Northwest Spirit Animals

I am planning on doing a series of animals that have a history and a spiritual connection to the Northwest.  Of course, I want to tie it in to the waters, the ocean that spreads its fingers into the land.

The illustration of the raven is the first of these.  I can’t seem to quit on any drawing until it’s pretty much over-done, can’t seem to keep it simple.  So, here’s the latest addition to the raven:

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When I’m pretty happy with the progress of a particular drawing, it becomes a worry that anything additional I do may not improve, and might possibly ruin the whole thing. This is the case with the Coyote illustration.  I got the coyote done, maybe, and then worried about where to place it.  I added the butterfly, and then the lettering, and then got copies of that so that, if I ruin one, I can try again.

Here’s where we are:

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There’s one spot under the front feet that is on the original.  Any other random, out of place spots are from the scanner.  I didn’t want to white it out because there may be some added value in having the original.  For example, Trish wants the original of the raven drawing.  It may be too late.  I did the drawing, 11 by 17, got copies; colored in several, got copies and reductions; added the lettering to one of those.  There is, then, the original without the lettering, and the… yeah, confusing.

I am, however, bravely or foolishly, currently adding background to the original coyote drawing.  Water, waves, driftwood.  Sort of scary.

If we compare it to surfing, the best I can come up with is: If you get one of the best rides of a session, one you probably won’t top, do you come in?  What if the first wave, as is sometimes the case, is the best?

WAIT, here’s another question: When you know one is not supposed to share too much information with too many people on where waves are breaking, or that waves are breaking, particularly in real time (and particularly around the Strait of Juan de Fuca); is there (or can there be) a select group of surfers you CAN share the info with?

I sort of think there is.  YES, it does suggest one can have FRIENDS; which then suggests there might be some sort of community of surfers.  Community.  Hmmm.

I have phone numbers for, probably (only) six or seven surfers. I share info with three regularly, a couple more sometimes, and others rarely.  Mostly I get “You would have loved it” text messages, after the fact.  Sometimes there might be some “What do you think” strike/skunk probability discussions/planning sessions.

It kind of comes down to TRUST, and, YEAH, the fallback position is that there are NEVER waves around these parts, but there are ALWAYS waves in… oh; gotta go.

Burning Scott Sullivan (Parts Two and One)

                                                A Second- 2nd Scott Sullivan Encounter/Incident

-PART TWO-

IT WAS JUST A SECOND, really; two Costco shoppers passing in the dairy/coffee aisle in the Sequim warehouse/store.

You don’t recognize people you don’t really know instantly; it takes a second.  We were both in a hurry; he with one of the big orange carts, me with the regular one (slightly larger, you might have noticed, than one at a regular supermarket- or, even, WalMart).

I think it was his mustache.  Yeah, one of those with the ends twisted and skinny, and pretty much brown.

SCOTT SULLIVAN.

I thought, or, possibly, imagined, that we made eye contact. Split the above second. Maybe he thought he recognized me. Maybe.

Not that he might instantly remember where and when we met previously; the first Scott Sullivan Encounter

NOW, I was wearing an ORIGINAL ERWIN t shirt, the baby poop yellow one with the lacy white wave. YEAH, that one (the baby poop thing is from Trish, I call the color ‘golden haze’); and, hey, I do have a possibly-recognizable mustache/soul patch combo of my own, white, with, quite often, coffee-stain brown at the scraggly bottom edges.

I didn’t just do an over-the-shoulder lookback, I DID A PIVOT/HALF TURN, right between the doors for the sour cream/cottage cheese and the one percent milk.

YES, Scott Sullivan; had to be, pushing toward the final goal, checkout, with a cart full of dairy products, flour, other fixins for making PIZZA.

HAD TO BE.

MY FIRST THOUGHT, with both of us, obviously, having gone, as the place is designed, clockwise from the entrance, past the clothing and lighting and pressure washers and furniture and fruit and meat, was how, suddenly, what I wanted most to do, was to CUT SCOTT SULLIVAN OFF! Exclamation point; BURN HIM at the checkout counter, last second, that split second when one must decide which open register would provide the fastest avenue to the next-but-last Costco line, the one at the exit.

“You think it’s yours, Scott Sullivan? NO! DENIED! Hahaha… ha!

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IT ISN’T like I have any animosity toward Scott Sullivan, but it is that…

…COSTCO BREEDS COMPETITION.  That’s been my opinion for quite some time.  It’s a constant jockeying for position.  Picture the gas lines.  If only you could fill from the right side.  Durn.  Oh, you have a regular membership card?  I have a Corporate card.  You go for the optimum parking spot; close enough to either the entrance or one of the cart returns in the lot (in Australia, it’s probably the car park). NO, FIRST, you time your visit to when you believe it’ll be the most efficient.

IF YOU GET THERE at opening; sure, you can power through, fill your cart, cross out the items on your list; only to get to the front with fifty or so other dawn patrollers (if dawn is at 10 am), and one register open.  SIMILARLY, if you go late you will miss the free food samples (hummus or guacamole on various crispy items, soup, trail mix, skanky cheese, whatever; always worth a taste) that advanced Costco shoppers (many way more adept than you could be at the gather, half-stepping as another tray is put forth, swoop necessary to hit every sample offered; aka lunch) will elbow-smack you for. THEN AGAIN, lights dimming, everyone else is at the front, two cashiers (and, really, though it seems like a better idea than having the folks at the food court throw out the leftover item, as required, at closing, a slice of 8:29 Costco pizza is not good pizza), and the people at the register you chose need extra assistance in ringing-up that really big TV, the one you can actually watch from your position three back in the line (elsewhere called the queue, which we, in A-merica, don’t really use because we don’t know how to spell it).

STRAIT SLICE PIZZA, 121 1ST STEEET (that’s 101, really, the one-way going in-to-town), PORT ANGELES, WASHINGTON; SCOTT SULLIVAN, OWNER.

Unsolicited advertising, Scott Sullivan.

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-PART ONE-

I DID WRITE about my first encounter with the well-known Port Angeles restauranteur, surfer, and, evidently, photographer/skier (or snowboarder, or both- don’t really know) on this very site. AND, WHEN I FOUND OUT HIS NAME, I DID NAME NAMES.  Scott Sullivan.

BUT, at the request of a friend I should probably not name, but will (ADAM WIPEOUT JAMES), I deleted the name; Adam’s main argument being that Scott Sullivan is popular with the P.A. surf crowd; and Erwin Dence is, perhaps, not.  FINE. I also did not, and won’t here, reveal the not-really-secret surf spot where I, allegedly, BURNED SCOTT SULLIVAN.  Feel free to guess.

BRIEF RECAP: I was there with MIKEL (SQUINTZ, still the best nickname I didn’t give someone) COMISKEY; and was, actually, one of the first people out.  It got, over the next two hours, crowded. I was, allegedly, catching more than my fair share of waves.  ALLEGEDLY. Squintz had been surfing a different peak, and had been in and out of the water (some of this due to his refusal to wear booties).  I got out of the water about the time Scott Sullivan came powering down to this peak, took off on a wave, and, moving up to a forward trim position, caught an outside edge on the inside; his leashless board nearly hitting a young woman.

That’s not really relevant. BUT, surfers do seem to kind of brag about how they’re leash-free, as if it equates to confidence or ability (and it may), while giving little to no beach cred to folks (me, for example) who surfed, pre-leash, ankle-naked, for seven or eight years before giving in to the swim- (and, often, swimmer) saving kook cord.

SO, now Squintz is trying to convince me, with the wind coming up, that, now that he’s at this peak, more waves will be coming.  OKAY, I paddle back out. AND, A FEW MINUTES LATER, there is, indeed, an outside set. I paddle over the first one, then the second, paddle toward the peak. I turn, start paddling for it.  I AM COMMITTED. That commitment is the key to my defense, your honor(s). 

BUT, SUDDENLY, Scott Sullivan maneuvers closer to the peak, turns, and takes off.

SO, by the rules handed down, unofficial but not unknown (passed through constant lectures and occasional ass-whippings), Scott Sullivan had priority.  PRIORITY. It was Scott Sullivan’s wave.

AGAIN, I was committed, couldn’t really bail at that moment.  WELL, if I did just dismount, the way one would (and I have) if there’s a danger of imminent contact with some kook who decided to paddle out rather than around, this might not be the story of how I BURNED SCOTT SULLIVAN.  I didn’t.  I was COMMITTED.

WHOA!   Okay, I did do what I believe to be the right thing; the thing I would want someone to do if they inadvertently took off in front of me.  I powered down the line, pulled over the top.  NOW, I still believe I heard something behind me, something like grumbling (or yelling- I do wear protective earplugs). 

FORTUNATELY, there was a fourth wave.  I took it.  I rode as far as I could.  PADDLING back (around the break), I observed big, angry arm movements from Scott Sullivan, directed, in my absence, at Mikel Squintz.  When I got back to the lineup, Scott Sullivan was gone, having moved to a position farther up the point.  “Um, uh; guess he’s kind of mad,” I said.  “Yeah.” “I was committed.” “Sure.” “Who is that guy?” “That’s what he asked about you.” “Oh?” “Yeah, he said that you’re not even from around here, and I said, ‘wait a minute, you’re from _________ (my memory isn’t clear on which upper east coast state Scott Sullivan came here from),’ and he just left.  You could apologize.”  “Apologize?” “Maybe.” “Sure.”

Mikel did mention that, even with the increased crowd, Scott Sullivan and I did seem to be getting most of the waves ridden. “And?” “Just saying.”

I did, incidentally, move to the OLYMPIC PENINSULA in 1978, first surfed this very (unnamed here) spot in January of 1979.  With useless California wax, an insufficient wetsuit, and, yes, a leash. 

SO, since I was well past ready to get out of the water, I paddled up toward Scott Sullivan.  “If I, um… if you thought I…” “I go surfing to get away from that kind of shit,” Scott Sullivan said.  “We all do,” I said, and paddled on. 

I’m sure I stopped at Costco on the way home.  I usually do.  Here’s a shot of me, in the ORIGINAL ERWIN shirt I was wearing, just in case,. So non-threatening. 

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WAIT. ABOUT THE  BURNING from Part Two.  Didn’t happen. I had to stop to get peanuts for our yardbirds.  Scott Sullivan was long gone.  He, obviously, picked the right line.  ABOUT THE PIZZA.  I haven’t tried a Strait Slice slice; assume they’re great; I do know where some of the makins come from.  

Ravens are Indigenous, Most of Us Aren’t

Trish and I love ravens. Maybe Trish a bit more.  There’s a reason they’re honored in myth and legend in places where they are indigenous.  Without getting too deep into origin or migration stories, the Pacific Northwest is a place where they are indigenous.  Okay, let’s say locals.  They are locals, and most of the rest of us are visitors, tourists, refugees from somewhere else.

How I got myself into this whole thing is this: I wanted to have a cool title, with, maybe, some graphic lettering, to go with my drawing of a raven.  Ravenswood, ravenscraft, the words I might choose to use were taken up by video games and artisan beer companies and such commercial places.

Then, while watching the pre-season football game last night, coloring-in a larger (can’t be scanned on my printer) version of the drawing, mostly because this previously-colored version was criticized by Trish for being ‘too yellow.’  “And you put color on my raven (wait, her raven?); ravens are black;” I saw a little spot from the Muckleshoot tribe featuring a young woman, a champion middle distance runner, who was bringing attention to Native Women who have been murdered or disappeared by competing (and winning) with the image of a red hand across her mouth.

Powerful.

I didn’t catch the young woman’s name. Sorry. Here’s a related image:

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Okay, I spent another five minutes, found this image of Rosalie Fish taken by photographer Alex Flett:

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Hey, maybe I’m reaching for a connection here. Maybe there’s just too much going on about who belongs where, who’s a local, who’s a migrant/tourist/visitor.  Part of my family’s history (or legend of actual history) includes a connection to Eastern Band Cherokees (pre Trail of Tears), with other connections to Wales, England, Scandinavia – legends of settlers and invaders.  Reaching.  Fine.  Maybe we’re not all migratory, transitory; here, there, and… gone.

Maybe I’m looking for something spiritual among the mundane.

I really just wanted to show my raven illustration.

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I did tone down some of the yellowness.  When I get the later version, “Trisha’s Raven,” reduced, I’ll put out a side-by-side.

MEANWHILE, BONUS! Here’s a recent shot of Stephen Davis kiteboarding:

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If the Waves don’t show…

…get to work.

Here’s a work in progress by Stephen Davis.

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In progress.

I got this on my phone, so, small, and the image (taken from one of many great  photographs he  has taken) was preceded by Steve, who had picked up some new acrylics the day before, describing his latest painting as, “Vibrant.”

“Send it to me.”

On my phone, it was that: Vibrant.

Because Steve and I are quite competitive (that is, 8.5 out of 10), I asked if he’s all right if I attempt a drawing of the same scene.

“Bring it on!”

Okay.

Wait for it.  Wait for it.  Oh, yeah; we’re a little sick of the waiting- bring on some waves!

ARTSY Note: If you look too closely at many artist’s work, at classics; if you look at the brush strokes, try to work out how the colors are blended, or not; if you break down the technical aspects, the layout and the perspective; you’re looking too closely.  Trish and I have one of Steve’s originals, an acrylic image of one of my favorite northwest surf locations, hanging across the room from our bed.  Perfect.  Here are a couple more: