                                                                                             And the tragic scars borne from deep wounds stitched together in an unsterilized environment.     Melissa sought to free her expression through honesty and vulnerability.                                                   This work helped her to experience true healing;                                                                                                 To rise out of the existential fear                                                                                                                                 And into the light of peaceful acceptance                                                                                                           And the joys of creation.                                                                                                                                               Her trials have ended                                                                                                                                                     But the experience is human                                                                                                                                      And one we all should be lucky to share.

by Fergus Lynch 

TEXT-Thanks. Great words from Fergus. I try very hard to channel Melissa in my work.

TEXT- Yeah, there was some poetry in the exhibition and I thought this artist statement outdid the other work. 

Indeed. 

cropped-melissa-horses-w-drawing.jpg

 

by way of explanation: TOP- Melissa did the drawing, one of her friends supplied the horses (I started out drawing surfing, Melissa horses). Composite: Top left- Melissa and me at Seaside; top right- Jerome and Fergus taking photos where locals don’t like photos taken (unless they’re ripping, and then not for circulation); Three portions of larger illustration (when I was showing a client some of my works, she zoned in on this drawing); Lower right- A drawing Melissa did for a short story I wrote.  I told her the skeleton might be a bit of overkill.  In retrospect… I have to think about it.  Check out the skilled rendering of the feet and hands, the perspective, the… magic.

MEANWHILE- It’s stormy, doesn’t necessarily translate to awesome surf.

Logo me This

This is partially for Tyler Meeks, owner/operator of DISCO BAY OUTDOOR EXCHANGE.  We’re teaming up on some t-shirts; and have been working on the logo design for a while.  We have some accumulated shirts, mostly dark, in a variety of colors and sizes, plus black.

I have some dark and black shirts ready for my next LIMITED EDITION of custom ORIGINAL ERWIN shirts, and a new design (again, based on one of my favorite illustrations), but wanted to rework my logo.

SO, here’s the Disco Bay Logo (and I’ll probably redo the lettering) necessary for printing white on darker shirts:  And here’s my current logo and my next graphic, logo on the front, image on the back:

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It is a bit of a brain tease, but you/we/I have to imagine everything that is black on the illustration being white on the t-shirt.  Hoping to go to the screenprinters tomorrow.  Shirts available soon.  Gotta go.

Original Erwins in the Works

AFTER a lot of discussion, TYLER MEEKS, owner of the DISCO BAY OUTDOOR EXCHANGE, and I are finally almost ready to combo up on some new t shirts.  ALMOST.

TYLER’S SHOP is conveniently located on Surf Route 101 in Discovery Bay.  Selling new and consignment and used equipment and gear (assuming these might be different things) for hikers and bikers and kayakers and climbers-and-droppers, surfers (includes novices, kooks, aficionados/enthusiasts, dominators, rippers, Hobuckers, Hodads, surf power couples, real-and/or in-denial Hipsters, possibly a few posers) make up about 20-25% of Disco Bay’s customer base, and, accordingly, Tyler and I are working on some shirts that might appeal to a wider cast of characters.

DISCOVERY BAY is really close to the crossroad with Highway 20 (leading to and from Port Townsend, and, with ferry service, Whidbey Island and environs north and east), and Highway 104 (to and from the Hood Canal Bridge, and through ferries and bridges, Seattle/Tacoma/Fremont/Fife/Chicago).

SURF ROUTE 101, I should add, connects the NORTH OLYMPIC PENINSULA with areas to the south.  It’s not uncommon to see surfers from, say, WESTPORT or SEASIDE or, I’ve heard, California, heading north hoping for a swell direction they think might be favorable to waves on the STRAIT OF JUAN DE FUCA.  As such, they are, no doubt, passing surfers from here headed south.

ANYWAY, we’re actually planning on getting some shirts to the silkscreeners with the Disco Bay logo on the front, medium-sized (if that makes some sense), and some others with the logo smaller, to one side (over the heart is the norm), and an ORIGINAL ERWIN illustration on the back.

 

The image on the right was used for a limited run (and they are all, and will be, limited runs) of shirts a while back.  I sold some to friends, Tyler sold some.  They’re all gone. GONE.  If you have one, you might not want to screw it up as I have with several of the shirts I saved for myself.

ANYWAY, here’s, reworked from one of my favorites of my illustrations (and I’m getting more and more critical of my own work- almost as critical as I am of other people’s) a design for the back of some upcoming shirts:

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Here is the based-on illustration and my own logo (still working on tightening it up):

 

When drawing something for t-shirts, the finer lines might not show up. I’m not fond of big areas of color/ink- they feel weird on the back, and, no, not going for that.  AND, adding color costs more to produce, adding to the ask from the customer.  AS DOES, of course, having a logo on the front and art on the back.  STILL, going for it.  SOON.

MEANWHILE, I do want to write something about the difference between dominating and ripping.  I’ll be thinking about it while I’m driving, out on SURF ROUTE 101.