“Dark Cutback”- Pen and Ink, “Come In”- Pencil, pen and ink
Meanwhile, on a Strait Far Away…
It was the day before Christmas and all along the Strait, Surfers were sick of the Eddie Swell wait,
And the planning and loading in the dark of the night, All frothed-up and hoping you’d hit it just right,
Get through holiday traffic and ferry lines long, Just to find out the forecasters got it all wrong,
No six to eight-foot faces, with stiff offshore winds, But side chop and flatness, too many surf friends,
All those kooks who got wetsuits and leashes as gifts, And promised pure awesomeness, maybe, when the tide shifts,
Or the currents reset, or the stars realign, Which they haven’t done yet, so you’ll have to resign Yourself to some chilling with the parking lot crew, Having artisan breakfasts and customized brew,
With the burnouts and geezers who still dream of the past, With retired accountants who’ve heard surfing’s a blast, With newbies who ruled in the surf camp’s real water lessons, Who count the wave pool rides as real surfing sessions,
With the hodads and show dads and their sons and their daughters, Influencers and surf tourists who don’t get in the waters,
Cell phones at the ready, all waiting for action, They’ll be hooting and filming, with a deep satisfaction,
Witness to butt-hurt back-paddlers, shoulder-hoppers, and snakers, Heroes and villains, GoPro-ers and fakers, Buzzed-out dudes blowing takeoffs, laughing, pearling and falling, Occasional barrels and turns worth recalling.
They’ll soon be Youtubing a post of their Christmas surf strike, So hit the “subscribe” button, comment, and like,
And save it, repost it, it is something to share, When you watch it again, it’s as if you were there.
Yes, I hope you got waves, I did, too, and in the best Christmas spirit, If you have a great story, I would so love to hear it,
The next time we’re together, facing a skunking, so tragic, You can tell me the tale of your holiday magic.
“You should have been there, Dude; you would have loved it.” “You could have called me.” “You should have known. Are you angry?” “No. It’s just surfing, man; almost all of the magic is… well, you know.”
Color versions, and I slipped in a couple of photos from an ultra fickle spot where rideable waves are mostly imagined. Yes, that’s pretty much every spot on the Strait of Juan de Fuca.
I HAVE HEARD a couple of stories of the usual situations that occur with too many surfers and not enough waves; confrontations that went way farther than they should have. They are not my stories, and, although I LOVE to hear them, AND retell them, if they’re good enough, you will hear them eventually. Maybe from me, but not here. What I will say is, “That wave is gone.”
NEXT.
This is as true when the story is of epic, magical, all-time, best-ever stories. Your joyful stories, perfect moments in an imperfect world; the ones that make you smile; those are the ones to to savor; those are the images to save, to replay.
The illustrations are protected by copyright, all rights reserved by Erwin A. Dence, Jr.
OH, AND I am, of course, still polishing my novel, “Swamis,” and I’m working on a piece for SUNDAY on the LAWS OF ETIQUETTE. Look for it. In the meanwhile, there are a lot of YouTube videos of super crowds at Swamis and elsewhere. Yeah, crowds.
The documentary Annie Fergerson produced featuring me, old fat me surfing and philosophizing, is still available on Vimeo. You have to go to: https:/review/9855582/42dd5c63de or, if you’re a Vimeo person, Erwin_Final_240715 I know, it’s a bit of a hassle.
In trying to promote my novel, “Swamis,” as I wait for responses from the literary agents I have sent submissions to, I cannot help but wonder, “Why am I not in ‘Surfer’s Journal?’ I have art and eleven years of ‘realsurfers.net’ writings. There just have to be some gems in there.” SO, I set about to write something to send to them. Another submission, another attempt to describe my novel in less than 90,000 words. Here is what I came up with:
Swamis to “Swamis”
You are at Swamis Point. It’s 1969. Yes. Horizonal lines, energy in motion, beyond the kelp beds, are bending to match the shoreline, redirected and reshaped by the pull and drag of ancient reefs. As waves rise and wall up, peaks become more defined; steepening, feathering, braking, peeling across the almost-soft, fingered ledges. Your path paddling out along the shoulder of each incoming wave, is as close to the break as possible, always looking over your shoulder to check your lineup spot; that one palm tree for the inside peak, wherever the crowd is sitting for the outside peak. You are ready to spin and go if a rider on increasingly short equipment blows the takeoff, is too deep, slides out on a bottom turn, or oversteers on a cutback.
You have a front row seat of surfers dropping in and turning, crouched and driving across the first section. Longboarders are getting in early, going for fin-first takeoffs, side-stepping to the nose; pulling out on the shoulder or cutting back; juking and cruising, tucking into that calf high barrel on the inside inside.
When it’s your turn, you drop and drive and weave through the sections and other scrappers, would be shoulder hoppers. Approaching that final tube, arms out in a subtle celebration, your arch becomes a full body twist, shoulders to ankles. The fin breaks free. Your speed while side-slipping allows you to punch the nose into and through the wave. Your properly executed standing island pullout provides the perfect punctuation mark. Yes!
In surfing, in 1969, there were few qualities more important than style. Or none. Whatever else Swamis was or wasn’t, it was magical.
There was always a swell. The water was always warm. It was rarely blown out or crowded. It was magical. And there were, along with the witnesses and the dealers and the posers and burnouts and the liars, other storytellers in the parking lot, magicians spinning tales of epic days and mystic spots; magicians spinning images of even greater magic.
The view from the bluff, the balcony, the upper deck of a sometimes surf amphitheater, is almost unchanged: The point to the right, Boneyards just around it, the outside and inside peaks, the beachbreaks along the rip-rapped base of the bluff, Pipes, the curve of La Jolla in the distance.
The walls of the Self Realization Fellowship compound were there; brilliant white, crowned with gold lotus flowers. A dirt pullout just to the south of the parking lot entrance that served as a check out spot now has luxury homes, soundproofed, behind security-gated walls, squeezed between101and the bluff; millions spent for a view we got for free.
The Swamis parking lot was smaller. A green outhouse under the trees has long been replaced by the brick shower/bathroom facility. The wooden stairs, replaced twice since, had some unremembered number of steps; well over a hundred. It featured two main sections. The upper flight went straight down, perpendicular to the bluff. A landing, where the stairs made a ninety-degree turn, offered a from-the-shoulder, up-the-line view of the lineup. “Old men stop here” was carved into the waterside top rail.
My earliest memory of Swamis as a surfer is from 1965. Almost fourteen-years-old, I was doing the kook’s blind paddle for a wave someone else was, no doubt, on. Sorry.
Other images: Walking out to the point when one of a group of Orange County interlopers responded to a man claiming he’d surfed Swamis since 1949 with, “Then you should surf it… better.” Wailing over after school, only five locals out, and my friends from Fallbrook complaining that they couldn’t get a wave. “Well. I caught… some.” “Fuck you then!” Going out on a day with the tide still too high, beating the crowd for a while as the swell built. In my mind, I was in sync and wailing. Falling from a high line on an outside wave on a big day, whatever breath I had lost when I hit the trough; bouncing off the bottom, sucking in more foam than air when I reached the surface. Coughing, choking, swimming, going back out. Surfing, with various degrees of thrill and success, every day of the still-famous December 1969 swell.
1969. I graduated, not yet eighteen. My surf friends were moving on. The draft was coming. Vietnam was real. Surfboard design had gone radical. The completion of I-5 made San Diego’s North County commutable. Marijuana, grown in backyards and avocado orchards and purchased from friends of friends, was becoming a cash crop. Dirty money had to be made clean.
There was, perhaps, *“An acceptable level of corruption.”
A person can drive past Swamis and never realize it is on the map of a world they are not a part of and know little about. Yes, surfing represents freedom on TV commercials, unwaxed boards on shiny new cars. Beautiful, fit, underdressed surfers play the smiling outsider, the anti-nine-to-fiver if not antihero; too cool, too perfect. Mass marketed magic.
It is the magic, real or perceived, that pushed me from imagining and remembering to writing “Swamis,” my surf/detective/coming of age/mystery/romance novel. I had a story line: A surfer, involved in the drug trade, is murdered, burned next to the wall. I had a narrator: Half-Japanese son of a Detective with the County Sheriff’s Office. My age. I had his love interest: Surfer girl, her parents are involved in the trafficking and money laundering. Both main characters are damaged; both have been protected and shielded.
Sounds clichéd, huh?
I have written four versions. Not that I wanted to. I had to edit out the peripherals, narrow the scope and the timeline. I can, if asked, explain where each of the many characters in the novel came from. All are based on placing a real person I have, in my time, encountered, or combinations of people, into fictional situations. I can give you a backstory on any of them.
The narrator, Joseph Atsushi DeFreines, is not me. He does know what I knew and has chosen to not know things I could have known; particularly about the growing, processing, and selling of marijuana. I have three brothers with intimate knowledge of plays and players of that era. One brother, under threat, ran away from operations in Northern California. One turned to Jesus. One went to work for the Border Patrol and on to I.C.E.
It is the best imaginable coincidence that a Swami, like a detective, is a seeker of truth. I am still, while trying to sell the novel, holding on to as many characters as I can. I still have work for Joey and Julie, for Jumper Hayes and Gingerbread Fred, and others. Second novel- “Beacons?” Third- “Grandview?” Both spots are mentioned in a work in which I am still trying to capture the magic.
I mean recapture. Of course.
*The quote comes from San Diego County Sheriff’s Office Detective Joseph Jeremiah DeFreines, increasingly unable to control the corruption in his jurisdiction.
THE REASON I am posting this here is that I ran it past my friend, surfer/librarian KEITH DARROCK (and yes, the Port townsend Public Library does subscribe). He didn’t say he hated it, BUT, he said what I really need to do is talk about me. “ME?” Paraphrasing, it was, “Yeah, like examples of your art, some poetry, your video of you surfing; that’s what they have in the ‘Profile’ section.”
Keith is right, of course. I started writing about myself. It’s not working. The best self-recommendation I could come up with, for my being so consistently described as ‘a character,’ is that I fail, frequently, and keep trying. It is true in my art, my writing, my surfing, my work as a painter, my relationships with others.
So, yeah, I’ll come up with something. May as well put a couple of artsy things I’m proudest of:
HAP-PY HOLIDAYS!
All original works are protected by copyright. All right reserved.
CHRIS EARDLEY texted me this photo with the caption, “Is this Reggie on my bag of Inca Corn Snacks?” “Definitely Reggie, switch stance.” It does resemble REGGIE SMART on the bag of hipster-friendly chips (available on Amazon and I don’t know where else. Co-Op, maybe). Reggie, in addition to being a licensed painting contractor, has rented a space in Port Townsend and is available for your tattooing needs. I know he’s on social media.
CHRISTMAS is coming, and I did my yearly assist in decorating DRU’S house in Port Gamble. Because the town is so, let’s say, quaint, decorating for the various seasons and for whatever other reasons is sort of mandatory. Dru works part time at WISH, a wonderful card and gift shop over by the haunted house and the other vintage attractions. Check it out on your way to or from the Hood Canal Bridge or the Kingston Ferry.
It’s a joke between TRISH and Dru and I that, in movies, when there’s a moon, “It’s always a full moon.” I took this shot over my house last night. Trees could have been in the photo, but were not. In the ‘should have taken a photo’ category- After midnight, when the moon was scientifically at it’s fullest, I looked up in the living room skylight, and the moon was visible through the bare branches of a vine maple. I opened my wallet and did the pagan chant that, once I started doing it, has become as mandatory as any ritual, and as such, must be followed religiously. “Oh moon, beautiful moon; fill ‘er up, fill ‘er up, fill ‘er up. Thank you, thank you, thank you.” MAYBE the ‘er part is some American-ish bastardization, but, hey, that’s how I leart it.
SWAMIS TO “SWAMIS”- While I am waiting for responses from literary agents, I have decided that I should submit something to “SURFER’S JOURNAL.” Before it all hits the big time, my favorite surviving surf-centric magazine could have something on my struggle to capture the magic of a particular time and place through fiction so cutting edge that… Yeah, and art-wise, my stuff, I can hopefully convince them, should grace the magazine’s slick pages.
To that end, I am super editing my submission; as in, I’ve already cut out more than I’m keeping in. OH AND I’m going through my final final version of the manuscript. One more time. A POLISH as they say in the biz. Shit, I want it ready to be glassed and polished.
MEANWHILE, because it’s off off season for painters and the darkest time of the year, I’ve been sleeping more, which mean dreaming more. Not all are worth keeping track of or even attempting to remember, even fewer worthy of trying to figure out some sort of meaning. SO, Here’s:
A Series of Dreams before Christmas
Second dream first- I was surfing, dropping into a left, turning hard off the bottom, going down the line. You know the angle; mine; close to the wall, the creases of the wave threatening, folding; and I’m climbing, too high, dropping, side-slipping, redirecting, racing into the glare.
Suddenly, dream time wise, I’m trying to get dressed, hurriedly, because I’m supposed to be somewhere, somewhere else. I pull on a t shirt with some sort of logo on it. I say, “I don’t work there.” I may add, “Anymore.” Dream talk. I put the shirt on anyway and look down several wide marble stairs. Almost landings. And, yes, marble, everything is marble, white with a very light green tinge. Or the greenness could be because there’s glass to the right, water behind it. An aquarium, perhaps, and possibly connected to a wave pool. Makes sense. Dream sense. Another view of surfers and waves. No, I didn’t see dolphins pressing close to the glass. I can imagine them, but I won’t add them as if they were there.
There is a woman sort of sprawled on the lowest stair, long black hair disappearing in all black clothing. All I can really see is her right hand and her face, in profile, very white, as I drop down and closer. Her reflection is on the glass and the walls between us. The walls, perhaps, are tiles, shiny, like the tile work in the Paris subways, but rectangular, horizontal.
“Did you see my ride?” Because the woman doesn’t answer I add, “I thought it was pretty good. My bottom turn was…” No answer. Her head turns a bit more toward me. “I figured, you probably don’t surf, so you might be…”
“Why do you think I don’t surf?”
“You’re very white.”
“Oh?”
“I mean, the sun isn’t… always…”
“Healthy? No. Not always.” The woman turns back toward the glass.
I notice there’s an above and a below the waterline. The last push of a wave hits the glass, pushing up above our ceiling. The woman seems to smile as she watches the bubbles rising and dissipating into an unseen sky, some of the greenness transferred to her face.
“I did see your ride. It was… from the perspective of a very white non-surfer, not as good as you probably thought, but… if you’re happy with it…” She turned toward me again. “Do you work there?”
I looked down at the shirt. “No.”
Different scene, same dream- It’s still very bright, but I’m driving in some flat, open country. Big windshield. Truck, I’m dream thinking. And I’m late. Probably the surfing. I hard turn into a driveway. No grass, no trees. A house. Covered porch all the way across the front. Imagine Australian Outback. Dust flies as I jump out of the vehicle. Trish appears at the front door, her hands on the opposite arms.
“I’m late,” I say, breathlessly.
“Oh?”
Oh? I feel in my back right pocket. I pull out a cell phone. “Oh.”
“If I were worried, I’d have called you. You know that, right?”
“Right.”
“Where’d you get that shirt?”
GOOD LUCK on finding and surfing some memorable waves. STAY WARM! Remember all original material in realsurfers.net is protected by copyright. All rights reserved by someone, my stuff by me, Erwin A. Dence, Jr.
Lorraine and Myrna Orbea after their first performance in “The Best Christmas Pageant Ever,” at the theatre in Port Gamble, pictured here with a couple of aunts and therir grandmother. Lorraine and Myrna are the children of Pete and Mollie, Mollie being, probably, the main reason Drucilla, daughter of Erwin and Trisha Dence, lives in the former mill town on one of the routes between Seattle and the Olympic Peninsula.
Two days after this performance, very well done, incidentally, production-wise, and, particularly, with amazing performances by all the kids, Adam Wipeout James and the Wipeout family cruised down Surf Route 101 to attend an off-Seattle performance of “The Nutcracker” in Shelton.
Yes, it’ community theater season. All of the Dence family members, also including sons James and Sean, participated in various projects in Quilcene (also on Surf Route 101) in the past. Everyone did pretty well. Sean could incredibly well, memorizing and delivering every line perfectly. I had great stage presence and a great deal of trouble remembering my lines.
It was great fun, but I only remember one line from the four or five plays we were in. “This must be the place…” Line. Trish, possibly a bit miffed because she was to play a male’s role (lack of male volunteer actors) asked the director, “So, what’s the deal? I’m supposed to play the Sheriff of Mulecock?
DECEMBER TENTH- I’ve told a few folks that this is the traditional end of paint projects for any given year. Not that I plan or want it to be; it’s just, over the thirty-four years or so that I’ve been out here “on the edge of the ledge” (another seemingly accidental line from Trish), I seem to run out of jobs like… yesterday.
December 10th is also my late sister Melissa’s birthday. She was the first of my three brothers, three sisters, and a half-sister to pass. She was my youngest sibling and, though it’s somehow wrong to say it, closest to me because she was an amazing artist. I continue to think of her whenever I attempt to draw or paint. She once asked me, “Do you want it fast or do you want it perfect?” “Both.” “Yeah, both would be nice.”
I sthought of her briefly yesterday when I was helping Dru hang Christmas lights and decorations. A couple of years ago Melissa and Jerome Lynch’s son, Fergus, was on hand for this task. He seemed to be amazed at how I was free-forming the lighting, this string here, that there. “What?” “Well, it’s… great. My mom would spend… days. Everything had to be precise. And you just…” “Yeah; I do. Just…”
Two works by MELISSA JOANNA MARIA MARLENA DENCE LYNCH. Melissa Jo. Our mother added the rest as a sort of lullaby.
A couple of nights ago I woke up with the lines, “You thought I forgot. I did not.” Middle of the night lines most often disappear. Because, while trying to sell my novel, “Swamis,” I’ve been concentrating a bit on poetry. Not that I’m a poet; more like songwriter, and I can pretty much promise that the words will change, I wrote this with my sister in mind, although it might also speak to loss of friends. Our father died around Christmas.
If I Thought I forgot
If I thought I forgot. I did not.
I could not, cannot, will not forget about you.
I have no desire to.
Of my memories gone, thrown out or abandoned,
Sun-dried into dust,
Plowed under, half buried,
Dissolved in deep waters,
Obscured by mildew or rust,
Illegible scraps
Caught in the brambles,
Too deep in the thicket,
Hidden,
Somewhere, in boxes and closets and drawers,
None are of you.
Some files are too disruptive,
Some memories too painful,
Grief and beauty overwhelming.
Still,
I save them close at hand,
Easily accessed.
Still,
If I trip on some reminder,
Stumble across some image,
The tiniest clue,
Something that, for some reason, reminds me of you,
It all comes back,
Suddenly, painfully, beautifully.
So, no,
If I thought I forgot about you,
I did not.
Thanks for checking out realsurfers. I will have updates on my dead SUPER FUN CAR, a possible replacement surf rig, on waves and rides and gossip and rumor. SUNDAY. And please remember original works on realsurfers.net are protected by copyright, all rights reserved.
Good luck in you search. Focus on the trip as well as the destination. A full memory bank is all we really own.
FUN CAR UPDATE- I managed to get the new heater control valve into the Engine compartment, after consulting with master mechanic GEORGE TAKAMOTO, with a sleeve on the damaged vacuum advance hose, a minimum of swearing, a bit of ‘I can do this’ self hypnosis, and only a couple of cuts, AND it started, and it didn’t overheat, and… and I was still a bit reluctant to drive it very far. That was probably good. I ran it a little a little later on. Again, it ran okay… didn’t overheat, a bit of steam that cleared up, BUT there had been a concerning ‘clunk’ when I started the engine. Not a ‘click.’
The difference is everything. I’ve driven old vehicles almost exclusively since I started. My father was a mechanic and got me a succession of cars he got cheap. He then got to pick me and the car up, tow it back into the shop for repairs. Or they were dead. Killed. Murdered.
I recently told Trish how much I love my thirty-year-old Volvo. “Don’t say that!” Too late. SO, in daylight, I checked the oil cap and the dipstick. Oil that was properly black yesterday is now the color of coffee with a bit too much milk. Blown head gasket. Not just a guess. Not good.
Relying on my twenty-nine-year-old Ford van with 228,000 miles on it means trips out to chase down waves will be seriously curtailed.
George Takamoto, a friend of Trisha’s and mine for well over thirty years, did tell me that he told a mutual friend that the Volvo probably wouldn’t last… some amount of time… Doesn’t matter, he was right. George is well aware of the trucks and vans and cars I’ve killed outright, and the other rigs that got to the point that whatever was wrong with them was more than the value of the vehicle. I’m hoping this isn’t the case with my Volvo. We’ll see.
LIGHTNING BOLT MYSTERY- Having found some Christmas ‘stuff’ in a little room off of the mud room I had intended to be a tiny art/writing area, I opened one of the many bins now clogging the space and found this. It’s made to fit a board up to six feet, and has a strap on the other side that has “BALIN” printed on it. SOOO… of course, it being Christmas, my being a house painter, it being, like, winter, my never planning on riding a sub six-foot board again, I decided to see what I can sell it for.
THIS LED to some amount of time spent researching. Vintage (as in actually manufactured in that era, early 70s) Lightning Bolt boards go for surprising amounts of money. SO, I contacted a surf shop in (of course) Florida. After some delay, I got a text saying there was no comparative value (‘comp’ to insiders and real estate people, though having a room at a hotel ‘comped,’ different- compensated, maybe) on the bag.
OKAY. I checked out “Balin.” Yes, a dwarf in “The Hobbit,” but also a manufacturer of board bags in AUSTRALIA since (this is important) 1974. NOW, because provenance is everything, as any even sometimes viewer of “ANTIQUES ROADSHOW” knows, is everything, this fits with my story that I got the board bag before I moved up from San Diego at the end of 1978. The question is: Did Balin make bags for Lightning Bolt. Unable to get a workable email address for Balin, I filled out one of those things on their site. This was Saturday morning for me, possibly Sunday night for them. I haven’t heard back. Yet.
I got a text from the Florida shop later yesterday asking about the bag’s condition. “How is the iontegrity? Is it dry rotted? as these things tend to almost fall apart in your fingers after a certain amnount of time.” I texted back, “Perfect.” Now, there might be a bit of smudge from, perhaps, wax from an unbagged board. I’m not cleaning it off. ANYWAY, I’m not sure of the value. MAKE AN OFFER.
QUOTES- Being a hip and modern person, I do belong to several text groups made up of other surfers. I am always trying to have a clever if not funny response, as are others. There’s a quickie response thing I don’t seem to have on my phone that puts out a “laughed at,” or “loved,” or, “was seriously disturbed by” (I’m guessing) followed by a bit of the humorous, lovable, or disturbing text.
ADAM WIPEOUT always seems to like or love comments by Joel or Chris or Keith, giving short shrift to mine. This is only pertinent because I was telling him about a great story of an intense encounter in Yosemite involving surfer and rock climber SHORTBOARD AARON, Aaron’s daughter, and some Kook climber. “It’s a great story, but you’ll have to hear it from Aaron.”
I actually called Aaron because he often sells things on line. And I don’t. In the course of the conversation I mentioned a session Aaron (and Adam) missed and I didn’t. There was a maximum of seven surfers out for a short window, all of whom know each other well. A different mix of personalities in the lineup can, we agreed, change the dynamic dramatically. There was a bit of drama; nothing involving rangers and/or climbing axes. “So, Aaron says, ‘I think I’d rather miss a session than lose a friend,’ and I said, “Well, I’m glad you weren’t there, but I’m sorry you missed it.’ And…” “That’s great! That should be on a t-shirt.” “The ‘glad you weren’t there’ thing?” “No, what Aaron said.” I wasn’t, you know, deeply or seriously disturbed.
TRISH QUOTE- This was from last night, when I still was holding out hope that the Fun Car just needed a new battery. Trish was talking on the phone with our younger son, SEAN: “After 53 years living with your father, out on the edge of the ledge…” Edge of the ledge. LOVE IT!
“SWAMIS” NEWS- I’m keeping track. I sent out seven query letters, three with (as allowed) the first ten pages of the manuscript. I got a rejection from Farley Chase, emailed from New York at 4:30 am, PST; so, perhaps, Farley starts his day giving bad news to hopeful writers. He did say he wasn’t doing much fiction. I wrote back something nice. No, really; ‘chuck you Farley’ was not part of it. No doubt he has received that at some point, perhaps from a fiction writer. So, okay.
The first submission I sent was to HILLARY JACOBSON. She evidently represented some books I’ve actually heard of. One of those was mentioned recently on NPR. AND she says she is interested in books with strong female leads. Yes, “Swamis” has that. So, if you have some influence with Hillary, let her know. MEANWHILE, there’s surf somewhere.
I don’t think I have to put anything about copyright for this posting. If you want to know more about Aaron’s story, ask Aaron. I’ll have more content Wednesday.
If you follow REGGIE SMART on social, you have probably already seen this shot of him jumping off Black Rock on Maui. He texted it to me before headng back to the cold reality of the Pacific Northwest. I asked him what it takes to make this leap. “Ya drink rum first… then jump off four more times.” Oh, yeah, rum.
KARMA is… not something to be messed with.
Yes, I am aware that, between revolutions, the KARMIC WHEEL makes a few stops. So, MAYBE I shouldn’t have given the two-handed salute in this photo op; MAYBE I shouldn’t have told TRISH how much I love my ‘super fun car.’
MAYBE found me out on the Coyle Peninsula, cruising home and kind of checking the beautiful almost winter sunset over the Olympics, creamsicle orange streaks over the snow covered crags. AND THEN I couldn’t help but notice the sudden burst of steam, first out the rearview, then out of the engine compartment.
Yeah. Fuck! One of the few old rigs I’ve owned (and killed) that didn’t leak oil, didn’t use water, and the temperature gage is pegged. Fuck! Lacking any nearby driveways on this one way in, one way out winding road to the end of another Peninsula, I pull over in a clearcut rather than in the woods, swearing and praying at pretty much the same time. Or alternating, more like it.
I do know the consequences and the odds. Blown head gasket, blown engine, something not worth the price of repairing, another dead rig on a long, sad list of dead rigs.
And, of course, still twelve miles from home, I have no reserve gallon of water. Now, MAYBE VOLVO engineers are a bit ahead of me. Although I turned the ignition off, a fan, somewhere, kept running for a while. I had a 33.8 bottle of Kirkland alkaline water, two bottles of a sport drink, and the remains of my thermos of coffee. Liquids are only put into the engine’s overflow tank rather than the radiator on this vehicle, so, after a bit of cool down time, darkness dropping like an additional treat (or punishment, or just, like, night does).
I check. The water isn’t going to the ground from some obvious leak. The car starts, seems to be running okay. I shut it off and call Trish. She doesn’t answer.
THEN, surprisingly, like a GOOD SAMARITAN, kind of, an SUV pulls over, and, after some discussion, a woman hands me a bottle of water. THEN, more surprisingly, one of those oversized trucks I complain about when they pass me, pulls over on the other side of the road. It’s, guessing, a man and his son. They give me one gallon of water that fills the tank, and another as ‘just in case’ back up.
I AM in the middle of thanking them when Trish, finding one of few places with cell reception, calls and starts reminding me of my bragging and my record with cars and… “I have to go. I think, maybe it’ll be all right.” “Maybe?”
NO, I didn’t make it home; at least not without three more stops. One on the Dabob Road, halfway in the ditch; use up the just in cast water, keep going, Trish calling in areas where the call goes through but neither of can hear the other. Multiple calls. I get to the Center Road. Trish is sending our daughter with three gallons of water. “It’ll be a while.”
I decide to find out if it’s a hose. There are, seemingly, miles of hoses coming from the radiator. I find one that is, indeed, unattached. I’m on top of the engine, in the darkness, trying to find the place where the hose connects when DRU drives up. YES! It might be this thing that might be some sort of thermostat, hose in, hose out. NO! The place where is would and did attach to the plastic dealie is broken off.
TRISH calls to tell me that, between praying (possibly some cursing), she checked the internet and, if all the steam came out in a burst, it’s probably a blown hose. “Thanks.”
One more fill up on SURF ROUTE 101, about a hundred yards from my driveway and… HOME! THIS, incidentally, is at least the fifth time my daughter has had to go out in the dark to save me from some breakdown or dead battery or whatever. She’s keeping track and said, “This is why I moved back from Chicago.”
THE PLAN is for me, after an unsuccessful internet search for a part for a thirty year old car, to get the part out of the car, take it to a parts place, and have them figure it out.
NO, IT’S NOT A surf story, per se, but I was kind of hoping that today, with the readings, as usual, iffy, that maybe. MAYBE.
KARMA. Yes, I’m considering it. Bring water.
Thanks for reading.. See you, hopefully not on the side of the road. Surf and “Swamis” stuff coming on Wednesday.
RANDY at COHO PRINTING in Port Townsend stayed late to do some tricky stuff on my recent drawings. A Port Townsend native and super avid fisherman, I made the kook mistake, while trying to describe the lighting particular to looking north into the water, of asking him if he fished in the Strait as well as… you know, other waters. There’s nothing quite as enjoyable as that ‘you’re a kook and an idiot’ look. Happy Thanksgiving, Randy! Hope theyre, you know, like, biting.
Top to bottom- THE FIRST DRAWING was a sketch wasn’t too stoked on. Always tough to try to do faces on surfing illustrations. They’re either cartoony or… usually kind of cartoony, as is this one. SINCE my drawing board is plexiglas, I flipped the paper over, put it up to a light, and redrew it as the…
THIRD DRAWING. The cartoonishness might be mitigated by the modified cross hatch technique that, oddly enough, I’ve been doing almost since I tried (and failed) to duplicate Rick Griffin’s work in ‘Surfer.’ OH, and I screwed up, had to glue in a patch, try to make it match.
THE SECOND DRAWING is one of those I draw in reverse, black-for-white. I had it reversed, went into that drawing to add detail, had it reversed again, did some touchup on that, and, Voila! this one. OH, and, again, there is a patched section. SO, another original for Original Erwin is, you know, not pristine.
THE FOURTH DRAWING is one I kept after ripping up three others, the first one a muddied attempt at using pastels despite my being acutely aware that the palm of my hand is way too heavy for chalk or pastels, or pencils. OH, and really wanting a serious drawing of JULIE for “Swamis,” I can’t seem to draw a woman’s face that I’m happy with. Semi happy with this one.
I wanted Randy to do a copy of the FIFTH DRAWING with a blue or silver rather than black on white. “It’s not like I want something that’s all that tricky.” Well, evidently, with Randy’s Star Wars computer/printer set up, it is tricky, can’t just use one of the colored inks. So, next best thing, I got some copies printed up, black on a silver-blue paper. OH, and yes, it is pencil, but with ink over drawing AND, just for more drama, I added some white dots. They don’t show up so much on the original, but when I added some on one of the copies… Yeah, next time I’m at the COHO, I’ll get a scan of that.
IF THIS SOUTH SWELL/ BOMB CYCLONE STUFF KEEPS GOING, I’ll probably do some more drawing AND keep micro-editing stuff required to get “SWAMIS” published.
I am, as always, THANKFUL for the folks around the world who check out realsurfers. I HOPE YOU GET SOME SURF. New stuff on SUNDAY!
All original works are protected by copyright. All rights reserved by Erwin A. Dence, Jr.
AGAIN, I missed an opportunity to take photos. I wasn’t aware randomly running into HELMET BOY would turn into a story, and I wasted some time looking for a photo I could use (you google what you want and only find people who want money for their photos), and then checked my stats. SHIT! I am trying to get people accustomed to checking out my site on Sundays and Wednesdays, but, no, I wasn’t ready.
SO, I went to the piece I wrote, and, naturally, had to do some editing. AND SO I’m posting this part now, and later… latest art attempts, almost-weekly ADAM WIPEOUT update, and the latest edit of my query letter as part of my attempt to sell “SWAMIS.”
The Cold Shoulder
Chris and I were on the bluff, doing that thing surfers do, talking previous sessions while keeping our eyes on the very late afternoon conditions in the water. Waves would rise on the kelp beds, black dots on brushed silver, line up, the faces of the lines going black. Clouds, heavy on the horizon, were threatening rain and promising nightfall.
Beautiful.
Three surfers were still in the water. Keith, a hyper-dedicated local, was surfing better, objectively, if objectively includes taking off at the proper spot, dropping in cleanly, driving through sections and pulling out with a loose and smooth style, the result of and proof that he has a very high wave count.
The wave count comes from a dogged dedication, enduring countless skunkings; from relentlessly searching for waves on a fickle, unpredictable coastline; and from a willingness to ride anything from barely breaking to ridiculously dangerous waves; all in cold water with nasty rocks and often vicious tides. It shouldn’t be surprising that riding a lot of non-epic waves prepares one for the rare gift of, not to exaggerate, decent waves.
That is not the story. Chris had surfed earlier on this day. I arrived minutes too late to suit up and get more than a couple or rides. But… Chris and I had been out days before for one of those rare sessions with rare and truly memorable waves (and yes, ‘rare,’ twice, it’s that rare. Word had gotten around. Surfers who don’t check the conditions religiously showed up; surfers who don’t know the lineup, paddle past those who do, blow takeoffs, get in the way. So, normal stuff.
Still, any discussion from the bluff or the beach includes who is surfing, how they’re surfing, and how they even knew there might be waves. Chris and I were beyond that, on to the subject of rights, and rights of way, and the seemingly unsolvable issue of priority. We were on how brutal that wipeout Joel got was, how long the rides were, how critical (and again, how rare) when a young guy (like, in his 20s) rides up next to us (switching to present tense, for fun) on a bicycle, slamming (to channel a little Springsteen) on his coaster brakes just before he would go over the six foot drop to driftwood and rocks. The obvious daredevil is wearing a helmet. Light yellow, maybe. He checks Chris and me out. He has a sarcastic smirk on his face and seems to want to participate in the conversation. Not someone either of us recognize, the standard practice is to not engage. If he gives me a tip of his helmet, I might break protocol and give him a half nod. Still, not an invitation.
Chris turns away, the literal version of the metaphoric cold shoulder. Because my right ear, narrowed by bone growth, is plugged up from not wearing my earplugs during my most recent three sessions, some wipeouts incurred in each, I face the bicycle guy. Lip reading has become something I attempt out of necessity, fully aware that being hard of hearing is somehow equal to being rude. Sorry. Speak up. Please.
“Oh, yeah,” Bicycle Boy says, followed by something like… Okay, I heard it wrong. Chris heard it correctly. “You guys are cracking me up over here. All like, ‘Yeah, top ten ____ ____!’ and, ‘____ ____ top ten!’” He throws his hands out toward the water. Chris mouths, “Top three! (Exclamation mark implied!!)” I nod. Big nod.
My response to Helmet Boy is something like, “Yeah, surfing, man, it’s so… juvenile.” But,
in the category of ‘what I should have said’ is, “Why don’t you tighten your chin strap, get back on your 3 speed Huffy, and go see what your mom’s making for dinner.”
What Chris did was raise his right hand over his shoulder as Bicycle Boy picked up his bike like a skirt, spun around, and rode past us. Single finger salute.
Good move. Smooth. Stylish. No wasted big arm movements.
NOTE- As far as photos of what might have been a top three session… Hmmm. There’s a policy. I don’t think you can buy any, but I haven’t really checked. Google “All time surf on the Strait of Juan de Fuca.” I did; it’s as frustrating as trying to find waves… not to dissuade you… too much.
TYPICAL November doppler image. TWO illustrations derived from the same source. I couldn’t wait for the scans. ADAM and his sister LISSA taken from a cookbook Dru’s friend LIESHA purchased. Modeling the wellies (proper term on tide flats, ‘pig boots’ otherwise) with style.
I have recently spoken with several people pushing me to self-publish my novel. Not my first choice. To that end, I’m trying to get an agent, necessary stop to not paying but getting paid. My daughter, Dru, is putting the package together; query, sample illustrations, first ten pages. HERE’S the query letter:
Query- “Swamis,” Fiction of the ‘totally could have happened’ strain by Erwin A. Dence, Jr.
Dear _______ ________,
That my 92,000-word novel “Swamis” has become as much love story as murder mystery is a surprise to me. Almost. The action centers around the surf culture at Swamis Point in North San Diego County. It is 1969. An evolutionary/revolutionary period in surfing and beyond, to those who have only known crowds, this was a magical era.
Joey DeFreines, Jr, the narrator, is the son of a Japanese ‘war bride’ and a detective with the County Sheriff’s Office. The ex-Marine is trying and failing to maintain a balance and calm as marijuana becomes a leading cash crop in the unincorporated area that are his jurisdiction and as the completion of I-5 supercharges population growth.
Very close to turning 18, Joey is damaged, troubled, prone to violent outbursts, and possibly brilliant. A compulsive note taker, Joey, nicknamed ‘Jody’ after a military cadence, is an ‘inland cowboy’ outsider who wants, desperately, to be a ‘Local.’
And he is desperately attracted to Julie Cole, one of a few girl surfers in the beach towns along Highway 101. Nicknamed Julia ‘Cold,’ just-18-year-old Julie might appear to be a spoiled, standoffish surfer chick, rabidly protected by her small group of friends. She is also almost secretly brilliant, and quite strong willed.
Julie’s father is a certified public accountant who may, with help from outwardly upright citizens, be laundering increasing amounts of drug money. Julie’s mother, Julia, moves from fixer-upper to fixer-upper in a housing market about to explode. She may also be the head of a group growing, packaging, transporting, and selling marijuana. Once grown in orchards and sold to friends of friends, the product is moved through Orange County middlemen to the larger, more profitable, and more dangerous market of L.A.
Joey and Julie, both concentrating on studying and surfing, are rather blissfully unaware of what is going on around them. Joey’s father’s death, for which Joey may be responsible, has connections to the violent and fiery murder of Chulo, a beach evangelist and drug dealer, next to the white, pristine, gold lotus adorned walls of a religious compound that gives Swamis its name.
Finding Chulo’s murderer, with those on all sides believing Joey has inside information, pushes Joey and Julie together.
There is an interconnectedness between all the supporting characters, each with a story, each as real as I can render them.
“Swamis” was never intended to be an easy beach read. And it isn’t.
Me? I am of this period and place, with brothers and friends who were very involved in the marijuana/drug culture, both sides. I was not. It is very convenient that a Swami, like a detective, like many of the characters in the book, is a ‘seeker of truth.’
I have written articles, poems, short stories, screenplays, two other novels, some moving to the ‘almost’ sold category. I had a column “So, Anyway…” in the “Port Townsend Leader” for ten years, I’ve written, illustrated, and self-published several books of local northwest interest. I started a surf-centric website (blog) in 2013: realsurfers.net.
After many, many edits and complete rewrites, I believe the manuscript is ready for the next step. Thank you for your time and consideration,
Erwin A. Dence, Jr.
As always, anything that you think might be protected by copyright is. So, thanks for respecting that. MEANWHILE, if you have something to say to me, say it loud. AND, get some waves if you can, preferably EPIC! ALL TIME! TOP THREE! AND, Wednesday, like… 10ish..
I kind of forgot it’s Wednesday. I did say I was going to give an update on my attempts to sell my novel, “SWAMIS.” No, I’m not ready. I am waiting for feedback on my original query letter because, try as I may, though I can go on at length about each character and any and all of the plot points in the manuscript, it has proven extremely daunting to write one page that will convince an agent or publisher that he or she HAS to read it, buy it, print it. Still, I try.
Two illustrations by Scott Quirky (not his actual last name): “Heart of the Sun” and “Globular Raven,” though, he wrote, “They really actually have no names. I let the viewer see what they see..” Really and actually? Okay, I’m seeing…
I did just write a little essay in which a non-surfer has some sarcastic observations about how surfers can go on (or go off) about how awesome wave riding can be. I’ll save if for Sunday.
TODAY is the many-third anniversary of Trisha’s marriage ceremony. SO…
Gary and Roger were my closest surf friends. Roger started board surfing the summer I did, 1965. Gary started the next summer. By the time we were seniors, many others had tried surfing. Most didn’t stick with it for long. Though Roger lived closer to me, Gary offered to give me a ride home.
So, of course, my computer skills fail me. This is a ‘cut’ from “Swamis” I didn’t mean to ‘paste’ here. Inside scoop: Gary and Roger were my neighbors when I lived in Fallbrook. Their family had a bomb shelter; ours didn’t. The characters in the novel are actually based on my friends, Phillip Harper and Ray Hicks, though I kind of get confused in the writing as to which is which. I, sadly, lost contact with Phil years ago. I just spoke to Ray, who I give a lot of credit for getting me back into surfing, last night.
Okay. Out and Back.
Rainy Days in Real Life
An old wives’ tale is that rainy day marriages last. Who better to know the truth of this?
Paul Simon, married several times in real life, wrote: “We were married on a rainy day, the sky was yellow and the grass was gray; filled out some papers and we drove away; I do it for your love, I do it for your love.”
November is the rainiest month in the Great Northwest. We’re somewhere in the eye (or not) of a bomb cyclone/atmospheric river event, so, if you’re planning on getting hitched, hustle it up. Or consult the almanac and set a date.
It was raining on this day, November 10, 1971, when Trish, nineteen-years and eleven days old married me, twenty-years and almost three months old. We thought we were pretty grown up. Still do. We weren’t ‘that’ grown up. Still aren’t.
That any relationship can survive over time is genuinely amazing, A-maz-ing! People who haven’t met Trish want to meet her. Most often, when asked, it’s to see what kind of woman could possibly put up with me.
I already said ‘amazing,’ twice. So, ‘beyond amazing.’
Our daughter, Drucilla, asked me yesterday if I, notorious for not giving Trish gifts, was going to, perhaps, write a poem or something in honor of the occasion. “You mean, like, something new?”
I’m not sure what to write about someone who cries for no reason obvious to me; who refuses to cry when there is good reason; who might panic over some small thing but is strong and determined amid disasters; someone who is wise and decisive, rational in a situation, offering a solution, an attitude adjustment away from anger and frustration.
In all the big decisions we have made in our relationship, me arguing against most of them, Trish has rarely been wrong. All right, almost never. And yet, she has always had faith in me. Not blind faith. True faith. I’m still trying to make that a correct choice.
Here are a few lines from ‘Honey Days.’
“Is it love that gets us through the constant storms, is it love that gets us through that dark December? Love is love, but love can take so many forms; there’s love that’s felt and there is love that is remembered. Years have passed, endless rains, broken glass and empty trains, yet it’s our love that sustains through honey days… I remember.”
I did write a verse for a song a while back, one verse in need of a chorus and two more verses. I very recently came up with a second verse. And no, the ‘honey’ thing, not a theme.
“Hold off on that sugar, Honey, I don’t want to die, I just need a taste of something sweet to get me by; Honey, you should know by now that I might never be, someone who’s as good for you as you have been for me.
I still can’t believe it, Honey, you have been so sweet; didn’t know I needed you to make my life complete; Honey there are universes dancing in your eyes; it’s not just that, it’s so much more that keeps me hypnotized.”
It is tempting to put other examples of Trish-inspired songs/poems. I have them. Julie, one of two lead characters in my novel, “Swamis,” is Trish-influenced. Definitely. Julie has that inner strength; she is intuitive, always seeking the truth, and able to sort through the bullshit to find it.
So, yeah, everything I do other than, perhaps, my ongoing affair with the other woman in our relationship, surfing, “I do it for your love.” And, not to think too much about this, but I did love surfing first. If Trish is, then, my mistress… Well, so be it.
This is actually before we got married; Trish seeming to be wondering what she could possibly see in me. I still have no answer.
Quick Reggie Smart Update: He and Jasmin and two kids are headed to Maui for a eight days, hoping, of course, to get some surf. I have to mention JASMIN because Reggie says she reads realsurfers, like, all the time. SO, thanks, Jasmin, and thank you for checking it out.
I should mention that the rights to Scott’s stuff are his. NEW STUFF ON SUNDAY! If you see some waves, get out there!
I just and finally got this Wheelie, and, I know, it’s kind of cheating, but, if you’re riding an e-bike down the trail, or a regular bike, um, yeah, I’ll cheat… a bit. OH, yeah, I agree that riding an SUP is cheating. So… don’t.
I was the only one checking for surf after a very dark and very night. Me and this seagull. All I had was a banana. One-third for me, two thirds for… this guy.
When I have some free time, I sometimes do some drawing. the excerpt from “Swamis,” chapter nine, has Joey going to a clinical psychologist, court-mandated after he had an incident in which he ended up with his foot on another student’s neck. ANYWAY, you don’t have to psychoanalyze me because I can’t seem to not go a bit too psychedelic.
CHAPTER NINE- MONDAY, MARCH 24, 1969
I was driving my mother’s 1964 Volvo four-door. Because I never told the DMV I had a history of seizures, I did get a license, I did drive. Because my mother believed I was getting better, she allowed me to drive. Still, she looked in my direction frequently. Because my father believed I was getting better, he taught me. If I did, indeed, have some kind of brain damage, I could force myself, will myself to control the freezes my father called ‘lapses,’ and the outbursts he called ‘mistakes.’
There are stories for each sport I was pushed to try, each team I did not become a part of. Each story involved my lack of attention at some point of time critical to practice or a game. More often, I was asked to leave because, while I had not been what my father called ‘fully committed,’ I had committed violent, unsportsmanlike attacks on an opponent. Or a teammate.
I was, initially, pushed toward surfing. My father’s answer to my fears was, “If you have a lapse, you will drown. So… don’t.” It was the same with driving. “Concentrate. You’re always thinking behind. You have to think ahead. Got that, Jody?”
My mom and I were heading down the grade and into La Jolla. “Favorite part of the trip, Mom; the ocean’s just spread out… so far.”
“Eyes on the road, please.” I glanced past her, quickly, hoping to see some sign of waves around the point. She gave me her fiercest look. I laughed, looked at the road, but looked down and out again on a curve. Scripps’s Pier. Waves. “Are they testing you again, this time?”
“I don’t think so. The new doctor. Peters. She’ll, I guess, analyze whatever they found out last time with the wires and the fancy equipment.” I looked over at my mother as we dropped down through the eucalyptus trees at the wide sweeping right-hand curve that matches the curve of La Jolla Cove. “So, maybe we’ll find out; either I’m crazy or brain damaged.”
“Eyes on the road, please.”
…
I was in the office, standing under a round ceiling light installed a few inches off center. I had two PeeChee folders, three notebooks in each, set on a long, thin, empty walnut table. I opened the blue notebook in the top folder, wrote something I had just remembered, and closed it and the folder. I moved my pencil between my fingers until I dropped it.
The cabinets on two of the walls were cherry. A tile countertop featured a double sink. Porcelain. This was a rented space, easily converted. The six windows on the south wall extended from about a foot-and-a-half from the floor to eight inches from the ceiling. Four of the windows offered a view of tropical plants up against a mildewed redwood fence, eight foot high, no more than three feet away. The light that could make it through the space between the eves and the fence hit several, evenly spaced, colored glass and driftwood windchimes. The sound would be muted, nowhere near tinkly.
The fourth wall had a door, hollow core, cheap Luan mahogany. Several white lab coats were hanging on it. There was an added-on closet, painted white, with another mahogany door, this one rough at the hinge side. Cut down and re-used. There were, on one wall, six framed copies of diplomas or certificates. Three doctors, two universities. Two unmatched wingback chairs, each with an ottoman, were canted toward each other, facing the window wall.
The mahogany door opened. Dr. Peters entered, carrying a large stack of folders, most tan, several in a gray-blue. She kicked the door closed, dropped the stack on the table. She removed her white lab coat, hung it on the door, turned and pointed, with both hands, at the Gordon and Smith logo on the t shirt she was wearing.
“More of a San Diego… city thing, Dr. Peters.”
“Susan. I met Mike Hynson once,” she said. “He was in ‘Endless Summer.’ I figured you’d be either put at ease or impressed.”
“Once? Mike Hynson? Professionally?”
She shuffled through the stack, breaking it into thirds. Roughly. “Funny.”
“Is it?”
“No. It’s… funny you should come back with… that. If he was a… client, I couldn’t say so. I nodded. “So… I’m not saying.”
“No.”
Dr. Peters shook her head. “I went to his shop. Really cool. It’s not like I surf. I am petrified of the ocean.” She pulled out a folder from what had been the bottom third of the stack. “You?”
“Sure. There’s… fear, and there’s respect. A four-foot wave can kill you.” She may or may not have been listening. “Is that my… permanent record?” Dr. Peters laughed as if the remark was clever or funny; it wasn’t either. I didn’t laugh. She let her laugh die out.
She pointed toward the wing chairs. I shook my head. “Okay.” She pulled an adjustable stool, stainless steel, on rollers, from the corner on the far side of the closet. She motioned toward it. An invitation. “Or… we can both stand.”
“If it’s… okay with you, Ma’am. Dr. Peters.”
“Susan. What do your… friends call you?”
“Trick question?”
“Maybe. Okay. Yes.” We both shrugged. “And the answer is?”
“Surf friends. A couple.” Her reaction was more like curiosity than disbelief. “Friends call me Joey. So… Joey, Dr. Peters. I… I’m not… accustomed to calling my superiors or my elders by their first names. Respect.”
She leaned in toward me. “I’m fucking thirty… thirty-one. Joey. Young for a clinical psychologist. So?”
“Now I am impressed, and at ease. So… okay.” The Doctor squinted. “But, uh, Dr. Peters; you’re now, I’m guessing, my court mandated doctor of record?”
Dr. Peters restacked the folders. “Your father… and you… agreed to that.”
“Negotiated. Grant’s dad’s an… attorney.”
“Your father’s… was… a detective. Couldn’t he have…?”
“Never. My fault. Best he could do, with me too close to turning eighteen, is… this. A… choice, an option. We… discussed it. But… question; you’ve already suggested I might be a bully; how do you feel about… another smart ass trying to get off easy?”
“Most of the smartasses I deal with aren’t so… smart.”
“And the bullies?”
“That… urge; it shows weakness; I’m sure you agree.”
“That I’m weak? I agree. My dad’s take: I either don’t think or I take too long thinking.”
“Thanks, Joey.” Dr. Peters wrote something down. “Now, your dad didn’t want to go with… what he called ‘Psycho drugs.’” She moved from the stool to the larger of the two wing chairs. She sat down and used one foot to pull the ottoman into position. She put both feet up on it. She looked at the other chair, then at me. Another invitation. I remained standing.
“How long since you had an episode? Full?” I glanced at her folders. “Okay; three years ago, lunchtime, evidently out on the square at Fallbrook High School. Embarrassing?” I must have smiled. “Okay. Different subject. Grant Murdoch, your foot on his throat.”
“Weak… moment. But, previous topic… subject… The drugs, never were an option.”
“No. Of course not. But… Grant Murdoch, his faking a seizure caused you to…?”
“He wouldn’t have done it if he’s known I… I never went to Friday night football… activities. My surf friends… persuaded me… to.”
“Had Grant done this prank… before?”
“You mean, did my friends know he might?” I shook my head. “I haven’t asked.”
“So, this time, the prank, you acted… hastily?”
“Prank? Yes, I did.” I closed my eyes, envisioned the episode. Ten seconds, max. I pulled the metal stool over, sat it, spinning around several times. “He was… really good at it. Foaming at the mouth and everything. I was… Doctor Samuels, your electrode man. Spike. Do you have any… results?”
“Inconclusive.”
“You’re… disappointed?”
“No; but skipping over how you, just now, called another doctor, a grownup, by his first name… the tests; it was… bad timing.”
“Because I didn’t have a seizure, or even a… spell? And… Spike is a nickname. If you have a nickname… that you‘re willing to share.” She smiled. “By inconclusive, Dr. Susan Peters, do you mean… normal?”
“Pretty much, Mr. DeFreines.”
“That is… disappointing. The doctor, two doctors back…” I pointed to the files again. “He insisted I was just faking it.”
“Are you?”
“Inconclusive.”
“You didn’t have a… you know about the most common seizure, right?”
“Petit’ mal. Absence. Thousand-yard stare. Yes.”
Dr. Peters smacked the top of my stack of folders. “You study… everything.”
“Some things. Only.”
Dr. Peters looked toward her stack of files. She took a breath, looked at the plants outside the windows, at the chime swaying slightly and silently, then back at me. “You went back into… regular, public school, in the third grade. Tell me about that.”
“One of the… teachers… decided I might not be a brain-damaged… retard; maybe I’m… a genius.” I waited for her reaction. Her expression was hard to read. Blank. I danced the stool around until I faced the windows and the plants and the mildewed fence. “I’m not.”
“That’s why you turned down the scholarship?”
I made the half spin back toward the Doctor, waited for her to explain how she knew that. “School records came with a note.”
“Vice Principal Greenwald. Sure.” I spun around one more time and stood up, spinning my body a bit, unable to not smile. “I turned down Stanford because I am a faker, a phony. I… memorize.” I gave the seat of the stool a spin. Clockwise. It moved up about three inches. “I wouldn’t be able to compete with people with… real brains.”
Dr. Peters leaned forward, then threw herself back in the chair. “Okay. We’ll… forget about the competition aspect… for now. This… memorization. Yes. In medical school, I had to… so much is repetition, rote, little mnemonics, other… tricks. My roommate called me… don’t use it. Re-Peters.”
“I won’t… repeat it.” I swept one hand back toward the table. “Sorry. Too easy to be… clever. Or funny.” Dr. Peters shrugged. “So… Tricks. Files. Pictures. Little… movies. I… wouldn’t it be great if we could…?” I walked closer. Dr. Peters pulled her feet from the ottoman. She leaned toward me. “There are the things we miss. They go by… too quickly. If we could go back, just a few seconds, review… See what we missed.”
“And you can?”
“Can’t you? Don’t you… you take notes, you… Do you… rerun conversations in your mind, try to see where you were… awkward; where you… didn’t get the joke?”
“I do. I try not to. I’m more of a… casual observer.”
“That’s me, Dr. Susan Peters; Casual.”
“Observant.” Dr. Peters stood up. The ottoman was between us, but she was close. Too close. She was about my height. Her eyes were what people call hazel. More to the gray/green color used in camouflage. “Tell me…” she said, quite possibly making some decision on the color of my eyes, “I’m trying to determine if there’s a trigger, a mechanism. Tell me what you remember about… the accident?”
“The… accident?”
“When you were five.”
“I don’t… remember that one. I was… five.”
“No, Joey, I believe you do remember… that one.”
…
This wasn’t a brief remembrance of past events, this was a spell I couldn’t avoid, couldn’t think or will myself out of, and couldn’t stop. I stepped back, turned away. I shook my head. I tried to concentrate on… plants, the ones outside the window. Ivy, ferns, the mildew, the grain of the wood… “Like Gauguin,” I told myself, “Like Rousseau,” I said, out loud. “There’s a lion in there… somewhere.”
“Can you tell me what you remember, what you… see?”
I could not. The Doctor stepped between me and the window. She started to say something but stopped. She looked almost frightened. The image of the Doctor faded until it was gone. I was gone.
…
Everything I could remember, what I could see, was from my point of view.
I pulled down my father’s uniform jacket that been covering my face. I was in my father’s patrol car. Front seat. He took his right hand off the steering wheel and put it on my left shoulder.
“Our secret, Jody boy. Couldn’t put you in the back like a prisoner.” I didn’t answer. “Too many of you Korean War babies. I can’t believe… if they’re gonna have half-day kindergarten, they should have… busses both ways.” No answer. “Best argument for your mother getting her license.” No answer. “When I get on the school board…”
The light coming through the windshield and the windows was overwhelmingly bright. There was nothing but the light outside.
My father yelled something, two syllables. “Hold on!” His hand came across my face and dropped, out of my sight, to my chest.
His arm wasn’t enough to keep me from lurching forward. Blackness. I bounced back, then forward again, and down. Everything was up, streams of light from all four sides, a dark ceiling. My father was looking at me. His shadow, really, looking over and down. “You’re all right. You’re… fine.” He couldn’t reach me. The crushed door and steering wheel had him trapped. His right hand seemed to be hanging, his fingers twitching. He groaned as he forced his arm back toward his body. “We’re… fine.”
There were three taps on the window beyond my father. “Stay down,” he said. I could see my father’s eyes in the shadow. He looked, only for a second, at his gun belt, on the seat, coiled, the holster and the black handle of his pistol on top.
“You took… everything!” The voice was coming from the glare. “Everything!”
The man came closer. The details of his face were almost clear, then were lost again to the glare, like a ghost, when he leaned back.
“If we could just…” my father said as the suddenly recognizable shape of a rifle barrel moved toward us. Three more taps on the window. “If we could… relax.”
I could hear a siren. Closer. I tried to climb up, over, behind my father’s shadow.
“Everything!”
“No!”
The first gunshot, my father screaming the shattering of glass in front of and behind me were all one sound. The pieces of glass that didn’t hit my father blew over me, seemingly in slow motion. A wave. Diamonds. My father’s left hand was up, out. A bit of the light shone through the hole. I could hear the siren. I could see a red light, faint, throbbing, pulsing. The loudness of the siren and the rate of the light were increasing. I could see the man’s face, just beyond my father’s hand. His eyes were glistening with tears, but wide. Open. His left cheek was throbbing. I could see the rifle barrel again. It was black, shiny. It was moving. It stopped, pointed directly at me.
My father twisted his bloody hand and grabbed for the barrel. Again.
I could see the man’s face. Clearly. His eyes were on me. Bang. The second gunshot. The man looked surprised. He blinked. He fell back. Not quickly. He was a ghost in the glare, almost smiling as he faded and disappeared.
Tires slid across gravel. The siren stopped. The engine noise was all that was remaining, that and something like groaning; my father, me, the guy outside. Mr. Baker. Tom Baker.
“Gunny?” It was a different voice.
“I’m fine.” It was my father’s voice, but at a slower speed.
“Bastard!” It was the new voice, followed by a third gunshot.
Dr. Susan Peters came back into focus. She looked quite pleased.
I HAVE COMPLETED my many-ist rewrite of “Swamis.” AFTER chatting for an hour on the phone with the head of a publishing outfit, I am now looking for an agent. I’ll get into this next time. THIS time, thanks for reading. Remember that original stuff on realsurfers is protected by copyright, all rights reserved. Thanks for respecting this.
AS FAR AS WAVES, best of luck; if I don’t see you on the water, maybe I’ll see you on a trail. WHEELIE!
Real Surfers 