Whale Songs and Bargains Made

An illustration by my late sister, Melissa Jo Dence Lynch. Copyrighted. All rights reserved by her estate and Jerome Lynch. No, Melissa didn’t drown… unless cancer is a sort of drowning. Fuck Cancer!

I’ve gotten into a bit of a thing, lately, Selkies and dark mysteries. Drowning is a part of it. For a surfer, to not consider this is… to not be prepared. SO, I was supposed to use some available time to work on actually completing my novel, “Swamis,” BUT I’m also working on some songs for the still-in-the-planning stage next Surff Culture on the Strait of Juan de Fuca event, to be held in late January or early February of 2026. AND I am still working on collecting and editing material for a possible song/poetry/essay book.

YES, Trish is correct in saying that writing and drawing have affected my life. For years. I’ve given up opportunities to make actual money to pursue these passions, which are now, evidently, replacing surfing as the ‘other woman.’ STILL, Trish has some faith in my novel. “It’s a good story; can’t you concentrate on that?” Yes.

Having just spent some time thinking about and starting to write a post-“Swamis” story, I kind of committed myself to working on the novel last night. BUT THEN, after doing some real world computer work, and wanting to post something decent on a Sunday, I got caught up in the following piece. An essay, I guess, and I made some changes this morning, pasted it on the site, made more changes. OBSESSIVE? Yeah.

Breaching Whale by Stephen R. Davis. All rights reserved by the artist.

                                    DROWNED OUT

What the drowning person hears. Silence? No. The thrashing, if nothing else, creates a sound. Chaotic. Bubbles rising, air to air.

Perhaps the kelp or the sawgrass make a muffled rustling sound as they sway to the rhythm of the river or the tide. The air escaping the lungs whistles, holding back a scream.

There are voices beyond the panic; a song, a whale calling from some unknown distance, or music, crazed and discordant, from some unseen orchestra. The pounding heart sounds the beat. Desperate.

The symphony ends, or will end, in a soft surrender. Peaceful, we’re told.

We don’t believe this. Clawing, kicking, we breach as high into the air as we can; choking, gasping, grasping at the surface of the water as if it is safe. Solid.

We do not return the whale song. We are not whales. We do not understand their language. If a whale heard our scream, it is one among many, many among millions, with a constant war of machines whirring and growling and belching and breaking on the land and in the air. No rhythm, No melody. Chaos.

I don’t wish to drown. Yet, knowing something about drowning, I go into the sea.

Away from sea, I bargain, trade time for time, to get back into it.  

I’m reachable: erwin@realsurfers.net Thanks for checking out my humble site. “Drowned Out” is protected by copyright, all rights reserved by Erwin A. Dence, Jr.

WAVES? I’ve heard some stories, but, for skiers and surfers on the Olympic Peninsula, atmospheric rivers are not what we’re looking for. If you are looking, GOOD LUCK!

If the Waves don’t show…

…get to work.

Here’s a work in progress by Stephen Davis.

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In progress.

I got this on my phone, so, small, and the image (taken from one of many great  photographs he  has taken) was preceded by Steve, who had picked up some new acrylics the day before, describing his latest painting as, “Vibrant.”

“Send it to me.”

On my phone, it was that: Vibrant.

Because Steve and I are quite competitive (that is, 8.5 out of 10), I asked if he’s all right if I attempt a drawing of the same scene.

“Bring it on!”

Okay.

Wait for it.  Wait for it.  Oh, yeah; we’re a little sick of the waiting- bring on some waves!

ARTSY Note: If you look too closely at many artist’s work, at classics; if you look at the brush strokes, try to work out how the colors are blended, or not; if you break down the technical aspects, the layout and the perspective; you’re looking too closely.  Trish and I have one of Steve’s originals, an acrylic image of one of my favorite northwest surf locations, hanging across the room from our bed.  Perfect.  Here are a couple more:

 

Works In Progress

WAVE after wave of rain and wind continue to attack the ‘STILL WILD’ Olympic Peninsula.

MEANWHILE, somewhere on the Big Island, Stephen Davis, lover of all things (and sports) water, who has been doing some crew work on a catamaran built by the famous Woody Brown; part of his job being spotting whales, swimming with dolphins (and tourists); trying to keep a low profile while surfing with non-tourists; has been working on some new canvases.  AND, as seems kind of normal for Stephen, opportunities come his way, including, partially thanks to the captain of the cat (Cap of the Cat), someone is VERY INTERESTED in… oh, yeah, it’s all in progress. YES, part of this is that Steve always seems open to new adventures.  “Um, yeah; that sounds good. Sure.”

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MEANWHILE, I have some new drawings. The “Hobuck” and “Northwest Aloha (or equivalent local term) Shirt” design are probably (definitely) going to have more done to them. If you have any ideas, you can write at realsurfersdotnet@gmail.com

Image (33)Image (32)Image (31)SO, a suggestion from LIZ, at the Printery in Port Townsend, who makes the copies and reductions, said that a common northwest greeting is “What’s up,” or any variation of that.  “Whassup?” “Surf’s UP.”  OH, and she wants a percentage. So far, it’s “percentage of what?” STAY TUNED

A Look Back at the First ‘Surf Culture on the Strait of Juan de Fuca and the Salish Sea Event’

Somewhere before it was my turn to present my short story, “Locals,” I realized a twenty minute reading wouldn’t work with the somewhat fractured audience. By fractured, I really mean distracted. There was a lot going on in and around the Cotton Building, the former Port Townsend Police Station, and, for this evening, the site of the first ever Surf Culture on the Strait of Juan de Fuca Cultural Event.

The Kinetic Kar thingie was happening nearby, there was a dance about to happen at the American Legion Hall, and, hey, it was a High Season Saturday night on Water Street. Former “Surfer” magazine (and many others) editor and the man whose name must appear somewhere on any jacket for any authentic surf-related book, Drew Kampion, was just finishing a slide show. He’d been there (everywhere, with photos to prove it) during surfing’s post-Gidget, short board evolution. As a writer/journalist, Kampion was the Hunter S. Thompson, the Tom Wolfe for surfers. Yes, Wolfe wrote about surfing, but he wasn’t a surfer.

Somewhere after Drew’s casually-presented show-and-tell, with insider stories; with Archie Endo (he volunteered for this, and was very well received) playing surf tunes through a little amp; with people milling about near the tables and easels of art work by legitimate, professional artists Todd Fischer and Jesse Watson, checking out a painting by Stephen Davis that just (I mean just) sold to a surf shop in Malibu; with photographs by Christian Coxen; with some people taking to seats who clearly thought this was some other event; with people (some possibly bored tourists) wandering in off the street; I knew it would soon be my turn.

Gulp.

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This first event came together much like the actual local surf scene; word of mouth, which includes texting, e-mails, random meetings between surfers at Waste Not Want Not (used merely as an example). Keith Darrock, surfing Librarian, came up with the idea of doing a surf-centered event, possibly including me because we ran into each other while looking for surf at a sort-of secret occasional-breaking surf spot. But this is how it worked. Tim Nolan, boat designer, will be displaying his new paddleboard and the cad drawings for it at the upcoming event, partially because Keith ran into him at a surf spot past Joyce.

“Yeah, but, Keith,” I had said prior to the first event, “if it’s sponsored by the library, shouldn’t there be something, you know, like, literary?”

“You know anyone… literary?”

I recommended Mr. Kampion, who actually dedicated a poem to me in “Surfer” magazine in 1969 (possibly because I have a funny name and did have a poem, heavily edited, published in the magazine in late 1968, written when I was 17), and who now lives on Whidbey Island. Keith reached out to him, he agreed to come over, and, relief, now I was the opening act.

Except I wasn’t. I was scheduled last. I tried to appear calm, but actually was unable to see the audience through my reading (only) glasses. That was just as well. I had rehearsed, thrown in some choreography, timed my readings. I didn’t want to screw this up.

At a normal, conversational rate, it took about nineteen minutes to read through.

And so I began.

“Whoa,” someone said, (like, fifteen minutes) afterward; “I didn’t think someone speak so… clearly, while talking so… (pause for a breath)… fast.”

So, this time, for this event, with the Northwind Gallery involved, there may be a bit of a change in the demographic. I would say more sophisticated. Maybe. Maybe the Port Townsend literati. We’ll see. Most of the original artists will have works on display. Background music will be provided by Pete Raab, including a couple by Archie currently working and surfing in Thailand). Drew Kampion has agreed to come back. Author Justin Hocking will be the main act, and I’m not sure how Keith arranged this, but, wherever I am in the lineup, I’ll be reading something shorter. And slower.

But I can read it faster if I have to.

See you this Saturday, starting around 6pm, uptown Port Townsend, upstairs at the Carnegie Library.