I did this drawing in the mid-eighties. I wasn’t really stoked on it, but I did save it.

NOTE- After I posted this, late last night, I wanted to check ONE MORE THING, so I went to IMDB, and, accidentally, got to a bunch of comment/reviews. And then, I started reading a few of them, start and stop, scroll down. THE NET RESULT… TWO THINGS- One, I’m almost embarrassed to be asking you to read my take on all things BOB DYLAN, and Two, I may as well save those of you who are as high on the ADHD SPECTRUM as I am, and give you the short answer to my review of “A COMPLETE UNKNOWN.” It’s a movie best suited to folks who don’t believe they know a lot about Dylan.

OTHERWISE, I do think it’s worth the read or I wouldn’t have bothered.

You Don’t Know Dylan – Part One

My son James is quite fond of saving lines people say that become a part of any description of that person. If the quote is “We buy new,” I know who he’s talking about. James also comes up with terse phrases that work equally well. “Not enough sex, not enough car crashes” was my son’s review of a review a short story I’d written got from a guy we were working for who had, he claimed, Hollywood connections. My saved quote from the older gentleman, who had an office in the garage of his Pacific Northwest home, and was, unfortunately, dying of cancer, was what he kept telling himself; “Gotta get something going.”

The “You don’t know Dylan” quote came from Rusty, the father of a kid who was in the earliest lineup of a band my son James put together. The quartet was called the “Black-eyed Peas,” before they discovered there was another band by that name. When they would practice at the rhythm guitar player’s house, Rusty would (not because it was a special occasion, drink, break out his guitar, ask James if he knew any Dylan songs, and drink, and at some point, say, in a rusty (sorry, it’s true), barroom voice, “People think they know Dylan. I tell ‘em, ‘You don’t know Dylan.’”

Rusty was right.

My daughter Dru and I went to see “A Complete Unknown” at the ROSE THEATRE in Port Townsend, home to the hippest (self-proclaimed) and oldest (statistically proven) demographic in Washington State. Having heard that theatre goers had misbehaved, including talking over, and singing along, and fully aware that one cannot out in-depth PT Hipsters on any movie, much less one that strives to be a biography of someone so completely known, I did have a nagging fear that verbal fisticuffs might break out in the aisle.

IT DIDN’T HAPPEN, but I did explain a few critical points to Dru. “No, the ‘Judas’ thing, and the ‘I don’t believe you; you’re a liar,’ was from later, with The Band, and…” “Dad. Shhh.”

Everyone else, it seems, has reviewed the most recent attempt to capture the enigmatic, self-described song and dance man. If you figure I first heard of Bob Dylan, ten years older than me, at about twelve, so, like 1963; yeah; I’m a longtime fan. Still, I am but a mere Dylanophile when compared to rabid Dylanologists. Still, I have opinions.  

Having seen part or all of a lot of YouTube clips, ‘beyond the scene’ and ‘making of’ features, and reviews by people neither I nor Dylan have heard of; and then, full of dread and anticipation, hoping I wouldn’t cry, or worse, sing along, and having paid the money and watched the film, I am obviously qualified to write as many words as possible about whether the essence and truth of the legendary minstrel was captured. Or not.

SURE.

“A Complete Unknown’ got a lot of the settings right. Probably. Long time ago. And Timothee Chalamet shuffles and mumbles and looks kind of like Dylan, if you don’t know Dylan. People who know Dylan say they don’t know him, so, huh, like we’re supposed to say, “Nailed it; break out the Oscar.” That was a question.

AN ADMISSION: I have seen Dylan. Live. Yes, Puyallup Fair, a while back. September 22,1998 (I googled it). Trish and I waded through the crowd, past the championship goats and the corn dog stands and the Carnival attractions. We took our folding seats (I was on the aisle) in, my guess, the same place they hold horse riding and steer roping events. I was so excited, this after years of hearing other concert goers tell me about their experiences seeing Dylan live. “I had binoculars,” a friend said, of his experience in the San Francisco area in the early 70s. “Had to put them down. Dylan was green.” “Yeah, I saw him once,” the ‘we buy new’ contractor told me, “He had to have been drunk or fucked up.”

Fuck those guys. “You can’t be super fucked up and remember all those lines” was my response. “Well, you’ll see, man. Maybe it’ll be worth it.”

Folks in the folding chairs near Trish and I were asking themselves about Lucinda Williams, the opening act. Since I listened to a progressive Seattle station, The Mountain (probably Country/western or religious nowadays), I said she was… I don’t remember who I thought she was. I was wrong. Should’ve said, “Yes, she does, ‘Cartwheels on a Gravel Road.’” That would also be incorrect, but, perhaps, better than the actual title of the Lucinda Williams song, “Car WHEELS on a Gravel Road.” Completely different vibe.

Anyway, BOB WAS WORTH IT. I was a bit mystified and quite annoyed when a lot of way younger audience members rushed the stage, getting way too excited when Bob (no harmonica or piano playing on this night) did a guitar solo. It seemed they were moshing to someone who shouldn’t be moshed to. A little reverence seemed more fitting.

I did almost talk myself into buying a t-shirt for, like thirty bucks. Should have. The HIGHLIGHT OF THE EVENING, for Trish, was, while following my lead block through the crowd, she came close enough to bumping into someone that they both had to stop and regroup. “I’m sure it was Jakob Dylan,” she said. “Almost positive.” “Why would he be in Puyallup?” “Because his father’s here.” “Sure.” “He had beautiful blue eyes.” “Okay, it was him, then.” Trish has kind of a habit of almost bumping into celebrities, and a definite habit of being right, so I’m more and more inclined to believe it was Jakob Dylan.

Trish and I saw JOAN BAEZ, also; early seventies, some venue in San Diego; sitting in folding chairs, close to the front. I don’t recall there being a stage. Cheap tickets for the time. Joan was singing, her voice clear and cuttingly beautiful. She was also talking human rights stuff, anti-war stuff. Nixon was president, Vietnam was still going on, and I could still, age-wise, be called into military service.

Toward the end of the event, guys were putting their draft cards into a pile. I didn’t. I was painting for the Navy, department of defense. If was an anti-war, which I was raised to be, I was also a hypocrite. At the very end, Joan said she appreciated the sentiment, but the cards could be picked up. Most probably were. Interesting thing about the show; no big, rude herding out by security.  

TO BE CLEAR, Trish knew a lot more about Joan, her sister Mimi Farina, Mimi’s tragic death; about Dylan’s first wife, her kids, their kids, the relationship between Bob and Joan; all this stuff; and I don’t know exactly where Trish got all this info; but she’s passed on this sort of romantic notion that JOAN AND BOB have a bond that’s, you know, romantic, real.

I’m fine with it. The notion goes along with my theory that women love men who are sometimes assholes. If not ‘only’ love, then ‘tend’ to love.

TO GET BACK to the movie; didn’t buy Monica Barbaro, the actress portraying Joan so much. No offense: Just too much squeezed into each on screen minute. Did think Edward Norton captured Pete Seeger until I saw video of Pete Seeger.  Again, the squeezing. Dru is a big Elle Fanning fan, and, since my knowledge of Suze Rotolo is mostly that she expanded Dylan’s study of other cultures and, you know, stuff, I think Elle nailed the part. Maybe a few too many seconds of closeups of her emoting, but… great. POSSIBLY my favorite character was Albert Grossman, played by Dan Fogler. Having seen Grossman in documentaries, looking more like a well-dressed bodyguard than a manager, it was a treat to see him leap out of a motel room bed.

If it’s a THUMB’S UP or THUMB’S DOWN thing, I’m giving it a DOUBLE SHAKA for production value, the truncated storyline, the settings; all the stuff movie people reward themselves with.

It isn’t all that disappointing to me that what is SO DIFFICULT TO CAPTURE is the absolute charisma that separates true artists from those of us trying to paint a portrait from a momentary glimpse.

Thanks for checking out realsurfers. Yes, I wrote more on Dylan. Couldn’t stop myself. I should apologize for this not being more surf related. I do have some surf-centric stuff coming up. SUNDAY. Meanwhile, watch for ice, stay warm, find waves if you can.

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