Category Archives: real surfers

“SWAMIS” Chapter 6, Part Two, and Review

Posted on by under "Swamis" the novel, real surfers, surf fiction, surf novels, surfing Swamis

It’s almost Wednesday. TO SAVE TIME that might be spent scrolling, the recap/review, the ‘previously’ the “Swamis” So-far follows. Thanks for reading, or attempting to. I’ll have other content on Sunday, probably with updates on local Olympic Peninsula surfers going elsewhere, Meanwhile, find some waves.

            CHAPTER SIX- PART TWO- TUESDAY, MARCH 4, 1969

 I looked at the mourners as I walked toward the foyer, trying to remember each face. I walked around the borrowed table where our couch would have been. My father’s chair had been moved two feet over from its regular spot, oriented toward the big window rather than the TV in the console. It provided a good place to look at the people in the rooms, foyer, hallway, kitchen, living room.

The oversized lounge chair was, for once, uncovered. The fabric was practical; heavy, gray, with just the faintest lines, slightly grayer. There was, in the seat, a matted and framed portrait I had not seen before, a photograph blown up and touched up and printed on canvas, coated with several layers of varnish. A noticeable chemical smell revealed the coating had not yet fully cured. There it was, my father in his Sheriff’s Office uniform, oversized enough that the portrait was set across the armrests.

The pose was this: Stern expression; arms crossed on his chest, low enough to reveal the medals; just the right amount of cuff extending from the coat sleeves; hands on biceps, a large scar on the palm of my father’s left hand almost highlighted. No ring. My father didn’t wear rings. Rings might have suggested my father might hesitate in a critical situation, might think of his wife and children. White gloves that should have been a part of the dress uniform were folded over my father’s left forearm. Gloves would have hidden the scar.  

            I didn’t study the portrait. I did notice, peripheral vision, others in the rooms were poised and watching for my reaction. I tried to look properly respectful, as if I had cried out all my tears. Despite my father disapproving of tears, I had.

There was an American flag, folded and fit into a triangular-shaped frame, leaning from the seat cushion to the armrest on one side of the portrait. A long thin box with a glass top holding his military medals, partially tucked under the portrait, was next to the flag. If I was expected to cry, or worse; break down, to have a spell or a throw a tantrum, the mourners, celebrants, witnesses, the less discerning among whoever these people were, they would be disappointed. Some, who had never saluted the man, saluted the portrait. This portrait was not the father I knew, not the man the ones who truly believed they knew him knew.

No. I walked past the detectives without looking at them, went down the hallway and opened the door to what was to have been a den but had become storage.  I returned to the living room with two framed photographs pressed against my chest. I did my fake smile and set the portraits on the carpet, face down. I took a moment before I lifted the one on top, turned it over, and leaned it against the footrest part of my father’s chair.

Several self-invited guests moved closer, both sides, and behind me. One of the guests said, “That’s Joe, all right.”

Wendall displaced the person to my right, moved close enough to bump me, said, “Gunner,” and toasted. Others followed suit.

The first, ambered-out photo, was of a younger Joseph DeFreines in his parade garb; big blonde guy in Mexican-style cowboy gear, standing next to a big blonde horse with a saddle similarly decked out with silver and turquoise, holding an oversized sombrero with his hand on the brim. My father’s other arm, his left, was around the shoulders of a smaller man, his sombrero on his head. Both were smiling as if no one else was watching.

There was no wound on my father’s left hand.

“Gustavo Hayes,” a voice said. Another asked, “What’s with Joe in the Mexican outfit?”

I lifted, turned, and leaned the other photo against the footrest. It was a black and white photo. A woman’s voice said, “Oh, Joe and Ruth. Must be their wedding.” Another woman’s voice said, “So young. And there is… something… about a Marine in his dress blues.”

“It was… taken,” Wendall explained, “in Japan, where they… met, color-enhanced… painted… in San Diego.” I looked at the photo rather than at the people. My father’s arm was around his even younger bride. She was in a kimono.

“The colors of the dress,” my mother always said… she said, ‘they are not even close to the real colors.’ She said our memories… fill in the… real colors.”

I had spoken. I wanted to disappear. I was, perhaps, not out of tears.

I backed my way through the middle of the semi-circle and to the window. I didn’t look around to connect faces with questions and comments. I was somewhere else, imagining what magical waves were breaking beyond the hills that were my horizon, trying to perfectly reimagine a photo from a surfing magazine.  The view was from across highway 101, above the railroad tracks. across the empty lot just south of the Swamis parking lot.  There were, on the horizon, distant swells on a field of diamonds, already bending to the contours of underwater reefs. To the right there were dark green shrubs and trees, palm trees beyond them. Further to the right, large gold lotus blossoms sat atop the corners of a white stucco wall.

I didn’t bother to consider how long I had been detached from the reality of an event as surreal as this wake, or memorial, or potluck. That was me, detached. Everyone seemed to know this. Damaged. Some knew the story, others were filled in. There had to be an explanation for why I was, so obviously, elsewhere.

Standing at the window, all the conversation was behind me; the clattering and tinkling, the hushed voices telling little stories, the sporadic laughter. 

The yellow van with the two popout surfboards on top pulled out of the driveway, a black Monte Carlo behind it. I didn’t recognize the car. I looked around the living room. Wendall and Dickson were holding court with one of the Downtown Detectives over by the sideboard, a two-thirds gone bottle of some brownish liquor between them. The Downtown Guy finished off Langdon’s bottle of wine, looked at the label, laughed, and moved the bottle next to the other empties. He looked around the room, and laughed again, louder.

I looked back out the window. A black Monte Carlo seemed about right. Oversized, pretentious. An investment, likely purchased before he made Lieutenant up in Orange County.

A yellow Volkswagen Karmann Ghia, top down, was coming up the hill. It passed the Hayes Flowers van. Different yellows; the car’s color softer, warmer, on the orange rather than the green side. There was a woman at the wheel, very colorful scarf over her head, sunglasses. The Monte Carlo stopped. The VW stopped. Langdon. Yeah, it was him. He had an am out the window. The gesture was ‘turn around.’ The woman in the Karman Ghia gave Langdon a brush back with a raised hand, followed, when the Monte Carlo moved on, with the woman’s right hand, up, middle finger out. She moved her arm halfway back down, then up again.

“Yeah,” I imagined myself saying, “Fuck you… with a half twist.” I may have added the half twist at some later recalling of the day. It doesn’t matter, it’s there now.

Deputy “New Guy” Wilson half-leaned into the Karmann Ghia. The woman looked up. She saw me in the window. She pointed. She waved. I took a second, then waved back. Wilson gave me a gesture, hands out, palms up, chest high. As in, “Really?” I mimicked his gesture, palms facing each other. The New Guy let her proceed.

            After several adjustments, the Karmann Ghia was pointed out, getaway position, the passenger side almost touching the two-by-six fencing on the corral. She removed her scarf. Afro. Not huge, but out there enough to make a statement. She looked at her image in the rearview mirror, pushed the sunglasses up into the Afro, prescription glasses remaining.

The woman swiveled in the seat, picked up a thirty-five-millimeter camera with a medium length telephoto attached, used the top of the windshield to stabilize it, and aimed it at me. Snap. Me in the center of the window, my arms out, hands on either side of the opening.

I moved backward and sideways, back into the room, bumping into a man I knew from the PTA or the School Board, somewhere. “It’s that pushy Negro reporter woman,” he said. “Writes for that hippie rag. She did a big… ‘expose’ on the water district. Don’t know how she got past the Deputy.”

            “New guy,” I said, suddenly realizing where I had seen the man’s photo. “The hippie rag published that… expose; favorable rates for certain… constituents, as I recall. The Enterprise didn’t run the story for another two weeks. And… you’re still the… director.”

The Water District Director looked at me for a moment before turning away. “Wendall,” he said, brushing past Mr. Dewey. I didn’t look away quickly enough. Mr. Dewey smiled. He may have mistaken my look for a nod. He was already headed my way. I returned to my spot in the middle of the picture window.

“I heard that, Joseph,” he whispered. “Good one. We need an alternative to the war mongering, corporate loving press.” Mr. Dewey was somewhere over half-sloshed, sloshing some sort of orangish-brown liquor in one of my father’s cut crystal glasses. The North County Free Press. I should make it required reading for my Political Science class.” Mr. Dewey leaned in a little too close to me. “I mean…” I leaned away. “…You read it… right?”

            I tried to correct my overreaction by leaning in toward Mister Dewey as if I was ready to share a secret. “You know, Mister Dewey…” I looked around the room, back to the teacher. “Most of these people do, too.” I whispered, “Also. And… there’s some… nudity. Sometimes. Hippies, huh?”

            Mr. Dewey nodded and went into some forgettable, mumbled small talk. War in Asia, civil rights, threats to the middle class. It was less than a minute later when Mr. Dewey pointed my father’s glass, with Detective Wendall’s whiskey sloshing around in the bottom, toward the photograph of my parents. “Never understood… guy like Joe DeFreines; almost a John Bircher… conservative. He was a Marine… in the Pacific. War hero.” He took another sip. “Korea, too. Also. A war we didn’t win. He fought the Japs, and then, he and your mom…”

            Mr. Dewey seemed to realize he had gone a bit too far with this. He tipped the glass up high enough to get the last of the whiskey, and said, “I have a theory.”

“Well, you are the Political scientist, Mr. Dewey.” I turned away.

Mr. Dewey grabbed my arm. “I think, Joseph, that he wanted all the Okies and all the new people to think he was… one of them.”  

“Or…” I looked at Mr. Dewey’s hand. He dropped it. “It’s tradition though, really. Isn’t it, Mr. Dewey? Kill the men. Take the women.”

Mr. Dewey looked into my father’s glass. Empty. I looked around the room, past the dining room, and into the kitchen as if I was looking for a particular person. I turned back toward the window. Mr. Dewey followed me, setting the glass on the sill.

“You know, Joseph; your father was a busy man.” Mr. Dewey was looking from the unfinished garage to the unfinished fencing. “I’m not teaching summer school this year.” I shook my head a bit, waiting for more. “I have time. That’s… If I had a place like… this, I…”

“Yeah. Needs… time. Work.”

Mr. Dewey tapped on the window. “The Falcon wagon? That yours… now?”

“I am making… payments.” A chuckle stuck in my throat. “Guess so.” Mr. Dewey cleared his throat. “I passed the… driving tests.”

“You. Of course.”

I whispered, “They didn’t ask, I didn’t admit… anything. I am getting… better.”

“Of course, Joseph.” Mr. Dewey turned and looked at the selections of food that were still on the table as three different women brought in an assortment of desserts. He patted my shoulder as fourteen other men and seven women had done, coughed out some whiskey breath, and headed to where my father’s partners, Wendall and Dickson, were filling glasses no one had yet asked for.

“Better,” I whispered to myself and the window and the cars and the property that needed work. “I better be.”

… 

            The reporter woman was standing next to my father’s partners. She declined a drink in a fattish sort of glass, three-quarters full, offered by Dickson. “Smooth,” he said, offering it again with a look that was really a dare. She was asking questions I couldn’t quite hear; questions that seemed to make the detectives uneasy.

            The reporter was holding out a notepad, three quarters of the pages pushed up, and was tapping on the next available page with a ballpoint pen. Dickson made a quick grab for the notepad.  She pulled it back. Quicker. Dickson pulled a very similar, palm-sized notepad from his inside coat pocket, opened it, went through some pages, shook his head, closed the notepad, put it back into the pocket. The reporter closed her notepad.

            “So,” the reporter asked, “The official word is no word?”

            “Correct.”   

            Wendall pulled a pack of Lucky Strike non-filters from his left outside coat pocket, a Zippo lighter with a Sheriff’s Office logo, exactly like my father’s, from the right pocket. He opened the top with a forceful snap on his wrist, looked around the room, pointed toward the kitchen. Partway through, Mrs. Wendall tried to stop him. He pointed to the cigarette and headed to and out the open sliding glass door.

            I moved a bit closer to the reporter and Dickson. “No, Detective Dickson, I am not getting any help from Downtown,” she said, shooting a look toward the Downtown Guy, who returned a wave and followed Wendall. I moved between the pineapple upside down cake and a plate of frosted brownies. I took a brownie. “You could just tell me how an experienced driver could…”

Dickson looked at me. “Could,” he said, downing one of the pre-filled glasses. “Won’t.”

The reporter looked at me, took a glass from the sideboard, downed it in one gulp, stepped toward me. “You,” she said. “Lee Ransom.” She extended a hand before the alcohol she had thrown down her throat forced her to spread her fingers, lean back, and open her mouth wide enough and long enough to emit a totally flat and involuntary, “Haaaauuuuuh.”

I made a quieter version of the sound she had made, leaned back, only slightly, at the waist, and said, “Oh. The Lee Ransom.”

Dickson laughed and said, “Smooooth.”

Lee Ransom moved closer to me. “Oh?” She paused for the exact same length of time as I had. “Meaning?”

            “Oh. As in, I thought Lee Ransom must be…”

            “White?”

            “A… man.”

            “Do I write like a… man?”

            “Yes. A… white… man.” Lee Ransom couldn’t seem to decide if I was putting her on or too foolish to edit my thoughts before I spoke. “New journalism, ‘I’m part of the story’… white… writer. Good, though. I read you… your… stuff.” I looked at Dickson. “He reads it.” I made a quick head move, all the way left, all the way right, and back to Lee Ransom. “They all read it.”

            Lee Ransom may have wanted to chuckle. She didn’t. She extended her hand again and said, “Thank you, Jody.” Dickson snickered.

I took Lee Ransom’s hand, trying to use the grip my father taught me, the one for women. I imagined him, telling me; “Not too strong, not too long, look them in the eye. No matter what they’re wearing… cleavage-wise.” Lee Ransom was wearing a black skirt, knee-length, with a not-quite-black coat, unbuttoned, over a long-sleeved shirt; tasteful, one unbuttoned button short of conservative. I didn’t look at her cleavage or her breasts. I was aware of them.     

“I was hoping to speak to your mother, Jody.”

            “Joey. I go by… Joey.”

            Dickson laughed. “Pet name. Jody.” He laughed again. “Private joke.” Laugh.

            “My friends call me Joey.” I did a choking kind of laugh. “Private joke.”

            Lee Ransom gave me a ‘I don’t get it’ kind of smile.

            “You. My mom. Talking. Probably… not.” I nodded toward the hallway. A woman was leading a couple toward the living room. “Sakura Rollins,” I said, “Since you’re taking notes.”    

“Thank you… Joey.” Lee Ransom tapped on her closed notebook. “She and her husband, Buddy, own a bowling alley. Oceanside. Back Gate Lanes.” She nodded toward the couple. “Gustavo and… Consuela Hayes. Flower people. Poinsettias…. Mostly.”

“Flower people,” I said, looking at Lee Ransom until she did a half-smile, half-head tilt.

Sakura Rollins came into the living room from the hallway, stopping close to Dickson. Mrs. Hayes turned to thank her, taking both of Mrs. Rollins’ hands in hers for a moment. Mr. Hayes exchanged a nod with Dickson, declined a drink, put a hand on his wife’s shoulder, turned her toward the door, walked with her toward the foyer. Neither of them looked to their left and into the living room. The husband walked to his wife’s left, between her and the rest of us. They both bent, slightly, to look at the flowers. The woman rearranged the pots and vases, slightly, before they went onto the porch.

Lee Ransom turned toward Sakura Rollins. Her expression blank, my mother’s best friend shook her head before Lee Ransom could ask her anything.

Theresa Wendall walked up to Dickson from the kitchen, leaned around him to look down the hallway, then looked at Sakura Rollins as if asking for some sort of confirmation. Dickson set down a glass and wrapped his right hand around Mrs. Wendall’s upper arm. She took a breath, gave Dickson a look that I didn’t see, but one that caused him to apply some small pressure pushing his partner’s wife forward as he released his grip.

Sakura Rollins followed Mrs. Wendall down the hallway. Mrs. Wendall stopped, allowing Mrs. Rollins to open the door and announce her. “Theresa Wendall.” Permission. Access. Mrs. Wendall went into my parents’… my mother’s room. Sakura Rollins closed the door, leaned against the wall between that door and the door to Freddy’s room, and pointed toward me, twisting her hand and pulling her finger halfway back.  

Mrs. Rollins met me halfway between the door and the open area. She put a hand on each of my shoulders. “Ikura desuka,” she said, her voice soft and low. “It means… ‘How much does it cost?’ Not in a formal way. Slang. Soldiers. It is… can be… insulting. Thank you for not asking your mother.”

“I didn’t… ask… you.”

“No, and you wouldn’t.” She tilted her head. “Your mother… she so enjoys having someone she can speak… Japanese with.”

I nodded. “She does, Mrs. Rollins, but… but… thank you.”

“Yes. There’s time.” Sakura Rollins released her right hand. “You’re… doing well, Joey.” She pointed toward the living room. “Your parents… strong.” I wanted to cry. “As are you. We are as strong as we need to be. Yes?”

            I backed up, three steps, did a half bow, unreturned, turned, and headed back toward the living room.   

Lee Ransom was declining Dickson’s latest drink offer, a half glass this time. She walked over to my father’s lounger. I followed. “Shrine,” I whispered. She looked closely at the scar on the palm of my father’s left hand. “It’s just… just the one hand,” I said. “Half stigmata.”

Lee Ransom may have smiled as she leaned toward the portrait. I almost smiled when she looked back at me.  

“Swamis” Recap

CHAPTER ONE -Monday, Nov 13, 1968-

Seventeen-year-old JOEY DeFREINES is talking with his court appointed psychologist, DR. SUSAN PETERS. Joey’s father, San Diego County Sheriff’s Office DETECTIVE LIEUTENANT JOSEPH DE FREINES made the deal following an afterschool incident at Fallbrook Union High School during which Joey put his foot on GRANT MURDOCH’s neck. Dr. Peters asks if, once bullied, Joey has become a bully.

TWO- Saturday, August 14, 1965-

13-year-old Joey tries surfing at PIPES. JULIA COLE is out, already accomplished. She says boy surfers are assholes, surfing is hard, and she stays away from cops and cop’s kids.

THREE- Sunday, September 15, 1968-

Joey tricks SID and other locals in the lineup at GRANDVIEW, gets a set wave. Sid burns Joey and tells him he broke the ‘locals rule,’ that being that locals rule.

Joey, driving his FALCON station wagon, comes upon a VW VAN. Locals DUNCAN, MONICA, AND RINCON RONNY are looking at the smoking engine. They are unresponsive if not hostile to Joey, but Julie (to her friends) asks Joey if he’s a mechanic or an attorney. “Not yet,” he says. There is an attraction between Julie and Joey that seems irritating to, in particular, Duncan.

FOUR- Wednesday, December 23, 1968-

Joey has a front row spot at SWAMIS. He has already surfed and is studying, notebooks on the hood of the Falcon. Arriving out of town surfers want the spot. Joey, hassled by one of them, informs BRIAN that he has a history of striking out violently when threatened, and says he’s on probation. Joey has an episode remembering past encounters, witnessed by the out-of-town surfers and Rincon Ronny, who seems impressed and says those kooks won’t bother Joey in the water. “Someone will,” Joey says, “It’s Swamis.”

FIVE- Thursday, February 27ut-

At breakfast at home in Fallbrook, Joseph DeFreines confronts his son (who he calls JODY) about an acceptance letter from Stanford University Joey hid. Joey’s father is also upset with his wife, RUTH, for some reason, and leaves in a huff, saying he’ll take care of it.

Joey and his younger brother, FREDDY, get a ride home from surf friend, GARY, and Gary’s sister, THE PRINCESS. Ruth is loading the Falcon, says she spoke on the phone with DETECTIVE SERGEANT LARRY WENDALL, and says she will, as always, be back. Freddy blames Joey. Their father calls as their mother pulls away. Joey, looking for the keys to his mother’s VOLVO, speaks briefly, somewhat rudely, with his father. Freddy says he’ll wait for their father. The phone rings. It’s ‘uncle’ Larry. Joey runs toward the Volvo.

SIX- Tuesday, March 4, 1968. PART ONE-

There is a post-funeral wake/memorial/potluck at the DeFreines house. Joey, avoiding the guests, is standing in the big west-facing window. MISTER DEWEY, a teacher at Fallbrook High, says he is surprised that Joey’s ex-Marine, ‘practically a John Bircher,’ father is married to a Japanese woman. “Traditional,” Joey says, “Kill the men, take the women.” Mister Dewey expresses interest in the property Joey’s father never had the time to work on.

A delivery van from ‘Flowers by Hayes’ comes up the driveway, guarded, for the wake, by San Diego Sheriff’s Office DEPUTY SCOTT WILSON. The driver of the van is CHULO, a surfer several years older than Joey. Chulo was arrested along with JUMPER HAYES for stealing avocados. Chulo was crippled during the arrest, went to work camp, became a beach evangelist.

Joey has an episode, during which he replays the accident in which, while driving the Volvo, he follows the Falcon and another car around the smoking JESUS SAVES BUS. Joey’s father, in an unmarked car, passes very close to him and pulls off the highway at high speed. JeJ

Chulo was driving the Jesus Saves bus.

Detective Wendall and DETECTIVE SERGEANT DANIEL DICKSON are at a makeshift bar in the living room. ORANGE COUNTY SHERIFF’S OFFICE DETECTIVE LIEUTENANT BRICE LANGDON, dressed in a just out of fashion Nehru jacket and rat-stabber shoes, isn’t popular with the two remaining detectives from the VISTA SUBSTATION, or with the other civilians and deputies from the San Diego Sheriff’s Office.

THERESA WENDALL, putting out food, tries to talk to her husband. He avoids her. Their two boys are running through playing cowboys-and-Indians as Langdon seems to corner Chulo.

SIX- PART TWO- TUESDAY, MARCH 4, 1969

The wake/memorial continues with various guests praising Joe DeFreines. There is a large portrait on display with the scar on Joey’s father’s left hand showing. Joey’s mother, Ruth, is led to her room by GUSTAVO and CONSUALA HAYES. Those seeking to talk with Ruth are vetted by MORIKO ROLLINS. Theresa Wendall is allowed to go in. Reporter for the North County Free Press, LEE RANSOM, gains access to the property, passing by Deputy Wilson by waving at Joey, in the window, with Joey returning the wave. Langdon seems to be following Chulo away from the property. Lee Ransom questions the detectives on information about Joe DeFreines’ accident.

“Swamis” is copyrighted, all rights reserved by the author, Erwin A. Dence, Jr. Thank you for respecting this. See you. Oh, and Fuck Cancer, and remember, Project 2025 wants to take away porn, even, maybe, surf porn.

Two Dylan Drawings, One Dylan in Eastinitas…

Posted on by under "Swamis" the novel, Erwin Dence illustrations, Erwin Dence surf illustrations, hipster surfers, northwest surfing, old surfers, Original Erwin t-shirts, real surfers, surf culture

…and “Real, Real-er, Real-ist,” and “Realistically, Really?”

It’s something about how (I am coming to believe) every surfer seems to believe he or she (to save time I’m going to say ‘you’) has an approach to our shared sport/lifestyle/addiction that is true and valid; enough so that the other kooks and posers and influencers and disciples of this or that offshoot of the one true surfer’s life are… well, they’re mostly in the way, decadently preening and cavorting and, basically, despoiling the waves and the beach and the purity of purpose, with its co-existing morals and list of sins… those folks are in your way.

WAIT, that sounds like some excerpt from a MANIFESTO written by some madman in some cabin in some woods. YEAH, well, maybe, but I’m still working on how to refine it. SO, ask yourself if it applies to you and your realistic place in an increasingly crowded lineup. Maybe not.

I HAVE DECIDED to go back to posting excerpts from “SWAMIS” (not a manifesto) on Wednesdays, mostly because of time restraints. MAYBE just this week. I woke up in the middle of the night and watched too much of the WSL contest, enough to see SALLY FITZGIBBONS win, cementing her place back on next year’s big show. I was rooting for the veteran (not too surprisingly), and have long wondered why contest commentators never seem to mention that, coming close to number one in the WSL, she is, like (like as in I don’t have time to fact check) the four time champion of the INTERNATIONAL SURF LEAGUE (ISL). Perhaps it is because the WSL is the one true contest heaven.

TRISHA’S BROTHER’S SON, DYLAN, our nephew, and his wife just moved into a house in ENCINITAS. It seems he was surprised to discover that his aunt and I once owned a house in the same neighborhood. THE DISAPPOINTMENT, for surfer Dylan, as it was for me, was that our houses, purchased decades apart for should-be shockingly different amounts of money, is EAST OF I-5, well east of SURF ROUTE 101. And, looking at an aerial view that went along with the Zillow report, with 29 photos (Dylan gave me his new address so I can send him one of my new ORIGINAL ERWIN longsleeve t-shirts), I was even more disappointed to see so many houses, so little open land.

“It’s EASTINITAS,” I Texted, “AND there’s probably a surfer in one out of four of those houses.”

IN KEEPING with my habit of overdoing, I did a couple of sketches to go with my noticing how all these kids and their grownup cronies are riding electric bikes like they’re motorcycles… because, yes, they are.

Got to go- places to be, already late to start a promised and put-off painting project. DAMN, being a “Whore for the money,” an accusation from my friend, Keith, I can’t deny, though, technically, it makes me a prostitute, does cut into my ‘me time.’ That is, what could be time to search for and ride… waves.

I DO HOPE DYLAN and, okay, you, real surfer that you are, get some really life-affirming rides. OH, and don’t steal my drawings. I probably will keep going on the first sketch. WEDNESDAY, “SWAMIS.”

WESTPORT Longboard Classic, “Swamis” Ch.5…

Posted on by under "Swamis" the novel, old surfers, real surfers, surf culture, surfing novels, surfing Swamis, surfing the strait of juan de fuca

IT’S FINALS DAY at the WESTPORT LONGBOARD CLASSIC and realsurfers has a correspondent embedded in the event. Longtime explorer on the coast and the Strait, TOM BURNS, is a *judge, and has agreed to send a few photos and some commentary my way.

PHOTOS- Logo; O’Dark Thirty a Westport; Photo from the ‘memorial wall’ of TOM LE COMPE (RIP), one the ‘harbor boys,’ and one of the first to surf the jetty in the sixties, and Tom Burns; a shot of ‘The Corner” early this morning; Someone Tom didn’t give me a name for; and BARRY ESTES (RIP) with Tom from a RICKY YOUNG contest back in the late 1980s and 90s.

I competed in several of those contests, pushed to do so by my friend from my shipyard days, RAPHAEL REDA. I didn’t meet Tom there. I met him on the Strait of Juan de Fuca. Tom, a month or so older than me, was years ahead of me in knowledge of where and when to find waves, but still has a fairly high ratio on the skunk-to-score chart. Tom is, among surfers I know, the preeminent name dropper, with a long history, great memory, and a willingness to talk story. We quickly discovered we have some friends in common, Drew Kampion and Pathfinder Darrell Wood to name drop two, AND Tom was perfectly willing to adopt some of the colorful folks I’ve run into: Tugboat Bill, Big Dave, Concrete Pete, folks without nicknames.

*I helped out at the precursor to the Longboard Classic, the CLEANWATER CLASSIC, a couple of years. Not surfing, I was volunteering and sort of representing SURFRIDER. Not satisfied to stand on the beach with a flag, I pushed my way into being a spotter for the judges, Tom being one of them. I refused to leave. Partially because I do bring the fun, and I do watch a lot of WSL contests on the computer, Tom convinced the head judge to allow me to be a judge the next year. I brought the fun. Too much fun for the head judge. I got in trouble for not matching the other judges’ assessment of rides. “6.5? No, I gave it a 4.6. I mean… really? 6.5?” I wasn’t asked back. Tom wasn’t either. Somehow I was his fault.

EVIDENTLY TOM has served his time in judge purgatory.

OF COURSE, being as tribal as anyone, I’m rooting for surfers from the Olympic Peninsula. We’ll see.

I am up to Chapter 9 on the re-re-re-reedit and tightening of “SWAMIS.” Remember, this material is copyright protected, all rights reserved. Thanks for honoring this, and thanks for reading.

CHAPTER FIVE- THURSDAY, FEBRUARY 27, 1969

Our house in the hills between Fallbrook and Bonsall was a split level, stucco house, aluminum sash windows, composite roof. Someone else had started building from some plans purchased from a catalog. My parents could save money, they were told, by finishing the lower level and the garage. They could replace the plywood shed at the edge of a corral with a small barn that would provide room for a horse, a side area for hay and tack. New fencing. More trees. A garden. A covered patio off the kitchen, or, perhaps, a bay window.

 My father promised the patio, and then the bay window. He was working on it, but he was working. Working. There was, outside the sliding door, a concrete slab, with paving stones leading around the corner and down to the driveway. The two-story portion of the house featured a plate glass window, four foot high and eight feet wide, in total, with crank out, aluminum sash windows on either side. This window offered a view to the west, over scrubby trees and deep arroyos, of the hills, some rounded, others more jagged, with ancient boulders visible on all of them. Mission Avenue was hidden below and between. Mission, the road that linked Fallbrook with Bonsall, Vista, Oceanside, everywhere west, everywhere worth going to.

Looking out this window, I felt almost level with those hills. Morning light, descending, brought out the details of the ribs and rocks. Afternoon shadows crept from it until the hills once again became a blank shape. There were waves of hills in irregular lines between my hills and the unseen ocean. I had spent time looking away from my studies, imagining the hills in timelapse, the sun setting at one place in winter, another in summer, lines off clouds held back at the ridgeline, breaking over the top; torn, scattering. I had imagined the block as transparent, the ocean visible, late afternoon sunlight reflected off the water and into the empty skies.

… 

The light outside was still neutral when I moved to the dinette table in the kitchen, a bowl of oatmeal, a tab of butter on top of it, in front of me. There was a glass pitcher of milk between my setting and the other two. There were four lunch sacks on the counter. Two were a light blue, one was a shade more orange than pink, the fourth was the standard lunch sack brown. My mother, already dressed and ready for work, took a carton of Lucky Strikes from a cupboard and put a pack into the brown lunch sack.

She looked out the window over the sink. She sniffled.

My father, in one of his everyday detective suits; coat unbuttoned, tie untied; leaned over from the head of the table. “Go get it, Jody.” The ‘now’ part of the command was unspoken. His voice was calm. Almost always. I didn’t move. I didn’t look up from my oatmeal. “Stanford, Jody; you didn’t think they’d send a copy to the school?”

My father’s questions demanded an answer or a response.

I stood up, lifting my chair up high enough that its metal legs, with plastic shoes at the bottom, wouldn’t scrape the oak flooring. I looked at my father. He was looking at my mother. She sniffled several times but didn’t turn around.

My bedroom was at the end of the hallway, past my parent’s and my father’s den on the right, the guest bathroom, Freddy’s room, then mine on the left. There were pictures taken from surfing magazines on several walls, a cluttered desk between the closet and a bunk bed, the bottom bunk converted into a space for books and toys and cardboard boxes taped and marked, stuff from our previous house.

Though we had been at the ranchette for more than four years, because the garage had never become water and weather tight, most of the boxes in my room remained stacked and taped and marked. Grease pencil. Yellow, mostly. Some black. I opened an untaped box marked “Cowboy stuff” and took out the legal sized envelope.

As I walked up the hallway, I heard my father ask, “Is this who we are now, Ruth?”

“Not we, Joe. Me. You… didn’t want to be…”

“Involved? No!” I heard a thump, hand to a solid surface. Less than a slam. “Fool that I am, I am… and have been involved this whole time.” 

My parents almost never raised their voices. My father didn’t have to, my mother just… wouldn’t. I’ve been asked about my parent’s relationship many times. Japanese war bride, ex-Marine. My answer will always be, “They had a certain dynamic.” The answer could as easily be, “It wasn’t what you might think.” Whatever they thought.

My parents were standing at the counter to the right of the double sink. I placed the envelope on the tablecloth, next to my father’s plate. Sausage and eggs. Uneaten. Cup of coffee. Half full. I sat down. I looked over. My father signed at the bottom of two pages. My mother refolded them into thirds and put them into an envelope. She set the envelope on the left side of the sink, on top of several other loose papers. Legal size. Eight and a half by fourteen inches.

“I’ll fix it, Joe. Today.”

My father grunted, stepped around my mother. He was looking at the pages, shaking his head. He looked toward his wife. Her back was to the sink, both hands behind her on the edge of the counter. She looked at my father’s hands as he folded those papers in half. He took in a breath, turned toward her, let out the breath slowly. He handed her the papers with his right hand. She took them with her left hand, handed him the brown lunch sack with her right.

“Ruth. You could… This could give you… freedom. Ikura desuka?”

My mother only rarely spoke Japanese, my father almost never. My mother froze. “Freedom, Joe?” My father’s expression was one of instant regret.

I replayed the words. “E’-kew-rah des-kah.” Again. “E’-kew-rah des-kah.” There was something in the flow, the rhythm of my mother’s native language I had given up trying to capture. “E’-kew-rah des-kah?”

…

My mother and the envelope and the papers were gone. My father set the brown lunch sack onto the counter, took two more packs from the carton of Lucky Strikes from the cupboard, unfolded the two folds on the lunch sack, put them in, refolded the sack. Not as neatly. He took two steps toward the sliding glass door, looked at his feet. “Socks,” he said. “Jody, you won’t be surfing… or working at Mrs. Tony’s; none of that shit.” He looked at the envelope on the dinette table. “Stanford.” He threw his left hand out and down, ends of his fingers touching the Stanford logo. “You… you earned this, Jody. You’re going.”

“Going.”

My father looked toward the hallway, looked at me. “It’ll be… she’ll be fine. I have to…”

“Go. Yes.”

Freddy came into the kitchen. “Daddy?” Our father responded with a weak sideways nod. Freddy followed him through the living room, into the foyer, out onto the front porch. The front door slammed.

When Freddy returned, our mother was back in the kitchen. My brother, not even trying not to cry, looked at her, and then me, as if whatever was happening was our fault.

“Freedom,” I whispered, my left hand, in a fist, over my mouth. “Ikara desuka.”

The house phone was on a table just outside the formal dining room. Our mother picked up the receiver and dialed a number on the phone’s base. “No, I am well,” she said. “Annual leave. ‘Use it or lose it.’ I have accumulated…” She chuckled. Fake. “No. They’re both fine. I will be in tomorrow.” She looked at me. “Thank you.” She put the phone back on the base. “Joey, I will need the station wagon. You and Freddy… Better hurry; you will have to take the bus.”

Freddy asked, “What about taking your car, Mommy?” Our mother looked at me and shook her head. I shook mine. Freddy looked at me. “What did you do this time, Jody?”

…

            Gary and Roger were my closest surf friends. Roger started board surfing the summer I did, 1965. Gary started the next summer. By the time we were seniors, many others had tried surfing. Most didn’t stick with it for long. Though Roger lived closer to me, Gary offered to give me a ride home.

            I was riding shotgun. Gary’s sister, squeezed tightly against the backseat passenger door of their mom’s Corvair, said, in an unnecessarily whiny voice, “Glad it’s all cool with you, Gary.”

“It is, yeah; it’s cool with me.” Gary glanced over at me. “The Princess has a license, but our mom won’t let her drive without… supervision.”

“Well, thanks again for the ride, Gary; and for going by Potter for… Freddy. Oh, and thank you…”

“Princess,” Gary said.

The Princess blew air out of the side of her mouth. I looked around and over the seat. The Princess shook the wrist of her left hand and gave me a look I took as suggesting the raspberry was meant for her brother rather than me. Freddy was not quite as tight against the door on the driver’s side. Neither tried to talk to, or even look at the other.

“So, Joey,” Gary asked, “what do you think of Roger’s latest girlfriend?”

“She’s a sophomore, you know,” the Princess said, looking at me. “Sophomore.” I gave her the expression she was looking for. The relationship was wrong. And creepy.

“Roger’s business, Princess. Now, Joey, maybe, after school… days are getting longer. We could do Oceanside pier. Tamarack, if I drive.”

 “Four gallons of gas, two quarts of oil; that sound about right, Gary?”

“Or Joey; we could go in Roger’s stepdad’s Mustang.”

The Princess mumbled a quiet, “Fuck you, Gary,” as her brother downshifted, unnecessarily, at the first of several uphill curves. Freddy’s laugh and repetition of the words were louder and clearer.

“Or Princess and some of her friends… Juniors… no sophomores, could go with us,” Gary offered. The Princess let out a high-pitched, “Ha!” and a low-pitched sort of extended grunt sound. Freddy giggled. “Or, if we can’t go surfing after school, maybe me and you and Roger could ditch and go all day.”

Gary looked at me and winked. I shook my head, but I did smile. “Or maybe next week… or so, if we have all our stuff ready, boards loaded, we could make it to Grandview. Swamis. Somewhere… good.”

“Possible. Timewise.”

“Cool.”

The princess’s head suddenly appeared between Gary and me. “Most of you Fallbrook surfers aren’t even partway cool,” she said. “And besides, my friends won’t even cruise town in this crappy car; and besides that, it would be creepy.” The Princess looked at me and seemed to realize her face and mine were way too close. Still, she didn’t move away.

“Creepy,” I said.

“And they might find out Gary’s surfing just isn’t all that… cool,” the Princess said, almost smiling before she fell back into the seat and against the door.

We arrived at our driveway. The Falcon station wagon was still there, my nine-six pintail on the rack. The Falcon was backed up to the curved gravel pathway that went up the slight grade to the front door. Bender board and stakes had been installed for a while, ready for concrete.

“Board on the roof. Obvious Hodad move, Joey.”

I looked up at Gary’s Hansen surfboard hanging over the hood of the Corvair. “Obvious.”

Gary used the area between the unfinished garage and the temporary shed at the corner of the corral to turn around. The Corvair had barely stopped when Freddy jumped out and ran for the house. The Princess jumped out and ran around to the front passenger door. I took a few seconds to get my books and folders out of the seat. She leaned on the open door and checked out the ranchette. Disapprovingly.

Gary popped the clutch on the Corvair halfway down the driveway. There was a second cloud of black smoke as Gary, unnecessarily double-clutched, attempting, unsuccessfully, to get scratch in second gear. There were a few drops of oil soaking into and staining the insufficient gravel on the decomposed granite driveway.

My mom was standing at the front driver’s side door of the Falcon, Freddy pressed against her and between her and the seat. She was looking at me. “You know I’ll be back,” she said, for both Freddy and me.  She looked over at the old horse casually eating grain on the near side of what she called a paddock. “I can’t trust you boys to properly take care of Tallulah.”

A bell on the two-story part of the house rang. “Telephone,” Freddy said, dropping books as he ran. I set my school stuff on the grass and walked to the front of the Falcon.

“There’s some money… on the counter. Take the Volvo. Later. Six-thirty or so. You and Freddy can go to that Smorgasbord place he likes. Or Sambo’s.”

“Sambo’s… closed, Mom.”

“Oh. Yes. You know how to find the Rollins Place; right?” I nodded. “No eating in the Volvo. Right?” I shook my head.

“Mom,” Freddy yelled, “It’s Daddy.”

“Tell Freddy your father knows where to find me.” Our mother got into the Falcon. She chuckled. “Stick shift. Hope I haven’t forgotten how.”

“Daddy! He wants to talk with mom. He wants her to wait… for him. Jody!”

“Waiting,” our mother said, shaking her head. “Not waiting.”   

“Three on the tree, Mom.” I closed the door for her. “You’ll be fine.”

“Fine.” My mom smiled, turned away, started the Falcon. “I called the station. Your father was out. I talked to Larry.”

“Larry? Oh. Sure. What did you tell… Wendall?”

“Nothing. I just… no, nothing. I told him to tell your father… I was going to… straighten everything out, that it would be… fine. I will.”

“If it’s about… college… I will, of course, go.”

“Of course. It isn’t… I have to go.”

 My mother had her determined look on her face; determined to be strong, to not cry; even if the strength wouldn’t last, even if the tears would flow as soon as she went down the driveway. She popped the clutch. Accidentally. The back tires threw some gravel and the Falcon stalled. She hit the steering wheel, restarted the engine, eased the clutch out, moved the car over to the fence for the corral, reaching her left hand out, calling for her horse.

“Tallulah.” The horse turned around for a moment.

I looked toward the west. There would have been enough time for a few waves between school and dark if I had gone to the pier. I wasn’t crying. Freddy, clearly, was.

“Jody. He wants to talk to you. Jody!”

            The doors to the Volvo were locked. Of course. I ran up the path to the porch. Freddy was just inside the door. The phone’s base was on the floor, three feet from the table. The cord to the receiver was stretched to its maximum length. Freddy tried to press the phone to my chest as I tried to pass him. The keys to the Volvo were hanging, along with other rings of keys and a rabbit’s foot, on a crudely shaped horse’s head Freddy had made at summer camp.

I grabbed the keys. Freddy pushed me. I pushed him down and took the phone from him. “Freddy, stop the blubbering. Dad?” I wasn’t really listening. I tried to direct Freddy toward the kitchen, rubbing my fingers together in the gesture for ‘money.’ I leaned down toward my brother. “Yes, Dad; still here.” Pause. “I am sorry about whatever Betty Boop and Wendall, and everyone at the station… thinks.” Pause. “Insolent? No.” Pause. “I don’t know. Freddy and I are going to…” Pause. “David Cole?” Pause. “Too late. Hello.” Dial tone. “Too late.”

I looped the long cord as I headed toward the kitchen, put the receiver onto the base, the base back on the table. Freddy stayed on the floor, his back against the frame of the opening between the foyer and the living room. “Stop her, Jody.” I didn’t respond. Freddy screamed, “Everyone’s right; you’re a god-damned retard. Retard!”

“Let’s go then, Freddy; you fucking baby.” My voice was as even as I could manage. I grabbed the cash from the dinette, walked back, stood over him. “Come on.”

Freddy laid out flat. He shook his head. “I’ll wait for Daddy. Dad.”

“He’s not… Freddy, there’s pizza in the refrigerator. You can heat it up in the oven, or, I don’t know, God-damned retard like me, you can… goddamn eat it cold.”

The phone rang. Freddy rolled to his stomach, jumped up, and got to the phone on the second ring. “Daddy?” Pause. “Uncle Larry.” Pause. “No, I don’t know where. Jody?” I shook my head. “Joey!” Out the door and down the path, all I heard was, “Retard.”

I’M NOT POLITICAL, BUT… I couldn’t help but notice, this week, with citizen don refusing to acknowledge that he got trashed and thrashed in the debate, that he also went back to his greatest wiffs and denied the sexual assault issue he also, very expensively, lost, saying the woman he assaulted was not his type, not ‘the chosen one.’ ALSO, this week, asked if he had any apologies to make about, like, anything, the elderly douche said he had nothing to apologize for.

Speaking of which, I couldn’t help but wonder if JESUS ever apologized for telling the truth. “Oh,” you say, “but Jesus paid a terrible price.” So, who pays the price for someone who only tells lies?

Again, not political. Get some waves.

“I just want to get wet,” Other Lies, and “Swamis,” continued

Posted on by under "Swamis" the novel, Erwin Dence illustrations, getting barrelled, northwest surfing, old surfers, real surfers, surf fiction, surf novels, surfing blogs, surfing the strait of juan de fuca

FIRST LIE: “I just want to get in the water,” or any variation on this (purposefully not talking about the folks cruising SURF ROUTE 101 and, I guess, everywhere, with Walmart plastic kayaks, canoes, wavestorms) by someone who actually surfs. Okay, shouldn’t have excluded Wavestormer Troopers, BUT…

…here’s the (a) story: So, three sessions ago, fighting a radically outgoing tide and small, choppy waves, I had one of those go-outs in which I, objectively, SUCKED. Two sessions ago, on a borrowed SUP, same spot, even smaller waves, I, subjectively, did OKAY. Or, at least, better… BUT, tasked with packing a board heavier than my Hobie on a long trek back, and unable to just drag someone else’s board across the soft sand and the scrub, I allowed, for the first time in my career, someone else to pack my board part way. It was his board. I was… grateful.

So, next session I packed in my MANTA board. I had finally coated over the paint with resin, and figured, if the waves were the usual, minimal, I could, at least, jump into a few. The waves lived up to my expectations; minimal. AND, NO, even if I said I just wanted to get in the water, which I didn’t, I would be lying. I wanted o RIP. I always want to rip. I didn’t. I let frothed-out ripper KEITH ride the board. He did rip. I watched. I caught ONE WAVE, belly ride, totally tubed, with enough juice to propel me down the line and into the gravel shelf. YAY!

MANTA and slightly lost Hobbit.

OH, and Keith put a ding in the Manta. That’s one of the costs in surfing. Occasionally getting h orumbled is another. STILL, next time I get wet…

SECOND LIE: “I’m not political.” Add to this, “I am willing to talk.” That part is true. I am working on a project proposal for a guy who is running for the state senate as a republican. So, in discussing the job, politics did come up. I said that, probably, 70 percent of people agree on 75% of things, that where the radical 30%, 15 in each direction, left and right, come together is distrust of the government. The potential client agreed. THEN, because he is also part of the nebulous percentage of people who consider themselves religious (there is a scale on this), I added that we are all raised with certain morals, and, if we go against these, we, in our own minds, sin. So, because we want to consider ourselves ‘good people,’ we try to live up to our own sense of morality.

HE AGREED. What I actually (or also) meant, or meant to imply was, that if a person is raised by a parent who used every device and trick to fuck over people in order to enrich himself, that person’s moral backstop, compass, guidebook, whatever, is… different.

BECAUSE I couldn’t help myself, and, actually, I MIGHT DO MORE, I drew a couple of, possibly, kind of political illustrations. I found out a few things: A LOT of women do not want to see even a negative image of Fred Trump’s son, a NASTY piece of work. I don’t know. Maybe I’m wrong: there might be, like, 15% who think… SHIT, I can’t imagine why they’d have anything other than disgust, AND, if they defend him on some false and thin pretense, I might believe they have an incredibly strong resistance to the gag reflex, and/or are lying.

Again, I am willing to talk.

“SWAMIS.” Since I am serializing the novel, I should recap: 1. Joey is at the court-appointed psychologist’s office; the conversation coming around to whether he has moved from being bullied to being a bully. 2. Joey’s first meeting with Julie at Pipes.

CHAPTER THREE- SUNDAY, SEPTEMBER 15, 1968

My nine-six Surfboards Hawaii pintail was on the Falcon’s rust and chrome factory racks. I was headed along Neptune, from Grandview to Moonlight Beach. The bluff side of Neptune was either garage or gate and fence, or hedge, tight to the road. There were few views of the water. I was, no doubt, smiling, remembering something from that morning’s session.

There had been six surfers at the outside lineup, the preferred takeoff spot. They all knew each other. If one of them hadn’t known about me, the asshole detective’s son, others had clued him in. There was no way the local crew and acceptable friends would allow me to catch a set wave. No; maybe a wave all of them missed or none of them wanted. Or one would act as if he was going to take off any wave I wanted, just to keep me off it.  

As the first one in the water, I had surfed the peak, had selected the wave I thought might be the best of a set. Three other surfers came out. Okay. Three more surfers came out. Sid was one of them. I knew who Sid was. By reputation. A set wave came in. I had been waiting. I was in position. It was my wave. I took off.  Sid took off in front of me, ten yards over. I said something like, “Hey!”

Rather than speed down the line or pull out, Sid stalled. It was either hit him or bail. I bailed. Sid said, “Hey!” Louder. He looked at me, cranked a turn at the last moment. He made the wave. I swam.

“I didn’t do anything wrong,” I said, back at the lineup. The four other surfers there were laughing with Sid.

“Wrong, Junior; you broke the locals rule.” Sid pointed to the lefts, the waves perceived as not being as good, on the other side of a real or imagined channel. “Local’s rule. Get it?” Trying to ignore the taunts of the others, I caught an insider and moved over.

After three lefts, surfed, I believed, with a certain urgency and a definite aggression, I prone-paddled back to the rights, tacking back and forth. A wave was approaching, a decently sized set wave. I wanted it. 

“Outside!” I yelled, loud enough that four surfers, including Sid, started paddling for the horizon. I paddled at an angle, lined up the wave at the peak. Though the takeoff was late, I made the drop, rode the wave into the closeout section, pulling off the highest roller coaster I had ever even attempted.

There had been no outside set. I kept my back turned to the water as I exited, not daring to look up at the surfers on the bluff, hooting and pointing. I did look up for a moment as I grabbed my towel, my keys and wallet and cigarettes rolled up in it, tromped up the washout to Neptune Avenue, trying not to smile.   

Driving, almost to Moonlight Beach, a late fifties model Volkswagen bus, two-tone, white over gray, was blocking the southbound lane. Smoke was coming out of the open engine compartment. Black smoke. Three teenagers were standing behind the bus: Two young men, Duncan Burgess and Rincon Ronny, on the right side, one young woman, Monica, on the left. 

There was more room on the northbound side. I pulled over, squeezed out between the door and someone’s bougainvillea hedge, and walked into the middle of the street, fifteen feet behind the van. “Can I help?” 

Duncan, Ronny, and Monica were dressed as if they had surfed but were going to check somewhere else: Nylon windbreakers, towels around their waists. Duncan’s and Monica’s jackets were different, but both were red with white, horizontal stripes that differed in number and thickness. Ronny was wearing a dark blue windbreaker with a white, vertical strip, a “Yater” patch sewn on. Each of the three looked at me, and looked back at each other, then at the smoking engine. The movement of their heads said, “No.”

Someone stepped out of an opening in the hedge on the bluff side of the road, pretty much even with me. I was startled. I took three sideways steps before I regained my balance.

Julia Cole. Perfectly balanced. She was wearing an oversized V-neck sweater that almost covered boys’ nylon trunks. Her legs were bare, tan, her feet undersized for the huarache sandals she was wearing. She looked upset, but more angry than sad. But then… she almost laughed. I managed a smile.

“It’s you,” she said. It was. Me. “Are you a mechanic?” I shook my head, took another step toward the middle of the road, away from her. “An Angel?” Another head shake, another step. She took two more steps toward me. We were close. She seemed to be studying me, moving her head and eyes as if she might learn more from an only slightly different angle.

I couldn’t continue to study Julia Cole. I looked past her. Her friends looked at her, then looked at each other, then looked, again, at the subsiding smoke and the growing pool of oil on the pavement. “We saw what you did,” she said. I turned toward her. “From the bluff.” Her voice was a whisper when she added, “Outside,” the fingers of her right hand out, but twisting, pulling into her palm, little finger first, as her hand itself twisted. “Outside,” she said again, slightly louder.

“Oh,” I said. “It… worked.”

“Once. Maybe Sid… appreciated it.” She shook her head. “No.”

I shook my head. “Once.” I couldn’t help focusing on Julia Cole’s eyes. “I had to do it.”

“Of course.” By the time I shifted my focus from Julia Cole’s face to her right hand, it had become a fist, soft rather than tight. “Challenge the… hierarchy.”

I had no response. Julia Cole moved her arm slowly across her body, stopping for a moment just under the parts of her sweater dampened by her bathing suit top. Breasts. I looked back into her eyes for the next moment. Green. Translucent. She moved her right hand, just away from her body, up. She cupped her chin, thumb on one cheek, fingers lifting, pointer finger first, drumming, pinkie finger first. Three times. She pulled her hand away from her face, reaching toward me. Her hand stopped. She was about to say something.  

“Julie!” It was Duncan. Julie, Julia Cole didn’t look around. She lowered her hand and took another step closer to me. In a ridiculous overreaction, I jerked away from her.

“I was going to say, Junior…” Julia was smiling. I may have grinned. Another uncontrolled reaction. “I could… probably… if you were an… attorney.”

“I’m not… Not… yet.”

Julia Cole loosened the tie holding her hair. Sun-bleached at the ends, dirty blonde at the roots. She used the fingers of both hands to straighten it.

“I can… give you a ride… Julia… Cole.”

“Look, Fallbrook…” It was Duncan. Again. He walked toward us, Julia Cole and me. “We’re fine.” He extended a hand toward Julia. She did a half-turn, sidestep. Fluid. Duncan kept looking at me. Not in a friendly way. He put his right hand on Julia Cole’s left shoulder.

Julia Cole allowed it. She was still smiling, still studying me when I asked, “Phone booth? There’s one at… I’m heading for Swamis.”

            A car come up behind me. I wasn’t aware. Rincon Ronny and Monica watched it. Duncan backed toward the shoulder. Julia and I looked at each other for another moment. “You really should get out of the street… Junior.”

            “Joey,” I said. “Joey.”

            She could have said, “Julie.” Or “Julia.” She said neither. She could have said, “Joey.”      

No one got a ride. I checked out Beacons and Stone Steps and Swamis. I didn’t surf. The VW bus was gone when I drove back by. Dirt from under someone’s hedge was scattered over the oil, some of it seeping through.

OBLIGATORY COPYRIGHT STUFF: I reserve the rights to any and all of my original works. Please respect this. Erwin A. Dence, Jr. Thanks.

HAPPY LABOR DAY! I do hope you’re getting WET and BARRELED! The next time (and any time) I get in the water, remember, “I’M HERE TO SURF.”

Magazine, Designer, Shirts, E-Foils, “Swamis”

Posted on by under "Swamis" the novel, northwest surfing, old surfers, Original Erwin t-shirts, real surfers

I’VE DECIDED to concentrate on a once-a-week posting, allowing more to report. So, Magazine. I’VE ALSO DECIDED to call myself a designer. Yes, I’m still a house painter (contractor), but desinger sounds even better than artist. Maybe it does. Adding ‘successful’ to any title would be better than ‘struggling,’ that better than ‘starving,’ which no one has ever accused me of being.

AS PROMISED, here’s my first psychedelic, full color, ORIGINAL ERWIN t shirt, modeled here by ripper and supermodel Stephen R. Davis. It’s my shirt, XXL, and it’s a test run. DWAYNE at D&L LOGO in Port Townsend did some computer stuff to the illustration, I got eight copies in the new age version of iron-on, and had them transferred on to (blue) t shirts they had on hand. They are mostly in sizes medium, large, and extra large. The first 8 images were slightly smaller. I’m ordering twenty more slightly larger than this one. I will have to confer with Trish on color as she, particularly, is not fond of the color above. “No, Trish, it’s not shit brindle brown; it’s… sunny creamy yellow/gold.” “Sure.”

SELLING STUFF is not my long suit. Far from it. STILL, I will let you know when some shirts are available. OR, if you send a text to what started out as my surf-centric stealth phone, 360-302-6146. We’ll figure something out. There are still some of my most recent shirts available. ALL other Original Erwin limited editions are GONE. If you have one… hold on to it.

CHIMACUM TIMACUM NEWS- I got a text and photo from CHIMACUM TIM. “The future is now! No more getting skunked on waves in the Straits with an e-Foil Drive assist.” I wrote back, “It makes me wanna jump on my e-bike.” If I had an e-bike. I kind of half expect to see Tim following a Washington State Ferry on his lunch break, weaving and swooping. But, hey, I do insist on having a paddle and a big-ass board, so, no judgment. Some judgment, probably. Imagine riding an electric board at a wave park. So real. Surreal.

OLD SURFER NEWS- Not fishing for congratulations, but I just had a birthday. 37 for those with dyslexia, and anxious for my next adventure in real waves.

REAL WAVES UPDATE- Still flat, forecast for flat on the STRAIT. Time to get some stuff done that won’t get done when the waves show up. If you’re on the coast, coast into a few.

“SWAMIS,” continued. I am, yes, working on completing the manuscript., trying to make the earlier chapters go along with the ending that space and sanity have forced to be way earlier in the full story than I had planned. SO:

                                     CHAPTER TWO- SATURDAY, AUGUST 14, 1965

My mother took my younger brother, Freddy, and me to the beach at what was to be the San Elijo campground. Almost or just opened, it runs along the bluff from Pipes to Cardiff Reef. We were at the third stairway from the north end. I was attempting to surf; Freddy was playing in the sand. My mother was collecting driftwood for a fire. The waves were small. Pushing my way out, walking, jumping over the lines, I was turning and throwing my board into the soup, standing up, awkwardly, and riding straight in; butt out, hands out, stupidest grin on my face. “Surfin’!”

A girl, about my age, was riding waves. Not awkwardly. Smoothly. Not straight, but across. She wouldn’t have wiped out on the third ride I witnessed if I hadn’t been in the way, almost frozen, surprised by a wave face so thin and clean I still swear I could see through it.

            I let my board go, upside down, broach to the waves, and chased down hers. When I pushed it back toward her, she said, “It’s you.”

            “Me?” I had to look at her and reimagine the moments immediately before she spoke. She was wading toward me. She pushed the hair away from both sides of her face. She looked toward the beach. She looked back. Her eyes were green and seemed, somehow, as transparent as I had imagined the waves to be. “It’s you.”

            “No. No, I’m… not… Who are you?”

            “Someone who stays away from cops… And their kids.” She wasn’t going to thank me for grabbing her board. “Surfing isn’t easy, you know. All the real surfer guys are assholes.” She turned, threw herself onto her board, and started paddling. “I’d give it up If I were you.” 

            “Assholes,” I said as I retrieved my board. “I’m a well-known asshole.” I walked and pushed and paddled and made my way out to where the girl was sitting. She looked out to sea. She looked toward the shore. It was a lull, too long for her not to turn toward me as I attempted to knee paddle.

            “We can’t be friends, Junior,” she said.

            “No? What about when I… get to the point where I surf way better than you? Still, no?”

            The girl turned away again. Not at long this time. “You coming back tomorrow?”

            “No. Sunday. Church. My mom… We… Church.”

            “Church,” she said. “My mom and I… Well, me; I… surf.”

            The girl paddled over and pushed me off my board. The first wave of a set took it in. She turned and caught the next wave. I watched her from behind it. Graceful. “Julia Cole,” I said, loud enough for her to hear. “Your friends call you Julie.” I said that to myself.

CHAPTER THREE- SUNDAY, SEPTEMBER 15, 1968

My nine-six Surfboards Hawaii pintail was on the Falcon’s rust and chrome factory racks. I was headed along Neptune, from Grandview to Moonlight Beach. The bluff side of Neptune was either garage or gate and fence, or hedge, tight to the road. There were few views of the water. I was, no doubt, smiling, remembering something from that morning’s session.

There had been six surfers at the outside lineup, the preferred takeoff spot. They all knew each other. If one of them hadn’t known about me, the asshole detective’s son, others had clued him in. There was no way the local crew and acceptable friends would allow me to catch a set wave. No; maybe a wave all of them missed or none of them wanted. Or one would act as if he was going to take off any wave I wanted, just to keep me off it.  

As the first one in the water, I had surfed the peak, had selected the wave I thought might be the best of a set. Three other surfers came out. Okay. Three more surfers came out. Sid was one of them. I knew who Sid was. By reputation. A set wave came in. I had been waiting. I was in position. It was my wave. I took off.  Sid took off in front of me, ten yards over. I said something like, “Hey!”

Rather than speed down the line or pull out, Sid stalled. It was either hit him or bail. I bailed. Sid said, “Hey!” Louder. He looked at me, cranked a turn at the last moment. He made the wave. I swam.

“I didn’t do anything wrong,” I said, back at the lineup. The four other surfers there were laughing with Sid.

“Wrong, Junior; you broke the locals rule.” Sid pointed to the lefts, the waves perceived as not being as good, on the other side of a real or imagined channel. “Local’s rule. Get it?” Trying to ignore the taunts of the others, I caught an insider and moved over.

After three lefts, surfed, I believed, with a certain urgency and a definite aggression, I prone-paddled back to the rights, tacking back and forth. A wave was approaching, a decently sized set wave. I wanted it. 

“Outside!” I yelled, loud enough that four surfers, including Sid, started paddling for the horizon. I paddled at an angle, lined up the wave at the peak. Though the takeoff was late, I made the drop, rode the wave into the closeout section, pulling off the highest roller coaster I had ever even attempted.

There had been no outside set. I kept my back turned to the water as I exited, not daring to look up at the surfers on the bluff, hooting and pointing. I did look up for a moment as I grabbed my towel, my keys and wallet and cigarettes rolled up in it, tromped up the washout to Neptune Avenue, trying not to smile.   

Driving, almost to Moonlight Beach, a late fifties model Volkswagen bus, two-tone, white over gray, was blocking the southbound lane. Smoke was coming out of the open engine compartment. Black smoke. Three teenagers were standing behind the bus: Two young men, Duncan Burgess and Rincon Ronny, on the right side, one young woman, Monica, on the left. 

There was more room on the northbound side. I pulled over, squeezed out between the door and someone’s bougainvillea hedge, and walked into the middle of the street, fifteen feet behind the van. “Can I help?” 

Duncan, Ronny, and Monica were dressed as if they had surfed but were going to check somewhere else: Nylon windbreakers, towels around their waists. Duncan’s and Monica’s jackets were different, but both were red with white, horizontal stripes that differed in number and thickness. Ronny was wearing a dark blue windbreaker with a white, vertical strip, a “Yater” patch sewn on. Each of the three looked at me, and looked back at each other, then at the smoking engine. The movement of their heads said, “No.”

Someone stepped out of an opening in the hedge on the bluff side of the road, pretty much even with me. I was startled. I took three sideways steps before I regained my balance.

Julia Cole. Perfectly balanced. She was wearing an oversized V-neck sweater that almost covered boys’ nylon trunks. Her legs were bare, tan, her feet undersized for the huarache sandals she was wearing. She looked upset, but more angry than sad. But then… she almost laughed. I managed a smile.

“It’s you,” she said. It was. Me. “Are you a mechanic?” I shook my head, took another step toward the middle of the road, away from her. “An Angel?” Another head shake, another step. She took two more steps toward me. We were close. She seemed to be studying me, moving her head and eyes as if she might learn more from an only slightly different angle.

I couldn’t continue to study Julia Cole. I looked past her. Her friends looked at her, then looked at each other, then looked, again, at the subsiding smoke and the growing pool of oil on the pavement. “We saw what you did,” she said. I turned toward her. “From the bluff.” Her voice was a whisper when she added, “Outside,” the fingers of her right hand out, but twisting, pulling into her palm, little finger first, as her hand itself twisted. “Outside,” she said again, slightly louder.

“Oh,” I said. “It… worked.”

“Once. Maybe Sid… appreciated it.” She shook her head. “No.”

I shook my head. “Once.” I couldn’t help focusing on Julia Cole’s eyes. “I had to do it.”

“Of course.” By the time I shifted my focus from Julia Cole’s face to her right hand, it had become a fist, soft rather than tight. “Challenge the… hierarchy.”

I had no response. Julia Cole moved her arm slowly across her body, stopping for a moment just under the parts of her sweater dampened by her bathing suit top. Breasts. I looked back into her eyes for the next moment. Green. Translucent. She moved her right hand, just away from her body, up. She cupped her chin, thumb on one cheek, fingers lifting, pointer finger first, drumming, pinkie finger first. Three times. She pulled her hand away from her face, reaching toward me. Her hand stopped. She was about to say something.  

“Julie!” It was Duncan. Julie, Julia Cole didn’t look around. She lowered her hand and took another step closer to me. In a ridiculous overreaction, I jerked away from her.

“I was going to say, Junior…” Julia was smiling. I may have grinned. Another uncontrolled reaction. “I could… probably… if you were an… attorney.”

“I’m not… Not… yet.”

Julia Cole loosened the tie holding her hair. Sun-bleached at the ends, dirty blonde at the roots. She used the fingers of both hands to straighten it.

“I can… give you a ride… Julia… Cole.”

“Look, Fallbrook…” It was Duncan. Again. He walked toward us, Julia Cole and me. “We’re fine.” He extended a hand toward Julia. She did a half-turn, sidestep. Fluid. Duncan kept looking at me. Not in a friendly way. He put his right hand on Julia Cole’s left shoulder.

Julia Cole allowed it. She was still smiling, still studying me when I asked, “Phone booth? There’s one at… I’m heading for Swamis.”

            A car come up behind me. I wasn’t aware. Rincon Ronny and Monica watched it. Duncan backed toward the shoulder. Julia and I looked at each other for another moment. “You really should get out of the street… Junior.”

            “Joey,” I said. “Joey.”

            She could have said, “Julie.” Or “Julia.” She said neither. She could have said, “Joey.”      

No one got a ride. I checked out Beacons and Stone Steps and Swamis. I didn’t surf. The VW bus was gone when I drove back by. Dirt from under someone’s hedge was scattered over the oil, some of it seeping through.

ANNIE FERGERSON ‘ERWIN’ documentary news- There have been problems with getting access to the little film featuring some old coot on the Strait. HERE is the link, though I don’t know exactly how to make it an actual link: https:/vimeo.com/nicranium/review/982855582/42dd5c63de TRIED IT. IT WORKED.

Thanks for reading. AND, uh, not that I’m political, but I have done a couple of kind of political drawings recently. I forgot to transfer these from my phone before I got going. I MIGHT stick them out into the cosmos later in the week. Otherwise, next Sunday…

OBLIGATORY INFO- All original work, writing and art, are copyright protected. All rights reserved by Erwin A. Dence, Jr Thanks for respecting this; get some waves… or, get an e-foil.

Enduring the Dog Days, and “Tightening”

Posted on by under "Swamis" the novel, Erwin Dence surf illustrations, Original Erwin t-shirts, real surfers, surf art, surf fiction, surf illustrations, surf novels, surfing art, surfing blogs, surfing novels, writings of Erwin Dence

It’s a sort of positive for me that the summer drought on the Strait of Juan de Fuca coincides with painting season. More like consolation, with even driving to the coast not a guarantee of finding waves. Busy now, it gets crazier in September when people start panicking about getting their castle dolled-up before the rains start getting more consistent. Finding time to devote to my other passions, including drawing and writing, becomes more challenging.

BUT I do have time while scraping and painting and second-coating to think, THINKING, IMAGINING being the most crucial component in each of these activities. Imagine what the drawing COULD look like, imagine WHAT I want to convey.

IT’S A PROCESS. Not dissimilar to house painting, actually. To use the project I am currently working on as an examlple, the homeowner has a vision of what she wants her Victorian home to look like; I have my own ideas. A few color changes later, we do it her way,. with eventual agreement that it works AND it’s what the person paying me wants.

SO… I prep and paint, and it’s never one coat of any color. I paint, and then TIGHTEN UP the paint, picking up missed spots (‘holidays’ in the vernacular), making sure the transitions are crisp and clean, the result being a job I can be proud of and the client will both pay me for and recommend me to others because I did it (right).

BRIEF SURFING INTERJECTION- Having missed one opportunity summer surf, and being pissed because I could have gone and didn’t, I did get a few waves recently. Just enough, with passing fancy rigs with boards on them on a daily basis along SURF ROUTE 101, to cause me to want more. MORE.

TIGHTENING. I am going to a memorial later today for a person I have been bumping into for years on the PORT TOWNSEND. I have a story I told his widow I would tell, and I’m going to try to write it out rather than ramble on in some fashion that might embarrass the others as well as me.

BUT FIRST, “SWAMIS,” the novel I’ve been thinking about, writing, rewriting, tightening for way too long. Having thought about how I needed to tighten a SCENE with the protagonist, JOEY, and the closest character to an antagonist, BRICE LANGDON, I tried to devote a bit of time to it yesterday, but got an urgent text: THE floor guys didn’t show up, could I PLEASE do some painting. PRAYER EMOJI. Shit! Fuck! I made the changes, pulled out the thumb drive. The emergency painting and looking at another project pretty much did the day in. OH, and then thunder and lightening; the weather kind. I went to bed and did not get up early… enough.

ORIGINAL ERWIN NEWS- I paid back some seed money I was loaned by local master builder/climber/skier/hiker/all kinds of other stuff, JIM HAMILTON; the money intended for my investment in getting some t shirts going, which, four months later, I did. Most are gone now. Thanks, Jim. BUT, DWAYNE at D&L LOGOS has been working on a FULL COLOR DESIGN, and I am SOOOO excited to see the results.

DWAYNE did some digital editing and had eight of the image printed up. They are heat-transferred, in a modern, way-better version of the hated ‘iron on’ process. I have to wait to see what the my cost will be. SEVERAL are already promised. WE’LL SEE. I will get back to you on it.

IN A NOT-UNRELATED STORY, I showed my most recent illustration to the clients I met with yesterday, friends of ANNIE FERGERSON, the woman behind the recent documentary about, you know, me. NOW, I REALLY BELIEVED folks would have to have a copy. I had forty printed up, two sizes. I have 38 left, BUT, hey, sales is not what I’m good at.

Although I haven’t given them an estimate, I did get a text back saying, “this would make a great t shirt.” “Open for discussion,” I texted back. I should have included the PRAYER EMOJI, way more convincing when the two hands come together. WE’LL SEE.

ADDING TOO MUCH CONTENT to make the best use of my semi-free minute, here is a poem/song I’ve been working on. THE PROCESS is, again, the IDEA- overhearing a conversation about you; the FIRST DRAFT- this includes singing verses, trying out rhymes. This takes some time; usually when driving to or from a job; harmonica to see if there is a tune. It has to flow. And repetition to make sure I have it memorized. WRITING- Putting it on the thumb drive. REWRITING, EDITING, CHANGING- making sure it tells the story. TIGHTENING, TIGHTENING, TIGHTENING.

AGAIN, THIS is an imagined scene. Fiction. Maybe it’s a song I’ll never sing in public, a poem I’ll never recite; I don’t know; I wrote it and it’s part of the driving song collection, along with favorites by others, the result of many years of song writing.

I HAVE TO GO, and I still have to write something about the late PETER BADAME. Get some waves, huh? See you on the highway. OH, and I do claim and reserve all rights to my work, so…

                                    A PRIVATE CONVERSATION

                                                      an excerpt from some longer story

It was a private conversation, words I was not yet meant to hear,

Thought I’d surprise you at the station, couldn’t have known that I was near.

Your words and tears shared with a stranger, someone you’ve met along the line,

I should have known this was a danger, if I did not the fault is mine,

I’m sorry, so sorry.

You spoke of time apart and sorrow, now… I could barely hear your voice,

You said that love’s something we borrow, said freedom is a frightening choice.

You spoke of hope and disappointment, small victories, great tragedy,

In all the time we’ve been together, you never disappointed me.

Not ever, not ever.

I saw the touch, though at a distance, saw how your fingers were entwined,

You didn’t put up much resistance, offered a kiss, you did decline.

That’s when I walked out of the station, this is my last apology,

You should need no more explanation, perhaps we’ve set each other free.

It’s frightening… so frightening.

But that’s another conversation, a private conversation, a very frightening conversation,

A private conversation

This version: August 9, 2024. Some changes August 17, August 18, 2024. AND YES, I did make a couple of changes after I put it on this page. FLOW.

When You RIDE With Erwin… It’s a Story

Posted on by under Erwin Dence illustrations, Original Erwin t-shirts, real surfers, surf art, surfer Archie Endo, surfing art

Very bad day yesterday. All I wanted to do was get my panels up to Port Townsend for the August Art Walk, AND take ARCHIE ENDO out to lunch. Short Version: Van got accidentally locked. Not blaming. Keys and cell phone inside. Van parked in handicapped spot. $120 cash to unlock. Move panels and remaining Original Erwin shirts. Now to lunch. NO. Van won’t start. Tried jump starting. Thanks, LOU. NO. Waited for tow truck, arrived while trying to eat something at La Cucina, across the street. Slugged down last of quesadilla and milk. KIRK LAKENESS was the tow truck driver. Perhaps you remember Kirk from the time I crashed vehicle on Eaglemount in black ice. Kirk towed van to electric shop. Archie and I got a ride to his house in DIscovery Bay area with REGGIE. Archie gave me a ride home.

Here’s a shot of Stephen R. DAVIS’S friend from the Big Isand, ‘CAP” (real name Brian, though, he says, only his mother [and I] call him that), stylishly sporting the latest ORIGINAL ERWIN T SHIRT and posed as if he might be checking out surf. NO. No surf ’round here. Incidentally, he and other Big Islanders call Steve “Moose.” I don’t.

HERE is the poster I was hoping to sell multiple copies of at the COLAB during the Art Walk. Hoping. I was sure enough that it would be a popular item that II had forty of them printed, 20 at 11’by 17′, twenty at 8and1/2′ by 11′. LIMITED EDITION.

SPEAKING of which, when I was waiting for RANDY at COHO PRINTING to finish the project, I said that I love doing the artwork, but hate trying to sell my works. “Well,” he said, “My suggestion would be to put them all in a drawer somewhere.” “Thank you, Professor, might I have another?” “It should be ‘Sir.'” “I know. I gave you a promotion.”
MEANWHILE… WORK. A different story.

Find some waves. Ride them. Later. Oh, and the poster is covered by copyright, all rights reserved.

Another 4th Occasional… EVENT UPDATE

Posted on by under northwest surfing, old surfers, Original Erwin t-shirts, real surfers, surf culture events

CURATOR of (or is it for) the Fourth Occasional Surf Culture on the Strait of Juan de Fuca and the Salish Sea Event, Ripper/Librarian Keith Darrock, sporting the latest, limited edition (33 printed, 3 for Erwin, three summer-y colors) ORIGINAL ERWIN t-shirt.

Keith has assembled a “STACKED LINEUP” of speakers for the two hour (+?) surf-centric event, 6-8pm, Wednesday, July 17, Port Townsend Public Library. The theme is “Talking Story,”

I MUST ANNOUNCE there will be a short (less than five minutes) documentary on… me (yeah- shocking) by producer ANNIE FERGERSON, with filming and producing by NICOLAI CRANE.

I MUST EXPLAIN that I met documentarian Annie the way I meet most people; I did some painting for her. She may have gotten the idea I might make a decent film subject by seeing some expertly edited hidden camera stuff on Instagram by Surfer/tattoo artist/artist REGGIE SMART. That footage may have convinced Annie that I was… I’m trying to not say ridiculous. I did try to dissuade Annie from filming me, recommending others way more qualified, way more interesting. A year and a half later, I was pretty much okay with getting some footage of me, you know, like, surfing. ANYWAY, I’ve seen the footage and here’s my review: Beautifully photographed and edited, BUT, after seeing it first on my phone, watching it on a laptop was… shockingly real. “Whoa! So fat! So OLD! So… real.” This is without mentioning my voice, nothing at all like James Earl Jones.

And, and, and there are cameo appearances in the film by Stephen R. Davis and Jason Queen.

See you there!

Cultural Event *UPDATE*update*UPDATE

Posted on by under northwest surfing, Original Erwin t-shirts, real surfers, surf art, surf culture events

There may be more corrections and updates before the FOURTH OCCASIONAL SURF CULTURE ON THE STRAIT OF JUAN DE FUCA AND THE SALISH SEA EVENT, Wednesday, July 17, 6 to 8 pm, Port Townsennd Public Library.

Additions and clarifications:

“MERCURY VELVET” RICO’s last name is MOORE. Rico will be reading or reciting original poetry (because he said he would) at the EVENT.

JOHN HOLM will be adding some of his paintings in with a mix of the works of other local artists. Here’s a sample and a borrowed bio of John, who lives in Seattle and/or Port Townsend. To be clarified… later.

John fell in love with the ocean at a young age, living on the North Shore of Oahu. He learned to surf in Santa Cruz in the 60’s, while studying advertising at Art Center. Here he experienced the boom of the surf craze firsthand. After graduating, John became a Navy pilot and took in more beautiful surf and coastline while he was stationed in Monterey. A thirty-year career in advertising then took him to New York and later to Seattle, where he currently resides. He’s back to doing what he loves these days: painting and surfing. John’s early memories of the ocean and So Cal surf culture are strong influences on his work. The impressionistic style of his art captures movement and the intense connection of the surfer and the wave. He moves beyond the literal “perfect wave” and straight into the soul of surfing. John’s paintings have appeared in “Surfer’s Journal” and are available at “Club of the Waves” online.

OKAY. Check realsurfers.net on Wednesday. There will be at least one update, probably more.

Definitely more. I’m going to post a photo of the latest limited edition ORIGINAL ERWIN t shirt design, like, tomorrow night or Tuesday morning, AND I will have more information on the WORLD PREMIERE of the documentary KEITH DARROCK, local ripper, librarian, and curator of the event said should be called, “Villain.” I’m supposed to get a sneak peek, AND I do want to give proper credit to the producers.

MEANWHILE… “I was still… thinking.” Chuck Berry, “Little Queenie.”

Ready For the Big Event? No, but I will be

Posted on by under real surfers, surf art, surf culture, surf culture events, surf posters, surf stories, surfing tales, surfing the strait of juan de fuca

typical shorebreak on the Salish Sea

TALKING STORY is the theme of the FOURTH OCCASIONAL SURF CULTURE ON THE STRAIT OF JUAN DE FUCA AND THE SALISH SEA EVENT. It is GOING TO HAPPEN this Wednesday, July 17, 6 to 8pm, at the City of Port Townsend Public Library.

THIS WEDNESDAY!

I was recently (like, yesterday) corrected on my use of ‘talking story’ on the poster. This was by a person who has connections (raised in Orange County, California, surfed some, brother surfed) to surfing AND has actually been to and lived in Hawaii, AND has developed his own truisms (or little catch phrases if they are not generally true- and how would II know?) about the place; the locals; the Haoles; tourists and residents. One of these is, “If my rental car breaks down on Kauai, a local will stop to help. If it’s on Oahu…” “What?” “Guess.” “No.”
“Okay,” he said, “If, for example, a Hawaiian is late getting home and doesn’t want to tell his wife he was at the tavern, he’ll say, ‘oh, I was, you know, we… talk story.'” “Okay,” I said, “with Trish, she would just assume I, Chatty Cathy she accuses me of being, was ‘chatting it up.'” “Yeah, you do seem to… chat.”

Glad that’s all worked out, I’m working on a story I can tell when it’s my turn in the lineup. It isn’t like I’m competitive, but I’ve spoken and/or read at events before and I always think, “I’ll never do this again.” And, once I’ve survived, I think, “Next time I’ll do… better.”

NEXT TIME is Wednesday, and other scheduled speakers have serious credentials. Greg Tindall, Drew Kampion, Tim Nolan, Dana Terill are on the bill, and writer/poet RICO (in caps because I don’t know or have time to look up his last name, though Mercury Velvet might be his nom-de-surf) has agreed to share something he’s written, and I… I’m working on it.

It’s not like I don’t have stories. And talking? Yeah, I talk.

ALSO, and I really only know what I’m doing, but I do have a batch of ORIGINAL ERWIN T SHIRTS. Limited edition of 30, controlled by me with the promise of no more with this design being produced, sizes small through extra large.

OH, AND there’s the documentary, possibly titled “The Villain,” produced by professional documentarian Annie Furgerson, making its world premiere NEXT WEDNESDAY.

Shucks, I better get to work. I’m bringing over some panels and other artwork from the collection at the Port Townsend COLAB, and I have a couple of new pieces.

I will post any updates by, at least, the morning of the big event. SEE YOU THERE. We’ll, you know, chat.