“Overrun” With a Bit of Help

Things went wrong when I tried to post this yesterday. I had three or four paragraphs written, then did the cut-and-paste thing. OOPS! I had two copies of the text, taken from my manuscript for “Swamis,” and, when I tried several ways to speed up the deletion of the unwanted second version; errrrrrr, I eliminated the other stuff.

Anyway, this particular chapter is, in my work of fiction, written by 22 year old Jumper Hayes, freshly back from and severely wounded as a Marine in Vietnam. It’s 1969, and he asks the fictional Jody, just turning 18 and a fellow student in a Creative Writing class at Palomar Junior College, to type up what he had written.

What is very important to me is that anyone reading “Swamis” be certain that the writer was there; that it is accurate and has the feel of the place at the time. Since I wasn’t in Vietnam, I asked Trisha’s brother, my brother-in-law, James L. Scott, who was an officer in the Marines in Vietnam, to provide some feedback.

And he did. He said it read like it was written by someone who wasn’t there. He particularly pointed out the lack of swearing.

SO, here’s my solution. Jim said it was ‘better.’ I’m thinking he’s giving it a C+, maybe more like, hopefully, a B-. Check it out.

Wait, here’s what I was doing while Jim was in Vietnam. That’s a board, the “Sunshine Super Seed” with me, a board Scott Sutton made, sold to Trish. Her mother thought Scott ripped Trish off, so I bought it. Very thick. I could, at the time, knee paddle it.

CHAPTER TWENTY-ONE- WEDNESDAY SEPTEMBER 17, 1969

This is the piece Jumper submitted in Creative Writing class:

“OVERRUN”  

There weren’t enough claymores; or someone had set them off too soon; or there were just too many of them.  VC.  Local irregulars.  Them.

It wasn’t a firefight.  We were doing most of the shooting.  Our position wouldn’t hold.  We would be overrun.  Too many of them, running, charging, pushing others forward; leaping over branches and bodies.  Almost all of them were yelling, screaming; their screams mixed with ours, with the screams and moaning of pain, the constant-but-irregular beat of gunfire.

We couldn’t kill enough of them fast enough.

“Fall back!” the LT yelled, just before he fell back, dead; two soldiers over from me.  A couple Marines ran.  Others backed away, automatic weapons fanning the clearing.

I stood up, firing blindly; left to right, right to left.  Screaming.

I felt the first bullet.  Heat, then numbness, my left arm suddenly useless.  I saw the expressions on the faces; fear and anger and determination, then surprise, as I dropped two of the three charlies coming at me.  Closer.  So close.

The second one fell forward.  His momentum versus a bullet.  My rifle was jammed against his chest.  I kept firing.  As I was falling backwards, the third soldier struck me in the side of my head; and kept running.

Overrun.

This is battle.  Fear and anger and determination and confusion.  Falling back and falling down.

I was never unconscious.  Time had become nothing; time was blood in my eyes.

I was lying next to Sammy, PFC, smartass fucker from Houston; dead, wet, and cold; cold by Vietnam standards.  Vietnam, that steaming, sweating, triple-canopy jungle, rice fields that smelled like shit, scared yet smiling villagers; Viet-fucking-by-god-Nam.   

The two gooks; kids, really, more like conscripted villagers, rice farmers with guns; the two I had just shot, were on top of me, all of us in an awkward pile; their blood mixing with mine.  Pressure on my other wound.  The bad one.  I was behind a tree blown down by one of the previous air strikes.  I was squirming under the bodies and as close to the trunk as I could get.  More than a dozen feet stepped on us; running, charging, now chasing rather than attacking.

There is a tradition, as old as man, as old as war:  Once a position is secured, others make sure each one of the enemy fighters; the vanquished, the defeated, the overrun; is dead.  Weapons and clothes and some measure of revenge are the spoils; souvenirs; guns, clothes, ears.

Savage salvage.

Almost instantly, flies and crawling insects attacked.  They know death.  They know the difference, they don’t fucking care.  The flying and buzzing and crawling.

At the Little Bighorn, I thought, and I’m not sure why; I was trying so hard just to be quiet; women from the tribe smashed the heads of each one of the dead enemy soldiers; with the exception of, it’s said, General Custer.  Out of respect.  Respect?

That was more legend than history.  The history of man is the history of war.  You don’t have to know history to know the truth of this.

I was just trying not to move, to be still, quiet, alive; when I felt movement, heard moaning.  Low, close.  It was the kid, on top of me; not dead, getting louder.  I couldn’t allow this.

Maybe his moaning had been a prayer.  So sorry.

The noise, the gunfire and the yelling, which had been getting farther away, maybe an hour or so after the initial attack, was now coming back toward me.  Marines, motherfuckers; don’t like losing.  Reinforcements.  And we had the firepower.  An airstrike might be called in; cannons or mortars or planes or helicopter gunships, fifty caliber machine guns; followed by fresh troops.

At least, if I was in the targeted grid, it would be quick.

Some of the same shoes, jungle tennies, that ran over me before; ran over me again.  Retreating.   I clung to consciousness.  Eventually I heard calmer voices, mopping up.  “Here’s one,” a voice said.  “You alive, pal?”

“I think so,” I said.

The next thing I remember was the sound of a helicopter.  V-woop, woop, woop.

“We killed the fuck out of them slopes, Gunny,” the Marine at the landing site, said.  “Good to hear,” I said.  He said, “You’re walking.  You’ll have to wait for the next one.”

I wasn’t walking.  I was standing.  The next evacuation would be mostly bodies.  “Don’t think so, Corporal,” I said, lifting my empty rifle with the arm that still worked.

Overrun.

CHAPTER TWENTY-TWO- SUNDAY, SEPTEMBER 14, 1969

I’m dropping back a few days.  Jumper Hayes and I were in the formal dining room at his parents house, his chair moved to one of the corners of the table, mine at what I guessed was his father’s spot, my typewriter case open in front of me.

SEMI-COLONS

“Overrun” was Jumper’s story.  Surprisingly shocked by his original, hand-written version; I was equally surprised when he asked me to type it for him; and more surprised when he seemed so casual, even detached, as I read my third draft out loud, then handed it to him as if it was done.  Complete.  Ready to hand in.

“Sounds good.  Mostly.  Different than I’d of thought.”

“It’s your words.  Mostly.”

“Semi-colons,” he asked, “they’re, um, useful?”

“They’re like, um; somewhere between comas and periods,” I said.

“Sure.”

“It’s, it’s like, when someone reads it, out loud; it’s the rhythm.”

“Rhythm.  Yeah; I heard that, like a, um, cadence.  Semi-colons.”

“It’s like surfing; smooth flow…” There were hand gestures here.  “Take off, drop, turn, set up, swoop… flow.  Didn’t you ever think surfing is like…”

Jumper pointed to my free hand.  “A little jerky on your set up there, Jody.”

I dropped both hands.  “I’m not changing anything; maybe just, uh, rearranging.”

“I only asked you to type it up, man.”

“Yeah; well; editing; it’s a, uh, collaborative… process.  Some stuff has to be… cut.”

“Oh?  Collaborative… editing process?  Well, Jody, seems like you cut out a lot of fucking, cocksucking, motherfucking, shit-stomping, goddamn swearing, there; makes it sound like it was written by some draft-dodging, tit-sucking, flag-burning, mom’s boy, queer-bait, pussy, shit-bird, asshole, cocksucker who wasn’t fuckin’ there.”  When I seemed adequately shocked, he added, in a bit of a whisper, with a bit of a smile, “I was… there.”

“Okay, Jumper,” I said, pointing to the second page, “I did leave in the ‘motherfuckers’ in the, um, ‘Marines, motherfuckers, don’t like losing’ sentence.”

Jumper laughed. “So, uh, no; Jody; you have to own the words.  If you read it right, like you’ve ever fuckin’ sworn before; maybe, in your life, it’d be, like…”  He rose from his chair.   “‘Marines, mo-ther-fuck’-ers…’ like… hey; here’s something, Jody:  Our LT… his name was… it wasn’t his name; we called him Berkeley; it’s where he was from.  Or, at least, he went there.  Anyway… fucking Berkeley.  He was a gung ho motherfucker.” Jumper looked at me when he said ‘motherfucker;’ we both nodded- good flow.   “He was ‘God Bless America! Fuck everyone else!’  Yeah.  Really.  A couple of months in country, though; he changed.  Hey; I was the second whitest guy in the platoon.  Want to know how he died?”

“Who?  Berkeley?  Not really.”

“Okay.”  Jumper sat back down, looked at my corrections and editing on his story, looked at the portable Smith-Corona typewriter, sitting in its open case, and taking up one-eighth of the available space on the oversized, family table, almost more like a picnic table with a shine and doilies.  Most of the surface was covered in stacks, neat stacks of newspapers, invoices, order forms, bills and correspondence.  Again, neatly stacked, properly dusted.

Jumper looked at the new piece of paper spooling around on my typewriter.  “I should have taken a typing class, Jody.   Valuable.”

“Yeah.  A whole year.  Eighth grade.”  Jumper sat back down.  “Glad I did.” I sat down in front of the typewriter.  “Would you feel better if you told me?”

“What?”

“Double space is appropriate,” I said, nodding at the page.  “I mean, about Berkeley. Would talking about him, what happened, would it make you feel… better?”

“Probably not.”

“Okay.”  I started typing, looking at the page on the table.  “Maybe another time.”  I pulled a piece of twice-used masking tape from the inside of the case, hung the previous typed draft onto the leading edge of the open case.  Rather like a curtain.  “Or never.  I’m putting some fucking, ass-licking… um, just tell me where to put in the swearing.  Where it’s… appropriate.”

I heard a door open and close.  I heard voices. “Use your best fucking judgment,” Jumper whispered, his eyes going between the hanging pages and my face; “oh, and I wasn’t calling you a… an asshole.  Didn’t mean you.”

“Sure.”  I set my fingers on the proper keys, eyes on the last draft, and started typing, whispering, “draft-dodging, tit-sucking, flag-burning, mom’s boy, queer-bait, pussy, shit-bird, asshole, cocksucker.”  By the time I got to “who wasn’t fuckin’ there” it was less than a whisper.

“My parents,” Jumper said; “Sunday.  Mass, shopping, baseball.  Or football, depending.”

“Yeah.  Typing.”    

In time I converted the Jumper swear to “Draft-dodging, flag-burning cocksucker; tit-sucking, mom’s boy, queer-bait, pussy asshole.”  Better flow, I thought.  I cut out ‘shit-bird,’ I owned the words.

This is the version of Jumper’s piece I kept; “Overrun,” written by a twenty-two-year old, edited by an eighteen-year old.  Just turned eighteen-year old.  His submission included more swearing and was, again, shockingly well received by the students, highly praised by the professor.  My own first submission to the Creative Writing class is long gone, long and purposefully forgotten.  No, not completely.  “Rivulets, streams in the sand, saline flows, returning to Mother…”

Cringe.

Fixating on “Swamis”

While simplifying my manuscript for “Swamis” has actually become more complicated, I have also spent some time complicating illustrations; adding more color than necessary, going full psychedelic. Maybe that’s all right and even acceptable; the story does take place in Southern California, 1969.

You’re most likely too young to have any memories, or, if you were there, it may be more flashback than memory. A former cliché that may, through disuse, may have reached the statute of limitations on repeating is this: “If you can remember anything about the 60s, you really weren’t there.”

Okay, I googled it. The quote has been attributed to: Paul Kantner, Robin Williams, Paul Krassner, Pete Townshend, Grace Slick, Timothy Leary, and others. If you know who all of those people are… whoa! Look at you!

So, here are my latest workings:

overdone positive, line bending negative.

ANYWAY, I’m still getting my stuff together for the ZOOM event with the Port Townsend Library, Thursday, August 20, 7pm. There’s supposed to be a slide show of some of my stuff so people who tune in don’t have to look at me. Here’s a link: https://ptpubliclibrary.org/library/page/art-and-writing-erwin-dence OKAY, so how do I make that all blue so you don’t have to type it all out.

Oh, some of these and others are available at Tyler Meeks’ DISCO BAY OUTDOOR EXCHANGE. Stop in when you’re cruising out to the Peninsula, Thur-Sunday, 10am to 6pm.

More Swamis, More Coming

I am discovering more about the art and science of printing, particularly about how yellow seems to overwhelm other colors. Here is a version of my latest “Swamis” illustration:

inspired by 1960s Ron Stoner photograph

SO, I wanted to wait to see how the scanned drawing, now pixels on a screen, compares to the illustration I stuck in the scanner. Ummm, pretty close if I tilt the screen until it shows maximum color. This is taken from the color image, reduced to fit on eight and a half by eleven, which, because the yellow was too pervasive and some of the other colors were washed out, I attacked the drawing with colored pencils.

Okay, yeah; now if I could only get the drawings straight. They are, I swear, properly placed in the scanner. ANYWAY, I’m dropping a couple of framed pieces off at TYLER MEEKS’ DISCO BAY OUTDOOR EXCHANGE this afternoon, very limited edition prints with color added. Yeah, like on the actual drawings. I know there is no surf, but drop in on your way by. He’s open Thursday-Sunday, 10am to 6pm.

MEANWHILE, I am trying to get farther along on my latest edit (possibly not the last- but maybe the last full manuscript/big change version) of “Swamis” the novel. MORE INFORMATION is forthcoming on the upcoming ZOOM discussion/reading, with, if I can get it together, a slide show of my artsy works. Keith Darrock is setting it up with the PORT TOWNSEND PUBLIC LIBRARY. Thursday, August 20, and, yes, I will be putting more information out there. Here. Out here.

Stay safe, wear your fucking mask when appropriate; see if you can convince your friends and acquaintances who are obviously obstinate if not completely stupid refusers and deniers. to, at least, put on the fucking mask when they can’t fucking stay the fuck away. Yes, I am using profanity; not that that is unusual; but seeing people who think they’re making a statement by pushing into a store without a mask, expression saying, ‘yeah, say something,’ and I’m trying to buy a newspaper and a quart of chocolate milk; not risking getting whatever you’re spreading.

And wait, for all else I think I am; I make my living painting houses; and I do want to give a little praise to the other blue collar working folks who take a step back, grab their masks, and put them on when being able to socially distance isn’t possible. AND, YES, I know I do surf tiny waves on the Strait of Juan de Fuca, but, really, two feet isn’t six feet, not even here.

All real surfers have experienced those moments when we think we’re at the surface, suck in some air, only to find it’s foam; unbreathable. There are few things scarier than the inability to catch one’s breath. That’s what this virus brings; along with searing headaches, high fevers, delirium. It’s real, it’s around, and it’s more luck than any sort of inner strength or goodness that has kept us from getting it so far. So far. Through preaching.

I have a version of this headed for Disco Bay; hand colored

Stoner Photo made Fictional

It was almost coincidental that I found a photo from Ron Stoner of Swamis in about 1966, a year or so after I started surfing. Here it is:

Okay, the one on the right. The left photo is of the Malibu Invitational, in, I believe, 1965. My dad took my sister, Suellen; I declined to go. Too far away. Note the pre-drone angle.

So, here’s my version:

I believe I showed more than my usual amount of discipline.

Usually I can’t keep well enough alone. I did several modifications to another possible illustration for “Swamis,” the novel I’m now over halfway through my latest rewrite/edit (definitely making the manuscript easier to follow if less, um, colorful- Still too wordy, too much dialogue). This drawing is based on another Stoner Swamis photo. Before and after, with another after in the neverland file.

SO, I have several copies of the newer drawing and will attempt to show some discipline and restraint in coloring them. Results forthcoming.

MEANWHILE, I am getting some drawings together in preparation for the zoom event with the PORT TOWNSEND PUBLIC LIBRARY. I was actually volunteered by PT ripper Keith Darrock; and, since I don’t really need folks being forced to watch me talking all about my writing methods and such stuff, the plan is to get a selection of my art works together and have a slide show. It’s all supposed to happen August 20, but I will certainly post reminders as the date approaches.

AS ALWAYS, stay safe, surf when you can. OH, oh, yeah; Stephen R. Davis is in Hawaii, flight delayed by a hurricane; not sure about his current status, quarantine-wise. Checking the Big Island forecast fourteen days out… hmmm.

Commuter-in-Chief

This is a little soon between posts for me, and I’m only doing it, kind of stepping on one of my illustrations to put this out there; and, let me be clear, here, I really don’t want to be all political; but it pissed me off.

I waited until the fourteenth day of my allowed fifteen day response period, then sent off a check for $190 for my speeding ticket. I was guilty, didn’t want to stretch it out by asking for a court date (which I have done in the past), wasn’t hoping for some reduced sentence due to my advanced age or lack of regret or political connections. If $190.00 US currency was my debt to American society, I begrudgingly paid it.

That was last Friday, July 10, the very day Roger Stone had his prison sentence commuted. Oh, he’s still guilty on the seven felony counts, found guilty by a jury of, obviously, Americans, but no, not necessarily his peers.

Threatening a witness was one of the crimes, threatening the witness’s dog included in that one.

SO, he did the crime, doesn’t have to do the time. All he had to do is go on TV, allude to the true dirt he has on the president, convince Lindsey Graham that he’s a first time offender in his 70s (no, 67; I’m a many-times lifetime speeder, 68); and, voila, home free. No need for repentance or reformation, and the president’s twitter-blitz will insure that no Republican politician will stand up for the party’s much-pushed vision of rule of law, equal justice, all that mouth candy. Might seem a bit, uh, hypocritical.

Yeah, Mitt Romney; suddenly looking kind of cool.

ANYWAY, and with apologies for taking any kind of stand, sometime Friday night, after eating one too many chocolates too close to bed time, I woke up, did this little drawing. NOW, my friend, artist/surfer/kitesurfer/sailor/carpenter/chef, able to fix brakes and lay floors that are totally squared-up; Stephen R. Davis, soon off to Hawaii and whatever waves/confinement/big waves that might bring, said my first drawing was kind of (wait, it’s going to sound mean) “Cliche’.” Yeah, it probably is.

I haven’t shown this one to him, but I did describe it. “No, that might actually be clever.” I’ll take it. I do feel compelled to post it. SO:

Surf on, stay safe; and for godsakes, vote.

Slipping in something from”Sideslipping”

FIRST, here’s a drawing I did, white and dark on medium-toned paper. I can’t seem to get a white that will work. I had a paint pen but it clogged up, didn’t work twice.

Won’t work twice, it’s all right. Ma. Unnecessary allusion.

HERE’S my explanation for the cut scene: Including the exchange between Joey DeFreines and the writer/editor is a pretty conscious effort/shoutout to the sardonic and wise (and I always associate the two) writer/editor who managed to work through “Swamis,” the unexpurgated version, and provide me with… I don’t want to say ‘guidance,’ no one seems to suggest a better storyline… constructive criticism of my manuscript.

I have changed the first hundred pages enough, cut out enough, that the story is… it’s different. I did, I thought, let the story kind of work itself out, with a certain goal in mind, a last line planned before the first line was written (and subsequently, re-re-re-written). Most of the storyline of Joey/Jody in his later years has been cut. SO…

KAFKA LAUGHING

The next day, after Rudolph had several quite distraught visitors (never introduced to me) whom he seemed to have to console, after lunch, after a nap (I slept longer), Rudolph, smiling, put down his own tablet, said, “Kafka.  Supposedly he… serious stuff to most… readers… supposedly he was laughing his ass off while he was writing.”

I was writing, wasn’t laughing.

Rudolph made several disparaging comments on the current state of popular fiction, looked at me, pointed at my laptop with his tablet.  “Your book’s on there, right?”

“Very observant.”

“Oh?  That’s sarcasm.  Fine.  Don’t really know you, but… I do know writers; fucked-up crazy egotistical fucks… mostly; so… don’t take this personally, but… fuck you.”

Later (and not that much later), with Rudolph, evidently, having had enough of CNN (“Too redundant, too many commercials, too many panels of experts”), he switched the channel to Fox News, flipped off Sean Hannity.  Both hands.  “Double eagles,” I told him.  Since I also had a remote, I switched to MSNBC; Rachel Maddow (“Love her; don’t think she loves me back”).  Rudolph switched the TV off.

Rudolph- “Have any sex scenes in there?”

Me- “No.”

Rudolph- “No, not yet, or, no; never had sex?”

Me- “Not yet; but I hear it’s kind of fun.  Ha.  Ha.  Really, it’s not that kind of book.”

Rudolph- “Oh. Well; every kind of book needs a little… sex.”

I hit ‘save,’ shut down the ‘Word’ program.  “So, Rudolph… you do know publishers?”

“Sure.  Not as many as I once did; worst kind of pricks.  Not, um, needy, like writers, but used to feeling needed.  It’s worse.  Still, they spend some time on their knees.  Publishers, now; scared shitless of not making their money back.”  He held back for a second.  He seemed to enjoy that I was enjoying his commentary.  He had the inside information, dissected and delivered in a sarcastic/realistic way.  “But, really, my temporary roommate; Amazon.  Self-publish; it seems to be the way.”

I reopened the program, hit the ‘Pg Dn’ button until I got to the end, kept writing.  Typing, backspacing paragraphs, rephrasing.  I thought about laughing, just to mess with Rudolph.

“You know,” Rudolph said, during the setup for some BBC crime drama, one I had seen before; “I’ve never really watched a writer write before.”  I looked over at him, did a ‘was I drooling’ wipe at my mouth.  “Let me tell you… it’s an ugly process.”

“That’s why I don’t put on my writer clothes,” I said, “and go down to the café and fire up the laptop.”

“’Light up… light up the laptop,’ it’s better;” Rudolph said, editing, as if changing my words was amusing. “I assume you’ve google-searched for information on writing and publishing,”

I chuckled, gave him a ‘just a second’ gesture, went back to typing.  Rudolph said, somewhere during another ‘begging for money’ break on the local PBS channel, “Of course you have.  It’s sixty to ninety thousand words for a novel.”

Me- “Not a novel.” 

Rudolph- “Yeah; it is.  If you changed one name, forgot one thing, it’s… it’s your take on things.  There’s what’s the true truth, and there’s… it’s a novel.  Yes, all writing is, in some way, autobiography; but, Joseph; it’s a novel.  Where are you at, right now?”

Me- “Pages?”

Rudolph- “No.  Words.  Jeez.”

I was at a little over twenty thousand at the time.  I was at 25,931 when I started writing about Rudolph, but I keep going back.  Every time I open up the (yeah, I guess) novel, I tend to start at the beginning, get bogged-down.  In the time I have, with the energy I have; I’m not moving forward; at least not quickly. I’m editing.  Editing.  It sounds like cutting things out; but no; there’s always something I thought of overnight.

Something new.  Something old, rather, but newly remembered.

NOT DROWNING

“This is my new addiction,” I told Rudolph, “I look forward to writing the way I’ve always looked forward to surfing.  I miss it when I can’t do it.”

“This surfing;” he said, “the water’s cold, huh?”

“Can be.”  I had to add more.  “Probably, around here, gets up to 75 degrees or so, for about a week… August; goes down to 55, for about a week, middle of January, probably; again, for about a week.  In the old days, 60s, if you put on a wetsuit; and we only had short johns, before, say, December 10th or so… water down to 58 degrees… that was the cutoff; or if you put on a wetsuit before Easter; again, 58 degrees… you were a pussy.  Nowadays…”

Rudolph was smiling.  I stopped talking. “60,000 words; shouldn’t be a problem.”  We both smiled.  “Do you ever think about… drowning?”

“No; I mean, I have but, I’ve seen people who have drowned… I mean, any real surfer has had experiences where… I’ve just decided against it.  Cold water.  Bodies turn kind of… seaweed, um, green.”

“Yeah.  So, not dying, then.  Better to die in… Las Vegas, maybe.  Toasty… I’m thinking about the colors… tourist tan-burn.  Yes!  Hot, but dry.”  Realizing he was enjoying the moment, the conversation, a bit more than he might normally allow himself, Rudolph nodded toward my laptop.  “You finish it, I’ll give it a read.  When it’s done.  First draft, at least.”

“Whoa!”  I pointed at Rudolph, pointed back at the laptop.  A few seconds passed.  We both seemed to know I would ruin the mood.  And I did.  “Are you sure you’ll live long enough to read it?  I mean, you’re saying you will… read it; and I… I appreciate that… I just want you to tell me about… style.  I want to write it the way I want, but… I feel like, I believe I have a… style.”

“Fucking writers.  Egotistical fucks.”

“You said that… before.”

“Well, thanks for fucking listening to something other than the voices in your head.”

I laughed.  “Yeah; that’s what I’m in here for.  Voices.”  I tapped on my head.

“Oh.”

I waved my hand to suggest I was kidding.  I smiled, blinked several times.  “They don’t want to, uh, remove them… the voices; some doctor thinks she can translate them… into, uh, German.”

“Okay.  All right.  Look; If you live long enough to finish it, Joseph; I’ll live long enough to tell you it needs work.”

“Deal,” I said.

“Deal.”

Rudolph seemed to be, over the next hour or so, doing what I do, replaying the conversation in his mind. For most people there’s no replay, no rewind, no editing.  Most people.  My recall isn’t perfect, quite.  I replay the ones that seem important.  Over and over if I’ve fucked up somewhere in the back and forth. There are, I’ve discovered, few conversations, ever, that I’ve not fucked up somehow.

Sometime during the eleven o’clock news, after another nurse, Martha, had come in to introduce herself to Rudolph, check on him, with a cursory check on me; Rudolph took his phone from the side table, and said, “Let me give you my address.  You’re fine.  Do some of that surfing or something.  Thrive.  It’s, my address; it’s a condo.  Solana Beach.  On the bluff.”

“Solana Beach is wall-to-wall condos,” I said.  “I remember when…”

“Yeah, of course you do.  Remember.  But, hey, Roomie, if I might get a word in here; remember, remember when that swimmer… last guy in a group… got killed by the shark?”  Pause.  He nodded toward our big, shared window (view of apartment buildings, mostly). “Happened right out my window.”

“You saw it?”

“No, but I felt as if I had.  I’m not a fucking writer, but I can… (he twiddled his hands in the air) visualize.” He pointed to my cell phone, close to the edge of the bed.

I didn’t visit Rudolph in his condo.  I tried to call.  He never answered.  I wouldn’t leave a message, but would call back, let it ring once.  Missed call.  Or I’d text, something like, ‘working on it,’ or ‘the narcissists are in bloom.’  He would text, occasionally, something like, “Any SEX yet?” or “Entertaining the HOSPICE people.  Pre-hospice.  Counselors.  Like manic-depressive humorists.” Followed by, “Almost said BLACK HUMORISTS.”  “Different group.  DOUR lot.”

I texted, “Dour.  Good word.”

I missed an actual call an hour or so later.  The voice mail message was, “Oh, so now you’re not picking up?  Probably quoting Shakespeare to seagulls or something.  Anyways, dour.  Yes, I prefer it to ebullient.”  In a higher octave, “’Yes, you’re dying; but, hey, look on the bright side.’ Ebullient.”

When I did visit Rudolph, he was back in the hospital, one room over from the one we’d shared.  Same view, slightly different angle.

“They, the bastards, didn’t kill the child,” he said.  He wasn’t talking about the doctors, though he said he had given up hoping another test would have a different result, another consultant would have another opinion, a better prognosis.  He was talking about Nazis.  “But, in a way, see, they did.  I never got to be a child.  I, my life; I look for errors, for mistakes; and I envy the writers who have, like you; a sense of wonder.  Wonder.  What does that mean?  Passion, longing, wanting to fucking know, wanting to feel, to touch the magic.”

“Uh huh.  Yes.”

“So, that’s good is what I’m saying.  Shit, man; I’m pouring it out here, and you, best you can do is ‘uh huh.’  Writers?”

“Sorry, Rudolph.  It’s just that…”

“It’s just that, Joseph; I hope you don’t… sixty thousand words; that’ll take the wonder out of it; but not… not the magic.  Nobody… nobody who matters gives a flying fuck about flowery passages and perfect sentence structure; even about the… overall… construction.  Just tell the fucking stories.”

“Okay.”

Rudolph and I did exchange some stories.  He had felt passion, wonder, love; he was even capable of forgetting, briefly, that he had been robbed of a childhood.

Rudolph, who didn’t die in the concentration camps, who repeatedly told me the bastards would get him; eventually; never read a word.

I read some early chapters to him on one of his last days, in his condo on the bluff, looking out his windows, imagining the shark picking off the last swimmer.  One of his sons (looked up his name- Jacob) and Jacob’s two children (didn’t get their names) were there at the time, along with, briefly, a quite dour Hospice nurse (didn’t bother with her name).  My name, evidently, was on some sort of list. 

Rudolph kept dozing off and waking up, possibly disappointed he was still alive.  I kept reading.  I could tell when something I’d written was awkward or wrong.  Jacob would look over at his father.

“Needs work.” That was the last thing I said to Rudolph.

“Perfection,” Jacob said.  “My father says, ‘perfection is difficult to attain, and impossible to maintain.’” 

Rudolph woke up just before I was leaving the condo.  He didn’t seem to notice his son or me, but did look, through the afternoon glare, at the sliding glass doors.  Jacob’s two girls were playing, outside on the little deck, pressing themselves against the panels, salt stained, seventy-five feet above the ocean, their movements creating the on-glass equivalent of snow angels.  Jacob and I both noticed, smiled.  Not that we were ebullient.

Perfection.

See you out there. Somewhere. Soon.

Simplify, Clarify… Continue

I continue to struggle in completing a publishable version of “Swamis.” Mostly I’m struggling with myself. I respect the opinions of the people who have read part or all of my unexpurgated manuscript. I believe the feedback. Confusing, too many leaps in time; all true.

I AM, HOWEVER, stubborn. My most recent addition to the manuscript is included here, but first; and there may be a connection; here is a drawing I decided is too busy, too overdrawn; just not quite right. SO, I flipped the paper over, traced the outline on the other side.

simplifying is not easy

YOU MAY NOTICE that, included in this passage, is something that came from here, from realsurfers.net. It’s the chaos/dreaming/writing thing; and backs up what is, evidently, my method of writing and speaking; say enough, write enough, something accidently profound might just happen.

PROFOUND. Yeah, it’s my ego. I’ve been humbled by the process; but my goal never was to write a novel, maybe one of a series. ANYWAY, stay safe, stay sane, try not to panic, stay tuned. OH, and, not sure if this passage will make the final cut, and do bear in mind this is (mostly) fiction; here it is:

CHAPTER SEVEN- TUESDAY, JANUARY 21, 2020

I’m sitting in my de facto office, folding table in my mother’s nearly-empty condo, part of what she called the “Great Condo Wall of Del Mar,” looking out at a scarred ocean, rip lines, squall lines, light pollution; gray on gray on gray.  There might be waves, weakly pushing off the ever-refreshed rip rap protecting the ever-eroding bluffs.  Can’t tell.  A dark line halfway to my horizon can appear to be a wave.  It would be a big one.

This is where I am, not where my mind is.

I have to decide right now, at this spot in my latest edit of “Swamis,” if this is a memoir or a mystery.  If it is a mystery, I have so much material to cut, I’ve been advised, to keep from losing the reader.  That’s you.  That’s free will. 

Painful.  I wanted to include little bios of people I ran into, little details, things that would let you, the reader, know that it was real, that I was fucking there.

Does adding the ‘fucking’ make me seem angry?  I am; even though I realize why it makes sense to cut out and condense and to make sure the narrative is, most importantly, clear.

Okay.  Thank you for reading, but here’s the thing:  I’m telling the story.  To you.  I know who I am; what I don’t know, what I have to constantly worry about and wonder about, who I have to adjust my storytelling for, is you.

I don’t know you.

Again, thank you for reading.  If I’m trying not to lose you by burrowing into some peripheral background information on a background character, some wordy journey to another side story that I believe offers some possible explanation as to why I or someone else behaved in a certain way; I will also endeavor to not try to fool you or withhold information in order to create some artificially engineered intrigue.

Still, I will be saving (some of) the unnecessary scenes elsewhere, some other file, like those little plastic things for resealing loaves of bread, hundreds of them, in various colors, that my mother kept in a dedicated drawer and that I threw away; like the notes my father kept from his encounters as a deputy and then a detective; like miscellaneous nuts and bolts kept in jars for some day.  Some day.  Okay.  Move the cursor.  “Cut.”

June Submission- Greenness

My submission was late for the Quilcene Community Center Newsletter. It’s now June 12 and I never got one over the electronic network. Because I post these pieces here, usually, I probably should apologize for it taking this long. There is some surf news to report; I did just recently surf with Nick, nicknamed, probably only by me (and because I got it from him) God.

He took off in front of me; twice; but said I deserved it. I will explain next time. Meanwhile, and partially to help the financially struggling United States Post Office, which, out here in the boonies, I particularly appreciate; I am considering preparing and sending a number of postcards to 1600 Pennsylvania Avenue, NW, Washington, DC, 20500. No manifestos, just brief notes, like, um, maybe, “Which voices are you listening to right now?”

First Amendment, folks. Still, because of the omni-demic and all, I am considering wearing gloves in the process. That I am also considering sending them anonymously and from a different zip code; well, the farther-out folks on both ends of the conservative/liberal spectrum do agree that, as Americans, we always have to worry about our rights, alienable and otherwise.

Again, only positive messages. Like, uh, “Considering building a bunker: any ideas?” “Juneteenth? Really?”

Surf Route 101; somewhere in Washington State

                        OBVIOUSLY READY TO FROLIC

It’s Saturday, May 30, 2020, and, here in Quilcene, Washington, Spring’s last push toward the eminent arrival of Summer, is, other than the bright yellow blooms on the non-indigenous Scotch Broom, the changing of the landscape from grays and browns and more grays, to green. 

Maybe it just seems like it was a massive invasion, a sudden and overwhelming onslaught of green.

Everything is green.  The north side of the car you parked because you really had nowhere to go.  Green.  That patch of dirt where you had the car parked.  Green.  And all the trees, shrubs, hayfields; green and growing, unchecked, undeterred by the intermittent dry days, pushed forward by the rainy days, greens in shades from almost yellow to almost blue. 

Greenness, everywhere, and so crazily active you can see grass grow, leaves spread, plants crawling out of their pots before you can get them in the ground.  Blackberry vines are winding their way through your flowerbeds, dandelions outgrowing your lawn, thistles and nettles competing for the chance to sting you, you out in your Summer clothes… Ow!

Okay, I could have gotten all lyrical here, but the truth is, I’m a day past the deadline and I’m racked with guilt.  Racked?  Is that a word derived from THE Rack, medieval torture devise?  Maybe.  I won’t Google it.  YES, if you are receiving this a day later than you anticipated, it is my fault.

I won’t make excuses.  I hate excuses.  The guiltiest people have the best excuses.

So, here’s mine: I went surfing.  Friday.  Dawn.  Yeah.  Could have been writing.  The first two vehicles I passed while heading north on Surf Route 101 very close to Lake Leland, were towing boats.  No, not those big boats that loom over the truck hauling them.  Those boats are headed to or from ocean waters.  The next car had one of those very plastic kayaks on top of it.  Again, it was a Friday, and I don’t know what these folks, were supposed to be doing, but they were obviously ready to frolic.

Obviously.  Not me.  I was going stealth.  I had my board hidden inside my work van, with six ladders on the roof.  Incognito.  BUT first, in order to go surfing on Friday, one day ahead of what might just be a weekend rush from people cooped up anywhere east of the Olympic Peninsula, I had to try to use the best scientific data available to divine that there might be waves on the Strait of Juan de Fuca.  BUT, first, I had to finish a job in Bremerton on Thursday. 

Quite late on Thursday, and it’s an hour home; so tough to get up early enough to drive an hour and twenty-two minutes (on average) and be in the water before the sun comes up at… checking… 5:21 am.  Didn’t make that.  Got there at 7:10, surfed two hours, took a nap in my wetsuit, on a towel, in the reclining passenger seat, went back out in the very small waves for another hour or so, then went shopping at Costco, then Walmart, then QFC.

I do have an explanation for why it is necessary to shop at each of these stores.  I did skip Home Depot and Office Depot, and might have gone into Michael’s if they let people in.  Not yet.

With groceries to put away, and quite tired (not, you say, that it takes maximum energy to tap on a keyboard), and having passed so many recreational vehicles, other surfers, cars and trucks towing boats and trailers with motorcycles, and, of course, motorcycles, and all the folks who come over on a Friday in an attempt to beat those who foolishly wait until Saturday, I got home around 4:20. 

“…foolishly wait until Saturday…”

Okay, you’re right; I could have taken a nap and written a piece on… wait a minute; I did actually write a piece on how people are afraid to dream due to anxiety connected with the whole Covid omni-demic.  I do dream; and I did write about it. 

Although the piece didn’t seem totally appropriate for the Quilcene Community Center Newsletter; here’s a bit of it.  “If dreams are meant to make some sense out of chaos, writing is dreaming; and I write.”

Not necessarily ahead of a deadline.  Be safe, be well, dream fearlessly, and definitely frolic when you get the chance.

Oh, maybe that’s a good message for the White House; “Are we having fun yet?”

F.O.M.V.S.W.W., Disco Bay Back, + Surf-related Stuff

FEAR OF MISSING OUT is heightened when what you’re missing out on, if you surf somewhere with VERY SMALL WAVE WINDOWS, is good surf. That’s probably all I should say, but, of course, I’ll keep ranting on. If you live and die by the forecasts, you’ll probably miss out occasionally. “I could have gone” is a surfer’s lament I’ve sung many times.

Surfing is a gift; having decent or better waves to ride is an extra, a bonus.

Easy to forget.

“SWAMIS” UPDATE: I just got the feedback on my manuscript from a professional writer and editor. I had texted him a while back, after I got some other feedback, to please stop reading. The novel needs a lot more work, and I have been making progress on a massive rewrite. The book doctor claims he didn’t get the text, and completed the editing, with commentary and a full-page overview.

I should, first, say that when I asked the unnamed writer/editor to read something from “Swamis,” quite a while back, he said he’d read it when it was completed. Meaning, not before; not the feedback on my writing style I wanted. Okay. SLOW-FORWARD to when I thought “Swamis” was complete enough to get a copyright.

“This might take a while,” he said. And it did.

Because I had given him a thumb drive, I had to wait a couple of days before I could retrieve it. Anxious days. When I stopped off to pick it up, he declined to tell me much. Like a written work, the review/edit would speak for itself. “I can’t believe you actually read the whole thing,” I said. “The reason I did is because I said I would. The reason I agreed to read and review it is because I never thought you’d finish it.”

Obviously I haven’t.

“Take a week,” he said, “cry, get mad, hate me, whatever, then go back to writing.”

I’m pretty sure it’s been a week and I’ve devoted a lot of my thinking time to figuring out how to make “Swamis” work. The good news is I have already deleted a lot of the parts he thought, rightfully, were deletion-worthy, off-topic, not contributing to the story.

AND, his comments were all accurate.

HOWEVER, he seemed to, from the beginning, keep asking why Jody wasn’t more focused on finding out who killed his father than on who killed Chulo. I have an explanation for that.

ALL THANKS for the help and feedback from the (so far) unnamed professional and the others who have read part or all of the UNEXPURGATED VERSION. Believe me, I’m expurgating the shit out of it.

TYLER MEEKS’ DISCO BAY OUTDOOR EXCHANGE is back OPEN. I’m not sure what the hours are, but if you’re passing by and it’s open, stop in.

I’ve been trying to do a few more illustrations for “Swamis,” particularly of characters. This drawing came from a small photo in the back of an old “Surfers’ Journal.” I drew it once; pencil and pen, used that version to do this simpler, cleaner one; then did a third. Too dark. The original photo was from the 1970s, and was of… I probably shouldn’t say.

MEANWHILE, if you just found out some surfer who went looking for waves just because it fit into his schedule, and scored; try to get over it. Cry, hate him… just take a week and… try to get over it. BETTER YET, get even.

Surf Movies, Hoover High

I just cut another mini-chapter in what I’m calling the ‘massive edit’ of “Swamis.” I’ve passed page 200 of what was 300, and I am, for better or more better, adding words in some places while I cut in others.

As such, I added a couple hundred words to a part on the real life swell of December, 1969. There should be surfing in a surf novel, and, although it’s not a ‘Big Wednesday’ climax, it’s not just background, either.

First, here’s a pencil and pen drawing:

I am trying to capture a certain feel- working on it

Before I get to the outtake, I could explain where it came from. I never attended a surf movie alone (or any movie at any theater or high school gym, or went to any sit-down restaurant), but I also never went with my surfing friends. I first saw “Endless Summer” with my mom and sister. I went to a movie at Hoover High with Emily, my chemistry lab partner. I was supposed to drive down in my Morris Minor, but it was, as it frequently was, broken down, so Emily and I got to get dropped off by my parents, on a date of their own. Dropped off. Embarrassing.

I went with Trish, but, for some reason (probably the broken car, again) we got to ride with my sister and her boyfriend, Alan, who might have passed for a surfer if he hadn’t, the very day, shaved off his mustache. Trish looked good, might have acted as if she enjoyed the movie. The embarrassment increased when we, as was the custom, stopped at the Carnation ice cream place. It was some time in 1969, I was a senior at Fallbrook High, and had competed for a second time in the KGB/Windansea high school surf contest. Thor Svenson, president of the Windansea Surf Club, and some members, came into the restaurant and, maybe it was my startled expression rather than Mr. Svenson actually recognizing me, but he nodded, and I nodded, me sitting in a booth with more-chic-than-necessary Trish, my sister, Suellen, and her farmboy-looking date.

I survived, and did push Trish into a couple more outings, one at Mira-Costa Junior College, closer to home; and at least one at the local Junior High in Pacific Beach, after we got married and moved there.

But, to explain where this outtake came from, a girl whose Navy doctor father had just been transferred from Virginia came to Fallbrook, mid-term, 1968, and took a seat across from me in English class. We talked surfing, I said I’d show her around, and we went, that very day, after school. I discovered, after we went to the Surfboards by Heck (it’s still mentioned in “Swamis”), that she wasn’t really interested in actually surfing. Because I was her first date in Fallbrook, probably, and because I… because I was me; Phil or Ray, or Phil and Ray called me up to see how it went. “Hey,” my father said, walking past; “A man doesn’t talk about what happens on a date.” “Nothing happened,” my mom said; “I’m sure nothing, nothing happened.” She was right, of course; other than, as mentioned, the girl figuring out I might be a real surfer, but I wasn’t even or even close enough to her on the social status scale. Fine. Different scales.

Here’s the piece:

SURF MOVIE- HOOVER HIGH- SATURDAY, SEPTEMBER 21, 1968

This was all kind of normal at surf movies, sixteen-millimeter productions shown at high schools and rented theaters, even after “Endless Summer” had made the leap to the big screen.  I had attended a few, Hoover High in San Diego; fifty miles from Fallbrook and at least fifteen miles from the ocean.

This time I was with, rather than one or two of my friends, a date; a girl from my History class, who’d just moved to Fallbrook from Hawaii, said she surfed and would love to go to a surf movie.  I discovered she wasn’t really a surfer by the time I showed her the third or fourth surf spot (Grandview or Beacons, both looking pretty good) on the way down.  She discerned I probably wasn’t in with the rich or popular kids before we got to Windansea.  I drove back on 395.  Closer.  “Fun,” she said.  “Yeah,” I said.  “See you.”  It wasn’t long before she started dating a rich popular kid and I became her “I was new in town” story.

Still, I had enjoyed the movie.  I always enjoyed the scene; surfers hooting, laughing, making that sort of whooshing sound for a slow-motion ride; or being reverently silent; all in unison, all at the appropriate times.  And, even if she wasn’t an actual girlfriend, it was a date; she was pretty cute. She did look like a surfer.

Surf when you can, stay safe, see you around.