Cold Days and Dark Waves

Here’s a photo of a spot you or I will, most likely, never surf, and a painting (in progress) of a spot that exists, possibly only, in the artist’s mind:

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What they have in common is the atmosphere.  It can be bright and sunny on the Strait of Juan de Fuca, but the darkness, the variations in gray; shining silver to near-black; this is more common.  With the orientation, north shore, low sun over high mountains, it can seem like dawn in the daylight hours; 7:30 or so to 4:30, right about now; and almost a month until the solstice.

The painting is by Stephen Davis.  My critique, shared with him: Love the sky, love the waves; not sure about the green foreground.  Steve’s response: “I’ll be going back in; I’m trying different techniques; want to get the cobbles just right.”  Stay tuned.

Oh, and about the photograph. It’s not where I thought it was, and I had many more clues than I’m willing to share with you*.

Oh, oh; I am taking some advantage of the short days, working on my novel, “Swamis;” and, editing the shit out of what I’ve already written first, second, third drafts of, without getting to the exciting climax, the famous December ’69 swell, I have gotten to the point where I’m a bit afraid to share too much.  I am (possibly delusion-ally) envisioning it as a limited series.  Netflix, Prime; yeah, they could use a surf-centric/murder mystery/coming of age story/fake memoir with way too much dialogue (and not enough surfing for a real surfer) set in a world of hyper change: Home grown marijuana, revolution, war, love, and magic; North County, San Diego, 1969.

See? In 90,000 (or so) words less than the novel, I may have just said too much.  Happy Thanksgiving.

*If we talk in person, I do have some session stories I could tell.  (crowds, skunking’s, scores, entanglements, wind, rain… all the usual northwest stuff).   See you out on Surf Route 101.

WAIT, WAIT; I’m adding another painting; entirely because I made some reference to ‘the ninth wave’ in an email to Drew Kampion, and, well, I felt compelled to look up slash Google the term, one that I’ve heard, casually, as in “So, you’re probably going for the ninth wave, huh?”  No, I probably tend to go for the first or second wave; and I have tried to explain to people that waves rarely show up in nine wave sets.  Doesn’t matter.

So, evidently there is a book, “The Ninth Wave,” with some references to surfing in the nineteen thirties and forties, written by Eugene Burdick.  I haven’t read it.  Burdick died of a heart attack at age 46, in 1965 (the year I started board surfing, not that that is in any way ironic).

AND there’s a famous painting, “The ninth wave,” or, possibly, “After the ninth wave,” which I have seen, not in person, but on TV; described as probably the best marine painting of all time by, if I remember correctly, Rick Steves.  The work is by Russian painter, Ivan Aivazovsky, and, possibly coincidentally, it goes with the theme of this piece.  Since I already downloaded it, I figured I might as well display it here.

HERE:The-Ninth-Wave

Soul Rebel Underground Art

I’m working on this drawing based on a photo of Keith Darrock at a way-too-identifiable spot on the Strait of Juan de Fuca.  I am thinking of making it a label for some fictitious rub on, locally sourced, marijuana-based, artisan snake oil.  Maybe.

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The other drawing is one that I did to make up for doing the lettering for my friend Stephen Davis’s new restaurant, named “Cellar Door,” not “Underground,” though it, mostly, is.

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Meanwhile, because one of my clients, heading for Hawaii, texted me something that included, “hang loose,” I got to thinking.  Yeah, yeah.  In the cold waters of the northwest, we don’t tend to hang loose, we hand tight.  More thinking.  If there is a wetsuit company that needs a new tagline, how about some variation on “Polar Bare Wetsuits- maximum stretch, minimum shrink.”

Meanwhile, Clint Thompson, pretty much a surf fixture on the Olympic Peninsula for a while, has sold his house in PA, most of his 50 or so board collection, and is headed back to Florida.  His going away party was last night, possibly still going.

 

It’s Quid pro Joe, Chris

I would like to do what I can to help Chris Bauer, Port Angeles surfboard shaper, sander, glasser, ace repair specialist, and old school surf shop owner (which I will explain); and, in return, I would appreciate any help he might be able to provide to aid my career goals (ie; sell some shirts, art).  It’s a classic quid pro quo.

Chris has a stripped-down (other than a great mural by northwest surf artist Tod Fischer in the showroom) surf shop in a commercial building on 101 west of Port Angeles (just before- if you’re headed out searching surf- the gas station run by the Lower Elwha folks). There’s a big roll up garage door, usually closed, and a surfboard hanging over the mandoor, the possibly-sharpie-written sign reading, “Last Stop Surf Shop.”  Hope I got that right.

If, upon entering, you notice it smells like resin; yeah; it’s because there’s a glassing room in the back, and, on my second visit, I discovered there’s a separate shaping room behind a wall hidden by surfboards, new, used, and under repair.

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Chris Bauer, left, dressed in a first edition of the first Original Erwin t-shirt, holding a classic, early 60s style board he shaped, glassed… everything necessary to create a beautiful board- perfectly-wrapped rails, extra layer of glass on the nose, tail, with, on the other side, a deck patch.  The glassed-on fin, incidentally, is the old school, squarish, pre-Greenough skeg, which, I told Chris, surfers of the era were very stoked to be moving on from, on to the more rakish, turn-allowing fins.

Nevertheless, a beautiful board.

Oh, part of the thing about being old-school is that his shop isn’t about fashion over performance.  Yes, but if he had some Original Erwins…

Okay, shameless self promotion aside (other than mentioning that there are Original Erwins available at Tyler Meeks’ DISCO BAY OUTDOOR EXCHANGE), here’s what Chris and I have in common: Joe Roper.

joeroperroperfirstshop

The top photo shows Joe at his very modern shop somewhere east of Pacific Beach where, in 1971, age 20; and Joe was a 14 or so year old ‘pier rat,’ surfing Crystal Pier like it was Pipeline.  Yeah, I have written about this previously.

The lower photo shows Joe’s first repair shop, kind of stuck to the side of the old Gordon and Smith shop in Mission Beach (note the twinfin with glassed-on fins on the trashcan- olllld school).

Chris started his career as a ‘hand sander’ for Joe Roper, the only kid whose name I knew in my time in P.B. (I’ve since discovered another Crystal pier rat, Roper contemporary, Olympic Peninsula surfer ‘Big’ Dave Ring).  “Well,” Chris said, “I had to start somewhere.”

And how was Joe, who I once observed kicking his board at and into (full body hit) another surfer because (and I asked him) the guy was from Clairmont, which, incidentally, is less than five miles from the ocean, and probably five miles closer than Joe’s current shop in Kearney Mesa; how was Joe to work for?

“He was gnarly.”  “Gnarly?” “In a good way.”  “Oh, yeah; of course.”

Joe knows his shit.  Chris learned, moved up, and, eventually, up here.  If you’re heading out, starry eyed, looking for surf; or, heading back, disappointed; you could stop in; maybe hang out.  I think there’s a couch in the main room.

For more on Joe Roper, search Joe roped surfed crystal pier like it was pipeline

INCIDENTALLY; I did catch some very small waves on this trip; me and Helmet Girl- just to explain the lack of shoes.

Trisha’s Birthday and Light; bending slightly

FIRST tomorrow is my wife’s birthday, the 51st since I attended the party for her 16th (I had been 17 for 2 1/2 months).  It didn’t go all that well, the party and my attempts to woo her.  No, nobody under 50 actually said things like ‘woo’ in 1968, but, before I gave up in the jockeying for Trisha’s attention against one very pushy asshole (not really subjective; there’s proof), before I went home; I did ask her if she wanted to go to the beach the next morning.

I was pretty sure she’d said yes as I, alone in kitchen in the house where I was raised,   contemplated love and life and feint hearts and such while eating a peanut butter and butter sandwich; slicing a hunk of cheese off a giant round (like 10 pounds or more) in the refrigerator (from Story’s Dairy, a knife kept on the top- one would re-wrap after slicing);  washing down my teenage angst with milk from a ‘cow-tainer’ (probably two gallons, plastic in a box, plastic spigot moved to new box when emptied).

On Sundays I would, frequently drive my father to his part-time job (he had several of these, and a full time job- 7 children will do that to a person) as a mechanic in Oceanside, drop him off and go surfing.  Frequently because whichever car my father had allowed me to drive, usually purchased on a mechanic’s lien, would frequently break down.

“Do you like her?” my father asked before we showed up at Trisha’s parent’s rented house (her father was in Vietnam) at 7:30 or so.  Her mom came to the door. Trish wasn’t ready, but, from somewhere behind her mother, Trish said, “Just a minute.”

“I do,” I said.  “Well, then…”

Yeah; pretty romantic.  Trish got to watch me surf at one spot, then got to hang out on the bluff at Grandview while I surfed some more.  She now says a couple of surfers tried to hit on her, asked what she was doing there.  She made some possibly vague reference to being there with (pointing) that guy.

We do count November 10 as the day we started ‘going together’ (probably an antiquated term itself), the deal cemented when, back at her parents’ place, lingering in the driveway, I asked if we should, maybe, kiss or something.

Logistics.  These things had to be worked out.  Bobbing and weaving, who goes in, which way do I turn my head (hey, I wasn’t a total novice to this)?  It finally came down to “One, two, three…”  Kiss.

A while later, Trisha’s mom broke it up.

This year, Trish will be hanging out at a ghost conference in Kingston, Washington, with our daughter Dru, ex-daughter-in-law, Karrie, grandson Nate; the folks who chase (they would say investigate) hauntings and such, and, of course, the ghosts.

If I think about the most frequent thing Trish and I say to each other; on my end, live and on the cell phone (while working, going to or from surfing, moving from the fruit to the meat section while shopping), it would probably be (yeah, even in the bread aisle, even with others listening) “Love you, bye.”  For Trish it would have to be, in an endless variety of situations, “Just a minute.”

“One, two, three… love you.”

Trish, 1969

Trish, circa 1968. Note, one, she’s wearing a wetsuit; two, those tires on my Morris Minor look pretty darn bald; three, check out the fin on that, probably homemade board.

Sorry; I got waylaid here a bit.  I have some tags put together for my t-shirts, available now at Tyler Meeks’ DISCOVERY BAY OUTDOOR EXCHANGE.

AND, here’s my latest drawing:

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“Light, bending slightly.”  As always, I asked Trish what she thinks about it.  “You just can’t get away from that psychedelic stuff.”

Probably not.

Dominating vs. Ripping & Tags vs. Price

THE DISCUSSION went back and forth for a while. Probably too long.  Stephen Davis had seen a YouTube video in which Wardo, Somebody-or-other Ward (I will remember, just not this minute) boosted a big air, landed it, and was then burned by someone (Steve made it sound like it might have been a woman) blindly taking off in front of him; and so, of course, Wardo flipped the clueless kook off.

HEY, if you go by a nickname, people are supposed to know your name.  Miki? Dewey? Alex? Kelly?  Anyway, Steve read through the many comments on the incident.  Some folks defended Wardo, others thought, maybe, he could have been a bit nicer about the whole thing.

STEVE’S comment, to me, was, “DO YOU REALLY THINK Wardo got world class good without ever burning someone?” He answered himself with, “OF COURSE NOT.”

And I agreed.  This took up most of the first hour of the back and forth.  Maybe if I had a radio in my car that worked; maybe if it wasn’t so far to the coast.  Maybe…

SIDETRACK- I would be severely criticized if I publish anything (else) even mentioning surfing (or the existence of waves) on the Strait of Juan de Fuca.  I have been criticized for not writing more often about surfing and the many joys associated with surfing.  I check the buoys and forecasts the way football commentators study even seemingly-obscure stats, and I have finally allowed the truth to work its way to this:  The ocean doesn’t give a shit about sending waves forty, fifty miles and more so surfers can ride them.  There are, however, waves pretty much every day on the coast.  CONCLUSION- If it’s about the same time investment for you, coast or Strait… nevermind that; how about this: Waves are a gift.

CHRIS WARD. I looked it up.

THERE WERE SEVERAL OVERRIDING ISSUES in Steve’s longform rant (if you will- he thinks it qualified):

ONE- When waves to sneak down the throat of the Strait, it gets rather competitive.  RATHER.  The surf spots are, of course, fickle, and either difficult to access (cliffs, fences, cops being called), or instantly crowded with even the rumor of breaking waves.

TWO- The points or reefs can feature a very pleasant surfing experience for three or four, but, adding in that most of the consistent (or diehard, if you prefer) locals (or semi-locals) know or sort-of know each other (and are very competitive), when it gets crowded, feelings can get hurt (and can stay hurt a while).  RESULT- A less pleasant surfing experience, people who could be your friends holding grudges, you holding grudges against people who could be your friends.

Steve and I agree on this; though I probably enjoy (tolerate, I’d call it) the jockeying in the lineup, the back-and-forth, a bit more than he does.  “If someone wants to really be good,” Steve said, somewhere on the drive back, “You have to be somewhere where there are always waves, where you can surf every day.”  Well, um, yeah; but there’s no way I’m going back to California.

WAVE COUNT.  That’s how you get to be good, like Wardo, his joy at landing his 999th air interrupted by some kook.  MEANWHILE, the kook, perhaps, unaware, blissfully unaware even, may have had the best wave of his (or her) life.

CONCLUSION- No conclusion.

ORIGINAL ERWIN AND DISCO BAY T-SHIRTS- There are some available (in a range of sizes, Disco logo on the front, one of the other two illustrations on the back) at the Disco Bay Outdoor Exchange.  Tyler Meeks has been at this a while now, and, when I delivered my latest batch of shirts, he said he could only get $15 each ($20 for long sleeves) without tags.  TAGS?  WHAT? One, I’m not really sure what my cost per shirt is- I’ll find out today when I pick up more; and, two- I will make some tags if it means I might actually make a dollar or two on the whole thing.  WOW, it’s so hard becoming a t-shirt mogul.

“It’s just that, if someone is buying a shirt for a grandkid or something; they want to see… tags.”  “Oh, okay.”

SO, if you get in there, like, tomorrow (Thursday)… before the tags are organized… and remember, these are, by design, limited editions.

LIKE waves, they make great gifts.