Ginny Cole in Color

I probably should start with the color version of the Ginny Cole illustration for “Swamis” before I get into anything remotely political. I am making progress on the novel; with at least one new character and so much concentration on how Jody’s father, Joseph DeFreines, Sr. died that I may have to severely cut back on the drama and adventure involved in the killings of Chulo and Gingerbread Fred.

Sequel? Not yet. Trish asked me if I wanted the drawing to be sort of mystical. Yeah, definitely; reflecting the time, 1969, and, more specifically, how a young person felt about the time, the place, life, love, surf, everything.

Fictional Ginny Cole on a mystical ride

I’m not actually through doing satirical political drawings. There is just too much material out there. For example, Ivanka Trump leading a public relations effort to encourage desperate and out of work folks to just ‘find something new.’ Yeah, like, um, with jobs at a premium and Republicans claiming the unemployed are just living it up on all the extra money; maybe what folks need is a new daddy. Works for her. Cake, yeah; let them eat cake; oh, and, because the owner of this outfit said nice things about her daddy; eat lots of Goya beans.

AND, I would like to do a drawing of Tucker Carlson, whose lawyers went to court recently to defend his right to tell lies; or, put in Fox-speak, Tuck-man is under no obligation to tell the truth. It’s not like he’s a real journalist. I would add, perhaps, a little sign that says, “Truth don’t matter; Ratings matter.” Yeah, it should be Truth ‘doesn’t’ matter; thanks for catching that.

Stay safe, surf when you can.

Simplify, Clarify… Continue

I continue to struggle in completing a publishable version of “Swamis.” Mostly I’m struggling with myself. I respect the opinions of the people who have read part or all of my unexpurgated manuscript. I believe the feedback. Confusing, too many leaps in time; all true.

I AM, HOWEVER, stubborn. My most recent addition to the manuscript is included here, but first; and there may be a connection; here is a drawing I decided is too busy, too overdrawn; just not quite right. SO, I flipped the paper over, traced the outline on the other side.

simplifying is not easy

YOU MAY NOTICE that, included in this passage, is something that came from here, from realsurfers.net. It’s the chaos/dreaming/writing thing; and backs up what is, evidently, my method of writing and speaking; say enough, write enough, something accidently profound might just happen.

PROFOUND. Yeah, it’s my ego. I’ve been humbled by the process; but my goal never was to write a novel, maybe one of a series. ANYWAY, stay safe, stay sane, try not to panic, stay tuned. OH, and, not sure if this passage will make the final cut, and do bear in mind this is (mostly) fiction; here it is:

CHAPTER SEVEN- TUESDAY, JANUARY 21, 2020

I’m sitting in my de facto office, folding table in my mother’s nearly-empty condo, part of what she called the “Great Condo Wall of Del Mar,” looking out at a scarred ocean, rip lines, squall lines, light pollution; gray on gray on gray.  There might be waves, weakly pushing off the ever-refreshed rip rap protecting the ever-eroding bluffs.  Can’t tell.  A dark line halfway to my horizon can appear to be a wave.  It would be a big one.

This is where I am, not where my mind is.

I have to decide right now, at this spot in my latest edit of “Swamis,” if this is a memoir or a mystery.  If it is a mystery, I have so much material to cut, I’ve been advised, to keep from losing the reader.  That’s you.  That’s free will. 

Painful.  I wanted to include little bios of people I ran into, little details, things that would let you, the reader, know that it was real, that I was fucking there.

Does adding the ‘fucking’ make me seem angry?  I am; even though I realize why it makes sense to cut out and condense and to make sure the narrative is, most importantly, clear.

Okay.  Thank you for reading, but here’s the thing:  I’m telling the story.  To you.  I know who I am; what I don’t know, what I have to constantly worry about and wonder about, who I have to adjust my storytelling for, is you.

I don’t know you.

Again, thank you for reading.  If I’m trying not to lose you by burrowing into some peripheral background information on a background character, some wordy journey to another side story that I believe offers some possible explanation as to why I or someone else behaved in a certain way; I will also endeavor to not try to fool you or withhold information in order to create some artificially engineered intrigue.

Still, I will be saving (some of) the unnecessary scenes elsewhere, some other file, like those little plastic things for resealing loaves of bread, hundreds of them, in various colors, that my mother kept in a dedicated drawer and that I threw away; like the notes my father kept from his encounters as a deputy and then a detective; like miscellaneous nuts and bolts kept in jars for some day.  Some day.  Okay.  Move the cursor.  “Cut.”

F.O.M.V.S.W.W., Disco Bay Back, + Surf-related Stuff

FEAR OF MISSING OUT is heightened when what you’re missing out on, if you surf somewhere with VERY SMALL WAVE WINDOWS, is good surf. That’s probably all I should say, but, of course, I’ll keep ranting on. If you live and die by the forecasts, you’ll probably miss out occasionally. “I could have gone” is a surfer’s lament I’ve sung many times.

Surfing is a gift; having decent or better waves to ride is an extra, a bonus.

Easy to forget.

“SWAMIS” UPDATE: I just got the feedback on my manuscript from a professional writer and editor. I had texted him a while back, after I got some other feedback, to please stop reading. The novel needs a lot more work, and I have been making progress on a massive rewrite. The book doctor claims he didn’t get the text, and completed the editing, with commentary and a full-page overview.

I should, first, say that when I asked the unnamed writer/editor to read something from “Swamis,” quite a while back, he said he’d read it when it was completed. Meaning, not before; not the feedback on my writing style I wanted. Okay. SLOW-FORWARD to when I thought “Swamis” was complete enough to get a copyright.

“This might take a while,” he said. And it did.

Because I had given him a thumb drive, I had to wait a couple of days before I could retrieve it. Anxious days. When I stopped off to pick it up, he declined to tell me much. Like a written work, the review/edit would speak for itself. “I can’t believe you actually read the whole thing,” I said. “The reason I did is because I said I would. The reason I agreed to read and review it is because I never thought you’d finish it.”

Obviously I haven’t.

“Take a week,” he said, “cry, get mad, hate me, whatever, then go back to writing.”

I’m pretty sure it’s been a week and I’ve devoted a lot of my thinking time to figuring out how to make “Swamis” work. The good news is I have already deleted a lot of the parts he thought, rightfully, were deletion-worthy, off-topic, not contributing to the story.

AND, his comments were all accurate.

HOWEVER, he seemed to, from the beginning, keep asking why Jody wasn’t more focused on finding out who killed his father than on who killed Chulo. I have an explanation for that.

ALL THANKS for the help and feedback from the (so far) unnamed professional and the others who have read part or all of the UNEXPURGATED VERSION. Believe me, I’m expurgating the shit out of it.

TYLER MEEKS’ DISCO BAY OUTDOOR EXCHANGE is back OPEN. I’m not sure what the hours are, but if you’re passing by and it’s open, stop in.

I’ve been trying to do a few more illustrations for “Swamis,” particularly of characters. This drawing came from a small photo in the back of an old “Surfers’ Journal.” I drew it once; pencil and pen, used that version to do this simpler, cleaner one; then did a third. Too dark. The original photo was from the 1970s, and was of… I probably shouldn’t say.

MEANWHILE, if you just found out some surfer who went looking for waves just because it fit into his schedule, and scored; try to get over it. Cry, hate him… just take a week and… try to get over it. BETTER YET, get even.

Surf Movies, Hoover High

I just cut another mini-chapter in what I’m calling the ‘massive edit’ of “Swamis.” I’ve passed page 200 of what was 300, and I am, for better or more better, adding words in some places while I cut in others.

As such, I added a couple hundred words to a part on the real life swell of December, 1969. There should be surfing in a surf novel, and, although it’s not a ‘Big Wednesday’ climax, it’s not just background, either.

First, here’s a pencil and pen drawing:

I am trying to capture a certain feel- working on it

Before I get to the outtake, I could explain where it came from. I never attended a surf movie alone (or any movie at any theater or high school gym, or went to any sit-down restaurant), but I also never went with my surfing friends. I first saw “Endless Summer” with my mom and sister. I went to a movie at Hoover High with Emily, my chemistry lab partner. I was supposed to drive down in my Morris Minor, but it was, as it frequently was, broken down, so Emily and I got to get dropped off by my parents, on a date of their own. Dropped off. Embarrassing.

I went with Trish, but, for some reason (probably the broken car, again) we got to ride with my sister and her boyfriend, Alan, who might have passed for a surfer if he hadn’t, the very day, shaved off his mustache. Trish looked good, might have acted as if she enjoyed the movie. The embarrassment increased when we, as was the custom, stopped at the Carnation ice cream place. It was some time in 1969, I was a senior at Fallbrook High, and had competed for a second time in the KGB/Windansea high school surf contest. Thor Svenson, president of the Windansea Surf Club, and some members, came into the restaurant and, maybe it was my startled expression rather than Mr. Svenson actually recognizing me, but he nodded, and I nodded, me sitting in a booth with more-chic-than-necessary Trish, my sister, Suellen, and her farmboy-looking date.

I survived, and did push Trish into a couple more outings, one at Mira-Costa Junior College, closer to home; and at least one at the local Junior High in Pacific Beach, after we got married and moved there.

But, to explain where this outtake came from, a girl whose Navy doctor father had just been transferred from Virginia came to Fallbrook, mid-term, 1968, and took a seat across from me in English class. We talked surfing, I said I’d show her around, and we went, that very day, after school. I discovered, after we went to the Surfboards by Heck (it’s still mentioned in “Swamis”), that she wasn’t really interested in actually surfing. Because I was her first date in Fallbrook, probably, and because I… because I was me; Phil or Ray, or Phil and Ray called me up to see how it went. “Hey,” my father said, walking past; “A man doesn’t talk about what happens on a date.” “Nothing happened,” my mom said; “I’m sure nothing, nothing happened.” She was right, of course; other than, as mentioned, the girl figuring out I might be a real surfer, but I wasn’t even or even close enough to her on the social status scale. Fine. Different scales.

Here’s the piece:

SURF MOVIE- HOOVER HIGH- SATURDAY, SEPTEMBER 21, 1968

This was all kind of normal at surf movies, sixteen-millimeter productions shown at high schools and rented theaters, even after “Endless Summer” had made the leap to the big screen.  I had attended a few, Hoover High in San Diego; fifty miles from Fallbrook and at least fifteen miles from the ocean.

This time I was with, rather than one or two of my friends, a date; a girl from my History class, who’d just moved to Fallbrook from Hawaii, said she surfed and would love to go to a surf movie.  I discovered she wasn’t really a surfer by the time I showed her the third or fourth surf spot (Grandview or Beacons, both looking pretty good) on the way down.  She discerned I probably wasn’t in with the rich or popular kids before we got to Windansea.  I drove back on 395.  Closer.  “Fun,” she said.  “Yeah,” I said.  “See you.”  It wasn’t long before she started dating a rich popular kid and I became her “I was new in town” story.

Still, I had enjoyed the movie.  I always enjoyed the scene; surfers hooting, laughing, making that sort of whooshing sound for a slow-motion ride; or being reverently silent; all in unison, all at the appropriate times.  And, even if she wasn’t an actual girlfriend, it was a date; she was pretty cute. She did look like a surfer.

Surf when you can, stay safe, see you around.

because I’m Unable to keep my hands to myself…

“Swamis” remains incomplete. I’m working on it. I’m still cutting as much as I can, trying to logically decide or guess or divine which parts are just too, too… wrong. Too this or too that. The goal is to make it all logical and an easier read and, you know, a great American Novel. Not that easy as it turns out. I’m breaking the manuscript into more manageable chapters (meaning more of them) moving some plot items so there’s less skipping around in the timeline.

I am putting the larger outtakes into the sidework file, “Sideslipping.” I’m including two of these in this post.MEANWHILE, I’m continuing to work on illustrations. I’ve included two new ones here, and, because I just can’t help myself, I’ve done some rework on another.

THE FIRST OUTTAKE is a bit of a redundant note that corresponds to Phil and Ray getting busted after appearing on TV the day after Chulo is murdered at Swamis. That is fiction. The note is pretty much the truth about the real life Phil and Ray.

THE SECOND OUTTAKE is some explanation, obviously not for real surfers. I was asked if I did research for “Swamis.” I did. Stephen R. Davis told me about the ‘donkey’ thing, I did look up ‘punk.’ Didn’t look up ‘kook.’ Real surfers know some shit.

NOTE- Phillip and Ray were (I’ll get to this) busted, partially because of this incident, for serial ditching at Fallbrook High.  They had so many hours of detention to serve (the usual punishment, an hour served for each hour missed) that they couldn’t do the time before graduation.  They were, instead, tasked with having to pick up trash around the campus at nutrition and lunch until the end of the year.  While some students threw wrappers and apple cores and lunch sacks to the ground when they saw either (or both) of them approaching with their large canvas bags and sticks with a nail on the end; they were also folk heroes of sorts, rebels; an enviable status.  Peace signs and nods, a few slugs to the shoulder (precursor to the high five and/or fist bump); maybe an already-dated ‘far out’ or ‘right on;’ probably not a ‘groovy,’ even from some otherwise-clueless classmate. 

*The word ‘punk,’ evidently, comes from Elizabethan/Shakespearean times, referring to prostitutes; updated to include petty criminals in the early nineteen-hundreds, with a secondary meaning added in American prisons in which punks were prisoners available, willingly or not, for sexual favors.  ‘Kook’ supposedly a synonym for shit in Hawaiian, has come to mean someone who isn’t proficient.  Shitty. A friend of mine, one who has spent enough time in Hawaii to risk using some pidgin if in the right company, informs me ‘donkey’ has become a synonym for kook, even cooler when a bit of a bray is included, as in, ‘donnnnnk,’ the final ‘ey’ optional.

ILLUSTRATIONS with EXPLANATIONS: I wanted an illustration for GINNY that showed a just-turning 18 year old. My drawings tend to get too dark too quickly. Partway through this one, I told Trish I just didn’t want to screw it up. “Oh, you’ll keep going until you do.” Hope not.

The illustration that I may or may not use for JUMPER HAYES started out to be one of JOSEPH ‘JODY’ DEFREINES. Jody is half Japanese, the drawing, part way through, according to Trish, looked more like someone who is Hispanic and a bit older. “Okay, I’m adding a mustache.”

I had already completed a drawing that, admission here, started out to be PORTIA. “Looks like Jesus,” Trish said. “Okay, it’ll be CHULO then.” I added some whiskers. I was drawing in black and white from a fairly dark background and couldn’t get a white enough white; BUT I got a white paint pen and… now Chulo looks way too pretty. OKAY, I’ll use the same technique when I get an illustration properly mysteriously beautiful enough to actually be Portia.

Possibly Ginny Cole
possibly Jumper Hayes
modified Chulo Lopez (Chulo does mean ‘good looking’)

RUMORS of swells and beach openings and such things continue. Stay safe. Six feet. That’s called ‘overhead’ in the Northwest, ‘four feet in Southern California, ‘flat’ in Hawaii. Oh, you knew that. Of course.

OH, I just remembered, I added a cross to an earlier illustration of Chulo, might just add one to this drawing.

In Order to have Faith…

…one must believe faith works. Sometimes. Ever.

It’s Easter Sunday, somewhere in the season of Passover; and it’s Spring in the Season of Corona; the era of probably-won’t-actually-die, but most-likely-can’t-surf; whatever it is History ends up calling the period of time we’re all hoping will end soon with a rush of people coming out of our houses and condos and shelters, raising our hands to the heavens and…

I have had the thought that videogamers might just come through this all, if not unscathed, pretty much the same as when it all started; soft, pale, with definite signs of carpal tunnel and eye strain; claiming dominance over a vast number of levels and worlds and whatever folks who didn’t give it all up with Ms. Pacman.

Anyway, faith. I put it in pragmatic terms (above). This isn’t because I’m cynical; but I am careful where I place my faith. People. Very few. No, no list. Faith is tested; constantly, but somehow, with an apparently endless line of challenges ready to kick the living shit out of us; most of us have managed to, if not thrive, if not find ourselves without struggles and possibly with low-bank waterfront at an uncrowded surf break with minimal crowds, warm water, no sharks, no urchin-covered rocks, no jellyfish, no… no, but we’re still going.

It seems reasonable to have that much faith, enough to say, ‘it’s going to be fine,’ fine meaning life is mostly a total shit-show, broken this and lost that. Again, so far. But, there are those moments of joy and laughter, rare instances of total bliss, hopefully enough to keep us slogging forward. Forward.

I have been accused of being, uh, religious. Okay, I kind of am, but not religiously. It’s not like yoga, where, I’ve heard, if you skip a day, your joints all seize up and your yoga pants just don’t fit right. I’m religious in that whatever incomprehensible force or being or spirit or algorithm created or caused or allowed the reality we are slogging forward in, whatever it is that pushes the planets and stars and tides and the clouds… well, I think about it; I respect it. Celebrate when and what you can.

I am working on some illustrations for “Swamis.” I have invited Stephen R. David to help out. Going for a look. Looking for a look. Working on it. Stay safe.

working on some illustrations for “Swamis”

Adaptation and Inspiration and Offshore Winds and Moonlight and Not Much More

Maybe you check the World Surf League site often, even knowing the big time contests are, like just about everything else, on hold, put off, or just plain off; maybe hoping there’s a little video or something  that might give you some inspiration.

If so, you could easily find the photo that I have adapted for this drawing.  I won’t say copied because it’s like, if ten people draw their interpretations of the original Mona Lisa or a statue of David, which one is a copy?  Which one, objectively, does the original justice?  Also, this isn’t the final version.  I’ve done some printshop magic, reversed the black and white, and added some highlights that will, hopefully, add to the same feel that the original photo has.  I’ve also reversed the image (going left rather than right), made some other changes.

Scan_20200318

Oh, yeah; after Keith Darrock, Olympic Peninsula soul rebel and librarian whose library is currently closed to the public, said “the nose of the board is a little too kicked-up and pointy” I fixed it.  So, sure, I can adapt.

I’m getting ever closer to finishing a full manuscript editing of “Swamis.”  Keith and I have discussed the possibility of doing some sort of online reading.  We’ll see.  I would, of course, let you know.

I hope you’re all hanging in here, adapting to whatever new reality this is; and getting a few sliders when you can.

Flipping Out

I’m a little irritated that I didn’t get up earlier, early enough to get something done on editing “Swamis.”  I’m only about half way through what Microsoft Word is telling me is 240 pages, 117,000 plus words, and I’m hoping to get it all done before reading a bit of it at the Port Townsend Public Library this coming Thursday, 6pm.

Pimping, always pimping; shameless self-promotion.

It’s my own fault, of course; I didn’t have to spend a day arranging, meeting up, loading up, searching for waves, participating in endless hiking, surfing, more hiking, more surfing, more (“It’s good for you”) hiking, repacking, getting back to civilization, stopping at Sunny Farms (Yogurt cone- “Good for you”), not napping; but, then again, maybe I did.

It’s kind of what we do the rest of it for.  ANYWAY, because Trish and I share this (her) computer, and I do my ‘alone time’ in the morning, I do sometimes do some drawing in the evenings/night time.  I did the lower version first, thought it a bit sketchy, did the ‘hold it up to a light’ trace the outline on the new side technique.  That would be the upper drawing.  Then I asked Trish which one she preferred.

Scan_20200223 (2)

Scan_20200223

Okay, I won’t hold you in suspense; she liked the lower one, even though there are scratchy ‘get the pen going’ lines on the right side.  See?  Here’s a side by side:

All right; now I see problems with both of them.  Maybe tonight I’ll…

Anyway, I had to write a proposal, send off business type emails (painting business), check bank accounts; and now… well, maybe I can do fifteen minutes or so on “Swamis.”

Oh, wait; another thing I enjoy about a multi-person surf strike, and thanks Keith and Steve, is the opportunity to… I don’t have time to get into it right now.  Okay, it’s like we each had a different surf experience, with different highlights; and we each have a slightly different story to tell about the same trip.

And we will.

 

More from “Swamis”

The latest on my the event at the PORT TOWNSEND PUBLIC LIBRARY, 6pm, Thursday, March 5: Surfer/Librarian Keith Darrock and I discussed this, and, of course, surfing, th other day. He offered me a certain dollar amount, a stipend (meaning not much) for reading something at what has always been slated as COWBOY POETRY.  He asked if I wrote my piece, “Never Was a Cowboy” specifically for the event.  Yes.  Oh.  Well, maybe they could increase the stipend (not, like, double).  Oh, but I want to read something from “Swamis,” and I’ve been working as much as possible to get through a total manuscript edit/rewrite, and I’m, right now (but not the other day) up to 100 pages of what Microsoft tells me is 248.                                                                                                                                   Oh. Yeah. So, the deal is, if I can read from both, I’ll take the lesser amount.  Agreed.   Meanwhile, I’m posting more from “Swamis” here.  Now.  The pages here immediately  precede the previous posting.  What? Yeah, if I do this a bit at a time, I could get to the beginning of the novel by… oh, let’s say, March 5, 6pm.                                                          And then, when someone comes across “Swamis,” it’ll make sense to them.              Although the library event is not Erwin-centric, I will have some art pieces, maybe some Original Erwin t-shirts available there, plus, still, the chance to invest in a limited edition unexpurgated (except by me) complete manuscript for one hundred dollars.

SO…

So, more respect than hate.

RESPECT AND THE SECOND TIER

“Chulo,” someone said, his waxed-cardboard milk carton in the air. There was a sort of muffled chorus, “Chulo,” from the surfers on the guardrail. “Limpin’ Jesus,” someone else said. “Fuck you,” several surfers said. “A little respect, please,” Virginia Cole said; then added, “Dickwad.”

I wanted to say it; “Dickwad,” and would have if I had been part of this group.

I would have said that, maybe, his being burned up was some sort of reaction or reference to the burning at the stake, by people who considered themselves Christians, of numerous heretics and witches and political rivals and… yeah; there was a lot I was almost ready to say out loud.

“They’re saying it’s some sort of… cult thing.” “Maybe it’s kinda like… you know, those monks burning themselves up over in Vietnam.” “No; dork; that was… political.” “Did you see it? I mean, the… the burn marks. It was, shit, there were…” “The smell.” “barbeque.” “Ohhh; ick.” “All the cops. Highway Patrol, Sheriff’s deputies… detectives.” “Yeah.” “One of them asked me about Gingerbread Fred.” “Really?” “They can’t find him.” “No shit?” “One asked me about the Jesus Freaks.” “What?” “Yeah, about, you know, Portia.” “Really?” “No.” “Yes.”

One of the guys had looked at me when someone said, “deputies,” a single word in a sentence stopped when he elbowed the guy next to him. “Oh,” I thought, “so someone knows who I am.”

No, they all knew.

“Drugs.” That was a statement. Though it was made in the direction of the water, it was meant for the surfers on the rail, and loud enough, grownup enough for the adjacent surfers, the second tier; me; me and a couple of other surfers who knew better than to get too close to the local crew. Not that any of us formed a second-tier crew. Maybe two guys had come to Swamis together, but, no, random loners- and not in a cool-loner James Dean kind of way.

“Wally,” someone behind me (third tier if I was second tier) said, sort of in a whisper, to the guy with him. “Kneeboarder.”

“Drugs,” the older man, Wally, repeated; “One way or the other. Drugs. I’ve told you; you do illegal drugs, you have to hang out with criminals.”

Wally was a kneeboarder. Even his kneeboard, yellowed, beat up, patched-up, homemade, was old, on top of the pile on his car, parked three over from mine. One of the teenagers on the rail, part of the crew he drove around at dawn, was, I found out much later, his son. My age. Wally had walked from the direction of the new, brick bathrooms and the green, wood outhouse (still there at that time for some reason) and the stairs (at least two other stair systems since then), and had positioned himself, a bit offset, but between the bluff and the guardrail surfers. Having gotten everyone’s attention, he looked out at the water. Optimum view. As I said.

The guardrail crew reacted. “Maybe… I don’t think Chulo was even a stoner. Maybe…” “Really, man?” “Chulo? No.” “Maybe he was a narc.” “Fuck you, man. Narc? Chulo? He did time.” “Hey, A-hole; either he was a stoner and the cops… I mean…” “Oh; so, like, if Chulo was a narc…”

Wally walked past the teenagers, and stopped at the front door of my car, put his hand on my latest backyard board, seven-two, reshaped from a glass-stripped nine-six. He nodded. I nodded.

“DeFreines,” he said. “Knew your dad. Didn’t like him so much, to be honest.”

“Well.” I shrugged.

“Hassled me a few times.” We both shrugged. “Say… this board…” He was running his hand down the rail line. “…looks like you made it with an ax.”

“Pretty much. To be honest.”

Wally chuckled. “You ride it well, though.”

“I, um… thanks.”

A couple of the surfers might have looked our way. Can’t say. I was afraid to look in case they were watching.

”Chuck you, Farley; go back off in your own jackyard,” one of them said. “Geez, man; so uncool.”

“You kids,” Wally said, turning toward his crew.

He took several steps, pretty much to the front of the Falcon.

“Narcs,” I said. Not loud enough. “Narcs” I said again, louder.

Each person in the loose crowd, including Wally, looked at me before he (or she- the one girl, Ginny- remember?) looked in the direction I had nodded.   They weren’t narcotics officers. I knew that. “Detectives,” I said, a little louder, hands at my mouth to (try to) focus my voice.

A big, American-made, unmarked police car; tan in color, the ‘varmint lights,’ the plain hubcaps, and a “Del Mar Fair” decal on the back bumper being the clues; had driven past, on the other side of the mostly empty, double-row spots. The taillights stayed on for a while after it was parked in the dead end of the lot. Both front doors opened. Detectives.

DEL MAR FAIR

We had one of these Del Mar Fair stickers on the Falcon. Mark, one of my friends from school, and, more so, from the Boy Scouts; a sometime-surfer, pointed out this real-or-imagined detail of unmarked police cars. “Yeah,” I’d said, “My Dad put it on the wagon; it’s sort of a, um, like, ‘don’t pull me over’ kind of, uh, code.” This prompted several other friends to acquire and display similar decals.

The decal, faded, was still there on the Falcon. The one on the unmarked car was newer. Southern California Exposition. Yeah. It was always the Del Mar Fair to locals.

DOUBLE EAGLES

Two detectives, so obviously cops, approached. Both were in their mid-forties. One was taller; tall, California Highway Patrolman-tall (they had height restrictions); the other huskier. Both had cop mustaches, no farther than the edges of their mouths; both had the apparently-standard cop brushcuts (basically combed back, but not long enough to actually go back- so, kind of straight up); one had sideburns that probably hit the limit of the San Diego County Sheriff’s Office hair code; each detective sported a colorful and wide tie to, I thought, offset their drab suits, to look hip. Hipper.

One of the detectives stopped at the passenger side of my car, the other one came around the back and stopped at the driver’s door. Each was sort of smiling; though it was more a ‘don’t you move’ smile.

Oh. I was the only surfer left.

The shorter detective opened the passenger side door, then looked at me, didn’t look inside, but, instead, looked up and around and out. The sun shone through the overcast, but only on the horizon. The south wind had calmed. “Nice view,” he said, pointing at the water. Then he looked inside the car.

“Optimum,” I said.

Wally’s car made a completely unnecessary loop around the parking lot and past me and the detectives. The two surfers on the passenger side, front and back, of the too many crammed into Wally’s old car (three in the front, four in the back, Ginny and the two smallest guys in the middle positions, Ginny in the front seat, both on the driveline hump), boards and a kneeboard piled on top; flashed the peace sign as they passed me. One of them pointed forward. I knew all the locals were laughing.

I returned the peace sign, spun my hand, dropped the pointer finger, added the left hand in a double flip-off. The double eagle. I only dropped my hands, and slowly, as I turned toward the taller detective, just walking past the opened tailgate, and threw my hands onto the roof of the car.

The tall detective smiled, waved off my over-reaction. He opened my driver’s side door, looked at three schoolbooks, identified with psychedelic lettering, decorated with surfing drawings on the grocery bag brown book covers (Buy and Save Market, Fallbrook); several notebooks; various 4 and 8 Trac tapes scattered on the seat. He looked for the player. Not installed under the dashboard.

The shorter detective pulled it from beneath the seat on the passenger side, looked at the tangle of after-market wiring. “Oh. So. Stolen. Obviously.” He ripped the wires loose from the back of the tape deck, set it and one of my notebooks on the roof, between the racks, next to my ax-shaped surfboard.

I took the notebook back, said, “Not stolen. Mine.” I tucked it under my left arm.

The taller detective opened the back door. The seats were down. There were two other boards, damp towels, trunks, paper bags, empty cigarette and donette packages, empty chocolate milk containers; mildew and sweat and that burn-barrel beach smell. He swung the door back and forth a few times, with a “whe-eew;” then left it open.

“We’re just asking a few questions,” he said. He had a very deep, smoker-and-whiskey voice. “Got a license, son?” I pulled my billfold out of my back pocket, stuck the license toward him.

They, of course, knew who I was. Even if they hadn’t recognized me (which they did), they had to recognize the Falcon. Of course. This was for show. Cop shit.

The two detectives and I looked around at the same time, moments after the one syllable ‘whoop’ of a police siren.

Three Sheriff’s vehicles and a Highway Patrol car, lights on, blocked the only entrance to the lot, the only exit to 101. Except, yes, by foot. Some of the parking lot folks had just wandered off, past the SRF gate, and up the highway. Wally’s car hadn’t quite escaped. He would be hassled.

“Oh,” the taller detective said, holding my license close to my face, then leaning down and closer; “hadn’t seen you in a while, kid. The, um, funeral; maybe.”

No. I hadn’t looked at any faces there. There had been other occasions; the bowling alley, softball games, picnics. He would have been half-drunk, at least; and never able to beat my dad at… anything.

“Wendall,” I said. “Or, as my father always said, ‘Never win Wendall.’ How’s it going?”

The other detective laughed from the other side of the car, walked around the back side. “Never winned-at-all,” he said.

I didn’t look at either of them. Couldn’t. Not if I wanted to maintain my attitude, my cool, tough attitude. More cool than tough.

Placing the notebook onto the dashboard, I pulled the pack of Marlboros from my windbreaker, pinched a cigarette out, took the ‘Carlsbad Liquor’ pack of matches out, looked at the logo, at the two detectives; opened the pack, red stains against the back of the cover. “Too wet,” I said. Detective Wendall stuck a cigarette in his mouth, lit mine with a San Diego County Sheriff’s Department-logoed zippo. “Or ‘Swindling Wendall’,” I said, with a (confident, I hoped) smile; “that was the nickname my dad preferred.”

“Swindling Wendall” the other detective said, with a laugh and a hit to his partner’s shoulder.

I pulled a Zippo, identical to Wendall’s, from the right front pocket of my pants. “We knew,” I said. “Acted like we didn’t. He acted like he didn’t know we knew.” Wendall nodded. “Quicky-Dick Dickson,” I said, putting the wet matches back into the windbreaker, checking the group standing almost casually outside Wally’s car. Casual under pressure; that was the ultimate in surfer style.

Style was and is the ultimate goal in surfing.

JUST SAY THANK YOU

I could see the back of the very-tall (of course) Highway Patrolman. Wally, five teenage boys, with Ginny Cole in the middle, were all looking at me and Wendall and Dickson; and I was thinking only about how much I looked like a fucking narc.

It was too close and too fast to focus. I doubled over, Dickson’s fist still in my stomach. The cigarette popped out of my mouth, onto his shoulder. Wendall brushed it off, Dickson’s fist now a hand on my shoulder. It wasn’t until then that I felt the pain. I stood up straight. This was necessary, this was mandatory.

My father would have demanded it.

“Just say ‘thank you,’ Jody.”

Dickson picked up the cigarette and stuck it back in my mouth.

“Thank you.”

YOU SURFING OR WHAT

An hour or so later; If the swell hadn’t arrived, the crowd had. The cop cars were gone. Vehicles belonging to weekend surfers and families filled the lot. There was a Chevy van, jacked-up in the back, on one side of my car, a VW station wagon (Variant), two boards still on top, one door open, the three surfers who had been in it at the edge of the bluff, dancing around, pointing; all hooting; occasionally, in unison.

I guessed they’d trade off on the boards. Maybe one was a body surfer. It’s not that I cared all that much; I just wondered which one would not share his board.

The San Dieguito crew hadn’t returned. Somewhere else must be better. 15th Street, maybe, in Del Mar, Seaside Reef in Solana Beach. I was digging in the backseat area of the car, pulling out trash, putting it in an old canvas-like feed bag; already two-thirds full. My damp gear was spread out on the hood, all three of my boards now tied on the rack. The very back storage area was, I thought, pretty organized. I raised the tailgate. It snapped closed. I started to crank the window closed, then took a sniff, left it open, pulled the release, let the tailgate fall open.

From an open side door, I set the seat backs into the upright position, pulled up the seat itself, removing more trash from where the back seat was supposed to rest, raking the papers and wrappers toward me using a paper bag from the fairly-recently-opened Carlsbad Jack-in-the-Box. *Fast food.

There were some things stuck between the springs of the seat, farther in than three or four papers, folded in the middle, crumpled, pushed into the spaces to help hold the heavier objects. I pulled out a small towel, the type bowlers use. “Back Gate Lanes” was printed on it, red-on-yellow (Marine Corps colors, if I have to say it).

Stretching into the car, I unwrapped the towel. Rather, I started to unwrap it. I felt it; a pistol; a revolver, and four bullets, contained in a separate rag; all wrapped in an oily rag, that in a canvas (thin, but not plastic) bag, cinched up at one end. I put my hand inside the bag, onto the grip.

Something fell out of the bag. A key. Not a house key. Locker key. I picked it up with my left hand. There was, rather than a key ring, a wire through the top of the key and attached to a piece of metal, probably one-and-a-half inches by two-and-a-half, and probably taken from (I figured this out later) a fire extinguisher holder. “For Emergency use only” was stamped into it.

I chuckled. Probably.

Someone hit my butt. I tensed, my hand going into position; hand on the grip, finger near, but not on, the trigger; thumb ready to cock the hammer. The towel fell away.

“We surfing or what?”

It was Ray’s voice, from behind me; but Phillip’s face was in the passenger side window. Phillip was looking at the pistol. He was looking shocked. He looked away too suddenly.

I let go of the pistol; closed up the bag, wrapped it back in the towel, shoved it all back between the same springs in the seat; pulled myself backward, dropped the seat into position.

Phillip was now on the driver’s side, trying to act as if he hadn’t seen the pistol. We both did. Try. “Ray; Phil; great to… yeah; we… where are you parked?”

Phillip pointed around the corner. “101, this side of the Sunset shop.”

“Is this where you’re moving to?” Ray asked. “A car in the parking lot.”

“Good location,” Phillip said.

“Optimum view,” I said.

“So,” Ray asked, “again, are we surfing or what?”

*I discovered, as soon as I had a car to go through the drive-through, that fast food is not a great pre-surf choice. Prone paddling puts a certain stress on one’s stomach, chest; belching can be unpleasant.

So, more respect than hate.

“Swamis,” copywrite 2020, Erwin A. Dence, Jr.

The Cellar Door Mystery/Investigation

Here’s a bad scan of the illustration recently stolen from the Cellar Door in Port Townsend.  Bad because, even on the third attempt to properly crop and square the drawing on my printer/scanner, I couldn’t get it quite right.

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AND YET, another copy of the original, a gift to Cellar Door owners, Stephen and Oceanna (last names on next post down), was deemed worthy of theft.

ALTHOUGH I told Steve I could get them another copy, he told me that Oceanna is very  determined to get that one, with date, authentication signature, and some sort of personalized ‘good luck’ message on the back, back.

SO, when Trish told me I’m sort of a sensation on Facebook, I was surprised that people are liking and commenting and doing whatever it is when one person spreads it to other groups- not quite viral, and not actually tracking all the subsequent hits back to realsurfers.net, but it is impressive that Oceanna is so concerned.

I decided to look through some of my scans, just to see if I had any other pieces that might fit in the underground location, theft-worthy or not.

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Excuse me; but is this the window to the CELLAR DOOR? So tantalizing and intriguing!

Image (10)

Door frame, again, not crooked in the original.

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Meanwhile, here’s an update I did on the “Keep on Trucking” drawing, submitted to and rejected by the “New Yorker,” used with permission (and so stoked about that) of R. Crumb; who wrote that the “New Yorker” wouldn’t use it.  You might notice there’s some client’s phone number or something at the top.  Cropping.

Scan_20200114 (2)

Since every drawing comes with a story; here’s the story on this one: Also not scanned until today; and then I had to up the resolution or whatever to 300 and use the ‘grayscale’ feature.  It was drawn as a submission to the “New Yorker” (or is it “The New Yorker”?). I spilled something on it (not unusual, my originals often have coffee cup rings, little dots of coffee shot from my mustache in bouts of mouth breathing, and such things- look closely).  My late sister, Melissa Lynch, way more talented an artist than I even dream of being, loved it.  I didn’t like the roughness/incompleteness of the door, and redrew it.  “No,” she said, “I want the other one’ the good one.”  The original caption was: “It was the suit, wasn’t it?”  It could just as well be, “This is the Cellar Door, I presume.”

Here’s three more of mine, just to be a little naughty.  They are from silkscreens done in the 1980s, found in my attic.  They do include windows if not doors.  The Cellar Door is more a nightclub than a restaurant, and has already featured live bands, karaoke nights, private functions, and Vaudeville (not sure what all that includes, but it sounds just a little naughty).

I should include a couple of paintings by Stephen R. Davis himself.  If the Cellar Door is going to be known as a place to see and/or steal artsy stuff, Steve’s stuff should be included.  They have their own stories.  If Oceanna gets the Cellar Door drawing back; yeah, another story; and a mystery, possibly, solved.