Birthdays, Quickies, and “SWAMIS,” Chapter 7

TRISHA’S and my older son, older. JAMES JOSEPH MICHAEL DENCE had a birthday yesterday. His caption, texted with the photo, is “Forty-eight never looked so good.” J.J. when he was young, JAYMZ as a stage name, he has been in Moscow, Idaho since college, working and playing guitar with the FABULOUS KINGPINS, all the while leading his own bands, the current version being SOLID GHOST.

SIDENOTE- I just received (yesterday) a reasonably priced front zip wetsuit, replacing the one I’ve thrashed and patched, the one famously (locally) for having the hole in a most inopportune place for someone knee paddling in a crowded lineup. The suit is from NRS, which, I discovered, stands for NORTHWEST RIVER SUPPLY, and, surprise, they are located in MOSCOW, IDAHO. James said he almost went to work for them, a small outfit then, but now worldwide, but “They still pay Idaho wages.” Yeah, well… in this case, I appreciate it.

ADAM ‘WIPEOUT’ JAMES, obvious animal lover, worldwide local, and HAMA HAMA OYSTERS ambassador, is having a birthday TODAY. 47, and choosing which locals are ready to welcome into which lineup. Adam put the ‘local’ in ‘local or lucky,’ (I do take credit for the phrase) seeming to arrive at locations on days that turn out to be EPIC. Example- Cape Kiwanda, the pullback capitol of the world, with the point actually acting like a point break. Almost guaranteed today will be awesome and barrelling. At least, using a phrase often used by Adam, there’ll be a few butt barrels.

SEQUIM VORTEX STORIES-

I’m checking out at Costco. The checkout guy, possibly trying to impress the young woman assisting, says, “Pop a wheelie. On, like, a BMX bike. You’re too young for that one. This guy probably gets it.” “Yeah, I am, but, you know, there’s never a mention of mama wheelie.” “Oh. Is that a thing?” “Probably not.”

I’m headed from Home Depot (for stain) to Walmart (for bird food, mostly, assuming I need a decent excuse for going to either big box, right-wing owned store), and I see this guy at the light with a sign that says, “Looking for human kindness.” I change lanes to avoid eye contact (because I’m a hypocritical liberal who already voted, solid blue, but one who is still working at 73), and because I run a constant stream of ‘what if’ scenarios through my mind, I wonder what reaction I would get from the man if I came back and gave him the gallon of milk from Costco. It might be, “Yeah, that’s exactly what I meant.” Or not.

I’ll skip the in-depth ‘Previously’ for “Swamis” again, but this chapter mostly takes place at GRANDVIEW, JOEY and a guy from Fallbrook High racing over after school. If you’re figuring out that the story is almost more about the relationship between Joey and JULIE COLE… yeah.

CHAPTER SEVEN- FRIDAY, MARCH 14, 1969

Fallbrook Union High School was letting out. Gary and Roger and I were standing in the big dirt parking lot behind the band room. Johnny Dale, in his daddy’s restored 1957 Chevy Nomad station wagon, two girls in the front seat with him, slowed down, then popped the clutch, and spun out directly in front of us. Gary, then Roger, flipped Johnny off, both called him an asshole. Both looked at me when I didn’t participate.

“Witnesses,” I said.

“You?” Gary asked. “No,” they both said. The next two cars that passed got three sets of double eagles, my gesture only waist high, almost happily returned by the car’s occupants.

“Friday, March 14,” I said, writing the date into a page about a third of the way through a red notebook sitting on the hood of a yellow 1968 Super Beetle with two surfboards, side by side on the Aloha racks; my bruised and patched nine-six pintail and a brand-new Hansen ten-two. “Finally enough light after school for going. Gary and Roger bailed.”

Roger said, “We’re not bailing, Joey; we have dates.”

Gary mouthed, “Dates” while running his hand along the rail of the board on the driver’s side, adding, “With girls. And it’s fuckin’ Friday! And, anyway, Joey, where’s your date, Doublewide Doug?”

“Doug-L-ass has… art seventh period,” Roger said. I nodded, looked at my watch, wrote a sentence in the notebook without saying it out loud.

“Why is it,” Gary asked, “That Dingleberry Doug has a new fucking car and a new fucking surfboard?”

“Why is it, Gary, that Joey is such a whore that he’ll ride with Dipshit Doug?”

“Why is it, Joey, that everyone’s getting shorter boards, but your buddy, Dipsy doodle Doug, is going full-on aircraft carrier?”

I looked around the lot. “Because, gentlemen, Doug’s… working; one, and his father’s running irrigation for all the new… ranchettes; two, and three, I’m a whore for the surf, and three, again… gas money.” I stepped back from my friends. Both were wearing Levis, Ked’s boat shoes, J.C. Penny’s white t shirts, and nylon windbreakers. As was I. “Why is it that we all don’t have… matching windbreakers like we’re on the Dork Neck Dreever Surf Team?” Both gave me ‘fuck you’ looks. “You guys, with the blonde hair and all. Uninformed people might believe you surf better than I do.”

“Fine with me, Joey. Gary? You?”

“Yeah. Fine, but… Hey, Joey; here comes your date now!”

Doug, varsity offensive lineman, was on the sidewalk, still a distance away, slow running toward us. He had a cardboard art portfolio under his right arm, his left arm out and ready to straight arm anyone in his path.

“Joey DeFreines, surf slut,” Gary said, kissing his right hand, then using a big arm movement to simulate throwing the kiss toward Doug. Roger ran out, putting both hands out as if he might catch this pass.

Doug only saw the last part before Roger bumped into him and bounced away. Doug dropped Roger with his left arm. “Incomplete,” he said, leaning over to help Roger back up.  

Gary’s mom’s Corvair pulled in beside Gary and me, trailed by its usual puffs of black smoke. The Princess was driving. There was another girl in the front seat, two more in the back. Sophomore girls. Giggling. The Princess peeled out just as Gary went around the back of the car.

“Better remember to put some oil in it, Princess,” Gary said, pointing to the hood. “One quart ought to do it.”

 The Princess popped the clutch, honked as she cut another car off, and pulled out and onto the side road in a cloud of black smoke.

Doug touched his car and leaned against it, breathing heavily. “Made it!” He opened his portfolio, pulled out a piece of drawing paper and laid it on the hood. “Check this shit out!” It was a drawing, pastels, of cartoonish people and cars on the side of a road. A red light was glowing from beyond and below the cars and people. “Pulled over” was written in the same red as a sort of caption.  

“It’s from… last week’s Free Press,” I said.

“Where’d you get it, Doublewide Dave?”

” Well… Roger, someone in my art class wanted me to scotch tape it on…” He pointed toward me. “Jody’s locker.”

“Grant Murdoch.”

“Grant fucking Murdoch.”

“Bingo! I told him to fuck himself, Jody, you and I are surfin’ buddies.”

“Surfin’ buddies, Doug-l-as,” Gary said, extending the ‘ass’ part, “Don’t wear that fucking letterman jacket to the beach. Joey wants all the hodads to think he’s from somewhere else.”

“Laguna… specifically,” I said as I rolled up the drawing, using the scotch tape at the corners to secure the roll. “Or San Clemente. Santa Cruz. Just… not… Fallbrook.”

Douglas took a folded piece of paper out of a pocket, the Warrior’s jacket off and tossed it, inside-out, onto the hood of his car.

“Oh, and fuck Grant Murdoch,” Gary said as he and Roger turned and headed toward an almost new Ford Mustang, two girls standing beside it.

Doug looked that way as he unlocked the driver’s door. “Roger’s stepfather’s car, Doug.”

“Yeah, I know, but, Jody, that one girl; I think she’s, maybe, a… sophomore.”

I stepped in front of Doug, blocking his view. “Maybe.” I shaded my eyes and looked toward the sun.

“Maybe she flunked third grade or something. We… You ready?”

I half-danced around the front of the car, grabbing my books and notebooks. “Maybe.”

When I got in the super beetle, Doug slid the paper across the dashboard. “Murdoch. Wanted me to give it to you…” I didn’t unfold it. “Personally. I didn’t look at it.”

I placed the unopened paper into the side pocket of my PeeChee folder. “We going?”

Doug was driving. I had a book open, its paper bag cover with unreadably psychedelic pencil lettering. “Civics” and “Grandview” and “JOEY DeFreines.”

“Shit, Jody, I could just cheat off of you.”

“Or… you could… study. I’ll just give you the… shit I think’ll be on the test.” 

“Close your eyes, Jody.” Doug pushed the book back toward my face.

I knew exactly where we were; three big corners west of the village of Bonsall, on the last straightaway before the sharp left and the narrow bridge across the wide valley that held the thin line of the San Luis Rey River. I looked over the book and Doug just in time to see the construction site, an elongated building framed up, level with and parallel to the highway on an artificial peninsula of fill.

“Building it quick, Jody.”

“Yes. Quickly.’

“Um, uh, Jody; you know, my sister… she taught me how to drive. She said, if there’s a truck or something coming… on the bridge… she just closes her eyes.”

“Uh, Doug… no. Eyes open. Please.”

We made it across, no vehicles coming our way. A choice had to be made. It was a soft right-hand turn or a steep hill.

“Oceanside’s probably faster,” Doug said. “Cut over at El Camino Real.”

“Faster then, Doug.”

Doug downshifted, made the soft right-hand turn. Thirty seconds later Doug said, “Um, you know; Gary and Roger call you Joey.” I didn’t look over the Civics book. “I’ll call you that if you call me…”

“Dangerous Doug? Or… your choice. Sure.”

“And you can tell Gary and Roger that I’m, you know, really good, surfing-wise. Joey.”

I lifted the book back up to my face. “Or… I can give you a dollar for gas… Doug-ie.”

“Oh. No. That’s all right… Jo-ey.”

Doug cut off an oncoming pickup truck as he made the thirty-five-degree turn onto the El Camino Real cutoff, southwest, up and out of the valley, We hit highway 78 on the other side, merged onto I-5, got off at Tamarack Avenue. High tide. Shorebreak. We didn’t even drop into the lower parking lot. Doug missed the turn for Grandview. So, Beacons. Doug pulled in next to a green-gray VW bus with a white roof.

“Last chance, Doug. Sun’s down in… forty minutes.”

 The tide was dropping. There were five surfers out, two of them girls. Young women. One of the young women was Julia Cole. There were four guys in street clothes on the beach. Two were watching the young women, one was looking at the flotsam along the tide line, one was doing some sort of surf pantomime, a beer bottle in each hand. He was the one who looked up the bluff at Doug and me.

“Jerks,” I said.

“Fucking Hodads,” Doug said as he opened the trunk on the front of his super beetle. That one in the blazer and wingtips, guaranteed not from around here.”

I moved to the bluff, wrapping Doug’s extra towel around me. A set was coming in and Julia Cole was on the second wave. I turned my shortjohn wetsuit back to outside out, peeled off my Levis and boxers, pulled the wetsuit up partway, wrapped the clothes in the towel, pulled the sleeveless suit up the rest of the way. Right arm through, I connected the stainless-steel turnbuckle at the left shoulder.

“My first wetsuit, Doug, December of 1965, made by a sailmaker at Oceanside Harbor, cost fifteen dollars. Christmas present. This one… seventeen-fifty, plus tax. But they were custom, two weeks from measuring to pick up.”

“Val’s,” Doug said as he unstrapped the boards, “my dad… up in LA.”

“Val’s is… valley, as in… valley cowboy.”

“Not trying to hide it.”

“Good. Noble. I am.” I pulled a cigarette out of the pack, showed it to Doug. He shook his head. I lit the Marlboro with three paper matches. Throwing my clothes into the trunk, I stashed my wallet, cigarettes, and matches in one shoe, stuffed the other shoe inside that one, slid the shoes under my clothes.

“Yes, Jo… Joey; I will lock the car.”

Halfway down the first section of the path, I saw that Julia Cole and her friend were out of the water. The three other Jerks followed the pantomimer toward them. “Monica,” the pantomimer, the Head Jerk, said. Loudly. His crew laughed. He repeated the word, stretching it to, “Mon-ee-ca. We have some be-er, San-ta Mon-e’-ca.” 

            Monica, her head down, made it to the bottom of the trail. The Head Jerk, walking backwards toward the bluff in front of Julia Cole, blocked the trail access. Julia Cole stopped; her face was very close to the Head Jerk’s. She said something. He put his free hand over his crotch, hopped backwards, throwing his hands out and up, beer sloshing onto his madras shirt.

Julia Cole was ten steps up the trail when he said, “Juuu-li-a. Juuuu-lee-ya; you are so cold. Soooo coooold. Ju’-li-a cold.”

Doug and I, boards under our arms, made the turn at the trail’s upper switchback.

The Head Jerk took several steps up the trail, turned back to his crew. “Come on up, you pussies!” Raising the volume, he added, “Surf broads. You jagoffs liking Monica’a ass better… or Juuu-lie’s?”

If any of the Jagoffs responded, it was more like growling or laughing than discernible words. “Brrrrrrrr,” the Head Jagoff said, Julie fifty feet up the trail, “Is the water cold, Juu-lie? And… I’m wondering if you’ve got anything on under that wetsuit. I saw… skin.” 

More laughter. One of the members of the Jagoff Crew said, “Come on, dude; cool it.”

Head Jerk moved both beer bottles to his left hand and shot his right hand out. Pleased that the subordinate flinched, Head Jagoff said, “And don’t fuckin’ call me dude… dude.” He started up the trail. His cohorts hung back, possibly because they saw me, looking quite displeased, and the much bigger Doug, behind me, also displeased.

 Monica and I met at the lower switchback. I stopped. Doug stopped. I stood my board up, holding it with my left hand, and moved to the uphill side.  Doug did the same. Monica nodded, quickly, but looked down as she passed. Julia Cole had an expression as much determined as pissed-off. Defiant. Looking at me, she didn’t seem to adjust her expression one way or the other. I did notice the chrome turnbuckle on one side of her wetsuit was undone and her bare shoulder was exposed. Skin. She noticed I noticed. Another asshole. Another jerk. Her lower lip seemed to pull in, her upper lip seemed to curl. Disappointment. Or anger. Julia blinked. I didn’t. I couldn’t.

Julia Cole passed me and then Doug. “Joey’ll get ‘em,” Doug said.

“No,” she said. “Not… no.”  

I may have been replaying Julia Cole’s expression for the third or fourth time when Head Jagoff approached the tight angle at the switchback. I may have missed the first few words he kind of spit at me.

I replayed his words. “What’s the deal, asshole? Huh? You some sort of fuckin’ retard?”

“Possibly, Dude,” I said. “I do believe, Dude, you owe Julia Cole and Monica… don’t know her last name… a sincere apology.”

“You do,” Doug said. “And… don’t know where you’re from, Jagoff; somewhere east coast; but we don’t fuckin’ call our chicks ‘broads’ around here.” Doug looked at me.

“I believe,” I said, “The Jerk prefers being called Dude… over Jagoff.”

“No, Jagoff seems apropos. That, Jagoff, means ‘appropriate.’ It’s French. Jagoff, which, I might be wrong, has something to do with… you know, whacking the… willy.”

Jagoff looked at Dangerous Doug in his new Val wetsuit, his un-dinged Hansen leaning against his left shoulder, his spotless white towel over his right shoulder. Jagoff looked back down the trail. His cohorts hadn’t moved. “Come on up. We have us a fuckin’ farm boy and some sort of retard Gook.”

“Oh, no. Jody; Willy Whacker called you a Gook.”

“Common mistake.”

“Step aside, fuckers!” Neither Doug nor I moved. “Jody,” Jagoff said, leaning in way too close to my face. “Girl’s name. Well. Fuck Monica! Fuck Julie fuckin’ Cole. And… fuck you, Jo-dee… And your fat-ass friend.”

Doug turned toward me. “I meant… Joey, but. Joey, I don’t think an apology is, you know, forthcoming.”

I let go of my board and extended my right hand, palm up, toward Jagoff. My board fell against the bank. He looked at my hand. He made a sound as if he was hawking up a loogie. I kept my hand out. He spit near but not on my hand.

Doug laid his board, carefully, uphill, against the scrub and ice plant on the bluff. He wrapped his towel around his neck and pointed at each member of the Jagoff Crew, now partway up the lower portion of the trail. “Hey, assholes, come on up and help out your friend. But, warning, Joey’s a, for real, fucking, by-God, Devil Dog!”

Jagoff shook his head. “Devil Dog?” It didn’t register. He looked up toward the parking lot, sneering. He put one of the beer bottles in his other hand. Holding the bottles by the necks, he smashed them against each other. The open one shattered, the remaining beer running down his arm. He held the raw edges against the palm of my right hand. He was smiling. “Fuck you, Gook!”

I closed my eyes. I imagined an eleven-year-old kid. My opponent. He had padded fabric head gear and a heavy pad on his body, a padded pugil stick in his hands. He was sneering. Other voices were cheering. I could hear myself crying. Big sobs, inhaling between each one. My father’s voice said, “Eyes open, Jody! Open!” The kid in the head gear, still sneering, was about to hit me again, this time with the right-hand end of the stick. I could also see the Jagoff, his beer bottle weapon pulled back. My father’s voice screamed, “Get in there! Jody!” I did. I saw my pugil stick connect, saw the opponent fall back. His sneer gone.

 As was Jagoff’s.

Both beer bottles were on the path, both now broken. It would be a moment before Jerk/Dude/Jagoff reached for his nose; before the blood started flowing from there and his upper lip. It would be another few moments before the three Jagoffs, frozen near the top of the bluff, continued scrambling for the top.

“Devil Dog,” Dangerous Doug said.

“Devil Pup,” I said, keeping my eyes on my opponent. “Marines, Dude… may I call you Dude? There were tears in Dude’s eyes, blood seeping between his fingers. “Or… your name? No? Well, Dude, Devil pups; it’s kind of like… summer camp… on the Marine base, with hand-to-hand combat.”

Doug pulled his towel from his shoulders and handed it to Dude. “Apology, then, Dude?”

Fluffy towel to his face, Dude nodded. “Not to us,” I said. He nodded again. “Promise?” Third nod. “Okay. And, if you would… pick up the glass. It dangerous. Huh, Doug?”

“Dangerous,” Doug said. “Keep the towel, Dude. Souvenir.”

Looking from Doug to me, Dude pulled the towel away, blood seeping through it. “You don’t know Julia Cole. What she’s really like. You defending her, it’s like…”

“You’re right. I don’t know her.”

“’Cause we’re from Newport, Dude. Huh, Joey?”

Dude was staring at me. His eyes narrowed, then widened. Whether or not this meant he recognized me, I smiled. “Newport… yeah.”

Doug blinked and mouthed, “Laguna.”

When Doug and I got to the beach, Dude was still at the same spot, placing pieces of broken glass into Doug’s towel. His friends were in the parking lot, three vehicles over from the VW camper bus. There was a flash of light off glass. Julia Cole was behind the passenger side door. I couldn’t see her expression. I could remember it from earlier.

“Sorry, Doug. You know I’m trying to be all ‘peace and love,’ and not…”

“You shittin’ me, Joey? You’re a fuckin’, by-God Devil Dog!”

When we were knee deep in the water, Doug jumping onto his board early, too far back, too much of his board’s nose out of the water, I said, “Maybe we can keep this little incident to ourselves.”

Doug laughed. “How good am I doing, Joey?”

I jumped over a line of soup and onto my board. “You’re fuckin’ ripping, Dangerous Doug!”

            I left my wetsuit and my shoes on the porch, stacked my books on the dinette table, and looked back into the living room, all the lights except a lamp by the console off. My mother was on the couch. A World War II era record was playing, a woman singing wistfully about lost love. Seventy-eight rpm. The wedding photo was leaning against the console. The song ended and another record, 33 and 1/3 rpm, dropped onto the turn table. “South Pacific,” original Broadway cast.

            My mother got up, adjusted the record speed, and walked into the kitchen. I followed.

            “The surfing?”

            “Good. Doug is just learning, and…”

            “Doug. Who are Doug’s… people?” She turned off the oven and pulled out a foil covered plate, set it on the cast iron trivet on the kitchen table. “Would you like milk?”

            “I’ll get it. Doug’s father has the irrigation company. Football player. That Doug.”

            “Irrigation. Football. Doug. You and he are… friends… now?”

            “Now? I guess so. Surf friends, Mom; it’s… different.”

“Still, it is nice that you have… friends.”

            “It’s just… it’s not… Surfing’s cool. I surf. It doesn’t make me cool.” My mother gave me a look I had to answer with, “Yes, mother; friends are… nice to have.” She nodded and walked through the formal dining room and into the living room.

            I pulled the paper Doug had given me out of the PeeChee and unfolded it. “It was a drawing of me, from this week’s Free Press. Me in the window, looking out. The pen and ink drawing wasn’t quite a rendering, not quite a cartoon, with un-erased pencil lines. “Grant,” a signature at the bottom, was not finished in ink.

I tried to figure what Grant’s motives were. Intentions. I allowed water trapped in my sinuses to drain from my nose, not wiping at them with a paper napkin for a moment, then blowing as much water as I could into the napkin.

Freddy ran into the kitchen from the hallway, half pushed me against the counter. “She called,” he said. “The reporter. Asked for you… after I told her mom wasn’t here. Are you crying?”

            “No. No.” I refolded the drawing. “Who? Lee Ransom?”

            “Yeah. Her. Mom was here. Outside, grooming Tallulah.”

             “Okay.”

            “I told her…” Freddy switched to a whisper. “I told her what you told me to say.” I nodded, tried to push past my brother. He put a hand to my chest. “She asked what kind of car mom drives.” I did one of those ‘and?’ kind of shrugs. “She said she asked one of the detectives, and he pointed to a different car than the one someone else pointed to… not the Volvo.”

            “Which one?”

            “Which car?”

            “Which detective?”

            “Boys!” I looked around Freddy. Our mother was in the dining room. I couldn’t tell from her expression how much she had heard. I had to assume too much. 

“SWAMIS’ is copyrighted material, all rights reserved by the author, Erwin A. Dence, Jr.

And, in the RELUCTANTLY POLITICAL catagory, please vote the reasoned choice; BLUE. There is no other America to save America from going the way of many another country. There is no reasonable reason to vote for a disgusting example of a human being and wannabe dictator. If you claim some sort of Christian stance, ‘he is redeemable’ kind of bullshit argument, you must not believe Jesus when he said about those who speak the way the orange candidate does, that “the truth is not in them.” Or, perhaps, you put little value in the last book of the BIBLE. Cons con. Liars lie. Grifters grift.

New material on Sunday.

Enduring the Dog Days, and “Tightening”

It’s a sort of positive for me that the summer drought on the Strait of Juan de Fuca coincides with painting season. More like consolation, with even driving to the coast not a guarantee of finding waves. Busy now, it gets crazier in September when people start panicking about getting their castle dolled-up before the rains start getting more consistent. Finding time to devote to my other passions, including drawing and writing, becomes more challenging.

BUT I do have time while scraping and painting and second-coating to think, THINKING, IMAGINING being the most crucial component in each of these activities. Imagine what the drawing COULD look like, imagine WHAT I want to convey.

IT’S A PROCESS. Not dissimilar to house painting, actually. To use the project I am currently working on as an examlple, the homeowner has a vision of what she wants her Victorian home to look like; I have my own ideas. A few color changes later, we do it her way,. with eventual agreement that it works AND it’s what the person paying me wants.

SO… I prep and paint, and it’s never one coat of any color. I paint, and then TIGHTEN UP the paint, picking up missed spots (‘holidays’ in the vernacular), making sure the transitions are crisp and clean, the result being a job I can be proud of and the client will both pay me for and recommend me to others because I did it (right).

BRIEF SURFING INTERJECTION- Having missed one opportunity summer surf, and being pissed because I could have gone and didn’t, I did get a few waves recently. Just enough, with passing fancy rigs with boards on them on a daily basis along SURF ROUTE 101, to cause me to want more. MORE.

TIGHTENING. I am going to a memorial later today for a person I have been bumping into for years on the PORT TOWNSEND. I have a story I told his widow I would tell, and I’m going to try to write it out rather than ramble on in some fashion that might embarrass the others as well as me.

BUT FIRST, “SWAMIS,” the novel I’ve been thinking about, writing, rewriting, tightening for way too long. Having thought about how I needed to tighten a SCENE with the protagonist, JOEY, and the closest character to an antagonist, BRICE LANGDON, I tried to devote a bit of time to it yesterday, but got an urgent text: THE floor guys didn’t show up, could I PLEASE do some painting. PRAYER EMOJI. Shit! Fuck! I made the changes, pulled out the thumb drive. The emergency painting and looking at another project pretty much did the day in. OH, and then thunder and lightening; the weather kind. I went to bed and did not get up early… enough.

ORIGINAL ERWIN NEWS- I paid back some seed money I was loaned by local master builder/climber/skier/hiker/all kinds of other stuff, JIM HAMILTON; the money intended for my investment in getting some t shirts going, which, four months later, I did. Most are gone now. Thanks, Jim. BUT, DWAYNE at D&L LOGOS has been working on a FULL COLOR DESIGN, and I am SOOOO excited to see the results.

DWAYNE did some digital editing and had eight of the image printed up. They are heat-transferred, in a modern, way-better version of the hated ‘iron on’ process. I have to wait to see what the my cost will be. SEVERAL are already promised. WE’LL SEE. I will get back to you on it.

IN A NOT-UNRELATED STORY, I showed my most recent illustration to the clients I met with yesterday, friends of ANNIE FERGERSON, the woman behind the recent documentary about, you know, me. NOW, I REALLY BELIEVED folks would have to have a copy. I had forty printed up, two sizes. I have 38 left, BUT, hey, sales is not what I’m good at.

Although I haven’t given them an estimate, I did get a text back saying, “this would make a great t shirt.” “Open for discussion,” I texted back. I should have included the PRAYER EMOJI, way more convincing when the two hands come together. WE’LL SEE.

ADDING TOO MUCH CONTENT to make the best use of my semi-free minute, here is a poem/song I’ve been working on. THE PROCESS is, again, the IDEA- overhearing a conversation about you; the FIRST DRAFT- this includes singing verses, trying out rhymes. This takes some time; usually when driving to or from a job; harmonica to see if there is a tune. It has to flow. And repetition to make sure I have it memorized. WRITING- Putting it on the thumb drive. REWRITING, EDITING, CHANGING- making sure it tells the story. TIGHTENING, TIGHTENING, TIGHTENING.

AGAIN, THIS is an imagined scene. Fiction. Maybe it’s a song I’ll never sing in public, a poem I’ll never recite; I don’t know; I wrote it and it’s part of the driving song collection, along with favorites by others, the result of many years of song writing.

I HAVE TO GO, and I still have to write something about the late PETER BADAME. Get some waves, huh? See you on the highway. OH, and I do claim and reserve all rights to my work, so…

                                    A PRIVATE CONVERSATION

                                                      an excerpt from some longer story

It was a private conversation, words I was not yet meant to hear,

Thought I’d surprise you at the station, couldn’t have known that I was near.

Your words and tears shared with a stranger, someone you’ve met along the line,

I should have known this was a danger, if I did not the fault is mine,

I’m sorry, so sorry.

You spoke of time apart and sorrow, now… I could barely hear your voice,

You said that love’s something we borrow, said freedom is a frightening choice.

You spoke of hope and disappointment, small victories, great tragedy,

In all the time we’ve been together, you never disappointed me.

Not ever, not ever.

I saw the touch, though at a distance, saw how your fingers were entwined,

You didn’t put up much resistance, offered a kiss, you did decline.

That’s when I walked out of the station, this is my last apology,

You should need no more explanation, perhaps we’ve set each other free.

It’s frightening… so frightening.

But that’s another conversation, a private conversation, a very frightening conversation,

A private conversation

This version: August 9, 2024. Some changes August 17, August 18, 2024. AND YES, I did make a couple of changes after I put it on this page. FLOW.

LATE BREAKING and INCOMPLETE…

WORD ON THE STRAIT. More on all of this on Sunday, including a list of scheduled, distinguished speakers, artists’ work on display, short documentary, and more.

Classic stylist Archie Endo is back from Thailand. Temporarily. I am hoping to do a surf trip with him before he goes back.

Stephen R. Davis conquers another peak.

SAD NEWS via CHIMACUM TIMACUM (Tim Pauley) on the passing of EDINSON SERNA:

“There will be a celebration of life for Edinson Serna this Sunday at Myrtle Edwards Park at 4pm. We will be meeting by the PI building by the sculpture garden on the water.

Many of us knew Eddie fron surfing in the Pacific Northwest. He was always a vvery likable guy, super stoked, positive, and excited to be in the water surrounded by people. Hope to see everyone this Sunday. RIP”

NOT-SECRET-ENOUGH stuff. Professional videographer ANNIE FERGERSON (left) will be, if not premiering a short documentary on a notorious wave hog at the upcoming CULTURE EVENT, at least showing outtakes or a gag reel. NOTE; The goonball with the cap ON TOP OF the hoodie put this off fro a while, then, in true self-centered, sociopathic fashion, agreed to be filmed (with certain restrictions as to the angle from the beach, no gratuitous nudity, etc.). “Yeah, I figured, at my age, I would love to see a slow motion video of me, you know, like, cruising, and, uh, yeah… what?” WHAT?

DETAILS ON all of this and more on SUNDAY, you know, like, maybe don’t look for it before, like 10am, Pacific Daylight Savings Time. There will also be updates on ORIGINAL ERWIN T SHIRTS and, now that my daughter, Dru, fixed the slowdown on microsoft word, the novel, “SWAMIS.”

MEANWHILE, keep working on your surf stories. We’ll talk soon.

Doors, Panels, Screens, Artsy Dealies, My Most Recent Obsessions, Eye, Eye, Eye, AND BIG DAVE Stuff

Trish wasI, as always, correct when she said I had become obsessed with these door panels I have been working on; four by-fold doors rescued/salvaged/pack-ratted from some job. My theory was, because everyone has limited wall space for art, these would serve as screens, or even, doors.

Yes, there’s an inside and an outside, and I kind of lost track of what was on one side when I was painting the other side. It wasn’t all, like, thematic. Maybe a little. Obviously I have some sort of fascination with waves. And color. I would start out, get to something that was not what I envisioned and… here’s the obsessive part; I would keep going until l was a high percentage of satisfied. The fear at some point is that I could then screw the whole thing up. A line too far. Or a color. Or… something.

I want to thank Joel and Rachel Carben, owners of the COLAB in Port Townsend, for allowing me to have my art in their space. Although I paint houses for a living, my artistic leanings have been toward drawing.

SO, I am not at all sure what to do with these panels now. Hanging out for three of the monthly Port Townsend ARTWALKS has reinforced my belief that marketing is not my strong suit. Not even close. SO, do I tell myself that the joy of art is in the process? That is true, but… but, but, but…

Captions: Stephen R. Davis approaching the wall of doors at the COLAB;Joel Carben and Steve; a framed painting that caused Steve to comment,”It’s nice that you’re finally going for fine art,”; various panels taken where they were painted (a Costco/White Trash garage). OHHH, and then there’s BIG DAVE.

I took this a week or so ago at the Home Depot in Sequim. I had already heard a rumor that Legendary Surfer BIG DAVE RING was giving up surfing due to arthritis in his knees. I did write about this. The rumor was confirmed. *Sort of. Quickly, Dave was raised in Pacific Beach, San Diego, and was part of the pack of “Pier Rats” that included standout, Joe Roper. Dave, currently 66, was fourteen when I moved to PB in late 1971. I was twenty. Not a big talker in the lineup, not a guy who hangs out and chats it up on the beach, part of the reason I found out any info at all is because we have been mistaken for each other, as in: “I read your last thing on your blog,” to Dave, or “I heard you were ripping the other day,” to me.

Most of this was back when Dave was merely rocking a big-ass mustache. We both were riding big boards (Dave a 12′ SUP as a regular surfboard), and we both caught a lot of waves, from the outside, or scrapping for insiders. Dave is a master of the late takeoff and the sideslip, and plows through sections I would dodge..

A notable quote that got back to me was, “I rolled up and the Walrus and the Beast were both out. I went somewhere else. Though I’m almost more comfortable with being referred to as ‘That asshole wavehog, kneeboards on a SUP,” and I’ve been doing my best to increase the size of my mustache, I must agree with those who say Big Dave is the Walrus. Coo coo ca choo, coo coo ca choo.

*Having already, in a pattern that seems to hold true among older surfers, moved from popping up automatically, to knee boarding the takeoff and standing up after the first section, to kneeboarding the entire wave, Dave expressed little interest in belly boarding. “No, but…” I could tell Dave was imagining the perfect pre dawn session, sneaking out, lining up a few bombers.

“It is amazng,” he said, “what I’ve gotten done because I’m not always putting stuff off to go surfing.”

I get it, Dave.

EYE and LEG UPDATE- I’m finally through with the wound care for the gouge on my right calf. Pretty impressive scar. I am going to have my eye checked out on Friday, with surgery to remove the clear oil inside it, hopefully, scheduled for… soon. It isn’t as if I can’t work, it’s just annoying. I sort of attacked a woman in a parking lot the other day because she had a bandage over one eye. “Hey, what happened to you?” Different deal. Worse than mine. Nice conversation. ANYWAY, I did tell Trish that, because of the glare in the water, I might not surf until the oil in my eye is exchanged for (I asked) saline solution, that to be replaced by the proper bodily-produced fluid.

BUT, but, but… when I check the forecast…

Moving on. Back to another of my obsessions. After I post this, my plan is to get back to “Swamis.” I had friends attempt to read earlier versions. I know where I have to make changes, and I have been working on it. That’s my process. Evidently. Obsession, distraction; what we have to do and what we want to do and what we really really want to do.

Good luck with your obsessions.

AI (not Andy), Wurfers, Chas Smith, Verbosity…

When I jump start my tablet each morning, after I check the buoys closest to places I might want to surf, the ones that actually give data on wave height and/or direction (and often it is a choice), and check to see how many people checked out realsurfers, and from where, and before I risk another disappointment by checking my bank balance, I go to MSN (Microsoft News) to get a quick peek at what’s going on (Trump gagging or being gagged, floods and famine and war, MTG and AOC), adding a click on ‘money’ to check crude oil prices so I can be hopeful (on not) on what gas is going to cost tomorrow (if the price per barrel is going up), or next week if it, you know, going down.

MAYBE, one time I clicked on something from Fux News. Mistake. “Stay in the bubble!” The bubble. SO, now I get some craaazy stuff from other OUTLETS (suddenly mind-wandered to Outlet Malls, stuff that wouldn’t sell at full price or to discerning shoppers), pushing theories like, I don’t know, I check the headline and hit the ‘right’ arrow. YES, sometimes I get an ad for adult diapers or ‘guaranteed cutthroat, budget defense attorneys, BUT, what is most annoying is I keep getting stuff from “The INERTIA.”

I BELIEVE, and maybe I’m becoming a conspiracy theory person (not a robot, quit asking), but it might just be ARTIFICIAL INTELLIGENCE is focusing in on me. PRETTY SCARY!

SURE, I’m cool with YouTube offering the latest from NATHAN FLORENCE, or JOHN FLORENCE, or MASON HO, any ongoing contest on the WSL, tonight’s monologue by STEPHEN COLBERT, last night’s highlights from SATURDAY NIGHT LIVE, and I’ll totally waste time on the quickies that, for me, custom, includes quick clips of CLINT EASTWOOD and RACHEL MADDOW, and I’ve pretty much burned through timelapse videos of this or that amazing artists, and sixty years or so worth of BOB DYLAN outtakes and bootlegs and stories about Bob from people who brushed against him at Disneyland once.

AND, YouTube wise, AI may be giving up on offering me quick vids of amazing female athletes warming up, adjusting their outfits… HEY, one time taking the bait and… It seems like it takes a couple of weeks of hitting on titles like “Life affirming Bible quotes,” and “The joy of fully clothed yoga” to get AI recalibrated.

BACK TO “The Inertia.” Yes, I often do check out the articles. “The link between surfing and music.” Sure.
Ego and surfing.” Okay. It’s kind of like, sometimes, if you don’t hit on it while it’s offered on MSN, you can’t find it again. And it might have been, you know, good. So far, what I have read was most likely meant for a general, non-surfing audience or, at best someone other than you, me… real surfers. Fine. When the thing comes up that says, ‘continue,’ I might not.

IN SEARCHING for the Inertia, my computer warned me it was an unsafe connection.. WHEW! I tried again. Same thing. Third time, I got… this:

It’s from an article published several years back on dangerous women surfers (I accidentally typed ‘wurfers’ in the headline, decided to leave it. The article was written by CHAS SMITH.

IT SEEMS LIKE, if I want to keep up with surfing and surf journalisma and surf criticism, I cannot get away from Chas. Yes, I have tried to get through the hour-plus podcasts, and failed. MAYBE if I listened to them while I was working… maybe; but I have watched the shorter, edited versions. “Pros in the wild” will get me watching, extended chats on how to be a better person… no.

So, brevity. Now that most of us know how to self-checkout, and all of us have ADHD… I’ll try it.

Goodbye.

Hope you score.

Surf, Music, Dance, Poetry… STUFF

THIS is a silkscreen I did in the 1980s. I’m not apologizing for it being, perhaps, sexist or something bad by today’s standards. It doesn’t go so much with a poem I’ve been working on, but nothing I found in a search did either. I COULD, of course, draw something that does connect better, but… I haven’t.

I AM ALWAYS working on something, art-wise, story-wise, song-wise, otherwise. I have been working recently on a song that starts out, “It was a private conversation, Words I was not yet meant to hear, She had been to long at the station, Couldn’t have known that I was near…”

WHAT I DO is keep working on these songs, and everything I do until it’s… better. SURF-WRITING-WISE, I am always trying to push some comparison between the best moments and music, even dance. Not all dancing is graceful, Stephanie Gilmore style pretty. AND she also incorporates solidly radical, powerful moves into her repertoire. Similarly, there is something esthetically pleasing about a vicious power hack.

MUSIC-WISE, please try to convince me that you don’t have some tune or beat going through your head when you’re paddling for and surfing a wave. If you don’t, well…

Too much explaining.

                        A Private Conversation

I was coming up the stairway, two bags of groceries pressed against my chest, She was dancing on the landing, third floor, Sun from the distant windows lit her hair on fire, Her shadow moving with her on the sidewall.

Six stairs below her, I leaned against the inside rail.

She was moving to music, music I could not hear.

Her movements made the music real. Slink and slide and step and stop, Step and stop, slink and slide, one arm always at her side, The other, gliding, raised then lowered, Free, and spelling or signing or reflecting, Words or images or memories or dreams,   Real to her.

Real to her, private.

Sunset music, light, a tinkling rhythm beat under the woodwinds, Only fleeting hints of nightfall.

I should not have been a witness, Seeing her, dancing, silent, hair on fire,  In some soft and private conversation with some distant, absent, loved one.

Loved one, someone else dancing with her on the landing, Sharing her space.

The background, The air and the light and the wallpaper and the paint were as alive as she was, Slinking and sliding and stepping and slowing, Listening, perhaps, briefly, The dance resumed as response.

Her other arm became the free one, Sending the code, The secret, private messages in our most ancient language.

I should not have been there.

I couldn’t face facing her, Couldn’t imagine her trying to explain, Not to some neighbor, some stranger three doors down.

Setting my bags on the third step from the landing, Sitting two stairs below that, Alone in the dark, with vague shadows of someone dancing, Projected on the stairwell wall.

I envied her for dancing, dancing alone in the hallway, Music swirling in her head.

Waiting in the stairwell,   Waiting long after her door closed, Long after the light moved up the wall and softened, And darkened, I waited long until her music faded.  

My steps up became drums, not heavy, Step, step, step,

If I imagined a saxophone solo, Sad squeaks and missed notes, Looking out the window at a screaming orange sunset, I couldn’t stop myself from sliding one foot across the worn oak floor, And then the other, My grocery bags shifting, side to side, In some rhythm that made some sense… to me.

THANKS FOR READING. Original material, of course, protected by copyright, all rights reserved by the author/artist, Erwin A. Dence, Jr.

AS ALWAYS, IF YOU CAN’T BE NICE, BE REAL.

I FULLY expect to not tell you about a surf session in the next posting. AND, yes, I am still working on my novel, “SWAMIS.”

ART Walking, Talking, Talking, Talkinnnggg

JOEL and RACHEL CARBEN are the proprietors of the COLAB in downtown Port Townsend. Colab as in Collaborative Work Space. Joel is one of the members (if there is such a thing) of the rabid-if-desperate and frequently-disappointed Olympic Peninsula/Strait of Juan de Fuca surf community. There is an ART WALK each month in PT (I’ve never gone on one), so, partially in the interest of promoting the COLAB enterprise (more people hanging out with laptops and connections), why not have me and two other artists show our stuff? I mean, after all, Joel does actually own the cedar art piece/surfboard shown below. Long story. I was supposed to spray paint “Locals Only” on it or something, but…

ARTISTS, huh?

As usual, I didn’t do everything right. I had a whole room to display my stuff. I didn’t put prices on things, didn’t put business cards out. And, I didn’t hang out in the room, charming the folks who came in. BUT, I now realize, the main thing I did wrong is that I didn’t take some photos of STEPHEN R. DAVIS, KEITH DARROCK, and, yeah, me, cruising around to the various galleries.

If I had you could see LIBRARIAN KEITH, as rabid a surf fanatic as I have ever run into (or been burned by), but a solid citizen, mingling with the tourists and the artists, and in the company of two, perhaps… no, I don’t know how to describe Steve and I except we’re probably not as out-there as we believe ourselves to be. I mean, I’m as CITIZEN as the next person, but Steve? ARTISTS, huh?

And we’re checking out everyone else’s art, chatting with artists, partaking in the free snacks (no wine for me, not that I’m bragging. A nice expresso would have been… appreciated).

AND IT kind of worked out. EXAMPLE- We’re at the fanciest gallery in PT (prices fancier, also- wine from bottles with, probably, recognizable names for wine aficionados- no, not Ernest & Julio), and Steve is kind of (I thought) kissing up to this artist with the tiniest possible ponytail (so high concept/fashion), and I see this kid sitting on a bench with a sweatshirt with a logo from CHRIS BAUER SURFBOARDS. “Hey, where’d you get that sweatshirt, kid?” “He’s my dad. Chris Bauer.” “Oh.” When one of the board members (because fancy galleries have boards and directors) comes over and says I’m getting a bit rowdy, I acknowledge this and ask her if he knows KEITH.

THEY chat and I go outside. Again, as with my leaving first at other venues, I sort of think, as I acknowledged, that, if I still smoked, I’d be having one at this point. OUTSIDE the gallery.

I am not a marketer. Particularly not of my stuff.

HERE’S WHERE STEPHEN R. DAVIS got it right. I was critiquing and moving, asking quick, real questions of the folks showing and explaining and (you have to guess) trying to sell their works, questions such as: “How much are the dues? How much floor time do you have to put in? Do you sell enough to make it worth it? Meanwhile, Steve, a bundle of his cards in his hand, was showing his stuff, handing out samples as business cards, making, you know, inroads into the PT art scene.

NOW WE’RE on to the post event CRITIQUE, as in, what did I do wrong? What can I do NOW? I probably should have hung around in the space at the COLAB, charminig the folks who stumbled in, maybe selling

EVEN WITH THE BARAT, would you buy art from this double-chinned fat guy in the sweatshirt for the OLYMPIC MUSIC FESTIVAL (though several people thought OMF stood for Old M F-er)?

Here’s a shot of Keith, Joel, me (hiding the double chin), and Adam “Wipeout” James.

Here’s Steve on his boat from a few years ago. AGAIN, I should have taken a few photos from the ART WALK.

BUT I did, because I was displaying some drawings I did years ago of houses in Port Townsend, get an opportunity to draw one for someone. AND I DO OWE a big thank you to JOEL and RACHEL for the opportunity. TRISH says I should give them a piece of my art. “WHY? He already has the surfboard?”

So, BIG THANK YOU! Heart emoji, hang loose emoji.

MARKETING. I’m working on it. AND I did actually have a good time, chatting it up with people I don’t know, running into some I do know (shout out to Ian), hanging with friends.

Perhaps, on Wednesday, I’ll go over how I’m getting over and/or dealing with the detached retina, the infection in my leg, both related, possibly, to a fall, and a high blood pressure situation I discovered because I just had no choice but to go to a doctor; and the double chin thing. I am totally ready to get back in the water. TAKE THIS AS A WARNING.

Good luck. And, again, if you can’t be nice, be real.

“Swamis” ‘Sexy Scene’, FrankenSUP, More from the Adam’s Family Big Island Vacation, and…

…that’s about it. Oh, yeah; HAPPY VALENTINE’S DAY!

I AM, AGAIN, at the end of the latest complete rewrite of “Swamis.” As in, where an author is supposed to write, in case a lack of more pages isn’t enough, “THE END.” I wrote, “NOT EVEN CLOSE TO THE END.” The current version is, after thousands of words were cut, at a little over 103,000 words. As I explained in an earlier post, I was forced to move the first chapter, which, cleverly, I thought, set in something more like the current time, answered a lot of questions I didn’t want to spell out at the end.

AFTER several attempts to write something concise AND with the all important AWESOME first line, I am pretty much just changing all the chapter numbers on my next go-through. LAST? I hope so. ONE OF THE ISSUES I wanted a new opening chapter to deal with is the writing style of the fictional narrator, JOSEPH DeFREINES, JR, aka Atsushi Defreines, aka Jody, aka Joey.

It sort of comes down to whether, as I’m hoping, the clues JOEY finds along the course of the novel are enough for a reader to draw conclusions. It’s not some conscious attempt at might-be-cool (or another failed attempt at it) AMBIGUITY, but Mr. DeFreines, who, after years as an attorney (alluded to but not overtly stated) writes in a very controlled way, clarity over flash. To that end, I wrote, and will not use, a line like, “I don’t use a lot of adjectives in my regular conversation, why should I do so because I’m writing rather than telling the story.”

WHAT’S CHANGED in my constantly working and editing and thinking about the story, “Swamis,” is that it has become much more a love story, Julie and Joey, tangled in the rush and roar of 1969. I have tried to convince the LOVE OF MY LIFE, TRISH, that it would make a great HALLMARK MOVIE. “Oh, with a guy being burned alive and all that?” “Yes I mean, it’s not gratuitous.”

I might be if Joseph DeFreines used more ADJECTIVES.

With apologies for going on about this, I wrote a sub-chapter, moved it to another place because I didn’t know where to fit it in. The place is now the depository of the latest rounds of cuts. AND, when I asked our daughter, DRUCILLA, to check out something on the laptop I am borrowing from her, she had to comment, out loud, “Oh, ‘Sexy scene,” to which Trish responded, “Really? I might have to read that.”

Sexy Scene for “Swamis”

“No, Julie, it was more you than me… The kissing. I was… more… controlled.”

It was late in the afternoon. There were still three surfers out. Julie and I were on the point end of the lifeguard tower. Our towels had slid into a single pile on the x shaped cross members. “No, Joey. You certainly were not.”

“I certainly tried to be… controlled.”

Julie reached into her big gray bag, unwrapped a top, basically something like a small apron. “Controlled. You… weren’t. But… enthusiastic. Yes.”

“More like surprised.”

“Are you going to… look away?”

“You look away; I’m the one who’s… topless.”

“Yes, you are.” Julie put the palm of her left hand on my chest. “You and your stick out nipples.”

“Nipples?” I crossed my arms over my chest.  Julie untied the strap on her bikini top, her left hand holding her top to her chest. She widened her eyes. I turned, untangled my towel from hers, spun around and backed up a bit closer to her, holding the towel up and out in front of both of us. “In case those guys… in the water, have… really good eyesight.”  

“Really good? Thanks.”

“Not a… I didn’t mean…”

Julie pressed her body against mine, slid her arms around me, her hands on my chest until she had my alleged stick out nipples between the first two fingers of each hand.

I tried not to inhale. Failed. A deep breath I was afraid to exhale.

“Don’t giggle, Joey.”

“You are.”

 “You know it was my birthday…” Julie stopped giggling. “…over the weekend. I’m legal!”

“Congratulations. I’m not… legal… yet.”

“I’m willing to risk it.” Julie took a breath. “If you are.”

The towel dropped away as I spun, slowly, with control, Julie’s arms never fully pulling away, toward Julie, my arms squeezing her closer.

Closer.

I FEEL DUTY-BOUND to now mention that, whether or not I use this for the novel, it is still protected by copyright. Thanks for respecting that.

WIPEOUT UPDATE- This is the EMU Adam “Wipeout” James’s son, EMMETT caught off the Big Island. It was prepared by a chef in Seattle, presumably the woman in the photo. ALSO, and it may be because, like realsurfers.net, Adam and the HAMA HAMA OYSTER COMPANY have a world wide reach, my site got a higher than average number of hits since I posted the photos and story of the Adam’s family vacation. So, thanks.

FRANKENSUP UPDATE- Thanks to Joel Carbon for the apt description. Yes, that is my thumb. Yes, I did need a skil saw to cut the fin box out of the tail section of the first SUP I owned. And chisels, and knives. I filled in the big divot with foam from the same board, used some leftover cloth and some resin given me by Keith Darrock to cover the wound. Oh, and the sawhorses were from Mikel “Squintz” Comiskey, cutting down on possessions before he moved to the Big Island. I am also holding on to binoculars and a trophy he won at the Cape Kawanda Longboard contest a few years ago. I’m using the trophy, a beautiful turned bowl, for my keys, not that I still don’t still misplace them.

SPEAKING OF OLD DUDES WITH BAD MEMORIES, I’m thinking that will be my new excuse for bad lineup behavior when I get back to searching the Strait of Juan de Fuca for waves. “Backpaddling? Oh, sorry, I didn’t notice you.” Yeah, age, along with my wearing earplugs and my hearing being no better than marginal without them.

I DO PLAN on doing more board repair on the HOBIE. I guess I’ve had it for six or seven years, way longer than any other board I’ve ever owned (and thrashed), and ALL I WANT is another six or seven years out of it.

It’s still Winter. Get some waves when you can. And, again, HAPPY VALENTINE’S DAY to all the lovers out there.

INSTANT COMMENTARY from (obvious alias) Frank Lee Darling: “If your taking a swipe at Biden. He doesn’t remember all the good things he’s done. Marmalade Man can’t thinnk of any. Because bone spurs never don anything that wasn’t self serving. That’s it. Connot wait til you book comes out. Probably banned and or burnt in Fla.

FLASH! Surfing is no longer COOL

I learned a few things watching a YouTube with local librarian/ripper Keith Darrock’s favorite surf magazine writer (spiffy columns with an accompanying photo of him… smoking- so rebellious) turned (with the demise of most print mags) into an (I’m not saying posing) outsider (allegedly)/critic of many-if-not-all things corporate, or cultural, or just plain obviously wacked-if-not-permanently ruined in the once pure (purer, perhaps), whole wide world of surfboarding, consistently those evil-ish ghouls and thugs who profit from it:

The massive (and easy) target of the World Surf League, and… oh, my god (not meaning, like, God God) Kelly Slater, Greatest surf Of All Time, and almost certainly the biggest beneficiary of the wave-washed money that has come from Kelly’s stellar career (K.S. wave pool in where? Dubai- wannabe sports capital).   

Chas, in the continuance of his career, appears in his videos with a bottle of spirits, glasses donned and un-donned, and, though I haven’t watched enough of them to see if he lights up, I do admit he looks pretty cool in a Don Johnson/Miami Vice/throwback way (and, if I hadn’t stated this so far- I am in no way criticizing Mr. Smith), starting his commentary with, “I hate surfing, I don’t hate you.”

Hopefully I got that right.

SO, having former TransSurf (Surfing before that, I believe) magazine editor and current WSL commentator, Chris Cote, on his Vlog, cups and saucers rather than a bottle on the table in the foreground, with the clickbait come-on headline of (I looked this up in my History), “Chris Cote on the killing of the surf industry and the joys of toxic positivity, I meant just to watch just a bit, but stayed for all 23 or so minutes of the thing.

SO, here’s what I learned: The average age of the approximately 33 million surf or surf-adjacent people in the world is, like, forty-six (or so, I didn’t rewatch), AND, the BIGGIE, surfing is NO LONGER considered COOL among the not-yet-sponsored younger set.

WHY?

CHECKING out the comments section as Chas and Chris chatted, I read about clueless and etiquette-deficient crowds at any decent break, the swelling of kooks and hodads furthered by wave pools and surf lessons and surf camps; and words on the tragic replacement of blue (or no) collar surf rebels with time-and-money rich techies and mid-level managers driving tricked-out Sprinter vans and custom racked Teslas. Yeah, that seems… correct.

Folks just want to be part of something with a perceived (or conceived- by ad agencies, mostly) coolness they are not contributing to.

I have some theories, most centered on this: IF YOU ARE NEVER going to get as many waves as your father claims to have ridden, you might never surf better than he (or your mom) does; and anyway, few of us have fathers we would be embarrassed to hang out on the beach with; if this is the truth of surfing (and that it is actually kind of… difficult; all the paddling and stuff); WHY BOTHER?

“No, you love it. You love it! Now, just get out there, you little Ripper!” Photo from, yeah, RIP CURL.

THIS ISN’T TRUE in my case; my father, a champion swimmer, was a great body surfer, even if his wearing of the traditional Speedo (I didn’t follow suit after the sixth grade) was a bit… awkward. My mother’s driving her seven children to the beach, mostly because she loved the beach, and her support of my surfing (“Tell your friends surfing, to you, is a sport; it isn’t a lifestyle” was her point when I couldn’t go with them because of religious reasons). If it was a sport, I wanted it to be a lifestyle. Still do. It still isn’t, but it is a part of my life.

AND, in furtherance of my hypothesis, my three children do not surf; the children of many of my surf friends do not surf. Granted, I live in an area late to the game, with fickle surf and cold water, and adverse winds, difficult access, lots of troublesome rocks (though not quite far away enough from large metropolitan areas- some would say); and purchasing gear for rapidly growing kids might be financially daunting. STILL, the average age of the surfers I run into is probably in keeping with Chas Smith’s assessment. YES, I do up the demographic. AND, I do see some second generation surfers. Not, statistically, that many, but some.

OKAY, this has about the word count that seemed appropriate back when I had a column (not self-promoting, as such, it’s long gone) in the Port Townsend Leader. SO, hmmm… considering doing a live thing. NO, I’m just not cool enough. PODCAST? Double hmmm.

MEANWHILE, looking for content beyond anything Nathan Florence puts out, always checking out Keith Olbermann’s short hype-ups for his podcast, though never hitting on the full length version (and never subscribing or ‘liking’ any videos), occasionally fooled into watching some wannabe Nate Florence kooking it up in some shorebreak, next time I’m clickbaited by Chas Smith, I will probably… CLICK.

I was planning of showing my latest illustrations, but I forgot to bring my dedicated thumb drive to the printer, and, when I tried to get copies, the super fancy, super expensive machine didn’t cooperate. This kind of thing can irritate the shit out of the owner/operator. YES, I did make the stupid comment that, “Yeah, that’s why I almost always brush and roll paint jobs.” “Uh huh. Three-sixty-one.” “Okay. Let me dig out some change.”

NEXT TIME…

Scanner Issues

Circumstances not entirely beyond my control are causing this post to lack illustration. It might just be beyond my ability. Or it might be that the fucking scanner just doesn’t want to scan no matter how many times I check the connections, turn it off and back on… you know, try to make it work. SO, though I have two illustrations I wanted to put out there… no.

UPDATE- I took the original illustrations to COJO PRINTING in Port Townsend, had them professionally scannned. RANDY, the owner, seems hellbent on making sure the scans are… I’m not sure, but I appreciate his concern. “It can’t get better than I drew it,” I said. “Well,” he said, and continued examining the line work. SO…

POSSIBLE T SHIRT design (top), and FICTITIOUS POINT BREAK

Hope the holidays aren’t stressing you out too much, and that, perhaps, you are finding a few waves.

I am still hoping to finish the many-ist rewrite of “SWAMIS” by Christmas. Hoping. I shouldn’t promise to have something really fun and unrushed on SUNDAY, but, yeah; Sunday; something.

Erwin Dence, Jr. claims all rights to original illustrations posted on realsurfers.net