Fast EDDIE ROTHMAN giving a gnarled finger welcome to all the North Shore visitors.

THE TIME DIFFERENCE between the Olympic Peninsula’s North Shore and Hawaii’s gave me a couple of extra opportunities to watch the 2025 DA HUI BACKDOOR SHOOTOUT. YouTube gave ma a chance to watch all the best rides without having to listen to the commentary, though the upside of long heats with few waves ridden was the chance to mind surf a few. “No, double-up closeout; I’d have…”

The truth is I wouldn’t have even attempted the paddle out on most, okay, any of the days (maybe the first day with the SUPers). I got home on the last day of the contest just in time to watch, with some of cleanest conditions and the most waves ridden per heat, Fast Eddie Rothman chat it up about… okay, rant it up about how the indigenous Hawaiians (not that he is actually one of these) can’t afford the $5,000 a month rent, and how the ruling gentry have done whatever they could to keep the DaHui contest from happening. And Fast Eddie had other complaints, all delivered with a growl and the kind of tough, thugish, grammatically strained manner that would give him the part in any prison yard scene, movie version, and, I would guess, real life version. I have every reason to believe he’s as tough as he seems. Legendary.

The Eddie remarks came after two of the contest commentators explained how the ‘BLACK SHORTS’ group of lineup regulators came to be, why localism, keeping crowds of disrespecting interlopers at bay (rather than in the way, dropping in, being kooky) is, if not, you know, good; it is necessary to allow those lucky enough to be locals, skilled enough to drop in under the lip… Shit; I just wanted to see some surfing.

Result-wise, Eddie’s middle son, KOA, whose “THIS IS LIVIN'” Videos I do, generally, watch, is this year’s individual winner. I’m not arguing. I might have gone CLAY MARZO, whether or not he completed all of the crazy in-the-barrel moves, or, really, anyone who competed.

It isn’t fear, exactly, that has kept me from going to Hawaii. Fear of disappointment, perhaps, after a lifetime of imagining; BUT, if I do go, I’m thinking I should buy some DaHui black trunks, a Florence rashguard (with hood), the most fucked-up looking car and board I can find, and, of course, show so much respect to the locals that someone might just…

Speaking of imagining… I have been working on my epic novel, “SWAMIS” for a long time. If surfing has always been the ‘other woman’ in my relationship with TRISH, my obsession with the manuscript, and with my other writing and drawing projects is the ‘other other woman.’ I am supposed to be working on what I can’t call remodeling our house; it’s more like saving it. Time and money. “When I sell my novel,” I say. Trish, with an annoying habit of being honest, said, “Yeah; we’ll be burying you with that —-ping novel.” She was laughing when she said it, and I only bleeped the adjective out because I wouldn’t want you thinking she ever fucking talks that way, And, anyway, if she does, on rare occasion, she will say she learned it from me. TRUE.

ANOTHER FULL MOON. That’s Archie Endo’s board stuck in the blackberries. Yes, I borrowed the fin. Small waves and big rocks.

In my continuing effort to establish myself as a lyricist (wow, sounds as pretentious as poet or songwriter), I am spending too much of the time I could be doing home repair writing new materiall and organizing some of the pieces I’ve written, the net result to be, eventually, a book, with illustrations. And, yes, it might be available before “Swamis.”

It was a PRIVATE CONVERSATION, words I was not yet meant to hear; thought I’d surprise you at the station, couldn’t have know that I was near,

Your words and tears shared with a stranger, someone you’ve met along the line; I should have know this was the dTanger, if I did not, the fault is mine.

I’m sorry, I’m sorry; I don’t know what to say.

“Time apart,” you said, “Brings sorrow,” now, I could barely hear your voice, you said that “Love’s something we borrow,” and “Freedom’s such a frightening choice,

You spoke of hopes and disappointments, small victories, great tragedies; in all the time we’ve been together, you’ve never disappointed me.

I’m sorry, I’m sorry; I don’t know what to say.

I saw the touch, but at a distance; saw how your fingers were entwined; you didn’t put up much resistance, offered a kiss you did decline.

And, yes, I ran out of the station; this is my last apology; you should need no more explanation, perhaps we’ve set each other free.

But that’s another conversation, a very frightening conversation; A PRIVATE CONVERSATION.

I am trying to keep track of the songs/poems I’ve posted on realsurfers. If this is a rerun; I’m sorry. SO, COPYRIGHT-wise, the photo of Fast Eddie seems to have several source credits. It’s not mine. The other stuff is. All rights reserved. Thanks, Erwin A. Dence, Jr.

AS ALWAYS, thanks for checking out realsurfers. Good luck finding some uncrowded and awesome waves. SUNDAY, yeah, more; probably not before 10am