CHRIS EARDLEY texted me this photo with the caption, “Is this Reggie on my bag of Inca Corn Snacks?” “Definitely Reggie, switch stance.” It does resemble REGGIE SMART on the bag of hipster-friendly chips (available on Amazon and I don’t know where else. Co-Op, maybe). Reggie, in addition to being a licensed painting contractor, has rented a space in Port Townsend and is available for your tattooing needs. I know he’s on social media.

CHRISTMAS is coming, and I did my yearly assist in decorating DRU’S house in Port Gamble. Because the town is so, let’s say, quaint, decorating for the various seasons and for whatever other reasons is sort of mandatory. Dru works part time at WISH, a wonderful card and gift shop over by the haunted house and the other vintage attractions. Check it out on your way to or from the Hood Canal Bridge or the Kingston Ferry.

It’s a joke between TRISH and Dru and I that, in movies, when there’s a moon, “It’s always a full moon.” I took this shot over my house last night. Trees could have been in the photo, but were not. In the ‘should have taken a photo’ category- After midnight, when the moon was scientifically at it’s fullest, I looked up in the living room skylight, and the moon was visible through the bare branches of a vine maple. I opened my wallet and did the pagan chant that, once I started doing it, has become as mandatory as any ritual, and as such, must be followed religiously. “Oh moon, beautiful moon; fill ‘er up, fill ‘er up, fill ‘er up. Thank you, thank you, thank you.” MAYBE the ‘er part is some American-ish bastardization, but, hey, that’s how I leart it.

SWAMIS TO “SWAMIS”- While I am waiting for responses from literary agents, I have decided that I should submit something to “SURFER’S JOURNAL.” Before it all hits the big time, my favorite surviving surf-centric magazine could have something on my struggle to capture the magic of a particular time and place through fiction so cutting edge that… Yeah, and art-wise, my stuff, I can hopefully convince them, should grace the magazine’s slick pages.

To that end, I am super editing my submission; as in, I’ve already cut out more than I’m keeping in. OH AND I’m going through my final final version of the manuscript. One more time. A POLISH as they say in the biz. Shit, I want it ready to be glassed and polished.

MEANWHILE, because it’s off off season for painters and the darkest time of the year, I’ve been sleeping more, which mean dreaming more. Not all are worth keeping track of or even attempting to remember, even fewer worthy of trying to figure out some sort of meaning. SO, Here’s:

                                    A Series of Dreams before Christmas

Second dream first- I was surfing, dropping into a left, turning hard off the bottom, going down the line. You know the angle; mine; close to the wall, the creases of the wave threatening, folding; and I’m climbing, too high, dropping, side-slipping, redirecting, racing into the glare.

Suddenly, dream time wise, I’m trying to get dressed, hurriedly, because I’m supposed to be somewhere, somewhere else. I pull on a t shirt with some sort of logo on it. I say, “I don’t work there.” I may add, “Anymore.” Dream talk. I put the shirt on anyway and look down several wide marble stairs. Almost landings. And, yes, marble, everything is marble, white with a very light green tinge. Or the greenness could be because there’s glass to the right, water behind it. An aquarium, perhaps, and possibly connected to a wave pool. Makes sense. Dream sense. Another view of surfers and waves. No, I didn’t see dolphins pressing close to the glass. I can imagine them, but I won’t add them as if they were there.

There is a woman sort of sprawled on the lowest stair, long black hair disappearing in all black clothing. All I can really see is her right hand and her face, in profile, very white, as I drop down and closer. Her reflection is on the glass and the walls between us. The walls, perhaps, are tiles, shiny, like the tile work in the Paris subways, but rectangular, horizontal.

“Did you see my ride?” Because the woman doesn’t answer I add, “I thought it was pretty good. My bottom turn was…” No answer. Her head turns a bit more toward me. “I figured, you probably don’t surf, so you might be…”

“Why do you think I don’t surf?”

“You’re very white.”

“Oh?”

“I mean, the sun isn’t… always…”

“Healthy? No. Not always.” The woman turns back toward the glass.

I notice there’s an above and a below the waterline. The last push of a wave hits the glass, pushing up above our ceiling.  The woman seems to smile as she watches the bubbles rising and dissipating into an unseen sky, some of the greenness transferred to her face.

“I did see your ride. It was… from the perspective of a very white non-surfer, not as good as you probably thought, but… if you’re happy with it…” She turned toward me again. “Do you work there?”

I looked down at the shirt. “No.”

Different scene, same dream- It’s still very bright, but I’m driving in some flat, open country. Big windshield. Truck, I’m dream thinking. And I’m late. Probably the surfing. I hard turn into a driveway. No grass, no trees. A house. Covered porch all the way across the front. Imagine Australian Outback. Dust flies as I jump out of the vehicle. Trish appears at the front door, her hands on the opposite arms.

“I’m late,” I say, breathlessly.

“Oh?”

Oh? I feel in my back right pocket. I pull out a cell phone. “Oh.”

“If I were worried, I’d have called you. You know that, right?”

“Right.”

“Where’d you get that shirt?”

GOOD LUCK on finding and surfing some memorable waves. STAY WARM! Remember all original material in realsurfers.net is protected by copyright. All rights reserved by someone, my stuff by me, Erwin A. Dence, Jr.