Author Archives: Erwin A. Dence Jr.

Stories, Epiphanies, Shoot-Outs, Poem de Jour…

Posted on by under "Swamis" the novel, Competitive surfing,, Erwin Dence illustrations, northwest surfing, old surfers, real surfers, realsurfers illustrations, surf art, surf fiction, surfing, surfing art, surfing blogs, surfing novels, surfing Swamis, writings of Erwin Dence

… Oh, and all respect to Bethany Hamilton. Posting this was delayed a bit because I HAD to watch the highlights from the first day of the DA HUI BACKDOOR SHOOTOUT. I also had to have the live stream on the big screen all day yesterday. Ten plus minutes and pretty much every wave actually ridden was on the video.

It is pretty easy to criticize surfers for not catching more, or any, waves, but if you really put yourself in the water… Really? Almost every wave coming in, this visible from every camera angle, was a double-up, one swell overtaking another; and this isn’t factoring in backwash. So, couch hero, if you make the beyond vertical takeoff, get through a spitting barrel, you’re almost certainly facing a killer closeout section at mach speed.

But yes, I did question how much time I was spending watching, hoping someone would just GO! Someone who did was BETHANY HAMILTON! We’ve all followed her since her shark attack, a teenage girl with a bit of a lisp, almost worn out by the attention and constant press coverage before I ever saw an interview. Then the movie and the books and, wait, four kids. Four kids? So, proper respect.

NOTE to self: Never allow yourself to be photographed with two skinny guys. RANDALL, fat and old painter obviously hiding something under his sweatshirt, and QUINN.

Here’s the story of why I’m willing to post this now: I emailed holiday (Dead zone for painters) greetings/reminders that I’m still alive and working to my clients, and sent texts to all the surfers on my stealth phone contact list. I do appreciate all the responses, and, oddly, I didn’t get any snarky ones. Quinn, a reformed (as in former, as in non-practicing) Attorney, sent this one: “Back at you– many curves on the page and carves on the sea.”

NOW, I am as competitive as anyone, cleverness-wise, but I couldn’t come up with anything to compete, EXCEPT that, in conversations with Quinn, I did ask him why he no longer practices law. His explanation is that attorneys are, basically, agents, and agents are… “Oh, I get it, like, you know, gophers.” “Yes.” “Or maybe, to be crass…” “Yes.”

I did tell Quinn, as a “Swamis” update, that I sent submissions to a group of agents in December, and was hoping for a Christmas, then New Year’s miracle, a positive respose. My text, “Waiting.” Quinn’s, “Maybe you’ll get it for epiphany.”

OKAY. So, Trish and I both googled epiphany- The religious celebration “Commemorates the manifistation of Christ to the Gentiles as represented by the Magi,” is held, probably, today, officially, tomorrow. Hopefully, no one draws some comparison with anything political. No. Don’t.

The other definition is: “A moment of sudden realization or insight.”

HERE’S MINE, something that came to me when, after another series of dreams, little movies, I woke up an hour before I intended to: People have stories. People want to tell their stories. IF someone is willing to tell me a story that is important to them, I should be willing to listen. AND, people don’t always believe this; I do.

                                                 THIS FAR OUT

This far out, the sky, horizon to horizon, Can be one otherwise colorless shade of metallic grey, Platinum or pewter or steel or chrome or lead, Polished or pitted, from almost white to darkest black.

This far out, the wind-scarred dome can be broken, lightning torn, Here thunder cracks and rolls, cold laughter, This far out I can’t recall what it was that I was after.

This far out, I’ve heard stories, Of a light so bright that the blind can see, Of a sight in the sky like glass on fire, Of a tearing of the shroud, A glimpse of heaven reserved, we’re told, for the drowning and the dying. Some claim to have survived, returned, changed, no doubt, And some were, clearly, lying, Adrift, alone, I’m wondering How I got here, this far out.

This far out, the sea and sky can merge, Indistinguishable, A swirling battlefield, force against force, chaos Seeking direction to some stony, high-cliffed shore, Some distant, secret harbor.

This far out it makes no difference, If I scream or cry or wail, The only echoes are the questions, Accusations whispered by the waves, Waves that whish or scrape or crack or roar, Or scream out threats and curses, “What are you looking for?”

Even in the calmest seas, the skies almost transparent, Colors blended by the smooth, broad strokes of the cleanest brush, There’s a constant sound, subtle, in the silence, Bubbling from the deep, exploding on the surface, Mistaken, easily, for laughter, This far out I can’t recall what it was that I was after.

I am trying to add more poetry to my portfolio, which includes a collection of songs and poem I copyrighted a few years ago under the title, “LOVE SONGS FOR CYNICS.” As part of this plan, I am working on doing an illustration for each selected piece. If I do them in black and white; less expensive. This is the illustration for this poem, my most recent. I worked on it, writing, saving, rewriting, repeating the procedure. I made changes from what I thought was a complete version. I do not promise to not make further changes.

All original works on realsurfers.net are protected by copyright. Thank you for respecting that.

Meanwhile, if you find some waves, surf ’em.

Happy New Year, and No, I’m Not Worried

Posted on by under northwest surfing, real surfers, surfing the strait of juan de fuca, writings of Erwin Dence

…Except when I am. Not right now. Or, if I am worried, I’m trying my best not to outright panic.

It is fitting that each new year starts so close to the shortest, darkest day of the year. So, if everything is bleak; better days are ahead. If new year’s day was in April, or worse July, we’d be forced to celebrate that slow roll into the uncertainty that is, for many of us, winter.

For surfers and snowsliders, of course, winter brings some increased hope of waves. It has been brought to my ATTENTION that I am, possibly, the only one consistently writing about the very fickle and utterly inconsistent waves on the STRAIT OF JUAN DE FUCA; this with the possible downside that my even mentioning the possibility might influence surfers to make their way to the Olympic Peninsula.

I DO CONFESS that, back in 2013, I did name a couple of spots that can, occasionally, get crowded. I stopped that practice, partially in my own self-interest. BUT, if someone asks you why you’re searching for waves out in this (let’s face it, the strait is a harbor) area, you should probably also confess. “Yes, Erwin seduced me into believing I could find such blissful happiness here.” ALTERNATE (and more realistic) RESPONSE- “Who?”

I have always written songs and, another confession, poetry. I’ve been concentrating on it a bit more lately. I am not sure if I posted this song (yes, it’s singable) before on realsurfers. If I have, PLEASE FORGIVE ME!

Nothing to worry about               

OUT OF THE WIND

There’s something sublime, a soft summer breeze, But the cold gales of winter will bend you to your knees, Yes, you can resist, but you’ll never win, No matter how fierce, all storms have an end, But… I just want to get out of the wind, out of the wind, out of the wind.

Most colors will fade, some colors still shine, Other colors just refuse to stay within the lines, While some colors clash, still others will blend, Some take you to the clouds and back again, Still… I just want to get out of the wind… out of the wind, out of the wind.

Small change is dirty, big money’s all clean, I just need some dollars that are somewhere in between, If there’s none to save, still need cash to spend,     If money’s your love, please find a new friend, And… I just want to stay out of the wind… out of the wind, out of the wind.

All truths remain true, all lies are still lies, Politicians smile and hit you right between the eyes, False stories they spread, still others defend, The damage, once done, is too hard to mend, So… I just want to stay out of the wind… out of the wind, out of the wind.

Looking for justice, it’s always on sale, You won’t change the system if you know you’re bound to fail, The world isn’t fair, it never has been, The answer, my friend, got lost in the wind, And… I can’t seem to stay out of the wind… out of the wind, out of the wind.

I sailed for safe harbor, I couldn’t outrun the squall, I’ve tried to live my life in Summer, but I’m heading for the Fall, You say there’s no sanctuary, well, I’m still willing to pretend, We’ve made it through so many winters, But winter’s coming ’round again…

THANKS FOR CHECKING OUT REALSURFERS. Important NOTES: I don’t get any money from whatever ads WordPress puts on my site. I wish I did. Remember- any original stuff is protected by copyright. All rights reserved by the author/artist, Erwin A. Dence, Jr.

May we each get some rides worth putting in our ‘best of 2025’ memory files! Example- “This one time, Westport was sooooo good, and me and my crew, we was on it.” OKAY, now I’m blowing up Westport. I’d apologize, but…

No

Rippers and Chargers and Bobbers and Buoys- A Report from A Random Parking Lot

Posted on by under "Swamis" the novel, northwest surfing, perfect waves, real surfers, surf culture, surf fiction, surf novels, surf satire, surf sessions, surfing Swamis, surfing Windansea in the 1970s

It isn’t some kind of trick. I erased some good stuff; epic stuff. It is not unlike the sessions we miss; always chest to head high, bigger on the sets; the only wind the gentle offshores that groomed the empty A frames and barely makable walls; the lineup made up of best friends willing to give up a bomb for another bomb. Yeah, just like that.

Part of the reason I had to delete some images is the DE FACTO RESTRICTIONS I produce realsurfers under. There are, of course, no actual rules covering what spot I can name, and therefore, because of my influence with my tens of real and possibly real surfers in my worldwide audience, blow up; and only a few people have told me I cannot ever, ever say there are waves, ever, ever on the Strait of Juan de Fuca; BUT it is in my best interest to self monitor.

I have been mulling over, if not considering, if not laser focusing on the ALMOST OFFICIAL RULES OF SURFING, none of them passed by any legislative body other than self appointed regulators and wave counters. Although I hate, or at least hesitate to start any sentence with ‘Back in the day,’ back when BIG DAVE RING was surfing, he would often, without any substantiating evidence, say, “The wave counters on the beach say you’ve had enough; better go in.” And I would say, “Who?”

Here, if my copy and paste works, is where I’ve gotten to so far:

                                    The Freedom Trap- Preamble

It’s lovely to say that surfing represents freedom, and it does. It can be a very liberating experience. It should be that riding the visible, moving, tangible manifestation of energy, waves; wind born in chaos, smoothed and groomed by the miles traveled, shaped by underwater canyons and mountains, reefs and rocks, and delivered to a beach near you. For free.

By some real or imagined extension, surfers are free; free-thinking, free of the conventions and rules put up as roadblocks by those without the courage to throw away their inhibitions and crash into the wild, lawless surf.     

Free. Undaunted. Unrestrained. ETC…

This photo of SMILING DAN is a replacement for one that MIGHT have some sleuthing surf dick saying, “OH, I recognize that parking lot. It’s that new place down by Westport. ‘Country Clubs’ I believe the locals call it. Rabid bunch of surfers/golfers/rockhounds/dog walkers; no bags- watch your step if you go down there- yeah, and… I’m going to zoom in on his watch; see if I can get the time and date. And, anyway, he’s smiling; that there’s a clue.”

Okay, that is correct. Smiling Dan is, despite repeated warnings, smiling.

WHAT I DO LOVE, though not as much as surfing, is the gossip and chatter between surfers; in the parking lots, in the lineup, on the beach, in the comment section of every YouTube video. The sarcastic ones are the best. OKAY, I went back and re-found this one, commentary of a wicked day at BIG ROCK. I did, back in the day (sorry) live nearby, did surf Windansea, never attempted that crazy slab. So: “This wave looks soooo fun! I’m a low intermediate adut-learner and just got a new CI mid length. I’ll be out there the next big swell. If you see me in my white Sprinter van, stop byy and say hello.” @jakemarlow8998.

Perfect. Other worthwhile comments judged a dude harshly for dropping in, twice, at Lunada Bay (never surfed there), celebrating the justice delivered when his board broke. Blowing up spots and just how many surfers were out at, say, SWAMIS, were subjects prominently discussed. “Eighty-seven people out and five surfers getting all the decent rides” is a paraphrase of one I didn’t go back to give accreditation. I agree.

Do surfers JUDGE? NO, except constantly. You should assume that you are presumed to be a kook until you prove otherwise, and then you’re no more than another surfer, like, not as good as the surfer judging your surfing, until you get a great ride; and even then you can be demoted with one blown takeoff. One accidental drop in can get you pegged as a shoulder hopper, one accidental drift can get you labeled a backpaddler. Too many waves while the people in the channel get a smaller share… wave hog.

I’m not making accusations. As with a meaty-but-scary barrel opportunity, I’m dodging.

RIPPERS AND CHARGERS- Here’s the discussion. ONE, can you fit your surfing into one of these categories? TWO, which is better? COUGAR KEITH said he’s happy being a charger if being a ripper goes along with unnecessarily exaggerated arm movements. SHORTBOARD AARON, undisputedly a ripper, says a ripper can choose to charge, whereas a charger… Yeah, yeah, I get it.

I AM, of course, still, still working on perfecting (it was just polishing) my manuscript, “SWAMIS,” the fictional story centered in 1969, or ‘back in the day’ to some.

Sorry for blowing up Country Clubs. Happy Almost New Year!

Lost POSTS, Missed waves

Posted on by under Uncategorized

I was trying to delete some stuff. I deleted the whole post. Sorry. I’ll get back to it after I recover from wasting a couple of hours on it that I could have spent looking all over the internet for some hope that more waves might enter the Strait of Juan de Fuca.

And, already I’ve said too much. Where’s that delete button?

The Very Delayed Eddie Swell, New Illustrations

Posted on by under "Swamis" the novel, Erwin Dence surf illustrations, hipster surfers, northwest surfing, old surfers, perfect waves, real surfers, Seattle surfers, surf adventures, surf art, surf fiction, surf novels, surf satire, surf stories, surfing, surfing art, surfing blogs, surfing illustrations, surfing in Washington State, surfing novels, surfing Swamis, Uncategorized, writings of Erwin Dence

“Dark Cutback”- Pen and Ink, “Come In”- Pencil, pen and ink

                  Meanwhile, on a Strait Far Away…

It was the day before Christmas and all along the Strait, Surfers were sick of the Eddie Swell wait,

And the planning and loading in the dark of the night, All frothed-up and hoping you’d hit it just right,

Get through holiday traffic and ferry lines long, Just to find out the forecasters got it all wrong,

No six to eight-foot faces, with stiff offshore winds, But side chop and flatness, too many surf friends,

All those kooks who got wetsuits and leashes as gifts, And promised pure awesomeness, maybe, when the tide shifts,

Or the currents reset, or the stars realign, Which they haven’t done yet, so you’ll have to resign Yourself to some chilling with the parking lot crew, Having artisan breakfasts and customized brew,

With the burnouts and geezers who still dream of the past, With retired accountants who’ve heard surfing’s a blast, With newbies who ruled in the surf camp’s real water lessons, Who count the wave pool rides as real surfing sessions,

With the hodads and show dads and their sons and their daughters, Influencers and surf tourists who don’t get in the waters,

Cell phones at the ready, all waiting for action, They’ll be hooting and filming, with a deep satisfaction,

Witness to butt-hurt back-paddlers, shoulder-hoppers, and snakers, Heroes and villains, GoPro-ers and fakers, Buzzed-out dudes blowing takeoffs, laughing, pearling and falling, Occasional barrels and turns worth recalling.

They’ll soon be Youtubing a post of their Christmas surf strike, So hit the “subscribe” button, comment, and like,

And save it, repost it, it is something to share, When you watch it again, it’s as if you were there.

Yes, I hope you got waves, I did, too, and in the best Christmas spirit, If you have a great story, I would so love to hear it,

The next time we’re together, facing a skunking, so tragic, You can tell me the tale of your holiday magic.

“You should have been there, Dude; you would have loved it.” “You could have called me.” “You should have known. Are you angry?” “No. It’s just surfing, man; almost all of the magic is… well, you know.”

Color versions, and I slipped in a couple of photos from an ultra fickle spot where rideable waves are mostly imagined. Yes, that’s pretty much every spot on the Strait of Juan de Fuca.

I HAVE HEARD a couple of stories of the usual situations that occur with too many surfers and not enough waves; confrontations that went way farther than they should have. They are not my stories, and, although I LOVE to hear them, AND retell them, if they’re good enough, you will hear them eventually. Maybe from me, but not here. What I will say is, “That wave is gone.”

NEXT.

This is as true when the story is of epic, magical, all-time, best-ever stories. Your joyful stories, perfect moments in an imperfect world; the ones that make you smile; those are the ones to to savor; those are the images to save, to replay.

The illustrations are protected by copyright, all rights reserved by Erwin A. Dence, Jr.

OH, AND I am, of course, still polishing my novel, “Swamis,” and I’m working on a piece for SUNDAY on the LAWS OF ETIQUETTE. Look for it. In the meanwhile, there are a lot of YouTube videos of super crowds at Swamis and elsewhere. Yeah, crowds.

Eddie, Surfline, Waves, Wind Direction, Day After the Solstice, Christmas Greetings, and More

Posted on by under Competitive surfing,, northwest surfing, old surfers, real surfers, surf contests, surf culture, surfing the strait of juan de fuca, surfing Westport Washington, writings of Erwin Dence

I have the EDDIE on the big screen in the living room. LIVE!

I HAVE a separate stream on my tablet, and I’ll probably (as in definitely) look for another stream to watch on the laptop after I post this. If NATHAN FLORENCE repeats the ‘you’re part of the crew’ type coverage he had for the PIPE MASTERS, yes, big screen.

A couple of questions need to be answered about the event: Why don’t those surfers go for the inside waves? Is Waimea just a big drop with no wall? Can I surf those waves? Should some of those free surfers even be out there, fancy vests and all?

They’re all afraid of getting caught inside of the forecasted forty foot closeouts. Yes, mostly drop in with four or five others and get covered by the soup, maybe getting picked up by one of those jet skies; either way you’re a hero for even making it out. Yes, or maybe, or maybe in my younger days, or no. I saw some raw footage Friday, yesterday (SOLSTICE- today’s one second longer, daylight-wise), and I watched some coverage of JAWS and MAVERICK’S, and, and, and… for as absolutely horrifyingly frightening PIPELINE was, these deep channel peaks seemed, almost, doable.

Something else about JAWS: There were six or seven paddle-in surfers and SO many ski-ins. Though the assisted surfers could get in so much earlier, the wakes made it SO much choppier than it would have been.

SO, WHY am I watching TV rather than searching the STRAIT OF JUAN DE FUCA for waves I can actually ride? Answer; sometimes SURFLINE and other forecast sites get it wrong. Here’s one thing: The east wind is not offshore. Maybe it is on the coast, though a south wind… usually bad. OKAY, now I feel wrong for giving that hint. Just trying to save someone some time.

HEY, I’m way too distracted to continue right now. PERHAPS it’s because I really should just mute the over-enthusiastic commentator on SURFERS OF HAWAII, WAIMEA DANNY, who, annoyingly, keeps pimping for donations.

PLEASE have a great HOLIDAY SEASON! I will have a bigger post on Christmas Eve. Wednesday. And, yeah, maybe we’ll see each other on the road, on the beach, not believing Surfline but out anyway.

Swamis to “Swamis” and My Movie

Posted on by under Uncategorized

The documentary Annie Fergerson produced featuring me, old fat me surfing and philosophizing, is still available on Vimeo. You have to go to: https:/review/9855582/42dd5c63de or, if you’re a Vimeo person, Erwin_Final_240715 I know, it’s a bit of a hassle.

In trying to promote my novel, “Swamis,” as I wait for responses from the literary agents I have sent submissions to, I cannot help but wonder, “Why am I not in ‘Surfer’s Journal?’ I have art and eleven years of ‘realsurfers.net’ writings. There just have to be some gems in there.” SO, I set about to write something to send to them. Another submission, another attempt to describe my novel in less than 90,000 words. Here is what I came up with:

                                    Swamis to “Swamis”

You are at Swamis Point. It’s 1969. Yes. Horizonal lines, energy in motion, beyond the kelp beds, are bending to match the shoreline, redirected and reshaped by the pull and drag of ancient reefs. As waves rise and wall up, peaks become more defined; steepening, feathering, braking, peeling across the almost-soft, fingered ledges. Your path paddling out along the shoulder of each incoming wave, is as close to the break as possible, always looking over your shoulder to check your lineup spot; that one palm tree for the inside peak, wherever the crowd is sitting for the outside peak. You are ready to spin and go if a rider on increasingly short equipment blows the takeoff, is too deep, slides out on a bottom turn, or oversteers on a cutback.

 You have a front row seat of surfers dropping in and turning, crouched and driving across the first section. Longboarders are getting in early, going for fin-first takeoffs, side-stepping to the nose; pulling out on the shoulder or cutting back; juking and cruising, tucking into that calf high barrel on the inside inside.

When it’s your turn, you drop and drive and weave through the sections and other scrappers, would be shoulder hoppers. Approaching that final tube, arms out in a subtle celebration, your arch becomes a full body twist, shoulders to ankles. The fin breaks free. Your speed while side-slipping allows you to punch the nose into and through the wave.  Your properly executed standing island pullout provides the perfect punctuation mark. Yes!  

In surfing, in 1969, there were few qualities more important than style. Or none. Whatever else Swamis was or wasn’t, it was magical.

There was always a swell. The water was always warm. It was rarely blown out or crowded. It was magical. And there were, along with the witnesses and the dealers and the posers and burnouts and the liars, other storytellers in the parking lot, magicians spinning tales of epic days and mystic spots; magicians spinning images of even greater magic. 

The view from the bluff, the balcony, the upper deck of a sometimes surf amphitheater, is almost unchanged: The point to the right, Boneyards just around it, the outside and inside peaks, the beachbreaks along the rip-rapped base of the bluff, Pipes, the curve of La Jolla in the distance.  

The walls of the Self Realization Fellowship compound were there; brilliant white, crowned with gold lotus flowers. A dirt pullout just to the south of the parking lot entrance that served as a check out spot now has luxury homes, soundproofed, behind security-gated walls, squeezed between101and the bluff; millions spent for a view we got for free.

The Swamis parking lot was smaller. A green outhouse under the trees has long been replaced by the brick shower/bathroom facility. The wooden stairs, replaced twice since, had some unremembered number of steps; well over a hundred. It featured two main sections. The upper flight went straight down, perpendicular to the bluff. A landing, where the stairs made a ninety-degree turn, offered a from-the-shoulder, up-the-line view of the lineup. “Old men stop here” was carved into the waterside top rail.

 My earliest memory of Swamis as a surfer is from 1965. Almost fourteen-years-old, I was doing the kook’s blind paddle for a wave someone else was, no doubt, on. Sorry.

Other images: Walking out to the point when one of a group of Orange County interlopers responded to a man claiming he’d surfed Swamis since 1949 with, “Then you should surf it… better.” Wailing over after school, only five locals out, and my friends from Fallbrook complaining that they couldn’t get a wave. “Well. I caught… some.” “Fuck you then!” Going out on a day with the tide still too high, beating the crowd for a while as the swell built. In my mind, I was in sync and wailing. Falling from a high line on an outside wave on a big day, whatever breath I had lost when I hit the trough; bouncing off the bottom, sucking in more foam than air when I reached the surface. Coughing, choking, swimming, going back out. Surfing, with various degrees of thrill and success, every day of the still-famous December 1969 swell.

1969. I graduated, not yet eighteen. My surf friends were moving on. The draft was coming. Vietnam was real. Surfboard design had gone radical. The completion of I-5 made San Diego’s North County commutable. Marijuana, grown in backyards and avocado orchards and purchased from friends of friends, was becoming a cash crop. Dirty money had to be made clean.

There was, perhaps, *“An acceptable level of corruption.”

A person can drive past Swamis and never realize it is on the map of a world they are not a part of and know little about.  Yes, surfing represents freedom on TV commercials, unwaxed boards on shiny new cars. Beautiful, fit, underdressed surfers play the smiling outsider, the anti-nine-to-fiver if not antihero; too cool, too perfect. Mass marketed magic.

It is the magic, real or perceived, that pushed me from imagining and remembering to writing “Swamis,” my surf/detective/coming of age/mystery/romance novel. I had a story line: A surfer, involved in the drug trade, is murdered, burned next to the wall. I had a narrator: Half-Japanese son of a Detective with the County Sheriff’s Office. My age. I had his love interest: Surfer girl, her parents are involved in the trafficking and money laundering. Both main characters are damaged; both have been protected and shielded.

Sounds clichéd, huh?

I have written four versions. Not that I wanted to. I had to edit out the peripherals, narrow the scope and the timeline. I can, if asked, explain where each of the many characters in the novel came from. All are based on placing a real person I have, in my time, encountered, or combinations of people, into fictional situations. I can give you a backstory on any of them.

The narrator, Joseph Atsushi DeFreines, is not me. He does know what I knew and has chosen to not know things I could have known; particularly about the growing, processing, and selling of marijuana. I have three brothers with intimate knowledge of plays and players of that era. One brother, under threat, ran away from operations in Northern California. One turned to Jesus. One went to work for the Border Patrol and on to I.C.E.

It is the best imaginable coincidence that a Swami, like a detective, is a seeker of truth. I am still, while trying to sell the novel, holding on to as many characters as I can. I still have work for Joey and Julie, for Jumper Hayes and Gingerbread Fred, and others. Second novel- “Beacons?” Third- “Grandview?” Both spots are mentioned in a work in which I am still trying to capture the magic.

I mean recapture. Of course.

*The quote comes from San Diego County Sheriff’s Office Detective Joseph Jeremiah DeFreines, increasingly unable to control the corruption in his jurisdiction.

THE REASON I am posting this here is that I ran it past my friend, surfer/librarian KEITH DARROCK (and yes, the Port townsend Public Library does subscribe). He didn’t say he hated it, BUT, he said what I really need to do is talk about me. “ME?” Paraphrasing, it was, “Yeah, like examples of your art, some poetry, your video of you surfing; that’s what they have in the ‘Profile’ section.”

Keith is right, of course. I started writing about myself. It’s not working. The best self-recommendation I could come up with, for my being so consistently described as ‘a character,’ is that I fail, frequently, and keep trying. It is true in my art, my writing, my surfing, my work as a painter, my relationships with others.

So, yeah, I’ll come up with something. May as well put a couple of artsy things I’m proudest of:

HAP-PY HOLIDAYS!

All original works are protected by copyright. All right reserved.

Dream Journal, Surfer’s Journal, “Is that Reggie?”

Posted on by under "Swamis" the novel, hipster surfers, mind surfing, northwest surfing, old surfers, real surfers, surf fiction, surf novels, surfing, surfing art, surfing the strait of juan de fuca, writings of Erwin Dence

CHRIS EARDLEY texted me this photo with the caption, “Is this Reggie on my bag of Inca Corn Snacks?” “Definitely Reggie, switch stance.” It does resemble REGGIE SMART on the bag of hipster-friendly chips (available on Amazon and I don’t know where else. Co-Op, maybe). Reggie, in addition to being a licensed painting contractor, has rented a space in Port Townsend and is available for your tattooing needs. I know he’s on social media.

CHRISTMAS is coming, and I did my yearly assist in decorating DRU’S house in Port Gamble. Because the town is so, let’s say, quaint, decorating for the various seasons and for whatever other reasons is sort of mandatory. Dru works part time at WISH, a wonderful card and gift shop over by the haunted house and the other vintage attractions. Check it out on your way to or from the Hood Canal Bridge or the Kingston Ferry.

It’s a joke between TRISH and Dru and I that, in movies, when there’s a moon, “It’s always a full moon.” I took this shot over my house last night. Trees could have been in the photo, but were not. In the ‘should have taken a photo’ category- After midnight, when the moon was scientifically at it’s fullest, I looked up in the living room skylight, and the moon was visible through the bare branches of a vine maple. I opened my wallet and did the pagan chant that, once I started doing it, has become as mandatory as any ritual, and as such, must be followed religiously. “Oh moon, beautiful moon; fill ‘er up, fill ‘er up, fill ‘er up. Thank you, thank you, thank you.” MAYBE the ‘er part is some American-ish bastardization, but, hey, that’s how I leart it.

SWAMIS TO “SWAMIS”- While I am waiting for responses from literary agents, I have decided that I should submit something to “SURFER’S JOURNAL.” Before it all hits the big time, my favorite surviving surf-centric magazine could have something on my struggle to capture the magic of a particular time and place through fiction so cutting edge that… Yeah, and art-wise, my stuff, I can hopefully convince them, should grace the magazine’s slick pages.

To that end, I am super editing my submission; as in, I’ve already cut out more than I’m keeping in. OH AND I’m going through my final final version of the manuscript. One more time. A POLISH as they say in the biz. Shit, I want it ready to be glassed and polished.

MEANWHILE, because it’s off off season for painters and the darkest time of the year, I’ve been sleeping more, which mean dreaming more. Not all are worth keeping track of or even attempting to remember, even fewer worthy of trying to figure out some sort of meaning. SO, Here’s:

                                    A Series of Dreams before Christmas

Second dream first- I was surfing, dropping into a left, turning hard off the bottom, going down the line. You know the angle; mine; close to the wall, the creases of the wave threatening, folding; and I’m climbing, too high, dropping, side-slipping, redirecting, racing into the glare.

Suddenly, dream time wise, I’m trying to get dressed, hurriedly, because I’m supposed to be somewhere, somewhere else. I pull on a t shirt with some sort of logo on it. I say, “I don’t work there.” I may add, “Anymore.” Dream talk. I put the shirt on anyway and look down several wide marble stairs. Almost landings. And, yes, marble, everything is marble, white with a very light green tinge. Or the greenness could be because there’s glass to the right, water behind it. An aquarium, perhaps, and possibly connected to a wave pool. Makes sense. Dream sense. Another view of surfers and waves. No, I didn’t see dolphins pressing close to the glass. I can imagine them, but I won’t add them as if they were there.

There is a woman sort of sprawled on the lowest stair, long black hair disappearing in all black clothing. All I can really see is her right hand and her face, in profile, very white, as I drop down and closer. Her reflection is on the glass and the walls between us. The walls, perhaps, are tiles, shiny, like the tile work in the Paris subways, but rectangular, horizontal.

“Did you see my ride?” Because the woman doesn’t answer I add, “I thought it was pretty good. My bottom turn was…” No answer. Her head turns a bit more toward me. “I figured, you probably don’t surf, so you might be…”

“Why do you think I don’t surf?”

“You’re very white.”

“Oh?”

“I mean, the sun isn’t… always…”

“Healthy? No. Not always.” The woman turns back toward the glass.

I notice there’s an above and a below the waterline. The last push of a wave hits the glass, pushing up above our ceiling.  The woman seems to smile as she watches the bubbles rising and dissipating into an unseen sky, some of the greenness transferred to her face.

“I did see your ride. It was… from the perspective of a very white non-surfer, not as good as you probably thought, but… if you’re happy with it…” She turned toward me again. “Do you work there?”

I looked down at the shirt. “No.”

Different scene, same dream- It’s still very bright, but I’m driving in some flat, open country. Big windshield. Truck, I’m dream thinking. And I’m late. Probably the surfing. I hard turn into a driveway. No grass, no trees. A house. Covered porch all the way across the front. Imagine Australian Outback. Dust flies as I jump out of the vehicle. Trish appears at the front door, her hands on the opposite arms.

“I’m late,” I say, breathlessly.

“Oh?”

Oh? I feel in my back right pocket. I pull out a cell phone. “Oh.”

“If I were worried, I’d have called you. You know that, right?”

“Right.”

“Where’d you get that shirt?”

GOOD LUCK on finding and surfing some memorable waves. STAY WARM! Remember all original material in realsurfers.net is protected by copyright. All rights reserved by someone, my stuff by me, Erwin A. Dence, Jr.

December 10th and The Play’s… it’s the Thing

Posted on by under "Swamis" the novel, how to draw a nearly nakd woman near the beach, in profile, with a towel, Melissa Lynch illustrations, northwest surfing, old surfers, real surfers, Seattle surfers, surf novels, surfing, surfing art, surfing Swamis, writings of Erwin Dence

Lorraine and Myrna Orbea after their first performance in “The Best Christmas Pageant Ever,” at the theatre in Port Gamble, pictured here with a couple of aunts and therir grandmother. Lorraine and Myrna are the children of Pete and Mollie, Mollie being, probably, the main reason Drucilla, daughter of Erwin and Trisha Dence, lives in the former mill town on one of the routes between Seattle and the Olympic Peninsula.

Two days after this performance, very well done, incidentally, production-wise, and, particularly, with amazing performances by all the kids, Adam Wipeout James and the Wipeout family cruised down Surf Route 101 to attend an off-Seattle performance of “The Nutcracker” in Shelton.

Yes, it’ community theater season. All of the Dence family members, also including sons James and Sean, participated in various projects in Quilcene (also on Surf Route 101) in the past. Everyone did pretty well. Sean could incredibly well, memorizing and delivering every line perfectly. I had great stage presence and a great deal of trouble remembering my lines.

It was great fun, but I only remember one line from the four or five plays we were in. “This must be the place…” Line. Trish, possibly a bit miffed because she was to play a male’s role (lack of male volunteer actors) asked the director, “So, what’s the deal? I’m supposed to play the Sheriff of Mulecock?

DECEMBER TENTH- I’ve told a few folks that this is the traditional end of paint projects for any given year. Not that I plan or want it to be; it’s just, over the thirty-four years or so that I’ve been out here “on the edge of the ledge” (another seemingly accidental line from Trish), I seem to run out of jobs like… yesterday.

December 10th is also my late sister Melissa’s birthday. She was the first of my three brothers, three sisters, and a half-sister to pass. She was my youngest sibling and, though it’s somehow wrong to say it, closest to me because she was an amazing artist. I continue to think of her whenever I attempt to draw or paint. She once asked me, “Do you want it fast or do you want it perfect?” “Both.” “Yeah, both would be nice.”

I sthought of her briefly yesterday when I was helping Dru hang Christmas lights and decorations. A couple of years ago Melissa and Jerome Lynch’s son, Fergus, was on hand for this task. He seemed to be amazed at how I was free-forming the lighting, this string here, that there. “What?” “Well, it’s… great. My mom would spend… days. Everything had to be precise. And you just…” “Yeah; I do. Just…”

Two works by MELISSA JOANNA MARIA MARLENA DENCE LYNCH. Melissa Jo. Our mother added the rest as a sort of lullaby.

A couple of nights ago I woke up with the lines, “You thought I forgot. I did not.” Middle of the night lines most often disappear. Because, while trying to sell my novel, “Swamis,” I’ve been concentrating a bit on poetry. Not that I’m a poet; more like songwriter, and I can pretty much promise that the words will change, I wrote this with my sister in mind, although it might also speak to loss of friends. Our father died around Christmas.

                                                      If I Thought I forgot

If I thought I forgot. I did not.

I could not, cannot, will not forget about you.

I have no desire to.

Of my memories gone, thrown out or abandoned,

Sun-dried into dust,  

Plowed under, half buried,

Dissolved in deep waters,  

Obscured by mildew or rust,

Illegible scraps

Caught in the brambles,

Too deep in the thicket,

Hidden,

Somewhere, in boxes and closets and drawers,

None are of you.

Some files are too disruptive,

Some memories too painful,

Grief and beauty overwhelming.

Still,

I save them close at hand,

Easily accessed.  

Still,

If I trip on some reminder,

Stumble across some image,

The tiniest clue,

Something that, for some reason, reminds me of you,

It all comes back,

Suddenly, painfully, beautifully.

So, no,

If I thought I forgot about you,

I did not.

Thanks for checking out realsurfers. I will have updates on my dead SUPER FUN CAR, a possible replacement surf rig, on waves and rides and gossip and rumor. SUNDAY. And please remember original works on realsurfers.net are protected by copyright, all rights reserved.

Good luck in you search. Focus on the trip as well as the destination. A full memory bank is all we really own.

Water in the Oil, Swell in the Water, Quotes, Lightning Bolt, More

Posted on by under Uncategorized

FUN CAR UPDATE- I managed to get the new heater control valve into the Engine compartment, after consulting with master mechanic GEORGE TAKAMOTO, with a sleeve on the damaged vacuum advance hose, a minimum of swearing, a bit of ‘I can do this’ self hypnosis, and only a couple of cuts, AND it started, and it didn’t overheat, and… and I was still a bit reluctant to drive it very far. That was probably good. I ran it a little a little later on. Again, it ran okay… didn’t overheat, a bit of steam that cleared up, BUT there had been a concerning ‘clunk’ when I started the engine. Not a ‘click.’

The difference is everything. I’ve driven old vehicles almost exclusively since I started. My father was a mechanic and got me a succession of cars he got cheap. He then got to pick me and the car up, tow it back into the shop for repairs. Or they were dead. Killed. Murdered.

I recently told Trish how much I love my thirty-year-old Volvo. “Don’t say that!” Too late. SO, in daylight, I checked the oil cap and the dipstick. Oil that was properly black yesterday is now the color of coffee with a bit too much milk. Blown head gasket. Not just a guess. Not good.

Relying on my twenty-nine-year-old Ford van with 228,000 miles on it means trips out to chase down waves will be seriously curtailed.

George Takamoto, a friend of Trisha’s and mine for well over thirty years, did tell me that he told a mutual friend that the Volvo probably wouldn’t last… some amount of time… Doesn’t matter, he was right. George is well aware of the trucks and vans and cars I’ve killed outright, and the other rigs that got to the point that whatever was wrong with them was more than the value of the vehicle. I’m hoping this isn’t the case with my Volvo. We’ll see.

LIGHTNING BOLT MYSTERY- Having found some Christmas ‘stuff’ in a little room off of the mud room I had intended to be a tiny art/writing area, I opened one of the many bins now clogging the space and found this. It’s made to fit a board up to six feet, and has a strap on the other side that has “BALIN” printed on it. SOOO… of course, it being Christmas, my being a house painter, it being, like, winter, my never planning on riding a sub six-foot board again, I decided to see what I can sell it for.

THIS LED to some amount of time spent researching. Vintage (as in actually manufactured in that era, early 70s) Lightning Bolt boards go for surprising amounts of money. SO, I contacted a surf shop in (of course) Florida. After some delay, I got a text saying there was no comparative value (‘comp’ to insiders and real estate people, though having a room at a hotel ‘comped,’ different- compensated, maybe) on the bag.

OKAY. I checked out “Balin.” Yes, a dwarf in “The Hobbit,” but also a manufacturer of board bags in AUSTRALIA since (this is important) 1974. NOW, because provenance is everything, as any even sometimes viewer of “ANTIQUES ROADSHOW” knows, is everything, this fits with my story that I got the board bag before I moved up from San Diego at the end of 1978. The question is: Did Balin make bags for Lightning Bolt. Unable to get a workable email address for Balin, I filled out one of those things on their site. This was Saturday morning for me, possibly Sunday night for them. I haven’t heard back. Yet.

I got a text from the Florida shop later yesterday asking about the bag’s condition. “How is the iontegrity? Is it dry rotted? as these things tend to almost fall apart in your fingers after a certain amnount of time.” I texted back, “Perfect.” Now, there might be a bit of smudge from, perhaps, wax from an unbagged board. I’m not cleaning it off. ANYWAY, I’m not sure of the value. MAKE AN OFFER.

QUOTES- Being a hip and modern person, I do belong to several text groups made up of other surfers. I am always trying to have a clever if not funny response, as are others. There’s a quickie response thing I don’t seem to have on my phone that puts out a “laughed at,” or “loved,” or, “was seriously disturbed by” (I’m guessing) followed by a bit of the humorous, lovable, or disturbing text.

ADAM WIPEOUT always seems to like or love comments by Joel or Chris or Keith, giving short shrift to mine. This is only pertinent because I was telling him about a great story of an intense encounter in Yosemite involving surfer and rock climber SHORTBOARD AARON, Aaron’s daughter, and some Kook climber. “It’s a great story, but you’ll have to hear it from Aaron.”

I actually called Aaron because he often sells things on line. And I don’t. In the course of the conversation I mentioned a session Aaron (and Adam) missed and I didn’t. There was a maximum of seven surfers out for a short window, all of whom know each other well. A different mix of personalities in the lineup can, we agreed, change the dynamic dramatically. There was a bit of drama; nothing involving rangers and/or climbing axes. “So, Aaron says, ‘I think I’d rather miss a session than lose a friend,’ and I said, “Well, I’m glad you weren’t there, but I’m sorry you missed it.’ And…” “That’s great! That should be on a t-shirt.” “The ‘glad you weren’t there’ thing?” “No, what Aaron said.” I wasn’t, you know, deeply or seriously disturbed.

TRISH QUOTE- This was from last night, when I still was holding out hope that the Fun Car just needed a new battery. Trish was talking on the phone with our younger son, SEAN: “After 53 years living with your father, out on the edge of the ledge…” Edge of the ledge. LOVE IT!

“SWAMIS” NEWS- I’m keeping track. I sent out seven query letters, three with (as allowed) the first ten pages of the manuscript. I got a rejection from Farley Chase, emailed from New York at 4:30 am, PST; so, perhaps, Farley starts his day giving bad news to hopeful writers. He did say he wasn’t doing much fiction. I wrote back something nice. No, really; ‘chuck you Farley’ was not part of it. No doubt he has received that at some point, perhaps from a fiction writer. So, okay.

The first submission I sent was to HILLARY JACOBSON. She evidently represented some books I’ve actually heard of. One of those was mentioned recently on NPR. AND she says she is interested in books with strong female leads. Yes, “Swamis” has that. So, if you have some influence with Hillary, let her know. MEANWHILE, there’s surf somewhere.

I don’t think I have to put anything about copyright for this posting. If you want to know more about Aaron’s story, ask Aaron. I’ll have more content Wednesday.