RANDY at COHO PRINTING in Port Townsend stayed late to do some tricky stuff on my recent drawings. A Port Townsend native and super avid fisherman, I made the kook mistake, while trying to describe the lighting particular to looking north into the water, of asking him if he fished in the Strait as well as… you know, other waters. There’s nothing quite as enjoyable as that ‘you’re a kook and an idiot’ look. Happy Thanksgiving, Randy! Hope theyre, you know, like, biting.
Top to bottom- THE FIRST DRAWING was a sketch wasn’t too stoked on. Always tough to try to do faces on surfing illustrations. They’re either cartoony or… usually kind of cartoony, as is this one. SINCE my drawing board is plexiglas, I flipped the paper over, put it up to a light, and redrew it as the…
THIRD DRAWING. The cartoonishness might be mitigated by the modified cross hatch technique that, oddly enough, I’ve been doing almost since I tried (and failed) to duplicate Rick Griffin’s work in ‘Surfer.’ OH, and I screwed up, had to glue in a patch, try to make it match.
THE SECOND DRAWING is one of those I draw in reverse, black-for-white. I had it reversed, went into that drawing to add detail, had it reversed again, did some touchup on that, and, Voila! this one. OH, and, again, there is a patched section. SO, another original for Original Erwin is, you know, not pristine.
THE FOURTH DRAWING is one I kept after ripping up three others, the first one a muddied attempt at using pastels despite my being acutely aware that the palm of my hand is way too heavy for chalk or pastels, or pencils. OH, and really wanting a serious drawing of JULIE for “Swamis,” I can’t seem to draw a woman’s face that I’m happy with. Semi happy with this one.
I wanted Randy to do a copy of the FIFTH DRAWING with a blue or silver rather than black on white. “It’s not like I want something that’s all that tricky.” Well, evidently, with Randy’s Star Wars computer/printer set up, it is tricky, can’t just use one of the colored inks. So, next best thing, I got some copies printed up, black on a silver-blue paper. OH, and yes, it is pencil, but with ink over drawing AND, just for more drama, I added some white dots. They don’t show up so much on the original, but when I added some on one of the copies… Yeah, next time I’m at the COHO, I’ll get a scan of that.
IF THIS SOUTH SWELL/ BOMB CYCLONE STUFF KEEPS GOING, I’ll probably do some more drawing AND keep micro-editing stuff required to get “SWAMIS” published.
I am, as always, THANKFUL for the folks around the world who check out realsurfers. I HOPE YOU GET SOME SURF. New stuff on SUNDAY!
All original works are protected by copyright. All rights reserved by Erwin A. Dence, Jr.
I just and finally got this Wheelie, and, I know, it’s kind of cheating, but, if you’re riding an e-bike down the trail, or a regular bike, um, yeah, I’ll cheat… a bit. OH, yeah, I agree that riding an SUP is cheating. So… don’t.
I was the only one checking for surf after a very dark and very night. Me and this seagull. All I had was a banana. One-third for me, two thirds for… this guy.
When I have some free time, I sometimes do some drawing. the excerpt from “Swamis,” chapter nine, has Joey going to a clinical psychologist, court-mandated after he had an incident in which he ended up with his foot on another student’s neck. ANYWAY, you don’t have to psychoanalyze me because I can’t seem to not go a bit too psychedelic.
CHAPTER NINE- MONDAY, MARCH 24, 1969
I was driving my mother’s 1964 Volvo four-door. Because I never told the DMV I had a history of seizures, I did get a license, I did drive. Because my mother believed I was getting better, she allowed me to drive. Still, she looked in my direction frequently. Because my father believed I was getting better, he taught me. If I did, indeed, have some kind of brain damage, I could force myself, will myself to control the freezes my father called ‘lapses,’ and the outbursts he called ‘mistakes.’
There are stories for each sport I was pushed to try, each team I did not become a part of. Each story involved my lack of attention at some point of time critical to practice or a game. More often, I was asked to leave because, while I had not been what my father called ‘fully committed,’ I had committed violent, unsportsmanlike attacks on an opponent. Or a teammate.
I was, initially, pushed toward surfing. My father’s answer to my fears was, “If you have a lapse, you will drown. So… don’t.” It was the same with driving. “Concentrate. You’re always thinking behind. You have to think ahead. Got that, Jody?”
My mom and I were heading down the grade and into La Jolla. “Favorite part of the trip, Mom; the ocean’s just spread out… so far.”
“Eyes on the road, please.” I glanced past her, quickly, hoping to see some sign of waves around the point. She gave me her fiercest look. I laughed, looked at the road, but looked down and out again on a curve. Scripps’s Pier. Waves. “Are they testing you again, this time?”
“I don’t think so. The new doctor. Peters. She’ll, I guess, analyze whatever they found out last time with the wires and the fancy equipment.” I looked over at my mother as we dropped down through the eucalyptus trees at the wide sweeping right-hand curve that matches the curve of La Jolla Cove. “So, maybe we’ll find out; either I’m crazy or brain damaged.”
“Eyes on the road, please.”
…
I was in the office, standing under a round ceiling light installed a few inches off center. I had two PeeChee folders, three notebooks in each, set on a long, thin, empty walnut table. I opened the blue notebook in the top folder, wrote something I had just remembered, and closed it and the folder. I moved my pencil between my fingers until I dropped it.
The cabinets on two of the walls were cherry. A tile countertop featured a double sink. Porcelain. This was a rented space, easily converted. The six windows on the south wall extended from about a foot-and-a-half from the floor to eight inches from the ceiling. Four of the windows offered a view of tropical plants up against a mildewed redwood fence, eight foot high, no more than three feet away. The light that could make it through the space between the eves and the fence hit several, evenly spaced, colored glass and driftwood windchimes. The sound would be muted, nowhere near tinkly.
The fourth wall had a door, hollow core, cheap Luan mahogany. Several white lab coats were hanging on it. There was an added-on closet, painted white, with another mahogany door, this one rough at the hinge side. Cut down and re-used. There were, on one wall, six framed copies of diplomas or certificates. Three doctors, two universities. Two unmatched wingback chairs, each with an ottoman, were canted toward each other, facing the window wall.
The mahogany door opened. Dr. Peters entered, carrying a large stack of folders, most tan, several in a gray-blue. She kicked the door closed, dropped the stack on the table. She removed her white lab coat, hung it on the door, turned and pointed, with both hands, at the Gordon and Smith logo on the t shirt she was wearing.
“More of a San Diego… city thing, Dr. Peters.”
“Susan. I met Mike Hynson once,” she said. “He was in ‘Endless Summer.’ I figured you’d be either put at ease or impressed.”
“Once? Mike Hynson? Professionally?”
She shuffled through the stack, breaking it into thirds. Roughly. “Funny.”
“Is it?”
“No. It’s… funny you should come back with… that. If he was a… client, I couldn’t say so. I nodded. “So… I’m not saying.”
“No.”
Dr. Peters shook her head. “I went to his shop. Really cool. It’s not like I surf. I am petrified of the ocean.” She pulled out a folder from what had been the bottom third of the stack. “You?”
“Sure. There’s… fear, and there’s respect. A four-foot wave can kill you.” She may or may not have been listening. “Is that my… permanent record?” Dr. Peters laughed as if the remark was clever or funny; it wasn’t either. I didn’t laugh. She let her laugh die out.
She pointed toward the wing chairs. I shook my head. “Okay.” She pulled an adjustable stool, stainless steel, on rollers, from the corner on the far side of the closet. She motioned toward it. An invitation. “Or… we can both stand.”
“If it’s… okay with you, Ma’am. Dr. Peters.”
“Susan. What do your… friends call you?”
“Trick question?”
“Maybe. Okay. Yes.” We both shrugged. “And the answer is?”
“Surf friends. A couple.” Her reaction was more like curiosity than disbelief. “Friends call me Joey. So… Joey, Dr. Peters. I… I’m not… accustomed to calling my superiors or my elders by their first names. Respect.”
She leaned in toward me. “I’m fucking thirty… thirty-one. Joey. Young for a clinical psychologist. So?”
“Now I am impressed, and at ease. So… okay.” The Doctor squinted. “But, uh, Dr. Peters; you’re now, I’m guessing, my court mandated doctor of record?”
Dr. Peters restacked the folders. “Your father… and you… agreed to that.”
“Negotiated. Grant’s dad’s an… attorney.”
“Your father’s… was… a detective. Couldn’t he have…?”
“Never. My fault. Best he could do, with me too close to turning eighteen, is… this. A… choice, an option. We… discussed it. But… question; you’ve already suggested I might be a bully; how do you feel about… another smart ass trying to get off easy?”
“Most of the smartasses I deal with aren’t so… smart.”
“And the bullies?”
“That… urge; it shows weakness; I’m sure you agree.”
“That I’m weak? I agree. My dad’s take: I either don’t think or I take too long thinking.”
“Thanks, Joey.” Dr. Peters wrote something down. “Now, your dad didn’t want to go with… what he called ‘Psycho drugs.’” She moved from the stool to the larger of the two wing chairs. She sat down and used one foot to pull the ottoman into position. She put both feet up on it. She looked at the other chair, then at me. Another invitation. I remained standing.
“How long since you had an episode? Full?” I glanced at her folders. “Okay; three years ago, lunchtime, evidently out on the square at Fallbrook High School. Embarrassing?” I must have smiled. “Okay. Different subject. Grant Murdoch, your foot on his throat.”
“Weak… moment. But, previous topic… subject… The drugs, never were an option.”
“No. Of course not. But… Grant Murdoch, his faking a seizure caused you to…?”
“He wouldn’t have done it if he’s known I… I never went to Friday night football… activities. My surf friends… persuaded me… to.”
“Had Grant done this prank… before?”
“You mean, did my friends know he might?” I shook my head. “I haven’t asked.”
“So, this time, the prank, you acted… hastily?”
“Prank? Yes, I did.” I closed my eyes, envisioned the episode. Ten seconds, max. I pulled the metal stool over, sat it, spinning around several times. “He was… really good at it. Foaming at the mouth and everything. I was… Doctor Samuels, your electrode man. Spike. Do you have any… results?”
“Inconclusive.”
“You’re… disappointed?”
“No; but skipping over how you, just now, called another doctor, a grownup, by his first name… the tests; it was… bad timing.”
“Because I didn’t have a seizure, or even a… spell? And… Spike is a nickname. If you have a nickname… that you‘re willing to share.” She smiled. “By inconclusive, Dr. Susan Peters, do you mean… normal?”
“Pretty much, Mr. DeFreines.”
“That is… disappointing. The doctor, two doctors back…” I pointed to the files again. “He insisted I was just faking it.”
“Are you?”
“Inconclusive.”
“You didn’t have a… you know about the most common seizure, right?”
“Petit’ mal. Absence. Thousand-yard stare. Yes.”
Dr. Peters smacked the top of my stack of folders. “You study… everything.”
“Some things. Only.”
Dr. Peters looked toward her stack of files. She took a breath, looked at the plants outside the windows, at the chime swaying slightly and silently, then back at me. “You went back into… regular, public school, in the third grade. Tell me about that.”
“One of the… teachers… decided I might not be a brain-damaged… retard; maybe I’m… a genius.” I waited for her reaction. Her expression was hard to read. Blank. I danced the stool around until I faced the windows and the plants and the mildewed fence. “I’m not.”
“That’s why you turned down the scholarship?”
I made the half spin back toward the Doctor, waited for her to explain how she knew that. “School records came with a note.”
“Vice Principal Greenwald. Sure.” I spun around one more time and stood up, spinning my body a bit, unable to not smile. “I turned down Stanford because I am a faker, a phony. I… memorize.” I gave the seat of the stool a spin. Clockwise. It moved up about three inches. “I wouldn’t be able to compete with people with… real brains.”
Dr. Peters leaned forward, then threw herself back in the chair. “Okay. We’ll… forget about the competition aspect… for now. This… memorization. Yes. In medical school, I had to… so much is repetition, rote, little mnemonics, other… tricks. My roommate called me… don’t use it. Re-Peters.”
“I won’t… repeat it.” I swept one hand back toward the table. “Sorry. Too easy to be… clever. Or funny.” Dr. Peters shrugged. “So… Tricks. Files. Pictures. Little… movies. I… wouldn’t it be great if we could…?” I walked closer. Dr. Peters pulled her feet from the ottoman. She leaned toward me. “There are the things we miss. They go by… too quickly. If we could go back, just a few seconds, review… See what we missed.”
“And you can?”
“Can’t you? Don’t you… you take notes, you… Do you… rerun conversations in your mind, try to see where you were… awkward; where you… didn’t get the joke?”
“I do. I try not to. I’m more of a… casual observer.”
“That’s me, Dr. Susan Peters; Casual.”
“Observant.” Dr. Peters stood up. The ottoman was between us, but she was close. Too close. She was about my height. Her eyes were what people call hazel. More to the gray/green color used in camouflage. “Tell me…” she said, quite possibly making some decision on the color of my eyes, “I’m trying to determine if there’s a trigger, a mechanism. Tell me what you remember about… the accident?”
“The… accident?”
“When you were five.”
“I don’t… remember that one. I was… five.”
“No, Joey, I believe you do remember… that one.”
…
This wasn’t a brief remembrance of past events, this was a spell I couldn’t avoid, couldn’t think or will myself out of, and couldn’t stop. I stepped back, turned away. I shook my head. I tried to concentrate on… plants, the ones outside the window. Ivy, ferns, the mildew, the grain of the wood… “Like Gauguin,” I told myself, “Like Rousseau,” I said, out loud. “There’s a lion in there… somewhere.”
“Can you tell me what you remember, what you… see?”
I could not. The Doctor stepped between me and the window. She started to say something but stopped. She looked almost frightened. The image of the Doctor faded until it was gone. I was gone.
…
Everything I could remember, what I could see, was from my point of view.
I pulled down my father’s uniform jacket that been covering my face. I was in my father’s patrol car. Front seat. He took his right hand off the steering wheel and put it on my left shoulder.
“Our secret, Jody boy. Couldn’t put you in the back like a prisoner.” I didn’t answer. “Too many of you Korean War babies. I can’t believe… if they’re gonna have half-day kindergarten, they should have… busses both ways.” No answer. “Best argument for your mother getting her license.” No answer. “When I get on the school board…”
The light coming through the windshield and the windows was overwhelmingly bright. There was nothing but the light outside.
My father yelled something, two syllables. “Hold on!” His hand came across my face and dropped, out of my sight, to my chest.
His arm wasn’t enough to keep me from lurching forward. Blackness. I bounced back, then forward again, and down. Everything was up, streams of light from all four sides, a dark ceiling. My father was looking at me. His shadow, really, looking over and down. “You’re all right. You’re… fine.” He couldn’t reach me. The crushed door and steering wheel had him trapped. His right hand seemed to be hanging, his fingers twitching. He groaned as he forced his arm back toward his body. “We’re… fine.”
There were three taps on the window beyond my father. “Stay down,” he said. I could see my father’s eyes in the shadow. He looked, only for a second, at his gun belt, on the seat, coiled, the holster and the black handle of his pistol on top.
“You took… everything!” The voice was coming from the glare. “Everything!”
The man came closer. The details of his face were almost clear, then were lost again to the glare, like a ghost, when he leaned back.
“If we could just…” my father said as the suddenly recognizable shape of a rifle barrel moved toward us. Three more taps on the window. “If we could… relax.”
I could hear a siren. Closer. I tried to climb up, over, behind my father’s shadow.
“Everything!”
“No!”
The first gunshot, my father screaming the shattering of glass in front of and behind me were all one sound. The pieces of glass that didn’t hit my father blew over me, seemingly in slow motion. A wave. Diamonds. My father’s left hand was up, out. A bit of the light shone through the hole. I could hear the siren. I could see a red light, faint, throbbing, pulsing. The loudness of the siren and the rate of the light were increasing. I could see the man’s face, just beyond my father’s hand. His eyes were glistening with tears, but wide. Open. His left cheek was throbbing. I could see the rifle barrel again. It was black, shiny. It was moving. It stopped, pointed directly at me.
My father twisted his bloody hand and grabbed for the barrel. Again.
I could see the man’s face. Clearly. His eyes were on me. Bang. The second gunshot. The man looked surprised. He blinked. He fell back. Not quickly. He was a ghost in the glare, almost smiling as he faded and disappeared.
Tires slid across gravel. The siren stopped. The engine noise was all that was remaining, that and something like groaning; my father, me, the guy outside. Mr. Baker. Tom Baker.
“Gunny?” It was a different voice.
“I’m fine.” It was my father’s voice, but at a slower speed.
“Bastard!” It was the new voice, followed by a third gunshot.
Dr. Susan Peters came back into focus. She looked quite pleased.
I HAVE COMPLETED my many-ist rewrite of “Swamis.” AFTER chatting for an hour on the phone with the head of a publishing outfit, I am now looking for an agent. I’ll get into this next time. THIS time, thanks for reading. Remember that original stuff on realsurfers is protected by copyright, all rights reserved. Thanks for respecting this.
AS FAR AS WAVES, best of luck; if I don’t see you on the water, maybe I’ll see you on a trail. WHEELIE!
I hadn’t really planned on going to Seattle. I had forgotten that I had an appointment in Silverdale to check out the progress on my left eye (looking good after the last surgery, should get the oil out in, like, January), and since I was over that way anyway, and TRISH mentioned that DRU, who had just gotten disturbing-but-(of course)not 100% verified) news about her ongoing disputes with cancer, was going to go over to meet WENDY, someone our daughter met in her first year at LOYOLA UNIVERSITY in Chicago, there with her husband, JON, and I said, “Oh, maybe I could go…also,” this turning, instantly, into a commitment.
Jon, Wendy, and Dru. lost tourists in the background bemoaning that “The place where they throw the fish is closed, pre-8 O’clock.” “Yeah,” I said, to Jon and Wendy, not to the tourists, “It still smells… fishy.”
BECAUSE I wasn’t planning on going to Seattle, I was wearing Crocks. “Not a problem,” Trish, who wasn’t going said, “You’ll walk on, and then you’ll get an UBER.” The ferry terminal at COLEMAN DOCK and the roads in the vicinity have been in a constant state of destruction/construction before and since September of 1978, my first trip to the northwest. Every time I go through there it’s different. The current structure was, no doubt, designed after the oversized structures Hitler’s favorite architect designed. AND walking on from Bainbridge is, like, lengthy. AND you can’t just go out in front and jump in a cab. Actually you can, but we were going to Uber, and Dru has an app, so we walked, like, two piers north (Spring Street if you’re savvy) before we could figure out where a car could pull in, what with the long, plant-filled structure blocking the outside lane of southbound Aurora. Meeting up with Jon and Wendy, the plan was to walk down to Pike Place Market. “It’s only two blocks,” Jon said. No. two blocks over, two blocks down. In crocks.
I AM SUDDENLY REALIZING, as I’m one-drafting this, that I should either do a serious version or just get to the highlights. Or both. Lots of walking. Lots of people. Groups of: Tourists; Buffalo Bills fans; Halloween celebrants in costume (including a staggering drunk catwoman, a woman in a physics-defying top taking photos with others in, you know, other, less memorable costumes); an angry dudes talking to himselve; very very happy dude kind of twerking and singing.
It’s not that I PEOPLE WATCH, but… yeah; can’t help it. ON the way back, crush of people headed home, one way or the other, I noticed a guy (because he reminded me of a friend) with a man bun, a kilt, and oversized glasses. There he was, Dru and I limping along the boat to land walkway.
“I’m ready to go back to ______ (unnamed spot on the Strait that requires extensive walking/climbing).”
I’m not. I’m sore. OH, one last thing: When Dru and I were almost to the parking lot, her van in spot #7, thankfully, I reacted to a smell I identified with, “Smells like skunk,” before I realized the smell, at once sweet and somehow a bit harsh, was… something else. Just laughing was enough for Dru. “You know,” she had said, “Bainbridge Island votes 100% democratic.” “100%?” “Well, almost.”
Three Poems basically revealing that I am so happy I don’t have to live in Seattle:
Limerick Seattle surfers at ferry docks wait, You just want to check out the Strait, At its best it’s quite iffy, You can’t get there in a jiffy, You’ll arrive… just a little too late.
(or early; couple of hours, couple of days, couple of weeks)
Haiku Just missed the ferry, I may as well drive around, Settle for Westport.
Ode Oh, if I was a Seattle surfer, I’d feel so alive, Maybe I’d live in Fremont, Somewhere west of the I-5.
I’d have a built-out sprinter van, No V-dub or Subaru, Three boards in board bags on the rack Like other city surfers do.
And I’d study all the forecasts, Surfline premium’s a must, And every five-star rated day, It’s on the road or bust.
I’d be out there on the highways, In the darkness before dawn, Or I’d be waiting in the ferry line, Hoping, praying I get on.
Or perhaps I’d drive to Seaside, Maybe Short Sands or Westport, Hoping all Tacoma and Portland folks Adopted wing-foiling as their sport.
There is one code that I live by, A truth yet to be debunked, Don’t ever head out to the Strait Unless you’re willing to get SKUNKED.
Apology/explanation I understand how frustrating it is to be hours away from the possibility of waves worth surfing. During Covid, quite a few surfers moved over to the Olympic Peninsula, particularly those who could work anywhere they could get a signal. It didn’t take too long for many of them to realize how frustrating it is to live here. AND, there are so many easy amusements in the big city.
All original material protected by copyright. All rights reserved by the author, Erwin A. Dence, Jr. Another chapter of “SWAMIS” will be posted on Wednesday. PUBLISHERS- I have a publisher showing some interest in my novel. They have questions as to my potential audience, my goals. I am working on a response, but , MEANWHILE, if you are or know a writer’s agent, or if you have connections with an actual, non-vanity press, let me know. Leave a message at my home/office (360)765-3212.
NON-POLITICALLY SPEAKING, Please write down all the reasons you would vote for Citizen Thrump (moral character, intelligence, empathy/narcissism level, religious-ness, allegiance to our country and our rule of law, whatever other bullshit you can think of), CONSIDER that you actual reasons for even considering voting for one of the more despicable human beings ever might have more to do with your own grievances that an honest appraisal of a serial lowlife, and, you know, don’t vote for the asshole.
JOEL and RACHEL CARBEN are the proprietors of the COLAB in downtown Port Townsend. Colab as in Collaborative Work Space. Joel is one of the members (if there is such a thing) of the rabid-if-desperate and frequently-disappointed Olympic Peninsula/Strait of Juan de Fuca surf community. There is an ART WALK each month in PT (I’ve never gone on one), so, partially in the interest of promoting the COLAB enterprise (more people hanging out with laptops and connections), why not have me and two other artists show our stuff? I mean, after all, Joel does actually own the cedar art piece/surfboard shown below. Long story. I was supposed to spray paint “Locals Only” on it or something, but…
ARTISTS, huh?
As usual, I didn’t do everything right. I had a whole room to display my stuff. I didn’t put prices on things, didn’t put business cards out. And, I didn’t hang out in the room, charming the folks who came in. BUT, I now realize, the main thing I did wrong is that I didn’t take some photos of STEPHEN R. DAVIS, KEITH DARROCK, and, yeah, me, cruising around to the various galleries.
If I had you could see LIBRARIAN KEITH, as rabid a surf fanatic as I have ever run into (or been burned by), but a solid citizen, mingling with the tourists and the artists, and in the company of two, perhaps… no, I don’t know how to describe Steve and I except we’re probably not as out-there as we believe ourselves to be. I mean, I’m as CITIZEN as the next person, but Steve? ARTISTS, huh?
And we’re checking out everyone else’s art, chatting with artists, partaking in the free snacks (no wine for me, not that I’m bragging. A nice expresso would have been… appreciated).
AND IT kind of worked out. EXAMPLE- We’re at the fanciest gallery in PT (prices fancier, also- wine from bottles with, probably, recognizable names for wine aficionados- no, not Ernest & Julio), and Steve is kind of (I thought) kissing up to this artist with the tiniest possible ponytail (so high concept/fashion), and I see this kid sitting on a bench with a sweatshirt with a logo from CHRIS BAUER SURFBOARDS. “Hey, where’d you get that sweatshirt, kid?” “He’s my dad. Chris Bauer.” “Oh.” When one of the board members (because fancy galleries have boards and directors) comes over and says I’m getting a bit rowdy, I acknowledge this and ask her if he knows KEITH.
THEY chat and I go outside. Again, as with my leaving first at other venues, I sort of think, as I acknowledged, that, if I still smoked, I’d be having one at this point. OUTSIDE the gallery.
I am not a marketer. Particularly not of my stuff.
HERE’S WHERE STEPHEN R. DAVIS got it right. I was critiquing and moving, asking quick, real questions of the folks showing and explaining and (you have to guess) trying to sell their works, questions such as: “How much are the dues? How much floor time do you have to put in? Do you sell enough to make it worth it? Meanwhile, Steve, a bundle of his cards in his hand, was showing his stuff, handing out samples as business cards, making, you know, inroads into the PT art scene.
NOW WE’RE on to the post event CRITIQUE, as in, what did I do wrong? What can I do NOW? I probably should have hung around in the space at the COLAB, charminig the folks who stumbled in, maybe selling
EVEN WITH THE BARAT, would you buy art from this double-chinned fat guy in the sweatshirt for the OLYMPIC MUSIC FESTIVAL (though several people thought OMF stood for Old M F-er)?
Here’s a shot of Keith, Joel, me (hiding the double chin), and Adam “Wipeout” James.
Here’s Steve on his boat from a few years ago. AGAIN, I should have taken a few photos from the ART WALK.
BUT I did, because I was displaying some drawings I did years ago of houses in Port Townsend, get an opportunity to draw one for someone. AND I DO OWE a big thank you to JOEL and RACHEL for the opportunity. TRISH says I should give them a piece of my art. “WHY? He already has the surfboard?”
So, BIG THANK YOU! Heart emoji, hang loose emoji.
MARKETING. I’m working on it. AND I did actually have a good time, chatting it up with people I don’t know, running into some I do know (shout out to Ian), hanging with friends.
Perhaps, on Wednesday, I’ll go over how I’m getting over and/or dealing with the detached retina, the infection in my leg, both related, possibly, to a fall, and a high blood pressure situation I discovered because I just had no choice but to go to a doctor; and the double chin thing. I am totally ready to get back in the water. TAKE THIS AS A WARNING.
Good luck. And, again, if you can’t be nice, be real.
Now that I am committed to putting out a new round of ORIGINAL ERWIN t-shirts, I’m going through my past drawings AND doing some new ones. I scanned these two on my printer AND I have two more illustrations that I have to take to a print shop. AS ALWAYS, attempting to go simpler, I fail.
LET’S DISCUSS THE SURF SITUATION on the Olympic Peninsula and the Strait of Juan de Fuca. NOT GOOD. Now, if you’re almost anywhere SOUTH of here, you should be scoring. AND the forecast is not too… thrilling. BUT I do have my HOBIE patched up and I’ve done some work on the MANTA. I’m ready to leap into some wind chop when it… let me check the forecast. Yeah, wind chop. That’s official.
As far as “Swamis” goes, I am committed to what JUST HAS TO BE a final draft before the ridiculously scary act of trying to actually sell the novel. I moved the former first chapter to the end, and though I am dying to write about what fictionally happened to the fictional characters between 1969 and now, I’m going to NOT… not yet.
My hope is that, now that I’ve completely mind-surfed the hell out of plot and characters, I might be able to cut the length down from the current 104,000 thousand words. HERE IS the new prologue and a bit more:
“SWAMIS” A novel by Erwin A. Dence, Jr.
PROLOGUE
Some events, terror and bliss, mostly, which occurred in seconds, in moments; those almost nothing in the expanse of time; expand, over time, into placemarks; a corner turned, a road taken, a life changed. Magic.
Half a century after the events, I started writing “Swamis,” as memoir. It no longer is that. This is my fourth full rewrite, with so many discarded words, deleted chapters, all in attempting to turn notes and dreams, images and remembered dialogue, into a story. I have tried to do justice to the various people, characters here, but real people with real lives, who changed mine. There are people who have come into my life, changed it in some way, and gone out. Somewhere. For the most part I do not know where they went, but I do wonder. Wonder.
The story centers on a very specific time, 1969, in a very specific place, North San Diego County. I was turning eighteen, in love, and the world I wanted swirled and revolved around surfing, and surfing revolved around Swamis.
My apologies for my writing style. Years of writing briefs, documents. Dry, perhaps, but thorough. A friend’s review of an earlier draft concluded I went for detail and clarity rather than flash and description.
“I don’t use a lot of adjectives in regular speech,” I countered.
“But this is writing,” she said, “The prologue shouldn’t be an apology.”
“Honest.”
“Sure, and it is… your own voice. Yes, it is that, and, as your mother said, ‘the mind fills in the colors.’ Different thing, I know. Photos, stories; it still applies.”
“Not arguing.”
“Not yet. But… ambiguity and bullshit aside, you don’t exactly nail down who the killer was. Or killers were. Some detective novel, Atsushi.”
“It’s in there. And… doesn’t that explain the need for detail and clarity? And, more importantly, I never said it was that… A detective novel. Trueheart.”
“There’s no such thing as a seventeen-year-old detective. Not in real life.”
“It’s in there; that quote; in the text. And… as far as real life goes…”
“From your particular viewpoint.”
“That’s all any of us have.”
“But… Joey… you called me a friend. ‘A friend’s review.’”
“Just another draft, Julie; I can… change it.”
“To what?”
“Keep reading. It’s in there.”
CHAPTER ONE- MONDAY, NOVEMBER 13, 2023
“The allure of waves was too much, I’m told, for an almost three-year-old, running, naked into them. If I say I remember how the light shone through the shorebreak waves, the streaks of foam sucked into them; if I remember the shock of cold water and the force with which the third wave knocked me down, the pressure that held me down, my struggle for air; if I say I remember anything other than my mother clutching me out and into the glare by one arm… Well, that would be, this all happening before the accident; that would be… me… creating a story from fragments. Wouldn’t it, Doctor?”
“Memories. Dreams. We can’t know how much of life is created from… fragments. But, please, Joey; the basketball practice story; I didn’t get a chance to write it down. So, the guy…”
“Locker room. After. I’m not here because of that… offense.”
“I am aware. Just… humor me.”
“He said I had a pretty big… dick… for a Jap. I said, ‘Thank you.’ All the Varsity players came in. Most stood behind him. He said, ‘Oh, that’s right; your daddy the cop, he’s all dick.’ Big laugh.”
“Detective,” I said. “Sorry about your brother at the water fountain, but I’m on probation already… and I don’t want to cut my hand… on your front teeth.’”
“Whoa! Did that end it? Joey. Joey, are you… You’re remembering the incident.”
“I tried to walk away. He… Basketball. I never had a shot. Good passer, great hip chuck.”
“All right. So, let’s talk about the incident for which you are here.”
ALL RIGHTS to all ORIGINAL WORK by Erwin A. Dence, Jr. are reserved by the author/illustrator. THANK YOU for respecting these rights, AND, AS ALWAYS, for checking out realsurfers.net
I haven’t done any t shirts in a while. There has been a lot of interest and I have done other drawings that are not included here because… I haven’t scanned them yet. I am trying to make my illustrations simpler, but, somewhere in the process, they all go a bit psychedelic.
All the shirts I’ve done and sold or given away (Trisha’s idea, to her friends, some to clients) are gone, and, as mine are, probably wearing out. If you have one, hold on to it. It’s not just my ego saying this. Okay, mostly that, but they are all truly limited editions.
Limited by my having to put out the money all at once, the return coming in… slower.
But, I do have some limited backing, have discussed some potential local outlets, and I am ready to go!
The three toward the bottom are designs I’ve done. I will probably not do the one immediately below, and, as far as color, it’s way more expensive unless I go with a sort of modern day version of iron on, and then… I’m obviously not someone who deals in percentages and wholesale/retail, nor do I really want to be. I just want to keep drawing simple little pen and ink illustrations and… I WILL HAVE a few more examples next time. WEDNESDAY.
OH, I am going to do the one below the “Locals” one first; white on black. It seems kind of, you know, graphic and only semi-psychedelic.
All images are copyright protected and are the sole property of Erwin A. Dence, Jr. All rights reserved.
MEANWHILE, I just (as in yesterday) had a bit of a fall; ladder slipped, I started falling, grabbed onto ladder with one hand, slowing my descent, hit metal railing with my back, landed on stairway and two open paint cans, totally destroying them and cutting and bruising the shit out of the back of both legs, and spilling the two colors I’m using on a Victorian I have the least of. SO, rather like any fall you see on any skateboarding video. I ALSO destroyed my work cellphone, its screen already cracked. SO, that’s not good. Trying to figure out what to do about that. SWAP sim card with new phone like they do in every spy movie? Meanwhile, the message says I’ll get back to you and… Yeah, Ibuprofen.
These are some recent works I didn’t think I had scanned. OR I believed they were scanned as PDFs, something I couldn’t transfer. I SHOULD, perhaps keep the line drawings for some possible future edition of a realsurfers/original Erwin coloring book, particularly since I may tend to over-color drawings that were, possibly, overdrawn in the first place.
MEANWHILE, I got some bad news on an art project I have been working on; basically, that the process was not set up correctly, paperwork-wise, and when I sent a bill for services (and illustrations) rendered, there were issues.
ISSUES. I HATE ISSUES. If I say getting paid is the reward for my labors; contemplating, sketching, drawing, revising, redrawing; and is temporarily gratifying, the money just a part of a cache and mostly spoken-for dollars, having issues in collecting the reward substantially reduces the JOY.
NOT THAT I don’t enjoy the prospect and the actual work of doing an illustration for some amount of cash. I DO, even as I realize I can make substantially more money per hour scraping and priming and painting someone’s house. AND I do factor in that it is not painting season.
THIS SETBACK has given me pause to consider (not for the first time) why the hell I insist on pursuing some life outside of the scraping and priming and painting.
SO, I DID what I do; I wrote about it. Not all vitriol and grievance; rather I wrote a piece on how most folks who attempt to be artists want to please an audience.
AS DO I. Though I do want to please myself, with varying degrees of success, AND I have, indeed, accused other writer’s works (well, one writer, I confess) as being masturbatory; everything I write or draw or paint (including houses) is meant to be seen by, and, bottom line, to please the client and potential clients. I must add to this that a job isn’t finished until it is. I throw away so many more drawings than I display, I edit the shit out of things I write, and I go around and around any painting project doing what I call the “Tighten up.”
I realize that sounds, even as I write it, kind of queazy-ness inducing if not outright creepy. This isn’t me VIRTUE-SIGNALLING. No, I would love to be anything close to successful at writing and/or drawing, two things that have been part of my life, on and off, mostly off, almost all my life.
SO, I wrote the not-quite screed, but deciding to listen to Trish, I will wait and see what happens with the project with the issues. Meanwhile, I have other exciting projects/prospects on the ‘possibly fantastic,’ probably not’ scale. I should mention that I am really bad at waiting. If you’ve seen me in the water, you might agree.
BUT NOW, since I’m all calm and resolved, I’ll hit “Save” for the whole thing, stash it away for future check out if not use. Then, I will highlight this part and put it on my (yeah I’m resigned to calling my ‘site’ this) blog.
As my projects get sorted out, I’ll, of course, write about it… here.
AS ALWAYS, thanks for checking this out, and for respecting the copyright ISSUES with any original stuff. Whether I make any money or not from my work, I do reserve all rights to it.
AS FAR AS WAVES on or around the Strait of Juan de Fuca, your guess is as good as mine.
Autumn and the opportunity for, rather the chance of multiple swell angles, leftover summer pushes, and, of particular interest on the Strait of Juan de Fuca, the possibility that some errant low might produce something. Some thing. Meanwhile, east winds work magic with what might ordinarily be closeout beachbreak. Westport, perhaps? I can’t be sure. I have heard stories.
What the shorter days do to me is, short term, while I’m busily running from here to there, catching up on leftover projects, trying to finish others, and enjoying the days that are actually perfect for exterior house painting, I’m losing out on the time I could be writing. Or drawing. And I do have projects.
Yes, I know that the shorter daytime hours will soon reduce my time outside, rain and fog and all that, and if I just realize that and concentrate on ‘making hay,’ one of my most heard comments by others who do not make metaphorical hay themselves, not that I do; if I am patient, the time to dabble and write and jump into all the deferred projects will come. This is without even mentioning all the home repair projects I have put off, some for years. That leaky spot on the roof, that… and this, and… okay, I’ll stop whining.
And, no, I’m not forgetting surf. It’s coming. But, if you look at the forecasts we all look at, studying them, searching for the right angle and tide level and wind conditions, that, it just seems tough to figure which of several options to make that one strike mission, always hoping waves might show up at a beach adjacent to a work project. Always hoping.
Now, “Swamis,” the manuscript, though I’ve fine tuned chapters ell past Chapter 12, is currently kind of caught in that space. In my endeavor to focus, novelize the overwhelming and only-partially-plot-centric little insights and stories I long to tell, I am… well, working on it. Once done, it will, or should, or must cut down the verbiage later on. I am committed to keeping the manuscript under 100,000 words. So far, after shortening the time span, successful.
I will be posting the final subchapter on Wednesday.
Meanwhile, here are a couple of sketches. Other than my decorating my Volvo and starting on several other to-be-continued projects, this is what I’ve taken the time to do.
It is probably not worth saying these are copyright protected. I will, anyway.
Good luck in finding the waves you want and the time you need. OH, Maybe I’ll post a couple of shots of my formerly stealth surf rig. Wednesday.
It isn’t that I want to ridicule or make fun of or hate on people who want to engage in the exciting world/culture/sport/lifestyle, imagined or real, that is SURFING. I just want to understand some of the folks I see heading for waves, or hanging out near or on the beach, bobbing and/or weaving in the water.
Motivation. I know mine. I just want to ride waves.
Not party waves, and most likely better waves, bigger waves, and as always, I want to ride them better. “Better than whom” is a good question. Better than me. Mostly. Better than you. Yes, if possible. BUT, if you rip, great; I am always ready to identify and appreciate and applaud shredding and ripping and cruising and flowing; surfing done well. I’m really, and this has been true throughout my surfing, uh, life, trying to surf as well as I can during any session and given any and all other factors.
And yes, I am aware of my limitations, and that, to some young hipster I might seem worthy of… let’s say, assessment.
Fair game. See you in the water.
SO, I have been missing a bet by not photographing some of the people I see. Particularly ones I have some conversation with. I have the stories; I need the images.
This is a non-rendering of the guy I saw recently; walking across the entire length of the parking area to, maybe, check out whether there were some waves up thataway. There weren’t. In doing the drawing, I didn’t allow room for his sidekick. Now, It isn’t like anyone can really tell if someone is a good surfer by their outfit, or posture, or by what they say. BUT, if I judged this Grizzley Adams dude harshly, despite his tricked-out surf rig, with overhead sleeping deal AND bike/cooler/campstove rear bumper setup, and his quiver of board-bagged boards, and I shouldn’t have, I did judge his sidekick as a, um, newcomer. Neophyte in, potentially, neoprene. Hard to say. Dudes paraded back across, hopped in the rig, and skedaddled. Maybe you saw them.
Okay. So, yeah, something that connects most of us is a desire to be considered/judged as cool/hip, maybe even rad/whatever the current word is WHILE also trying to be… better. Me too. WHEW! Wow, confession is so… so something. I’m thinking about that. But, Coolness; never achieved it; still trying to get, you know, like, better at it.
Meanwhile, thanks for checking out realsurfers.net and remember that the next chapter of “SWAMIS” on Wednesday. I think we’re up to Joey going to Swamis a few days after Chulo was killed. If so, because I have each chapter covering a single day, that chapter is a three-parter, mostly so it doesn’t not overwhelm any potential reader. Be one of them. And another thanks.
All content on realsurfers.net is covered by copyright protection. All rights reserved by the author/artist.
Every year I try to to keep track of how many times I surf, just trying to get up to the thirty sessions I have (not arbitrarily- it’s like, I read it somewhere, though it was for skiing) set as a sort of minimum requirement for one to be self-identified as a real surfer. AND, every year I lose track. I ACTUALLY was doing pretty well until my surf rig died and the always fickle surf on the Strait became, um, even more so. Like, scarce, any window of possible opportunity incredibly small.
NOT TO WHINE (whinge in the British Isles, whimper elsewhere), but it’s been a full on month between salt water immersions. AND THEN, I went. Windblown, small, a touch crowded (not in numbers, just too many good surfers). Possibly because I was yelling and a bit too enthusiastic, I bit my tongue on the fourth wave. Apparently, because each of the rippers commented, I looked like a zombie, blood on my mustache, and spitting blood for the rest of the session. Then, attempting to get out of the water on the rocks, awkwardly, slipping between them, seaweed wrapping around my legs, I slammed my big ass board against my thumb. And, then, because I was just that tired, I dragged my big ass board back to my van, now starting consistently, after (different story) I finally faced the truth and replaced the starter. Thanks, George Takamoto.
So, YEAH, great session!
The next morning, I was sore. But it was the best kind of Sore. OH, AND, do you know what that soreness means? I need to surf MORE. MORE. And you probably do, too.
TODAY I have some new drawings, and I’ve made some changes to a couple of others. SO…
…we have a watercolor of a view from a spot near a house I was painting, waves added; a watercolor I did post, some new lines added to kind of put the subject’s face in place; a possible design for a possible t shirt (after I did a partial redraw because the surfer’s leg was too long); a definite ORIGINAL ERWIN t shirt design with the colors added (possibly by Ian for a didn’t-happen commercial-type shirt thing, maybe by me- not sure either way); and the so-far poster for the upcoming THIRD OCCASIONAL SURF CULTURE ON THE… yeah, it’s on the poster. The lineup of artists is still incomplete and will be filled-in on the bottom, and, of course, I WILL LET YOU KNOW.
THANKS FOR the realsurfers CHECK, and hopefully, you’re experiencing some of that good kind of SORENESS
SIDENOTE- Surfers and non-surfers came very close to losing access to one of the few easily accessible spots on the Strait because some ASSHOLES decided to add some unwanted graffiti to the fence. If you want to record that you were there, blow it up in the water. I mean, of course, surf well.
As always, please respect copyright laws and ownership of original art and content. Thanks.
Real Surfers 