Lorraine and Myrna Orbea after their first performance in “The Best Christmas Pageant Ever,” at the theatre in Port Gamble, pictured here with a couple of aunts and therir grandmother. Lorraine and Myrna are the children of Pete and Mollie, Mollie being, probably, the main reason Drucilla, daughter of Erwin and Trisha Dence, lives in the former mill town on one of the routes between Seattle and the Olympic Peninsula.
Two days after this performance, very well done, incidentally, production-wise, and, particularly, with amazing performances by all the kids, Adam Wipeout James and the Wipeout family cruised down Surf Route 101 to attend an off-Seattle performance of “The Nutcracker” in Shelton.
Yes, it’ community theater season. All of the Dence family members, also including sons James and Sean, participated in various projects in Quilcene (also on Surf Route 101) in the past. Everyone did pretty well. Sean could incredibly well, memorizing and delivering every line perfectly. I had great stage presence and a great deal of trouble remembering my lines.
It was great fun, but I only remember one line from the four or five plays we were in. “This must be the place…” Line. Trish, possibly a bit miffed because she was to play a male’s role (lack of male volunteer actors) asked the director, “So, what’s the deal? I’m supposed to play the Sheriff of Mulecock?
DECEMBER TENTH- I’ve told a few folks that this is the traditional end of paint projects for any given year. Not that I plan or want it to be; it’s just, over the thirty-four years or so that I’ve been out here “on the edge of the ledge” (another seemingly accidental line from Trish), I seem to run out of jobs like… yesterday.
December 10th is also my late sister Melissa’s birthday. She was the first of my three brothers, three sisters, and a half-sister to pass. She was my youngest sibling and, though it’s somehow wrong to say it, closest to me because she was an amazing artist. I continue to think of her whenever I attempt to draw or paint. She once asked me, “Do you want it fast or do you want it perfect?” “Both.” “Yeah, both would be nice.”
I sthought of her briefly yesterday when I was helping Dru hang Christmas lights and decorations. A couple of years ago Melissa and Jerome Lynch’s son, Fergus, was on hand for this task. He seemed to be amazed at how I was free-forming the lighting, this string here, that there. “What?” “Well, it’s… great. My mom would spend… days. Everything had to be precise. And you just…” “Yeah; I do. Just…”
Two works by MELISSA JOANNA MARIA MARLENA DENCE LYNCH. Melissa Jo. Our mother added the rest as a sort of lullaby.
A couple of nights ago I woke up with the lines, “You thought I forgot. I did not.” Middle of the night lines most often disappear. Because, while trying to sell my novel, “Swamis,” I’ve been concentrating a bit on poetry. Not that I’m a poet; more like songwriter, and I can pretty much promise that the words will change, I wrote this with my sister in mind, although it might also speak to loss of friends. Our father died around Christmas.
If I Thought I forgot
If I thought I forgot. I did not.
I could not, cannot, will not forget about you.
I have no desire to.
Of my memories gone, thrown out or abandoned,
Sun-dried into dust,
Plowed under, half buried,
Dissolved in deep waters,
Obscured by mildew or rust,
Illegible scraps
Caught in the brambles,
Too deep in the thicket,
Hidden,
Somewhere, in boxes and closets and drawers,
None are of you.
Some files are too disruptive,
Some memories too painful,
Grief and beauty overwhelming.
Still,
I save them close at hand,
Easily accessed.
Still,
If I trip on some reminder,
Stumble across some image,
The tiniest clue,
Something that, for some reason, reminds me of you,
It all comes back,
Suddenly, painfully, beautifully.
So, no,
If I thought I forgot about you,
I did not.
Thanks for checking out realsurfers. I will have updates on my dead SUPER FUN CAR, a possible replacement surf rig, on waves and rides and gossip and rumor. SUNDAY. And please remember original works on realsurfers.net are protected by copyright, all rights reserved.
Good luck in you search. Focus on the trip as well as the destination. A full memory bank is all we really own.
RANDY at COHO PRINTING in Port Townsend stayed late to do some tricky stuff on my recent drawings. A Port Townsend native and super avid fisherman, I made the kook mistake, while trying to describe the lighting particular to looking north into the water, of asking him if he fished in the Strait as well as… you know, other waters. There’s nothing quite as enjoyable as that ‘you’re a kook and an idiot’ look. Happy Thanksgiving, Randy! Hope theyre, you know, like, biting.
Top to bottom- THE FIRST DRAWING was a sketch wasn’t too stoked on. Always tough to try to do faces on surfing illustrations. They’re either cartoony or… usually kind of cartoony, as is this one. SINCE my drawing board is plexiglas, I flipped the paper over, put it up to a light, and redrew it as the…
THIRD DRAWING. The cartoonishness might be mitigated by the modified cross hatch technique that, oddly enough, I’ve been doing almost since I tried (and failed) to duplicate Rick Griffin’s work in ‘Surfer.’ OH, and I screwed up, had to glue in a patch, try to make it match.
THE SECOND DRAWING is one of those I draw in reverse, black-for-white. I had it reversed, went into that drawing to add detail, had it reversed again, did some touchup on that, and, Voila! this one. OH, and, again, there is a patched section. SO, another original for Original Erwin is, you know, not pristine.
THE FOURTH DRAWING is one I kept after ripping up three others, the first one a muddied attempt at using pastels despite my being acutely aware that the palm of my hand is way too heavy for chalk or pastels, or pencils. OH, and really wanting a serious drawing of JULIE for “Swamis,” I can’t seem to draw a woman’s face that I’m happy with. Semi happy with this one.
I wanted Randy to do a copy of the FIFTH DRAWING with a blue or silver rather than black on white. “It’s not like I want something that’s all that tricky.” Well, evidently, with Randy’s Star Wars computer/printer set up, it is tricky, can’t just use one of the colored inks. So, next best thing, I got some copies printed up, black on a silver-blue paper. OH, and yes, it is pencil, but with ink over drawing AND, just for more drama, I added some white dots. They don’t show up so much on the original, but when I added some on one of the copies… Yeah, next time I’m at the COHO, I’ll get a scan of that.
IF THIS SOUTH SWELL/ BOMB CYCLONE STUFF KEEPS GOING, I’ll probably do some more drawing AND keep micro-editing stuff required to get “SWAMIS” published.
I am, as always, THANKFUL for the folks around the world who check out realsurfers. I HOPE YOU GET SOME SURF. New stuff on SUNDAY!
All original works are protected by copyright. All rights reserved by Erwin A. Dence, Jr.
I just and finally got this Wheelie, and, I know, it’s kind of cheating, but, if you’re riding an e-bike down the trail, or a regular bike, um, yeah, I’ll cheat… a bit. OH, yeah, I agree that riding an SUP is cheating. So… don’t.
I was the only one checking for surf after a very dark and very night. Me and this seagull. All I had was a banana. One-third for me, two thirds for… this guy.
When I have some free time, I sometimes do some drawing. the excerpt from “Swamis,” chapter nine, has Joey going to a clinical psychologist, court-mandated after he had an incident in which he ended up with his foot on another student’s neck. ANYWAY, you don’t have to psychoanalyze me because I can’t seem to not go a bit too psychedelic.
CHAPTER NINE- MONDAY, MARCH 24, 1969
I was driving my mother’s 1964 Volvo four-door. Because I never told the DMV I had a history of seizures, I did get a license, I did drive. Because my mother believed I was getting better, she allowed me to drive. Still, she looked in my direction frequently. Because my father believed I was getting better, he taught me. If I did, indeed, have some kind of brain damage, I could force myself, will myself to control the freezes my father called ‘lapses,’ and the outbursts he called ‘mistakes.’
There are stories for each sport I was pushed to try, each team I did not become a part of. Each story involved my lack of attention at some point of time critical to practice or a game. More often, I was asked to leave because, while I had not been what my father called ‘fully committed,’ I had committed violent, unsportsmanlike attacks on an opponent. Or a teammate.
I was, initially, pushed toward surfing. My father’s answer to my fears was, “If you have a lapse, you will drown. So… don’t.” It was the same with driving. “Concentrate. You’re always thinking behind. You have to think ahead. Got that, Jody?”
My mom and I were heading down the grade and into La Jolla. “Favorite part of the trip, Mom; the ocean’s just spread out… so far.”
“Eyes on the road, please.” I glanced past her, quickly, hoping to see some sign of waves around the point. She gave me her fiercest look. I laughed, looked at the road, but looked down and out again on a curve. Scripps’s Pier. Waves. “Are they testing you again, this time?”
“I don’t think so. The new doctor. Peters. She’ll, I guess, analyze whatever they found out last time with the wires and the fancy equipment.” I looked over at my mother as we dropped down through the eucalyptus trees at the wide sweeping right-hand curve that matches the curve of La Jolla Cove. “So, maybe we’ll find out; either I’m crazy or brain damaged.”
“Eyes on the road, please.”
…
I was in the office, standing under a round ceiling light installed a few inches off center. I had two PeeChee folders, three notebooks in each, set on a long, thin, empty walnut table. I opened the blue notebook in the top folder, wrote something I had just remembered, and closed it and the folder. I moved my pencil between my fingers until I dropped it.
The cabinets on two of the walls were cherry. A tile countertop featured a double sink. Porcelain. This was a rented space, easily converted. The six windows on the south wall extended from about a foot-and-a-half from the floor to eight inches from the ceiling. Four of the windows offered a view of tropical plants up against a mildewed redwood fence, eight foot high, no more than three feet away. The light that could make it through the space between the eves and the fence hit several, evenly spaced, colored glass and driftwood windchimes. The sound would be muted, nowhere near tinkly.
The fourth wall had a door, hollow core, cheap Luan mahogany. Several white lab coats were hanging on it. There was an added-on closet, painted white, with another mahogany door, this one rough at the hinge side. Cut down and re-used. There were, on one wall, six framed copies of diplomas or certificates. Three doctors, two universities. Two unmatched wingback chairs, each with an ottoman, were canted toward each other, facing the window wall.
The mahogany door opened. Dr. Peters entered, carrying a large stack of folders, most tan, several in a gray-blue. She kicked the door closed, dropped the stack on the table. She removed her white lab coat, hung it on the door, turned and pointed, with both hands, at the Gordon and Smith logo on the t shirt she was wearing.
“More of a San Diego… city thing, Dr. Peters.”
“Susan. I met Mike Hynson once,” she said. “He was in ‘Endless Summer.’ I figured you’d be either put at ease or impressed.”
“Once? Mike Hynson? Professionally?”
She shuffled through the stack, breaking it into thirds. Roughly. “Funny.”
“Is it?”
“No. It’s… funny you should come back with… that. If he was a… client, I couldn’t say so. I nodded. “So… I’m not saying.”
“No.”
Dr. Peters shook her head. “I went to his shop. Really cool. It’s not like I surf. I am petrified of the ocean.” She pulled out a folder from what had been the bottom third of the stack. “You?”
“Sure. There’s… fear, and there’s respect. A four-foot wave can kill you.” She may or may not have been listening. “Is that my… permanent record?” Dr. Peters laughed as if the remark was clever or funny; it wasn’t either. I didn’t laugh. She let her laugh die out.
She pointed toward the wing chairs. I shook my head. “Okay.” She pulled an adjustable stool, stainless steel, on rollers, from the corner on the far side of the closet. She motioned toward it. An invitation. “Or… we can both stand.”
“If it’s… okay with you, Ma’am. Dr. Peters.”
“Susan. What do your… friends call you?”
“Trick question?”
“Maybe. Okay. Yes.” We both shrugged. “And the answer is?”
“Surf friends. A couple.” Her reaction was more like curiosity than disbelief. “Friends call me Joey. So… Joey, Dr. Peters. I… I’m not… accustomed to calling my superiors or my elders by their first names. Respect.”
She leaned in toward me. “I’m fucking thirty… thirty-one. Joey. Young for a clinical psychologist. So?”
“Now I am impressed, and at ease. So… okay.” The Doctor squinted. “But, uh, Dr. Peters; you’re now, I’m guessing, my court mandated doctor of record?”
Dr. Peters restacked the folders. “Your father… and you… agreed to that.”
“Negotiated. Grant’s dad’s an… attorney.”
“Your father’s… was… a detective. Couldn’t he have…?”
“Never. My fault. Best he could do, with me too close to turning eighteen, is… this. A… choice, an option. We… discussed it. But… question; you’ve already suggested I might be a bully; how do you feel about… another smart ass trying to get off easy?”
“Most of the smartasses I deal with aren’t so… smart.”
“And the bullies?”
“That… urge; it shows weakness; I’m sure you agree.”
“That I’m weak? I agree. My dad’s take: I either don’t think or I take too long thinking.”
“Thanks, Joey.” Dr. Peters wrote something down. “Now, your dad didn’t want to go with… what he called ‘Psycho drugs.’” She moved from the stool to the larger of the two wing chairs. She sat down and used one foot to pull the ottoman into position. She put both feet up on it. She looked at the other chair, then at me. Another invitation. I remained standing.
“How long since you had an episode? Full?” I glanced at her folders. “Okay; three years ago, lunchtime, evidently out on the square at Fallbrook High School. Embarrassing?” I must have smiled. “Okay. Different subject. Grant Murdoch, your foot on his throat.”
“Weak… moment. But, previous topic… subject… The drugs, never were an option.”
“No. Of course not. But… Grant Murdoch, his faking a seizure caused you to…?”
“He wouldn’t have done it if he’s known I… I never went to Friday night football… activities. My surf friends… persuaded me… to.”
“Had Grant done this prank… before?”
“You mean, did my friends know he might?” I shook my head. “I haven’t asked.”
“So, this time, the prank, you acted… hastily?”
“Prank? Yes, I did.” I closed my eyes, envisioned the episode. Ten seconds, max. I pulled the metal stool over, sat it, spinning around several times. “He was… really good at it. Foaming at the mouth and everything. I was… Doctor Samuels, your electrode man. Spike. Do you have any… results?”
“Inconclusive.”
“You’re… disappointed?”
“No; but skipping over how you, just now, called another doctor, a grownup, by his first name… the tests; it was… bad timing.”
“Because I didn’t have a seizure, or even a… spell? And… Spike is a nickname. If you have a nickname… that you‘re willing to share.” She smiled. “By inconclusive, Dr. Susan Peters, do you mean… normal?”
“Pretty much, Mr. DeFreines.”
“That is… disappointing. The doctor, two doctors back…” I pointed to the files again. “He insisted I was just faking it.”
“Are you?”
“Inconclusive.”
“You didn’t have a… you know about the most common seizure, right?”
“Petit’ mal. Absence. Thousand-yard stare. Yes.”
Dr. Peters smacked the top of my stack of folders. “You study… everything.”
“Some things. Only.”
Dr. Peters looked toward her stack of files. She took a breath, looked at the plants outside the windows, at the chime swaying slightly and silently, then back at me. “You went back into… regular, public school, in the third grade. Tell me about that.”
“One of the… teachers… decided I might not be a brain-damaged… retard; maybe I’m… a genius.” I waited for her reaction. Her expression was hard to read. Blank. I danced the stool around until I faced the windows and the plants and the mildewed fence. “I’m not.”
“That’s why you turned down the scholarship?”
I made the half spin back toward the Doctor, waited for her to explain how she knew that. “School records came with a note.”
“Vice Principal Greenwald. Sure.” I spun around one more time and stood up, spinning my body a bit, unable to not smile. “I turned down Stanford because I am a faker, a phony. I… memorize.” I gave the seat of the stool a spin. Clockwise. It moved up about three inches. “I wouldn’t be able to compete with people with… real brains.”
Dr. Peters leaned forward, then threw herself back in the chair. “Okay. We’ll… forget about the competition aspect… for now. This… memorization. Yes. In medical school, I had to… so much is repetition, rote, little mnemonics, other… tricks. My roommate called me… don’t use it. Re-Peters.”
“I won’t… repeat it.” I swept one hand back toward the table. “Sorry. Too easy to be… clever. Or funny.” Dr. Peters shrugged. “So… Tricks. Files. Pictures. Little… movies. I… wouldn’t it be great if we could…?” I walked closer. Dr. Peters pulled her feet from the ottoman. She leaned toward me. “There are the things we miss. They go by… too quickly. If we could go back, just a few seconds, review… See what we missed.”
“And you can?”
“Can’t you? Don’t you… you take notes, you… Do you… rerun conversations in your mind, try to see where you were… awkward; where you… didn’t get the joke?”
“I do. I try not to. I’m more of a… casual observer.”
“That’s me, Dr. Susan Peters; Casual.”
“Observant.” Dr. Peters stood up. The ottoman was between us, but she was close. Too close. She was about my height. Her eyes were what people call hazel. More to the gray/green color used in camouflage. “Tell me…” she said, quite possibly making some decision on the color of my eyes, “I’m trying to determine if there’s a trigger, a mechanism. Tell me what you remember about… the accident?”
“The… accident?”
“When you were five.”
“I don’t… remember that one. I was… five.”
“No, Joey, I believe you do remember… that one.”
…
This wasn’t a brief remembrance of past events, this was a spell I couldn’t avoid, couldn’t think or will myself out of, and couldn’t stop. I stepped back, turned away. I shook my head. I tried to concentrate on… plants, the ones outside the window. Ivy, ferns, the mildew, the grain of the wood… “Like Gauguin,” I told myself, “Like Rousseau,” I said, out loud. “There’s a lion in there… somewhere.”
“Can you tell me what you remember, what you… see?”
I could not. The Doctor stepped between me and the window. She started to say something but stopped. She looked almost frightened. The image of the Doctor faded until it was gone. I was gone.
…
Everything I could remember, what I could see, was from my point of view.
I pulled down my father’s uniform jacket that been covering my face. I was in my father’s patrol car. Front seat. He took his right hand off the steering wheel and put it on my left shoulder.
“Our secret, Jody boy. Couldn’t put you in the back like a prisoner.” I didn’t answer. “Too many of you Korean War babies. I can’t believe… if they’re gonna have half-day kindergarten, they should have… busses both ways.” No answer. “Best argument for your mother getting her license.” No answer. “When I get on the school board…”
The light coming through the windshield and the windows was overwhelmingly bright. There was nothing but the light outside.
My father yelled something, two syllables. “Hold on!” His hand came across my face and dropped, out of my sight, to my chest.
His arm wasn’t enough to keep me from lurching forward. Blackness. I bounced back, then forward again, and down. Everything was up, streams of light from all four sides, a dark ceiling. My father was looking at me. His shadow, really, looking over and down. “You’re all right. You’re… fine.” He couldn’t reach me. The crushed door and steering wheel had him trapped. His right hand seemed to be hanging, his fingers twitching. He groaned as he forced his arm back toward his body. “We’re… fine.”
There were three taps on the window beyond my father. “Stay down,” he said. I could see my father’s eyes in the shadow. He looked, only for a second, at his gun belt, on the seat, coiled, the holster and the black handle of his pistol on top.
“You took… everything!” The voice was coming from the glare. “Everything!”
The man came closer. The details of his face were almost clear, then were lost again to the glare, like a ghost, when he leaned back.
“If we could just…” my father said as the suddenly recognizable shape of a rifle barrel moved toward us. Three more taps on the window. “If we could… relax.”
I could hear a siren. Closer. I tried to climb up, over, behind my father’s shadow.
“Everything!”
“No!”
The first gunshot, my father screaming the shattering of glass in front of and behind me were all one sound. The pieces of glass that didn’t hit my father blew over me, seemingly in slow motion. A wave. Diamonds. My father’s left hand was up, out. A bit of the light shone through the hole. I could hear the siren. I could see a red light, faint, throbbing, pulsing. The loudness of the siren and the rate of the light were increasing. I could see the man’s face, just beyond my father’s hand. His eyes were glistening with tears, but wide. Open. His left cheek was throbbing. I could see the rifle barrel again. It was black, shiny. It was moving. It stopped, pointed directly at me.
My father twisted his bloody hand and grabbed for the barrel. Again.
I could see the man’s face. Clearly. His eyes were on me. Bang. The second gunshot. The man looked surprised. He blinked. He fell back. Not quickly. He was a ghost in the glare, almost smiling as he faded and disappeared.
Tires slid across gravel. The siren stopped. The engine noise was all that was remaining, that and something like groaning; my father, me, the guy outside. Mr. Baker. Tom Baker.
“Gunny?” It was a different voice.
“I’m fine.” It was my father’s voice, but at a slower speed.
“Bastard!” It was the new voice, followed by a third gunshot.
Dr. Susan Peters came back into focus. She looked quite pleased.
I HAVE COMPLETED my many-ist rewrite of “Swamis.” AFTER chatting for an hour on the phone with the head of a publishing outfit, I am now looking for an agent. I’ll get into this next time. THIS time, thanks for reading. Remember that original stuff on realsurfers is protected by copyright, all rights reserved. Thanks for respecting this.
AS FAR AS WAVES, best of luck; if I don’t see you on the water, maybe I’ll see you on a trail. WHEELIE!
It’s a sort of positive for me that the summer drought on the Strait of Juan de Fuca coincides with painting season. More like consolation, with even driving to the coast not a guarantee of finding waves. Busy now, it gets crazier in September when people start panicking about getting their castle dolled-up before the rains start getting more consistent. Finding time to devote to my other passions, including drawing and writing, becomes more challenging.
BUT I do have time while scraping and painting and second-coating to think, THINKING, IMAGINING being the most crucial component in each of these activities. Imagine what the drawing COULD look like, imagine WHAT I want to convey.
IT’S A PROCESS. Not dissimilar to house painting, actually. To use the project I am currently working on as an examlple, the homeowner has a vision of what she wants her Victorian home to look like; I have my own ideas. A few color changes later, we do it her way,. with eventual agreement that it works AND it’s what the person paying me wants.
SO… I prep and paint, and it’s never one coat of any color. I paint, and then TIGHTEN UP the paint, picking up missed spots (‘holidays’ in the vernacular), making sure the transitions are crisp and clean, the result being a job I can be proud of and the client will both pay me for and recommend me to others because I did it (right).
BRIEF SURFING INTERJECTION- Having missed one opportunity summer surf, and being pissed because I could have gone and didn’t, I did get a few waves recently. Just enough, with passing fancy rigs with boards on them on a daily basis along SURF ROUTE 101, to cause me to want more. MORE.
TIGHTENING. I am going to a memorial later today for a person I have been bumping into for years on the PORT TOWNSEND. I have a story I told his widow I would tell, and I’m going to try to write it out rather than ramble on in some fashion that might embarrass the others as well as me.
BUT FIRST, “SWAMIS,” the novel I’ve been thinking about, writing, rewriting, tightening for way too long. Having thought about how I needed to tighten a SCENE with the protagonist, JOEY, and the closest character to an antagonist, BRICE LANGDON, I tried to devote a bit of time to it yesterday, but got an urgent text: THE floor guys didn’t show up, could I PLEASE do some painting. PRAYER EMOJI. Shit! Fuck! I made the changes, pulled out the thumb drive. The emergency painting and looking at another project pretty much did the day in. OH, and then thunder and lightening; the weather kind. I went to bed and did not get up early… enough.
ORIGINAL ERWIN NEWS- I paid back some seed money I was loaned by local master builder/climber/skier/hiker/all kinds of other stuff, JIM HAMILTON; the money intended for my investment in getting some t shirts going, which, four months later, I did. Most are gone now. Thanks, Jim. BUT, DWAYNE at D&L LOGOS has been working on a FULL COLOR DESIGN, and I am SOOOO excited to see the results.
DWAYNE did some digital editing and had eight of the image printed up. They are heat-transferred, in a modern, way-better version of the hated ‘iron on’ process. I have to wait to see what the my cost will be. SEVERAL are already promised. WE’LL SEE. I will get back to you on it.
IN A NOT-UNRELATED STORY, I showed my most recent illustration to the clients I met with yesterday, friends of ANNIE FERGERSON, the woman behind the recent documentary about, you know, me. NOW, I REALLY BELIEVED folks would have to have a copy. I had forty printed up, two sizes. I have 38 left, BUT, hey, sales is not what I’m good at.
Although I haven’t given them an estimate, I did get a text back saying, “this would make a great t shirt.” “Open for discussion,” I texted back. I should have included the PRAYER EMOJI, way more convincing when the two hands come together. WE’LL SEE.
ADDING TOO MUCH CONTENT to make the best use of my semi-free minute, here is a poem/song I’ve been working on. THE PROCESS is, again, the IDEA- overhearing a conversation about you; the FIRST DRAFT- this includes singing verses, trying out rhymes. This takes some time; usually when driving to or from a job; harmonica to see if there is a tune. It has to flow. And repetition to make sure I have it memorized. WRITING- Putting it on the thumb drive. REWRITING, EDITING, CHANGING- making sure it tells the story. TIGHTENING, TIGHTENING, TIGHTENING.
AGAIN, THIS is an imagined scene. Fiction. Maybe it’s a song I’ll never sing in public, a poem I’ll never recite; I don’t know; I wrote it and it’s part of the driving song collection, along with favorites by others, the result of many years of song writing.
I HAVE TO GO, and I still have to write something about the late PETER BADAME. Get some waves, huh? See you on the highway. OH, and I do claim and reserve all rights to my work, so…
A PRIVATE CONVERSATION
an excerpt from some longer story
It was a private conversation, words I was not yet meant to hear,
Thought I’d surprise you at the station, couldn’t have known that I was near.
Your words and tears shared with a stranger, someone you’ve met along the line,
I should have known this was a danger, if I did not the fault is mine,
I’m sorry, so sorry.
You spoke of time apart and sorrow, now… I could barely hear your voice,
You said that love’s something we borrow, said freedom is a frightening choice.
You spoke of hope and disappointment, small victories, great tragedy,
In all the time we’ve been together, you never disappointed me.
Not ever, not ever.
I saw the touch, though at a distance, saw how your fingers were entwined,
You didn’t put up much resistance, offered a kiss, you did decline.
That’s when I walked out of the station, this is my last apology,
You should need no more explanation, perhaps we’ve set each other free.
It’s frightening… so frightening.
But that’s another conversation, a private conversation, a very frightening conversation,
A private conversation
This version: August 9, 2024. Some changes August 17, August 18, 2024. AND YES, I did make a couple of changes after I put it on this page. FLOW.
Very bad day yesterday. All I wanted to do was get my panels up to Port Townsend for the August Art Walk, AND take ARCHIE ENDO out to lunch. Short Version: Van got accidentally locked. Not blaming. Keys and cell phone inside. Van parked in handicapped spot. $120 cash to unlock. Move panels and remaining Original Erwin shirts. Now to lunch. NO. Van won’t start. Tried jump starting. Thanks, LOU. NO. Waited for tow truck, arrived while trying to eat something at La Cucina, across the street. Slugged down last of quesadilla and milk. KIRK LAKENESS was the tow truck driver. Perhaps you remember Kirk from the time I crashed vehicle on Eaglemount in black ice. Kirk towed van to electric shop. Archie and I got a ride to his house in DIscovery Bay area with REGGIE. Archie gave me a ride home.
Here’s a shot of Stephen R. DAVIS’S friend from the Big Isand, ‘CAP” (real name Brian, though, he says, only his mother [and I] call him that), stylishly sporting the latest ORIGINAL ERWIN T SHIRT and posed as if he might be checking out surf. NO. No surf ’round here. Incidentally, he and other Big Islanders call Steve “Moose.” I don’t.
HERE is the poster I was hoping to sell multiple copies of at the COLAB during the Art Walk. Hoping. I was sure enough that it would be a popular item that II had forty of them printed, 20 at 11’by 17′, twenty at 8and1/2′ by 11′. LIMITED EDITION.
SPEAKING of which, when I was waiting for RANDY at COHO PRINTING to finish the project, I said that I love doing the artwork, but hate trying to sell my works. “Well,” he said, “My suggestion would be to put them all in a drawer somewhere.” “Thank you, Professor, might I have another?” “It should be ‘Sir.'” “I know. I gave you a promotion.” MEANWHILE… WORK. A different story.
Find some waves. Ride them. Later. Oh, and the poster is covered by copyright, all rights reserved.
…not exactly addictive, but, as a fan, with favorites, some winning, some not; if there’s a chance to watch… I just mighjt. NEWS for the Non-Watchers and the WSL haters, John John won the mens, moments ago and Caroline Marks… Yeah, I’m sure you know by now.
I kind of half thought it was Father’s Day today, another excuse, this one for sleeping late, not being totally concerned about work (the kind that pays selected bills), and maybe even taking a nap. It isn’t Father’s Day. While Mother’s Day (l’m choosing the singular possessive here because, while we can celebrate all mothers, it’s our own that we should be honoring) is set up during the school year, with craft assignments designed to produce refrigerator art and coffee table crafts, fathers have to wait, and wait, and get something store bought. Still, most likely refrigerator and coffee table stuff. BUT StILL…
I did do some surfing since my last posting, memorable mostly in that my psychedelic oil-filled eye didn’t present too much of a problem. Or the bright sunlight and the decent waves made me ignore it. Or I just closed the left one while screaming down the line. That’s screaming as in ‘loudly proclaiming.’
On that front, there is still some scarring in the eye and the potential that the retina could come loose, so, out of an abundance of caution, I get to go at least another three weeks with the magical liquid holding the wallpaper to the inner walls. I am learning more each time I get checked out. Not that I’ve been anxious to know some of this. And, again, I have a bit of regret for not giving a bit more sympathy for other surfers who have problems with the glare and such in the water.
In a non-similar situation, I stumbled and crashed going out on my last session, doing the dive straight in rather than the wade, AND, as is increasingly happening, I got thrashed trying to land in a not-that-vicious shorebreak, pushing my board up the beach and crawling with, of course, witnesses. IN BETWEEN, of course, I ripped.
Not just me, of course, but if it’s ever SURFERS DAY, I will use the singular possessive ‘surfer’s,’ and the surfer’s performance I am most concerned with, though I do appreciate any good-to-great ride by anyone, is mine.
Allow me a moment to look up SOCIOPATHIC NARCISSISTS’ DAY.
Artist/surfer Stephen R. Davis and I at the COLAB in Port Townsend with my panels. Photos by Joel Carben. Joel and his wife, Rachel, run the collaborative work space and have allowed me to exhibit my work there. Steve helped spread the word on social media.
Side note: I’m wearing the t-shirt I designed for the Port Townsend Public Library’s SUMMER READ.
Secret note: Partially (only partially) because non of the semi local crew would say that I’m in any way thinner than another local surfer, I’m getting more serious about dieting. Slightly more serious. I’m switching from ice cream to yogurt, mushroom burgers (with cheese and sometimes eggs) to salads; I’m avoiding chips, fries, donuts; and I’ve broken it off, hopefully for good, with Little Debbie; and I’m rethinking my longterm obsession with Hostess.
Meanwhile, there are plans and schemes for the NEXT OCCASIONAL SURF CULTURE ON THE STRAIT OF JUAN DE FUCA AND THE SALISH SEA EVENT. The date is set for July 17th. Art, talking story, special guests… MORE to be reported, LATER!
Hope you’re scoring some waves on occasion. As always, if you can’t be nice, be real.
Trish wasI, as always, correct when she said I had become obsessed with these door panels I have been working on; four by-fold doors rescued/salvaged/pack-ratted from some job. My theory was, because everyone has limited wall space for art, these would serve as screens, or even, doors.
Yes, there’s an inside and an outside, and I kind of lost track of what was on one side when I was painting the other side. It wasn’t all, like, thematic. Maybe a little. Obviously I have some sort of fascination with waves. And color. I would start out, get to something that was not what I envisioned and… here’s the obsessive part; I would keep going until l was a high percentage of satisfied. The fear at some point is that I could then screw the whole thing up. A line too far. Or a color. Or… something.
I want to thank Joel and Rachel Carben, owners of the COLAB in Port Townsend, for allowing me to have my art in their space. Although I paint houses for a living, my artistic leanings have been toward drawing.
SO, I am not at all sure what to do with these panels now. Hanging out for three of the monthly Port Townsend ARTWALKS has reinforced my belief that marketing is not my strong suit. Not even close. SO, do I tell myself that the joy of art is in the process? That is true, but… but, but, but…
Captions: Stephen R. Davis approaching the wall of doors at the COLAB;Joel Carben and Steve; a framed painting that caused Steve to comment,”It’s nice that you’re finally going for fine art,”; various panels taken where they were painted (a Costco/White Trash garage). OHHH, and then there’s BIG DAVE.
I took this a week or so ago at the Home Depot in Sequim. I had already heard a rumor that Legendary Surfer BIG DAVE RING was giving up surfing due to arthritis in his knees. I did write about this. The rumor was confirmed. *Sort of. Quickly, Dave was raised in Pacific Beach, San Diego, and was part of the pack of “Pier Rats” that included standout, Joe Roper. Dave, currently 66, was fourteen when I moved to PB in late 1971. I was twenty. Not a big talker in the lineup, not a guy who hangs out and chats it up on the beach, part of the reason I found out any info at all is because we have been mistaken for each other, as in: “I read your last thing on your blog,” to Dave, or “I heard you were ripping the other day,” to me.
Most of this was back when Dave was merely rocking a big-ass mustache. We both were riding big boards (Dave a 12′ SUP as a regular surfboard), and we both caught a lot of waves, from the outside, or scrapping for insiders. Dave is a master of the late takeoff and the sideslip, and plows through sections I would dodge..
A notable quote that got back to me was, “I rolled up and the Walrus and the Beast were both out. I went somewhere else. Though I’m almost more comfortable with being referred to as ‘That asshole wavehog, kneeboards on a SUP,” and I’ve been doing my best to increase the size of my mustache, I must agree with those who say Big Dave is the Walrus. Coo coo ca choo, coo coo ca choo.
*Having already, in a pattern that seems to hold true among older surfers, moved from popping up automatically, to knee boarding the takeoff and standing up after the first section, to kneeboarding the entire wave, Dave expressed little interest in belly boarding. “No, but…” I could tell Dave was imagining the perfect pre dawn session, sneaking out, lining up a few bombers.
“It is amazng,” he said, “what I’ve gotten done because I’m not always putting stuff off to go surfing.”
I get it, Dave.
EYE and LEG UPDATE- I’m finally through with the wound care for the gouge on my right calf. Pretty impressive scar. I am going to have my eye checked out on Friday, with surgery to remove the clear oil inside it, hopefully, scheduled for… soon. It isn’t as if I can’t work, it’s just annoying. I sort of attacked a woman in a parking lot the other day because she had a bandage over one eye. “Hey, what happened to you?” Different deal. Worse than mine. Nice conversation. ANYWAY, I did tell Trish that, because of the glare in the water, I might not surf until the oil in my eye is exchanged for (I asked) saline solution, that to be replaced by the proper bodily-produced fluid.
BUT, but, but… when I check the forecast…
Moving on. Back to another of my obsessions. After I post this, my plan is to get back to “Swamis.” I had friends attempt to read earlier versions. I know where I have to make changes, and I have been working on it. That’s my process. Evidently. Obsession, distraction; what we have to do and what we want to do and what we really really want to do.
…might be the wiser choice. You’ve faced this situation: The waves are crappy; side-blown, the tide completely wrong for the spot, and bound to get wrong-er for the next two hours; and the wind’s supposed to get stronger, wronger; sideshore, onshore, with a swirling bit of actual offshore just to help convince you that it’s go out, or hang out, or go home skunked and… yeah, you’re there to surf. And, another mind-push, is that you (and by you, I mean me) missed the last window because you had some sort of responsibility you couldn’t get out of, although, to be honest, you/I could have gone later and, as it turned out, scored.
I blame you. Me. Regrets. It totally wrong that sessions, or even particular waves we miss (you and I) are often regretted more than sessions or waves in which we believe we scored are properly appreciated.
Still… Fuck! Despite it being against somebody’s rules, if you have friends who surf, and they score, or claim they scored, and you didn’t… you will hear about it. “Why weren’t you out there?” Fuck! Should’a gone.
WHEN I was learning (should say ‘first’ learning), living twenty miles from any waves, and at the mercy of anyone willing to drive (my siblings and me, friends and me, me), I would go out in anything. Like… ANY THING!
That hasn’t really changed through the years. Even when I lived five minutes or less from waves, fitting surfing into my schedule (other obligations, but, working, mostly) meant hitting it with all the other weekend warriors and after-work maniacs, so, crappy conditions; I thought of it as practice.
PRACTICE. Of all the sessions I’ve surfed on the Strait of Juan de Fuca, a very high percentage fall into this category. If riding tiny waves makes one better equipped for bigger waves, choppy waves prepare one for clean ones, YEP, I’ve practiced.
STILL doing the make-my-best-assessment, move-other-schedule-issues-around, and GO!
I have a pretty good story on my latest session, and on why, even though I got a couple decent rides, I should have passed on it. It would sound kind of like whining, so… another time. I challenged tjhe conditions and… next time. NEXT time.
WAIT! I just checked my schedule AND the forecast. Busy, not so good. Please allow me to rethink my most recent session. I mean, I got a couple of decent rides, considering. Maybe… and this is what I would say to anyone I haven’t already reported the truth to… “Yeah, almost no one out! It was… GREAT!
meanwhile, in addition to more work shirked than accomplished on my novel, “Swamis,” I have some art projects I’m working on. More in my retro/psychedelic period. Photos soon.
I took this photo from the internet; “Surf World” or something. Five rippers from the wave-starved Olympic Peninsula headed down there almost two weeks ago and are due back in the next couple of days. Yes, I asked for some sort of report. No, and I’m not trying to put any guilt on anyone… I’m sure there are excuses/reasons/explanations (band width, remoteness, lack of desire, too much wave action), I have not heard anything other than a second hand report from Adam Wipeout that Cougar Keith may have gotten the ride of the trip to that point (text message- I didn’t try, figuring cost of phone usage from the Central America, stuff like that), but, yeah, I TOTALLY WANT TO GET THE REPORT!
MEANWHILE, between getting filmed at a secret(ish) Strait of Juan de Fuca spot (Stephen R. Davis, also, with a surprise cameo, after whatever waves there may have been went to shit, by Jason Queen [not a nickname]) for some future artsy docu-thingy about me (despite my weak protestations by a woman who works for the Gates Foundation (more on this at a later date, but camera angles were demanded that diminished the chances of site identification, and yes, I would love to see a slow motion drone shot of me tucking my chunky body into a stretched-out wave); between this and getting a second surgery on my left eye after the first one for a detached retina failed. 10%, evidently, do; so, so lucky to be in the top percentile for something; oh, and the gash from my fall several months back is officially ‘almost’ well, though I was advised not to surf because of imagined (by the wound care nurse originally from Cuba, who thought maggots could have been an option) seal shit in the water.
“Oh, that,” I said, not having told her we saw several seals on the day of the filming, which, of course, I had not told her about.
MEANWHILE MEANWHILE, I still have my art retrospective at the COLAB in downtown Port Townsend. It will be there for one more ART WALK, the first Saturday in June, and I’m working on some more door panels. I have three bi-fold doors in progress, so six paintings. At this point I’m only willing to call three of them ‘almost’ done, so it’s kind of like three A sides, three B sides.
Not good enough. But they will be.
As I said, almost. Triple meanwhile, while I’m out of the waters for a while, five rabid rippers are set to return to a lineup near you. AS ALWAYS, if you can’t be nice, be real.
JOEL and RACHEL CARBEN are the proprietors of the COLAB in downtown Port Townsend. Colab as in Collaborative Work Space. Joel is one of the members (if there is such a thing) of the rabid-if-desperate and frequently-disappointed Olympic Peninsula/Strait of Juan de Fuca surf community. There is an ART WALK each month in PT (I’ve never gone on one), so, partially in the interest of promoting the COLAB enterprise (more people hanging out with laptops and connections), why not have me and two other artists show our stuff? I mean, after all, Joel does actually own the cedar art piece/surfboard shown below. Long story. I was supposed to spray paint “Locals Only” on it or something, but…
ARTISTS, huh?
As usual, I didn’t do everything right. I had a whole room to display my stuff. I didn’t put prices on things, didn’t put business cards out. And, I didn’t hang out in the room, charming the folks who came in. BUT, I now realize, the main thing I did wrong is that I didn’t take some photos of STEPHEN R. DAVIS, KEITH DARROCK, and, yeah, me, cruising around to the various galleries.
If I had you could see LIBRARIAN KEITH, as rabid a surf fanatic as I have ever run into (or been burned by), but a solid citizen, mingling with the tourists and the artists, and in the company of two, perhaps… no, I don’t know how to describe Steve and I except we’re probably not as out-there as we believe ourselves to be. I mean, I’m as CITIZEN as the next person, but Steve? ARTISTS, huh?
And we’re checking out everyone else’s art, chatting with artists, partaking in the free snacks (no wine for me, not that I’m bragging. A nice expresso would have been… appreciated).
AND IT kind of worked out. EXAMPLE- We’re at the fanciest gallery in PT (prices fancier, also- wine from bottles with, probably, recognizable names for wine aficionados- no, not Ernest & Julio), and Steve is kind of (I thought) kissing up to this artist with the tiniest possible ponytail (so high concept/fashion), and I see this kid sitting on a bench with a sweatshirt with a logo from CHRIS BAUER SURFBOARDS. “Hey, where’d you get that sweatshirt, kid?” “He’s my dad. Chris Bauer.” “Oh.” When one of the board members (because fancy galleries have boards and directors) comes over and says I’m getting a bit rowdy, I acknowledge this and ask her if he knows KEITH.
THEY chat and I go outside. Again, as with my leaving first at other venues, I sort of think, as I acknowledged, that, if I still smoked, I’d be having one at this point. OUTSIDE the gallery.
I am not a marketer. Particularly not of my stuff.
HERE’S WHERE STEPHEN R. DAVIS got it right. I was critiquing and moving, asking quick, real questions of the folks showing and explaining and (you have to guess) trying to sell their works, questions such as: “How much are the dues? How much floor time do you have to put in? Do you sell enough to make it worth it? Meanwhile, Steve, a bundle of his cards in his hand, was showing his stuff, handing out samples as business cards, making, you know, inroads into the PT art scene.
NOW WE’RE on to the post event CRITIQUE, as in, what did I do wrong? What can I do NOW? I probably should have hung around in the space at the COLAB, charminig the folks who stumbled in, maybe selling
EVEN WITH THE BARAT, would you buy art from this double-chinned fat guy in the sweatshirt for the OLYMPIC MUSIC FESTIVAL (though several people thought OMF stood for Old M F-er)?
Here’s a shot of Keith, Joel, me (hiding the double chin), and Adam “Wipeout” James.
Here’s Steve on his boat from a few years ago. AGAIN, I should have taken a few photos from the ART WALK.
BUT I did, because I was displaying some drawings I did years ago of houses in Port Townsend, get an opportunity to draw one for someone. AND I DO OWE a big thank you to JOEL and RACHEL for the opportunity. TRISH says I should give them a piece of my art. “WHY? He already has the surfboard?”
So, BIG THANK YOU! Heart emoji, hang loose emoji.
MARKETING. I’m working on it. AND I did actually have a good time, chatting it up with people I don’t know, running into some I do know (shout out to Ian), hanging with friends.
Perhaps, on Wednesday, I’ll go over how I’m getting over and/or dealing with the detached retina, the infection in my leg, both related, possibly, to a fall, and a high blood pressure situation I discovered because I just had no choice but to go to a doctor; and the double chin thing. I am totally ready to get back in the water. TAKE THIS AS A WARNING.
Good luck. And, again, if you can’t be nice, be real.
Real Surfers 