It isn’t that I want to ridicule or make fun of or hate on people who want to engage in the exciting world/culture/sport/lifestyle, imagined or real, that is SURFING. I just want to understand some of the folks I see heading for waves, or hanging out near or on the beach, bobbing and/or weaving in the water.
Motivation. I know mine. I just want to ride waves.
Not party waves, and most likely better waves, bigger waves, and as always, I want to ride them better. “Better than whom” is a good question. Better than me. Mostly. Better than you. Yes, if possible. BUT, if you rip, great; I am always ready to identify and appreciate and applaud shredding and ripping and cruising and flowing; surfing done well. I’m really, and this has been true throughout my surfing, uh, life, trying to surf as well as I can during any session and given any and all other factors.
And yes, I am aware of my limitations, and that, to some young hipster I might seem worthy of… let’s say, assessment.
Fair game. See you in the water.
SO, I have been missing a bet by not photographing some of the people I see. Particularly ones I have some conversation with. I have the stories; I need the images.
This is a non-rendering of the guy I saw recently; walking across the entire length of the parking area to, maybe, check out whether there were some waves up thataway. There weren’t. In doing the drawing, I didn’t allow room for his sidekick. Now, It isn’t like anyone can really tell if someone is a good surfer by their outfit, or posture, or by what they say. BUT, if I judged this Grizzley Adams dude harshly, despite his tricked-out surf rig, with overhead sleeping deal AND bike/cooler/campstove rear bumper setup, and his quiver of board-bagged boards, and I shouldn’t have, I did judge his sidekick as a, um, newcomer. Neophyte in, potentially, neoprene. Hard to say. Dudes paraded back across, hopped in the rig, and skedaddled. Maybe you saw them.
Okay. So, yeah, something that connects most of us is a desire to be considered/judged as cool/hip, maybe even rad/whatever the current word is WHILE also trying to be… better. Me too. WHEW! Wow, confession is so… so something. I’m thinking about that. But, Coolness; never achieved it; still trying to get, you know, like, better at it.
Meanwhile, thanks for checking out realsurfers.net and remember that the next chapter of “SWAMIS” on Wednesday. I think we’re up to Joey going to Swamis a few days after Chulo was killed. If so, because I have each chapter covering a single day, that chapter is a three-parter, mostly so it doesn’t not overwhelm any potential reader. Be one of them. And another thanks.
All content on realsurfers.net is covered by copyright protection. All rights reserved by the author/artist.
Some people come to the bluff at Swamis just for the sunsets. Carpenters and insurance salesmen mixed in with the surfers, just out of the water, who had to have one more look. On this afternoon, I was one of those.
“After school, after work surfers. Medium crowd. No hassles. Sunset watchers took over the bluff. One lady, business outfit, thanked LA smog for nice orange sunset.”
It was through this crowd of sunset watchers that Portia walked, right to left, from the Jesus Saves bus at the far west end of the parking lot, to the new brick bathroom and shower facility on the 101 side of the stairs. With something bulky under her left arm, she walked as a dancer, perhaps, would, right hand out, palm down, as if floating across the horizon.
Portia was wearing a blouse that went lower than her hips, set off with a cloth sash, wide, purple. Her skirt stopped just above her ankles. Her feet were bare and tan. Portia’s two main pieces of clothing were in dark and almost competitive prints, Gypsy/Peasant/Hippie look. Her hair was long, straight, dark brown, almost black, accentuated with a band around her head that almost matched the sash. No jewelry, just a smaller version of the cross Chulo wore, hers a conveniently shaped piece of driftwood, hanging from hemp twine.
What I couldn’t describe, at that time, was Portia’s face. Pretty from a distance, she seemed to defy a closer look. Inexplicable. Or perhaps it was that, if you were close enough, she was looking at you with an intimidating intensity you couldn’t match.
You might look at her mouth rather than her eyes.
In the very middle of the pack of sunset watchers, Portia stepped between the sun and a man straddling a bicycle undersized for him. Gingerbread Fred. Portia blocked his view of that moment just before the sun exploded and spread at the horizon. It took another moment before she hugged him. I could see her face over his right shoulder. Dark, shadowed. She looked at me for another moment. Blue. Her eyes were a blue that didn’t match anything else about her.
I saw her, there, and I saw an overlapping image of her from another time. Mid-day, I was taking a break from surfing, just around Swamis Point at an area called Boneyards. Lying on the largest, flattest of the big, soft edged rocks, I was close to being asleep. Portia’s shadow blocked the sun. “Do you know Jesus?”
I didn’t open my eyes. “Whose version?”
“Yours,” she said, without any hesitation. She dropped a pamphlet on my chest and moved back, allowing the sun to hit me full on, again. I blocked the sun with a hand and opened my eyes. The pamphlet was hand drawn, hand lettered, eight-and-a-half by eleven, folded, with some vague message about some vague but wonderful Jesus. I sat up. Portia backed away, turned into the glare, danced up to two young women in street clothes, handed them pamphlets, and danced into the shallows.
This Portia, on the bluff, held Gingerbread Fred’s hand as she stepped away. I would save this image: Hands stretched between them, nothing but light behind them.
I had heard stories about Gingerbread Fred. Almost myths. Tijuana Sloughs, breaks outside of Windansea; Fred was on a list of names of surfers from the pre-Gidget past. Legends: Simmons, Blake, Holder, Edwards, Richards; their stories further enhanced with each retelling.
This was the current version of the man. He was damaged, burned out, not fully there. Korea was the rumor. Or Vietnam. Or both. Yet he was here, the bluff at Swamis Point, as he was, seemingly, religiously, for the sunset.
Legends are one thing, parking is another. Someone pulled a car out of a space two spots over from the optimum location. I ran to the Falcon, parked on the far side of the center row. Not taking the time to retrieve my notebooks and binders from the hood, I unlocked it, got in, and eased, counterclockwise, around the other cars and past the Jesus Saves bus, narrowly beating someone else, coming in clockwise, for the spot. Exciting. A little victory.
I was aware that something had blown off the hood. I opened the door carefully, to avoid hitting the car to my left, and got out. A man was holding that week’s edition of the North County Free Press, eight pages, stapled in the middle, open and up to his face.
There was an ad for a farm cooperative on the back page, a photo of me on the front. Me, behind the plate glass window. “Local Detective Killed in Mysterious Car Accident.” The heading for the lead story, right side, balanced by the photo, was “Joseph J. DeFreines, Heroic by Nature.” The by-line was “Lee Anne Ransom.” I had chuckled when I read that the first time.
I imagined what the man was looking at; the coverage and the photos from the funeral. In the featured photo, top right, page five, my mother was looking down, holding the folded American flag with Freddy, on one side, crying, me, on the other side, looking at my mother and not crying. Or he could have been looking at the photo of the crowd, San Diego County Sheriff O’Conner and a group of detectives and deputies, all in uniform, Detective Wendall holding the department’s show horse, a magnificent Palomino, the saddle empty. Wendall looked honestly broken. Or the man could have been reading the testimonials. Or he could have been reading the article on the bottom right, “Is Marijuana Now the County’s Top Cash Crop?” Also written by Lee Anne Ransom.
The man lowered the paper, held it out, still open, with both hands. He was of East Indian descent, I guessed. I had seen him before, different setting, different clothes. He was, on this afternoon, wearing workman’s clothing, heavy blue-gray pants with worn and wet knees, lace up boots with the toe areas scuffed, a long sleeve shirt with the sleeves rolled up. He had a faded red bandana half hanging from his left front pocket. His hair and beard were black, both reaching just below his collar.
I looked at the man long enough to take in those details. He looked more at the paper than at me. “I can get another… copy,” he said. “They are, of course… free.”
“No. Keep this one. I have… another copy.” I shook my head. “Free. The free thing.”
“Then, thank you so much.” The man folded the paper, folded it again, tucked it under his arm, did a slight forward tip of his head. “I do some… gardening.” He moved his left hand behind him, pointing. “Outside the compound.” I returned the head tip. “Volunteer.” I did notice an accent. English accent with East Indian rhythm. Perhaps.
“Oh,” I said, looking along the white stucco wall of the Self Realization Fellowship compound, and suddenly remembering where I had seen him, “You’re a… member.”
He smiled, one of those half face smiles. Right side in this case. “Member?” He shook his head. “Loosely… connected.” English, for sure; but I couldn’t discern anything more about place or status. “I saw you once. Inside.” He nodded toward the compound, but out and up, toward the point. “The… meditation garden.”
I tried not to visualize. It didn’t work. I closed my eyes, opened them again. It was the double exposure thing, the vision. I could still see the volunteer gardener, along with another version. Same man, this one dressed in a robe. He was standing next to an older man, with even longer hair and beard, gray, and dressed in a robe made from a silkier, more colorful fabric. That man was possibly an actual Swami, or Yogi, possibly even the Swami. They were smiling. At me. Appreciative smiles. I didn’t want to explain. Anything. I jumped up from the bench and ran, down the manicured paths with hand-set stones, perfectly cared-for plants, flowers year-round.
I blinked. I opened my eyes. “I… ran.”
“You did. Yes, you do remember.”
“I was… studying. Not… anything else.”
“Perfectly fine. Meditation is… one’s own time.”
I followed the man’s eyes back to the bluff. Portia was returning from the bathrooms with a different bundle under her arms, with different clothing, a very different look. Braided strands from the front of her hair were wrapped around to hold the rest in place. There was, perhaps, a ribbon. She was wearing a loose top, long, with long sleeves, a subtly patterned or even one-color Pendleton, with bellbottom pants and sandals.
Portia was walking behind the sunset watchers. “Conservative,” I said, pretty much to myself, but expecting some comment from the volunteer gardener. No. He was gone. He was crossing the lawn by the white stucco compound wall; and was halfway to Highway 101 when the Hayes Flowers van entered the lot.
…
From FLICKR under “Sunsets at Swamis images.” Great photo. Love the glow.
I walked back to the bluff, slightly behind the row of people watching the burnt orange in the wispy cirrus clouds at the horizon fade, toward Portia. Watching the yellow van go down the far row, she took three quick steps and then stopped. I was watching Portia. The van stopped at the squared off end of the asphalt, engine idling, next to the Jesus Saves bus.
I stopped, turned, walked back ten paces, squeezed past the door on the car to the left of the Falcon. I opened the front door to my car. I stood there too long, watching Portia. She was not moving closer to the bus and the van. Waiting. She glanced toward me. I am certain she smiled. Something about our shared hesitancy.
Because I had to say something, I said, “I got a good… spot.”
“Good,” she said. “Great sunset.”
“Yes.” I glanced toward it, then back toward Portia. Her face was shadowed, but this Portia, in regular clothes, seemed younger.
“Chulo… and I, we have to go to Balboa, the, uh, Naval hospital. His friend… you must know him. He surfs. Surfed. Juni. That’s what Chulo calls him.”
Portia walked closer. She set her bundle on the hood of the Falcon. I kept the door between us. “Jumper. Jumper Hayes. He’s… there? Balboa?” She nodded. “He all right?”
“He’s alive. He was transferred there… here, from Hawaii.”
Portia, keeping her eyes on me, moved closer. Sunset watchers beyond her were looking toward the Jesus Saves bus and the Hayes Flower van. Two men, raised voices, short bursts back and forth, not quite distinguishable words. I didn’t look around.
“I have never met him. Jumper.” Portia came up, even closer. Her eyes were, with her usual dark eye makeup gone, that surprising blue color. Her hair was not naturally black. It was, at the roots, lighter. “We’re going… with Mr. and Mrs. Hayes… their car. Good citizen car. It’ll get us through the front gate.”
“The Cadillac. Yeah. That’ll work.”
Portia had to say something or walk away. The muffled back and forth at the Jesus Saves bus continued. “Your father…” I kept my eyes on her. “Chulo and me…” She touched my left hand, slid her right hand on top of it, both of our hands resting on the top edge of the door. “He… introduced me and Chulo. ‘Troublemakers,’ he called us. Got me a job. Then I got on with Mrs. Hayes. Consuela. Arrangements, mostly. Shop work.”
Portia paused to make sure I was listening or that I understood. “The religious thing. That was Chulo. Converted and all. Work camp.” She had a ‘taste’s bad’ expression, just for a moment. “Jail. East County.” You probably knew about that.”
“In Fallbrook it was known as, ‘The Great Avocado Robbery.’”
Portia laughed. She was younger than I’d thought, barely over that line I’d set between me and adulthood. “They love their avocados,” she said.
“They do. Chulo and Jumper and some mysterious guy from… somewhere. A buyer. Supposedly. Never caught him. I got that from the papers. Never… my father didn’t tell… ‘war stories.’” I laughed. “Of course, he did; just… not to me.”
Portia moved her hand to the vertical edge of the door. “Your father…” I was trying to think of a word for the look she was giving me. Earnest. Sincere. “Chulo says he did his best. The Deputy… Bancroft… Well, sorry God, but… fuck him.”
It was my turn to speak. I didn’t. I was picturing Deputy Bancroft from the few times I had seen him at the Vista Substation. Once was before he had crippled Chulo, all smiles and backslapping his fellow deputies, once, looking worried and angry, when he was trying to get the other deputies to support him. Most of them did.
The light had become grainy, the smog-enhanced colors at the horizon had gone gray. The few lights around the parking lot, just coming on, had to compete with the advance of night. The sunset show was over. Most of the watchers moved away from the bluff and, at various speeds, toward their vehicles. A few stayed on as if, perhaps, they were waiting for closing credits.
Not yet.
“Really?” It was loud. There was a softer, muffled response, followed immediately by, “Fuck you then, Chulo!” Loud and clear. Both Portia and I looked over. The Hayes Flowers van blocked the view of Chulo and the other man, but one occasional column of cigarette smoke raising up beyond the two popout surfboards revealed where the man doing the yelling was standing.
A skinny man wearing a cowboy hat went up the stairs of the Jesus Saves bus, closed the doors, started the engine, revving it quite unnecessarily.
“Asshole,” Portia said. She looked up and whispered, “Sorry. Again.”
The guy in the cowboy hat was honking the Jesus Save bus’s horn, flashing the headlights. The running lights and the inside lights in the driver’s area were flashing between the honks. The bus’s engine was racing. The Asshole rode the clutch, then popped it.
Chulo limped around the front of the van, and got in. “Different clothes,” I said. The engine was still running. He pulled the van forward and started down the bluff side lane. Counterclockwise. I stepped back, closed the front door, walked to the back of the Falcon to allow Portia room to get by. The van stopped, front doors even with me.
Chulo nodded. I nodded. “Get any… good ones?” he asked through the open passenger side window.
I could hear the Jesus Saves bus heading north on 101, grinding again between second and third gear.
“A couple,” I said, to Chulo, as Portia walked past me. She opened the van’s passenger door, set her bundle of clothes on the bench seat, held the door open, and looked at me as if she expected me to ask a question. “Different clothes,” I said, more to Portia than Chulo. “I mean,” I said, looking directly at Chulo, “this is not the, um, Jesus look.”
“People get that wrong,” Chulo said. “Jesus, way classier dresser. It’s more like, it’s a John the Baptist look.”
“Oh. Sure. Jesus. Whole cloth. Yeah.” I stepped away.
“You know the gospel.”
“Partially by choice.”
“Holy Spirit, man,” Chulo said, moving his fingers like a piano player. “Mysterious.” Portia closed the door. Chulo looked at her before he looked past her and at me. “I told them, Jody; Wendall, the State Patrolman, everyone… Plymouth. Gray Plymouth. Old guy, I said; probably didn’t even realize… what happened.”
“What about Langdon?”
“I can handle… Langdon. God… God love him.”
“He means ‘fuck Langdon,’” Portia said. “Asshole.”
“That’s how I… interpreted it.” Portia looked at me I looked away and then up. There was something about the popout surfboard on the right side of the van. It was blue, darker on the top, fading out on the rails. Different board. I took a step back to check out the skeg. “I mean… God love… him.”
“Assholes… everywhere.” Someone was beside me. Directly in front of the closed door. Gingerbread Fred. Threadbare sweater over a once white t shirt; maximum fade on his Levis, sewn-on patches of different fabric at the knees; no shoes; long and once-red hair, I assumed, grayed-out and as stringy as his beard; glasses patched and listing to the left; Gingerbread Fred was looking up. He was looking beyond the blue surfboard, beyond the palm fronds. I had to follow his eyes.
A gauze of cloud had caught the last of the day’s sunlight, impossibly mixing pink and blue in a colorless sky. Gingerbread Fred had been watching me, he had moved close to the passenger side door, and was looking between Chulo and Portia. At me.
“Boy gets it,” he said.
“Fred,” Portia said in the kindest sort of voice. “Fred’s here for the show.”
“As always.”
“Fred Thompson, the legend,” Chulo said. “Fred. Man, me and Portia; we have to get going. Juni… Jumper, he’s… they got… overrun. His platoon. He’s… wounded. He’s in Balboa.”
“Oh,” Fred Thompson said, “so Petey was right. That cocksucker DeFreines did get Jumper to fuckin’ join up. Semper Fi, motherfuckers.”
Neither Chulo nor Portia looked at me. Chulo looked at Portia. She shook her head. Chulo said, “It was supposed to be a secret, Fred.”
Fred Thompson’s expression said he wasn’t surprised. “At least Jumper had a… choice.”
“Mister Thompson. I heard… sorry; I heard you went back in.” I realized, even as I was saying the words, that I had said too much.
“Mistake. Crashed twice, shot down once.” Fred Thompson seemed to drift away for a moment. I had to look, had to see what that looked like. He came back with a snap. “Sometimes, like, the right wave can make the wipeout and the swim in… just part of the price. Worth it.” He looked at me. I nodded. He shook his head. “Sometimes… not.”
“Bad knee or not, I still wouldn’t have chosen the Marines, Fred.”
Gingerbread Fred Thompson said, “I’m no Catholic, but…” He made the sign of the cross, then threw his right hand out, fingers spread. “I do like the gesture.”
“It is a… good one.” Chulo shook his head, only slightly, did a version of the sign of the cross between the steering wheel and his chest, and revved the engine. “He’s coming back.”
“Jesus?”
“Yeah, Fred,” Chulo said, laughing. “Him too.”
Portia kissed the palm sides of the fingers on her right hand before folding them into a fist. She tapped her fist on the middle of her chest, three times, opened her hand, placed it over her heart. After five or six seconds, she wrapped her fingers around Fred Thompson’s right hand for another five or six seconds.
…
As the van pulled away, Fred held out his right hand. He looked at it, refocusing on me, beyond it, as if, perhaps, he was supposed to know who I was; as if we had, perhaps, spoken before. “We come back. We just don’t come back the same.”
I copied Fred’s smile.
“You one of their… followers?” He pointed roughly toward the highway. I shook my head. His hand staying in pretty much the same place, he turned the rest of his body toward the remains of the sunset. “So, you’re here for the… finale?”
I wanted to ask Fred Thompson about Tijuana Sloughs, about Windansea and Simmons’s Reef and San Onofre before foam boards, about Malibu and surfing before ‘Gidget,’ about Korea and Vietnam, helicopters before they were gunships. I wanted to ask why he went back in the Army after Korea.
I didn’t. I followed him through the now-empty space next to the Falcon and to the bluff, his bicycle on the ground, too close to the edge. When Gingerbread Fred looked up, I looked up. “It’s darkness, for sure, but it’s not… night. We’re in the… shadow.”
Fred Thompson, facing the horizon, extended his left arm and hand forward, level, cocking his hand back at the wrist. He extended his right, creating an almost ninety-degree angle. “Perpendicular,” he said, holding that position for a second before throwing both arms back until they were straight out at his sides. “Parallel.”
He clasped his hands behind his back. I had to step back as he spun around, one, then another revolution. “You’ll get it,” he said, regaining his balance. “You know why?” I shook my head. “Because you… are… looking.” He turned to what was left of the sunset colors.
“Shadow,” I said.
“Ha! Yes. Shadow.” Gingerbread Fred came close enough to me that I could smell his breath. Milk, perhaps, soured. I tried not to react. “You probably heard. I’m… crazy.”
“There’s… a lot of that going around, Mister Thompson.”
“Yes!” He stooped down a bit, still too close to me. “You get it.” I nodded. “This one night, clear, like now. Now, I was raised on the Bible. Not a Catholic. Not a heathen, either.” He made the sign of the cross, laughed, and raised his right hand straight up. “An explosion. There was a… rainbow. So high up… the zenith… that high. The sun was still on it. ‘Every eye shall see him,’ the Book says. End of the world. People here, in this very parking lot… they were panicked.” He lowered his right arm, stretched out his fingers, brought his arm back until his hand was between us. He, then I looked at his palm. He lowered his hands just enough to look at me. “None of us are ready for that… that Jesus.”
“I saw it! Here! I was… here, Mr. Thompson! Swamis!”
“Whoa-aaaa-ooooo!” Fred Thompson’s voice dropped from rather high to gravelly. He closed his eyes and looked up. “Can you still… see it?”
“I can.”
I couldn’t see it. I could remember, perfectly, what I saw from the back of Gary’s real dad’s Chevy Ranchero in the Swamis parking lot. My back was against the back of the cab, three towels wrapped around me, ballast for three longboards, stacked, longer to shorter, and extended out the back. Gary, Roger, and Roger’s second girlfriend were in the front, the girlfriend in the middle. I was the only one to see the bright glow, expanding, somewhere between the clear sky and space, the zenith; high enough the sun was still on it. Rainbows.
I had thought about Jesus, returning in glory, as advertised. I was sixteen. I wasn’t ready.
When I was dropped off, I peered into the cab of the Ranchero and pointed to the spot in the high sky. I described what I had seen. Roger and Gary and the girlfriend got out and looked up. The glow was almost gone, a ghost of what it had been. I got a ‘sure,’ an ‘okay,’ and a ‘sorry I missed it.” The girlfriend. She was nice. She didn’t believe me, either.
I opened my eyes. Gingerbread Fred Thompson was six feet away. “I’m sure you know this,” I said. “Vandenburg Air Base. Rocket. Explosion.”
“Sure.” He turned toward the stairs. “I have chosen to believe it was a… a glimpse at what is… beyond, that it was a tear… in the shroud.”
“I’m… fine with that. But… we… you and I, we saw it.”
“We did.” Gingerbread Fred twisted the frames of his glasses, put a finger in his left ear, and yawned. He pulled at his sweater. He clawed at his hair. “I do hope you will excuse me. I am going to… quick dip. Therapeutic.” As he was dropping down the stairs and out of sight, I looked back up at the highest part of the sky. Zenith. Shadow. Stars, planets. Closing, and later, opening credits for the next show. “A tear in the shroud,” I said, out loud.
I repeat the phrase often.
THERE ARE NO UPDATES ON SURF ON THE STRAIT. Maybe, like, October.
REMEMBER to check out realsurfers.net on Sunday. Maybe there will be an update; or some hope for waves. MEANWHILE, there are always waves somewhere, just not, like, near here.
I transformed a rusted, ugly-color-painted lamp post into this, something that Trump (or Trump devotees) would definitely give a second look, probably a wink, and possibly a touchy/feel; all in exchange for a twenty-nine year old vehicle that had been parked under a tree for a couple of years. This car will soon, hopefully, be my new surf rig, latest in a long line of old cars and vans, most of which died of blunt trauma or were just driven until the cost of repairing the latest mechanical dealie to fail (and they all fail eventually) was greater than the replacement cost.
Or… maybe not. My last surf rig, a hard-to-kill Toyota, gave me well over a hundred thousand miles of mostly worry free driving (discounting when it broke down in front of Frank Krippen’s NxNW surf shop, mice damage in the dashboard, and I had to bribe the repair shop to get someone to reach a hand in there) before the waterpump (YouTubed as an expensive repair) went out and… yeah, if I were in any way mechanically inclined (not even a latent gearhead), or if I could get someone to work on it, I would probably not have given it to my favorite local tow-truck driver (shout out to Kirky).
What seems like MAGIC is when something that should work the first time actually works the second (or third) time.
SO, happy as (going through a list of possible metaphors, almost all of them too political) can be, I picked up the newly revived rig, drove it straight to JiffyLube, got a couple of lightbulbs replaced, oil change, new wipers, and advice on replacing the cap for the pressure relief bottle (the only way to refill the radiator on this model- weird). OKAY. So, fresh gas and on to O’Reilly’s, where, magically, they had the part AND it worked.
Drive home, wash the car, open all the windows so some of the overwhelming mildew smell might dissipate. NEXT DAY, move it over by my work van to transfer some tools. NOPE, wouldn’t start and was stuck in the driveway. OKAY, break out the Costco jumpstarter box. Started. Move it out of the driveway, call GEORGE TAKAMOTO, longtime friend and mechanic now with medical issues that backup his desire to not be working on and under other people’s broken rigs. ADVICE, yes. NEW BATTERY. “That should do it. Definitely. One hundred percent.” Okay. Costco. In the work van.
NEXT DAY (or the day after), the new battery installed, take the rig, surfboard on top on a (hopefully temporary) SOFT RACK. Cruise here, there, work, everything’s fine. Go to check out a sort of surf spot, down where the cell phones don’t work, and all these lights start coming on, the gages start failing.
SO, not the battery. ALTERNATOR, surfers who are also disappointed at the lack of even hope of something rideable say.
I’m skipping the part where I was afraid to drive it back to Quilcene. In the old days, yes, but even this car will start running rough (then not at all) if there isn’t enough juice to the COMPUTER. So, I parked it at a friend’s house, called my daughter, DRU, to rescue me for the (she and Trish keep count) sixth time. Trish did rescue me in Port Angeles with the surf shop breakdown. Trish said this was too much to ask, why didn’t I call my friend STEPHEN R. DAVIS for a ride home. Okay. Thanks, Steve.
So, order an alternator from O’Reilly’s, pick it up the next day, jump start the car at the previously mentioned and unnamed (because he wasn’t thrilled at my rig being there, even less thrilled that I might want to work on it there) friend’s house, cruise it over (barely made it- computer shutdown) to Steve’s place, install the rebuilt alternator. Not as easy as the last one I replaced myself, 1975 Chevy truck.
LITTLE HICCUP HERE. The cheaper alternator came without a pulley and, try as Steve and I did, we couldn’t get the old one off. SO, I went to three different places to see if they could. NOPE. OUT TO LUNCH. Okay, so I went to a guy who specializes in car electric shit, and he zipped the pulley off, no problem, said, “It doesn’t have a fan,” and added it would burn out quickly without one. SO, he added a turbo fan, reinstalled the pulley. Shout out to COLLINN (yeah, two ‘n’s, just like on his shirt, not sure about the ‘l’s).
Install. Hook up the battery and the tester. Boom. Worked. WAIT! No. NOOOO!
TESTING, testing. The next plan was for me to install the evidently-not-dead and recharged old battery, and either George or I would drive it to Quilcene after his dialysis appointment (part of the reason for his reluctance to wrench). BUT FIRST, test. “NOPE, alternator’s dead.” We left it, again, still, at Steve’s.
NEXT DAY- Back to O’REILLY’S. Trade out. Tomorrow. Morning.
I would have given COLLINN the pulley and the turbo fan, but he doesn’t work Fridays and doesn’t accept walk-ins after 12:30 on the days he does work. Too much chatter, not enough work.
I would give a shout out to O’Reilly’s for not charging me extra for the upgraded alternator, with fan and pulley, but that would mean forgiving them for selling me a bogus part the first time (and this wasn’t the first time- bad fuel pump for my van- drop the gas tank a second time- nightmare).
REINSTALL. Check the feedback with the tester thingie. PERFECT. 14 amps, even with everything on.
MAGIC! So, I’ve now driven it to Port Townsend and back. I am going to get it over to Takamoto’s house for a full going-over, but I am feeling a bit more confident. OH, AND I would have posted a photo of my new rig if I didn’t want to go stealth a few times before it’s too easily identified.
BEST OF LUCK TO YOU with your surf and non-surf rigs.
Remember to check out the next installment of “SWAMIS” on Wednesday. I am almost ready to attempt to have a second page at realsurfers.net to accommodate my novel.
A reminder- “Swamis” is fiction. I will be attempting to put the chapters on another page, and will continue to post on Wednesdays with other content on Sundays.
CHAPTER FOUR- THURSDAY, FEBRUARY 27, 1969
Our house in the hills between Fallbrook and Bonsall was a split level, stucco house, aluminum sash windows, composite roof. Someone else had started building from some plans purchased from a developer. My parents could save money, they were told, by finishing the lower level and the garage. They could replace the plywood shed at the edge of a corral with a small barn, room for a horse, a side area for hay and tack. New fencing. More trees. A garden. A covered patio off the kitchen, or, perhaps, a bay window.
My father promised the patio, and then the bay window. He was working on it, but he was working. Working. There was, outside the sliding door, a concrete slab, with paving stones leading around the corner and down to the driveway. The two-story portion of the house featured a plate glass window, four foot high and eight feet wide, in total, with crank out, aluminum sash windows on either side. This window offered a view to the west, over scrubby trees and deep arroyos, of the hills, some rounded, others more jagged, with ancient boulders visible on all of them. Mission Avenue was hidden below and between. Mission, the road that linked Fallbrook with Bonsall, Vista, Oceanside, everywhere west, everywhere worth going to.
Looking out this window, I felt almost level with the hills, a yellow light descending from the ridgeline. Morning. There were, I knew, waves of hills in irregular lines between my hills and the unseen ocean. I had spent time, looking away from my studies, imagining the hills in timelapse, the sun setting at one place in winter, another in summer, lines off clouds held back at the ridgeline, breaking over the top, torn, scattering. I had imagined the block as transparent, the ocean visible, late afternoon sunlight reflected off the water and into the empty skies.
…
I was at the dinette table in the kitchen, head down, a bowl of oatmeal, a tab of butter on top of it, in front of me. There was a glass pitcher of milk between my setting and the other two. There were four lunch sacks on the counter. Two were a light blue, one was a shade more orange than pink, the fourth was the standard lunch sack brown. My mother, already dressed and ready for work, took a carton of Lucky Strikes from a cupboard, put a pack into the brown lunch sack.
She looked out the window over the sink. She sniffled.
My father, in one of his everyday detective suits; coat unbuttoned, tie untied; leaned over from the head of the table. “Go get it, Jody.” The ‘now’ part of the command was unspoken. His voice was calm. Almost always. I didn’t move. I didn’t look up from my oatmeal. “You didn’t think they’d send a copy to the school? Jody?”
I stood up, lifting my chair up high enough that the metal legs, even though they had plastic shoes at the bottom, wouldn’t scrape the oak flooring. I looked at my father. He was looking at my mother. She sniffled, again, but didn’t turn around.
My bedroom was at the end of the hallway, past my parent’s and my father’s den on the right, the guest bathroom, Freddy’s room, then mine on the left. There were pictures taken from surfing magazines on several walls, a cluttered desk between the closet and a bunk bed, the bottom bunk converted into a space for books and toys and cardboard boxes taped and marked, stuff from our house in Fallbrook, the middle-class starter home. The Magarian Tract.
Though we had been at the ranchette for more than four years, and because I really didn’t need the stuff, and because the garage had never become water and weather tight, most of the boxes in my room remained stacked and taped and marked. Grease pencil. Yellow, mostly. Some black. I lifted one marked “Cowboy stuff” and took out the legal sized envelope.
As I walked up the hallway, I heard my father ask, “You thought I’d just sign this, Ruth?”
“You always have.”
My parents almost never raised their voices. My father didn’t have to, my mother just… wouldn’t. I’ve been asked about my parent’s relationship many times. Japanese war bride, ex-Marine. My answer will always be, “They had a certain dynamic.” The answer could as easily be, “It wasn’t what you think.” Whatever they thought.
My parents were standing at the counter to the right of the double sink. I placed the envelope on the tablecloth, next to my father’s plate. Sausage and eggs. Uneaten. Cup of coffee. Half full. I sat down. I looked over. My father signed at the bottom of two pages. My mother refolded them into thirds and put them into an envelope. She set the envelope on the left side of the sink and said, “thank you.”
My father was looking at several other pages. Legal size. He looked toward his wife. Her back was to the sink, both hands behind her on the edge of the counter. She looked at my father’s hands as he folded those papers in half. He took in a breath, took two steps toward her, let out the breath slowly. He handed her the papers with his right hand. She took them with her left, picked up and handed him the brown lunch sack with her right.
“Not mine, Ruth. Never was. You could… this could give you… freedom. Ikura desuka?”
My father almost never spoke Japanese. My mother froze. My father’s expression was one of instant regret.
“Freedom, Joe?”
I replayed the words. “E’-kew-rah des-kah.” Again. “E’-kew-rah des-kah.”
…
My mother and the envelope and the papers were gone. My father set the brown lunch sack onto the counter, took two more packs from the carton of Lucky Strikes from the cupboard, unfolded the two folds on the lunch sack, put them in, refolded the sack. Not as neatly. He took two steps toward the sliding glass door, looked at his feet. “Socks,” he said. “Jody, you won’t be surfing… or working at Mrs. Tony’s; none of that shit.” He paused, looked at the envelope on the dinette table. “Stanford.” He threw his left hand out and down, ends of his fingers touching the Stanford logo. “You… you earned this. You’re going.”
“Going?”
My father looked toward the hallway, looked at me. “It’ll be… she’ll be fine. I have to…”
“Go. Yes.”
Freddy came into the kitchen. “Daddy?” Our father responded with a weak sideways nod. Freddy followed him through the living room, into the foyer, out onto the front porch. The front door slammed.
When Freddy returned, our mother was back in the kitchen. My brother, not even trying not to cry, looked at her, and then me, as if whatever was happening was our fault.
“Freedom,” I whispered, my left hand, in a fist, over my mouth.
The house phone was on a table just outside the formal dining room. Our mother picked up the receiver and dieled a number on the phone’s base. “No, I am well,” she said. “Annual leave. ‘Use it or lose it.’ I have accumulated…” She chuckled. Fake. “No. They’re both fine. I will be in tomorrow.” She looked at me. “Thank you.” She put the phone back on the base. “Joey, I will need the station wagon. You and Freddy… better hurry; you will have to take the bus.”
Freddy looked at me. “What did you do this time, Jody?”
…
Gary and Roger were my closest surf friends. Roger started board surfing the summer I did, 1965. Roger started the next summer. Though Roger lived closer to me, Gary offered to give me a ride home. I was riding shotgun. Gary’s sister, squeezed tightly against the passenger door, backseat of their mom’s Corvair, said, in an unnecessarily whiny voice, “I’m glad it’s all cool with you, Gary.”
“It is, Princess; cool with me.” Gary glanced over at me. “The Princess has a license, but our mom won’t let her drive without… supervision.”
“Well, thanks again for the ride, Gary; and for going by Potter for… Freddy. Oh, and thank you…”
“Princess,” Gary said.
The Princess blew air out of the side of her mouth. I looked around and over the seat. The Princess shook the wrist of her left hand, gave me a look I took as that the raspberry was meant for her brother rather than me. Freddy was not quite as tight against the door on the driver’s side. Neither tried to talk to, or even look at the other.
“So, Joey,” Gary asked, “what do you think of Roger’s latest girlfriend?”
“She’s a sophomore, you know,” the Princess said. “Sophomore.”
“Thanks for the info, Princess. Now, Joey, maybe, after school… days are getting longer. We could do Oceanside pier. Tamarack, if I drive.”
“Four gallons of gas, two quarts of oil; that sound about right, Gary?”
“Or Joey; we could go in Roger’s stepdad’s Mustang.”
The Princess mumbled a quiet, “Fuck you, Gary,” as her brother downshifted, unnecessarily, at the first of several uphill curves. Freddy’s laugh and repetition of the words were louder and clearer.
“Or Princess and some of her friends… Juniors, no sophomores, could go with us,” Gary offered. The Princess let out a high-pitched, “Ha!” and a low-pitched sort of extended grunt sound. Freddy giggled. “Or, if we can’t go surfing after school, maybe me and you and Roger could ditch and go all day.”
Gary looked at me and winked. I shook my head, but I did smile. “Or maybe next week… or so, if we have all our stuff ready, boards loaded, we could make it to Grandview. Swamis. Somewhere… good.”
“Possible. Timewise.”
“Cool.”
The princess’s head suddenly appeared between Gary and me. “Most of you Fallbrook surfers aren’t even partway cool,” she said. “And besides, my friends won’t even cruise town in this crappy car; and besides that, it would be creepy.” The Princess looked at me and seemed to realize her face and mine were way too close. Still, she didn’t move away.
“Creepy,” I said.
“And they might find out Gary’s surfing just isn’t all that… cool,” the Princess said, almost smiling before she fell back into the seat and against the door.
We arrived at our driveway. The Falcon station wagon was still there, my nine-six pintail on the rack. The Falcon was backed up to the curved gravel pathway that went up the slight grade to the front door. Bender board and stakes had been installed for a while, ready for concrete.
“Board on the roof. Obvious Hodad move, Joey.”
I looked up at Gary’s Hansen surfboard hanging over the hood of the Corvair. “Obvious.”
Gary used the area between the unfinished garage and the temporary shed at the corner of the corral to turn around. The Corvair had barely stopped when Freddy jumped out and ran for the house. The Princess jumped out and ran around to the front passenger door. I took a few seconds to get my books and folders out of the seat. She leaned on the open door and checked out the ranchette. Disapprovingly.
Gary popped the clutch on the Corvair halfway down the driveway. There was a second cloud of black smoke as Gary, unnecessarily double-clutched, attempting, unsuccessfully, to get scratch in second gear. There were a few drops of oil soaking into and staining the insufficient gravel on the decomposed granite driveway.
My mom was standing at the front driver’s side door of the Falcon, Freddy pressed against her and between her and the seat. She was looking at me. “You know I’ll be back,” she said, for both Freddy and me. She looked over at the old horse casually eating grain on the near side of what she called a paddock. “I can’t trust you boys to properly take care of Tallulah.”
The outside ringer for the telephone went off. We all looked toward the house. Freddy ran. I set my books down on the grass, walked around the front of the Falcon.
“Joey. I left some money… on the counter. Take the Volvo. You and Freddy can go to that Smorgasbord place he likes. You know how to find the Rollins Place; right?” I nodded. “No eating in the Volvo. Right?” I shook my head.
“Mom,” Freddy yelled, “It’s Daddy.”
“A couple of days. That’s all. You know I can’t really leave… my boys.”
“Or Tallulah.”
“Or Tallulah.” My mother got into the Falcon. She chuckled. “Stick shift. Hope I haven’t forgotten how.”
“Daddy! He wants to talk with mom. Joey!”
“Three on the tree, Mom.” I closed the door for her. “You’ll be fine.”
My mom started the Falcon. “I called the station. Your father was out. I talked to Larry.”
“Larry? Wendall.” She nodded. “What did you tell… Wendall?”
“Nothing. I just… no, nothing. I said everything was… fine. Like always.”
My mother had that determined look on her face; determined to be strong, to not cry; even if the strength wouldn’t last, even if the tears would flow as soon as she went down the driveway. She popped the clutch. Accidentally. The back tires threw some gravel and the Falcon stalled. She hit the steering wheel, restarted the engine, eased the clutch out, moved down the driveway and left, down La Canada.
I looked toward the west. The sun was high enough. There was enough time for a few waves between school and dark if I went to the pier. I wasn’t crying. Freddy, clearly, was.
“Jody. He wants to talk to you. Jody!”
The doors to the Volvo were locked. Of course. I ran up the path to the door. Freddy was on the porch. The phone’s base was on the floor, three feet from the table. The cord to the receiver was stretched to its maximum length. Freddy tried to press the phone to my chest as I tried to pass him. The keys to the Volvo were hanging, along with other rings of keys and a rabbit’s foot, on a crudely shaped horse’s head Freddy had made at summer camp.
I grabbed the keys. Freddy pushed me. I pushed him down, the phone still in his hand. I took it from him. “Freddy, stop the blubbering. Dad?” I wasn’t really listening. I tried to direct Freddy toward the kitchen, rubbing my fingers together in the ‘money’ symbol. He was too busy blubbering. I leaned down toward my brother. “No, Dad; I couldn’t stop her.” Pause. “I am sorry about whatever Margaret, and Wendall, and everyone at the substation… thinks.” Pause. “Insolent? No.” Pause. “Dad, the clues were all there; you were just… busy.” Pause. “Hello. Hello.” Dial tone. “Dad?”
I looped the long cord as I headed toward the kitchen, put the receiver onto the base, the base back on the table. Freddy stayed on the floor, his back against the frame of the opening between the foyer and the living room. “You could have stopped her, Jody.” I didn’t respond. Freddy screamed, “Everyone’s right; you’re a god-damned retard. Retard!”
“Let’s go then, Freddy.” My voice was as even as I could manage. I grabbed the cash from the dinette, walked back, stood over him. “Come on.”
Freddy laid out flat. He shook his head. “I’ll wait for Daddy. Dad.”
“There’s pizza in the refrigerator. You can heat it up in the oven or, I don’t know, god-damned retard like me, you can… goddamn eat it cold.”
The phone rang. Freddy rolled to his stomach, jumped up, and got to the phone on the second ring. “Uncle Larry.” Pause. “No, I don’t know where. Jody?” I shook my head. “Joey!” Out the door and down the path, Freddy still calling my name, all I heard was, “Retard.”
“Swamis” copyright 2020, Erwin A. Dence, Jr. All rights reserved
This is the piece I didn’t read at the THIRD SURF OCCASIONAL SURF CULTURE ON THE STRAIT OF JUAN DE FUCA AND THE SALISH SEA EVENT. I kind of free-balled on what the piece may or not say:
Art, Surfing, and Barrel Dodging
IMAGINATION connects surfing and art. Surfers imagine how they’re going to cruise or glide or dance on waves… or rip them up. Artists look around, or they, perhaps, stare at a blank canvas and imagine some piece of artwork. It starts with the IMAGE.
The image is, quite possibly, perfect, perfectly rendered, real. Or there are variations, slight or major changes, embellishments, color, perspective, shape, shading, formatting.
REALITY. This is tougher. Image to reality.
Unless you live at a beach, surfing requires getting your gear together and heading out. Maybe you have reason to believe there will be good waves. EXPECTATION. ANTICIPATION. Even if someone broke a major rule of etiquette and called you, you can’t be entirely certain the waves are chest high and perfect. So, you’re anxious, excited.
You arrive, gear assembled. It’s time for the GREG NOLL MOMENT. Not at third reef pipeline. I’m sure you have that image cataloged in your brain somewhere. Every surfer takes that moment, mind surfing a few waves, putting yourself in the picture. You will wait for a lull, jump in and… surf. Timing, timing, COMMITTMENT. You either wade or you leap.
For a writer or an artist, a blank page or an empty canvas can be daunting, even frightening. Getting started can easily be put off with real life chores and commitments. Eventually you make the first sketchy strokes. Wading. Or leaping.
It shouldn’t really be surprising that things don’t go as you hoped. Your words or colors or that six wave set that catches you inside, or wave selection, or just plain PERFORMANCE don’t go as you had imagined. Almost never. Still, you’re doing… okay.
Okay. Let’s say you have a piece of art that you’re pretty satisfied with. Not fully stoked, not ready to sign your name to it. You could do more to it, maybe improve it. But you could also, by continuing, destroy it, lose some quality you almost accidentally, but happily achieved.
Twisting and squeezing this metaphor; you’re surfing down the line, high on the wave face. The wave is getting critical. You could tuck into a barrel you may not make it out of, risk getting pitched over the falls, or you could drop down, attempt to go under and around that section, maybe connect back with the green wave face on the other side.
BARREL DODGING. The result is a less than memorable, could-have-been great ride. And you still might have been wiped out by the broken wave.
The rides that are memorable, the ones that make whatever sacrifice we tell ourselves we’re making to surf, or write, or pursue some sort of artistic accomplishment, are the sections we didn’t think we would make, barrels we didn’t think we would come out of. But we did. Sometimes, even if we didn’t make the wave, we were in there.
I believed I would be a successful artist, or writer, or both, at about the same time I started surfing. If I was grateful any time I got a good ride, I wasn’t satisfied with anything but getting better. I would get frustrated and even angry when my performance in real life, hard, tedious, overwhelming, that Cinerama, surround-sound, twenty-four-seven real world didn’t live up to my great expectations. Pretty standard story.
There are waves, specific rides I remember. Name a spot I’ve surfed, and I will tell you my best ride there, or a perfect wave on which I blew the takeoff, or I didn’t grab the rail when I might have made it if I had; or, here’s an example: Warmwater Jetty, 1970. I pulled out, over the top of a steep section, and watched from behind it peel off perfectly for fifty more yards.
There are things I drew or painted or wrote that I hold, or held, in high regard. And there are all the other drawings and paintings and stories. If I go back and check out works from my past, I am occasionally surprised. Time has given me a chance to be more objective. Some are good enough I can’t believe I did them; others are not.
If we actually had movies, videos, some actual real-time, real-life visuals of any of us surfing, we would learn something our mental GoPro misses. Not as smooth, not as graceful, not as deep in the barrel as we imagined.
With art, there is something to read, or look at, or touch. Almost none of it is perfect. Or sacred. The truth is almost nothing is perfect. If we insist on perfection to be happy or satisfied, we won’t be. Still, we don’t want to settle for ‘good enough.’ We can set a project aside, repaint, redraw. Or we can hit ‘save as’ and keep writing, keep editing. Or we can take that step of putting the brush or the pen or the pencil back onto the surface, boldly going somewhere just past where our imagination has taken us. Or we can tuck in and hang on.
Wipe out or come out.
Either way, the possible gift is another moment we might remember. Art, surfing, life. If our memories aren’t as tangible, as real, as any story or song or painting or sculpture or assemblage, our mental images are what remains, and almost all that remains, of anything we’ve seen or read or experienced.
As surfers, as workers, as artists, as people who are in this real world with other real people, we seek to form new images, future memories.
The best memories, of the near perfect and near-weightless, blissful moments, allow us to forget the anxiety, the fearful and the hateful times we’ve experienced, the real and psychological pain we’ve felt.
These images are our personal art collections, and, hopefully, they last as long as we do. If there’s a message in here it’s this: Be brave when you can.
Not me, obviously, and possibly a set up for the next section rather than barrel dodging the first section.
SIDE (SLIP) STORY- In between rides, I told BIG DAVE, who will sideslip a steep section, plow through a barrel or even a closing-down section rather than drop down and go around it, something like, “You know, sometimes, in order to make the wave, I kind of go through a slower section and then…” “Oh,” he said, “What part of __redacted___ are you from?”
FUTURE SURF RIG- I’ve been waiting for, and finally got my new surf rig. Great! Then, something wasn’t working. NEW BATTERY. Then, something else. Possible ALTERNATOR. I’m working on getting it worked on. I will update on WEDNESDAY, with the next installment from “SWAMIS.”
COPYRIGHT STUFF- Both local newspapers used stuff I wrote as a press release for the EVENT, edited it to suit their purposes, and published without giving me credit. IF YOU want to take anything from the above little piece, help yourself. THIS PIECE ONLY.
OTHERWISE, good luck in getting a few barrels, a few cruisers, and home safely.
I should say, first, that no one under the legal drinking age wants to hear a surf story from anyone old enough to collect social security. No, they’re just being polite. A surfer in his or her forties, different story on the stories. Two old farts; they’re just going to keep rambling on.
Let us say you are on Dawn Patrol, hanging in the parking lot or trailhead or pullout, lining up your board and leash and wax, slamming down the dregs of coffee that was too hot a moment ago, dressing out in whatever surf garb is appropriate for your surf location. Someone else is nearby, doing the same thing, his or her version of pre-surf ritual, and he or she just can’t help sharing his or her resume. “I surfed here” or, “This one time, I hiked into Trestles and…”
You, of course, are tempted if not expected to reciprocate. To compete, perhaps. First liar scenario. “Yeah, I surfed there, also,” or, “Ten months I worked there, just up the hill from Lower Trestles, surfed there just about every day… drove out on the beach. An hour and a half on a half hour lunch break. And, sometimes, after work, I’d go to…”
And then you go out in the water. There are expectations you may or may not live up to in real life, in current time. So, dangerous, if not, like, foolish. No, you didn’t mention your ten months at Trestles was 1975, forty-seven years ago. Next time, perhaps, depending on your performance, you might.
Most of us, I can’t help believing, are heroes in our own narrative. Even if we dip into a little self-deprecation, we probably hope we come across as, if not a flawed protagonist, at least a character or person someone can sympathize with. If we’re talking story with another surfer with similar stories of beat downs and barrels… empathize.
Great.
But wait; maybe I’m misusing the sympathy/empathy thing. Or expanding it. I don’t want to research this, but do we only sympathize with bad things? Shit. Google. Shit; guess I am wrong, we… no, there are different interpretations: sympathy and pity, empathy and understanding without sharing the actual experience. No, that can’t be right.
WOW! I am dangerously close to getting into the sociopath/narcissist thing. I have worked for an amazingly disproportionate number of people (because everyone in my area seems to need a therapist/life coach/psychiatric specialist, or a yoga instructor/hair dresser/bartender, or, for those of us who can’t afford any of those folks, a friend) whose job it is to determine just how fucked up the client is, then make sure the client never quite gets cured (assuming, cynically, that any of us can be cured of being who we are/have become). Each one of these professionals, when pressed on the question, face to face, has told me I am completely normal.
OR maybe that’s just the story he or she believes I want to hear. Not true, actually; one professional-but-retired marriage counselor (at least once divorced) told Stephen R. Davis and I that we might not be sociopaths, but we are both, definitely, narcissists. I thought he meant Steve more than me, but “Hey man, can’t we be both?” “Um, sure; I guess so.”
YES, I have told this story before, maybe here before. Redundancies tighten a tale, the obvious embellishments dropping away. Or not.
STORIES. I heard from two sources about a ‘barrel of a lifetime’ a mutual friend got. I would tell it to you, but then it would be third hand. I called up the barrel rider, got it first hand. In the course of our conversation, which, incidentally, was consistent with the two other versions, the barrel rider told me a very funny story. It wasn’t surf related, but it was a surfer’s anecdote.
And funny.
While talking to another surfer this morning, and I was so tempted to tell the story. I might have if he didn’t give me the “I’ll let you go” thing. Usually, out here in the wilderness-adjacent (I stole the ‘adjacent’ thing, now it’s part of my patter), cell calls frequently get dropped. Oddly, it seems as if it’s more frequently after the other party has completed his or her anecdote and I’m about to… I should mention that all my friends are adept at competitive talking and none are afraid to tell me it’s their turn. Etiquette, it’s important everywhere.
THE MESSAGE- Don’t tell other people’s stories as your own.
Here are two gentlemen talking story:
It is “SWAMIS,” my manuscript and where I am in it that got me thinking about stories and fiction and fictional characters. Each of the main characters is damaged, psychologically if not physically. Or both. None are created. I’m not quite delusional enough to believe they are. Each is a composite, some mixture of real people I have met in my real life. As I write and rewrite and edit, I get to know each one better. I can plug any of them into a fabricated setting and know, almost, how they will react. If empathy is not sharing the same experiences but understanding how someone in that situation feels, I want the reader to be empathetic. If sympathy can be expanded to include feeling joy for someone feeling joy, I want the reader to be sympathetic.
Did I tell you how I got pounded and held down at the Groins? I felt sorry for myself. Someone on the rocks, a witness, said, “We all have to get thrashed occasionally.” We do. I recovered. Just another story, increasingly removed by time, replaced with other thrashings, other recoveries. But shit, guy could’ve been a little nicer about it.
STORIES. Try telling some surf experience over the phone to some non-surfer. It is only a matter of time when the reaction to even the frothiest, most barrel-filled tale is, “I have to let you go.”
As I was completing my day, loading up my work rig, I did some chatting with the owner of the house across the street, a guy whose house I painted a couple of years ago. I can’t remember his first name, but his last name is White. Somewhere in the usual tangle of conversational starts and non-finishes and peripheral stories, electric bikes and Teslas and Sprinter vans, the general theme being coolness and those of us who seek it, Mr. White said, “Well, you always have the ‘hey, man’ thing going for you.”
Yeah, I was a bit confused by the statement as well.
What Mr. White and I decided, jointly, is that even pissed-off people can only go so far in calling out those who they (the possibly rightly pissed-off person) consider, rightly or wrongly, somewhat cool.
It isn’t that I am or have ever been that… cool. Trish told me, years ago, when we were first dating (specifically, we were in my thrashed Morris Minor and approaching a guy from my high school class who was hanging out downtown with some other guys and leaning on the really cool car he had actually done some work on, and I gave him the nod), that I’m always trying to be that. Cool. “Give it up. You might never be cool.”
Whether he or any of the other guys returned the nod should be irrelevant. It isn’t. It’s totally relevant. It is relevant because I have not given up trying. If he (just remembered his name- Gary Press) did do the nod-back, great; if not; well, I probably had some excuse.
I have, in my own mind, pulled myself up a few notches on the coolness scale. I’m still surfing, getting out there, a little over a week away from my seventy-first birthday. It’s more like coolness by attrition.
I am taking the information from this googled image at face value. It’s on the internet, must be true.
A couple of things about the nod, the nod-back, and the ‘hey, man:’
ONE- When our older son, James, was in high school, a classmate, Troy, would come over to our house. This wasn’t all that easy. We live out of town. Troy would show up by looking through a window or just plain walking in. Troy had some situational, some physical, and some mental… disadvantages. Troy would explain his surprise visit with, “Hey, mon, got the game?” James probably did. He and Dru and Sean were, it seemed to me, pretty nice to Troy. Several times his stepfather would bring him over. If I was around, I got to hang out with that guy. Once the stepfather spent most of our conversation time staring at the profile of the hill across the way, talking about aliens and big foot.
“Uh huh.”
TWO- Surfers are, and have always been, reluctant to embrace new surfers on their (not arguing this part) territory. “Who’s that?” This may be particularly true with spots as fickle as those on the Strait of Juan de Fuca. I only recently, when a dude paddled out at a spot I claim as a ‘regular’ if not, strictly speaking, a ‘local’ (not that there are many true locals that far out), and said he’d never been to that spot before. “Well,” I said, “You don’t have to come back.” Even though the waves had dropped off to the usual none-to-one foot, he probably will. Persistence. Make a note of it.
So, a friend of mine was walking back from checking a spot and ran into two or three other seekers, seeking. “They gave me the nod,” my friend told me. “What did you do?” “I refused to give them the nod.” Add your own level of irony to another story from the same friend, different spot, more difficult access. “There was only one guy out. He wasn’t friendly. I said (paraphrasing here), like, ‘hey, man…’”
Persistence. Next time, I would guess, full nod exchange.
THREE- “You ever go to Doc’s restaurant,” I asked the guy whose house I had painted. “Not often,” he said, “But I was there when Richard Sherman did the tip… in the endzone.” Okay. “So, a couple of years ago, I was painting the place. Remodel. Reggie got the gig. So, this electrician starts talking. Mentions Hawaii. So, naturally, I ask him if he is a surfer. ‘Of course,’ he answered. ‘It’s Hawaii.’ So, according to Reggie, I stew about this for a while, then I go up to the guy and say, ‘Hey, man; just because you lived in Hawaii, that doesn’t automatically make you a surfer.’”
“How did he react?”
“He was kind of all right with it. So, what do you say when someone does get… angry?
Perhaps I should explain the process. I draw something (the actual original*) and then I dick with it. Perhaps I should explain dicking with it: Get a copy, possibly a reversal (black to white, white to black), then I do some coloring.
In the case of the Orca, and I have drawn Orcas before. Okay, once. So, Stephen Davis’s girlfriend (bethrothed [sp], couldn’t spell fiance’ [sp] correctly either), Sierra, evidently, wanted a birthday card featuring the beloved and feared local on the Strait of Juan de Fuca and the Salish Sea, and, more local for me, occasionally patrolling the Hood Canal. “So, hey, Steve; why don’t you just draw her one?” “Maybe I will.” “Maybe I will.” “Okay.” So, I drew this one:
Yes, it is in color. I didn’t scan the black and white version
Okay, so, as usual, I show the drawing to Trish. “Orcas are, you know, black?” “Isn’t it?” “No.” Okay, so, with the illustration on my clear plastic drawing board, I trace the outline and do a drawing where the black will become white (printery- my scanner sucks). Then, hanging out at THE PRINTERY in Port Townsend while STEVEN does some machine/computer interface magic, and a constant stream of customers cruise through the doors, I color in the reversed image. Still, I was a bit hurried. The result is this:
The white and black version looked way too flat… flatish
Yeah, well; I felt compelled to put in something, partially based on Stephen Davis’s recent run-in with supposed locals, about how there are true locals. Despite getting good reviews from any of the PRINTERY customers who happened to check out my stuff (one guy commented on my use of crayons. “Um, uh, no; colored pencils.” “Still…”) I am not totally happy with the coloring job (kind of lose the orca outline), but then, I’m never truly done with any drawing.
I have the originals. I can go back. Some time. Later.
Meanwhile, here’s one my scanner wouldn’t let me scan last time I tried.
Not sure what to do with this one. Tried it as a Holiday card. Maybe I’ll try again.
I did post this card before, as in before I added the new stuff.
Plain and……fancy.
Because of the seasonal (paying) work slowdown, and while it’s cold and rainy or colder and sleeting, even colder and clear, I continue to work on the third full rewrite of “Swamis.” I know the story; I know each of the characters so very well; I’ve endeavored to edit and cut and chop. Stephen Davis, when I showed him the illustration immediately above, said, “Maybe your writing is kind of like… this.” “Yeah. It is.” My philosophy on the ‘psychedelic’ drawings is that ‘it isn’t done until it’s overdone.’
I love simple, but simple is really… difficult. I’ll keep trying, but I am stubborn enough to not give up on the purposefully kinetic and the clinically insanely overdrawn.
I do have something ready; an outline that was an attempt to simplify the trilogy I tried to cram into one book; an outline that became something, mostly because I just fucking love the dialogue, more a script than a treatment. More on that forthcoming. If you can help me sell it, let me know.
Merry, Happy, Peaceful, and; I just couldn’t keep it simple, a few lined-up waves to lean into.
OKAY, If I choose to write about surfing, surf culture, real surfers along the Strait of Juan de Fuca, I can, because it’s America (one day from Memorial Day, and the official start to outdoor grilling season), I can say pretty much whatever I want. Freedom. YEAH, well; then there’s popular sentiment and, I must admit, some self-centered reasons for not writing EVERYTHING.
HERE’S what I can’t write about: CAN’T name spots, even those pretty much everyone who has ever surfed the Strait knows; CAN’T publish photos of any waves over one foot (should these photos even exist); CAN’T divulge tide/wind/swell direction formulas (mine or any one else’s) for determining best chances to avoid getting skunked (even if not getting skunked means, merely, getting some of those previously-mentioned one footers); CAN’T besmirch or demean any local surfers by name or, even, by giving away clues as to the identity of said locals (and I’m not defining or arguing your definition of locals here).
In the non-writing category, the main no-no is calling up your buddy from some spot with one footers sloppily lapping on rocky shores (and, hopefully, you’re being charged Canadian roaming fees, with tariffs), with a ‘Hey, Hipster-Bud, High-Bank is just f’ing firing. Calf-high sets. No, really. How long it might take you to get here from Gold Bar? No, I don’t know about the ferry backup or if the Hood Canal Bridge is closed, or if 101 is closed due to an accident, or if downed trees are blocking 112. Sheet, man; I’m just trying to get you some waves.”
It is kind of okay to tell surf stories and reveal surf secrets to people who have no real interest in ever challenging you for a set wave; and it’s kind of okay to brag about your latest surf exploits to a few friends, AFTER THE FACT.
Most of these ‘can’ts’ are, admittedly, self-serving. Surfing is just sooooo cool. I don’t mind (or fear) saying that. I don’t want MORE SURFERS in the water; some of them, undoubtedly, ready to get pissed-off because someone might be getting more tiny tubes than they are. Or many more.
ANOTHER ARGUMENT for not sharing is that it takes away from the joy one will feel when discovering these things for him or herself. YEP, there’s nothing like the thrill of hiking through the woods, down a slippery trail, only to find… nothing. NEXT TIME.
ANYWAY, I will reveal two of my secrets: If Keith goes camping or Adam makes a stealth run; there will be something. A problem there is, they might not (probably won’t) let me know until it’s over, or, at best, when that small window is closing.
SO, one (non-specific) day last week, checking the buoy readings and tea leaves frequently; I decided to go (mostly because my painting project get shut down due to the client not happy with the color she chose). I talked my friend, Stephen Davis, into going with me, promising waves based on the hope that the angle would improve, and that Keith was out there somewhere, no doubt, scoring AND, SURE ENOUGH, it was big enough to ride if one didn’t worry about losing another fin.
SIDEBAR: Tyler Meeks had a bunch of fins for sale at the DISCO BAY OUTDOOR EXCHANGE, sold them all. ADVICE: If you go, bring extras.
Okay, if you recognize the spot, one, don’t tell anyone; and, if you do, be sure to say this is a big day.
BUT, since I’m not the only one willing to be fooled by buoy reading that should mean waves, there’s always the enjoyment of hanging out.
I keep forgetting to take photos of real surfers, but here’s Tugboat Bill, ready to rip.
This is Gavin, originally from South Africa (once sat next to Jordy Smith at a restaurant at Jeffry’s Bay), an electrician and Whistler ski instructor; cooking lamb (smells good, not willing to taste it- did once) after his wife, Char, invited Steve and I to tour his Sprinter van. Though Steve is planning on going to Baja soon, Gavin is “through with Baja.”
So, yeah; one learns a lot while hanging around and waiting. NOT PICTURED is this other guy who was sitting on a five gallon bucket when we got there, quite willing to talk about how, possibly because he disrespected some Hawaiians, he suffered… (I don’t want to get into it, and, because he kept talking about it, I decided to risk my last unbroken fin).
AND, I MUST ADD, others pulled into the parking area, drawn by the hope and the anticipation. DARREN was lured into the water, possibly, noting that SEAN, teacher from P.A., and I were rock-skimming.
STEPHEN took a nap.
SO, THREE DAYS LATER, Adam having made at least one stealth strike, Keith extending his camping trip, Steve and I risked skunking again. And, now, finally something I can’t write about. I have at least one photo, though I should have taken more that I can’t publish; more of real surfers.
Here’s my daughter, Drucilla’s, new van and the woman she bought it from. Le (pronounced Lee, but, she told me, ‘with just one e’), originally from Vietnam, but of Chinese ancestry, and… things you learn in parking lots. This one is outside the Quilcene Post Office, down on Surf Route 101. The second photo is of the Deli section in the Poulsbo WalMart, taken because, there, partially because Dru only has a learner’s permit, and I was the duty instructor; but, mostly, because, Trish (at home on the phone) didn’t believe that there was no longer a place where one could get non-pre-packaged macaroni salad.
YEAH, not a surf story. Not that I don’t have some. SO, to all folks in the many many vehicles with multiple surfboards on them, with hopes and anticipation of overhead bombs; GOOD LUCK; hope you have some great stories you can’t tell.
Except, maybe, in some distant, out of cell range parking area.
Swimming in to retrieve my board, so close to banging, again, against the sealife-encrusted rocks, I couldn’t help but think my fears of surfing this spot were being realized.
Not only did I lose my board on my first wave; but it was on my birthday.
Okay, really can’t say too much about the particular spot. It’s kind of a secret spot, accessible by winding roads, trails, a steep cliff, rocks; and then there’s the water; cold, bull kelp heads floating with the rising and falling of the inshore.
I did take a couple of photos of the spot. A friend, who was way out on the Olympic Peninsula, camping; and had agreed to meet me there, but, and this is not atypical; by the time I got close enough to take the photos, he was already dropping into wave after wave.
Okay, so, if I had fastened my leash before I paddled out (didn’t, because of the kelp), or had fastened it securely once I got out (they’re made to easily remove, rather awkward to put on underwater), or if I’d made the drop (the face dropped under me, I freefell) I wouldn’t have been swimming.
I’ll probably sneak the photo onto the site some time in the future.
Yeah, I did make some waves, and did wipe out a couple more times; but, with crazy indicator waves even farther out, with lines coming out of deep water; suddenly steep, scary steep; getting pitched, getting hit by the lip, getting a few quick barrels; hooting way too loud on my rides, or when watching my friend freefalling, blasting through sections… the session was, as memorable, magic ones often are, intense.
It was all pretty much over in an hour and a half or so. I had managed to save some energy for the paddle and climb and walk… and it was great. Thanks for sharing; it was my favorite birthday present. Here’s my return present: I won’t say more about the spot. As surfer Tim Nolan, who will always be older than me, says, “If you tell people too much about surf spots, you take away their joy in discovering them.”
So, this session goes in the mental file with the time I got perfect peelers at a rare (tide/swell direction/magic factors) sand bar at Noluck, the time Crescent actually had lined-up rights (45 minutes and gone- shared with my friend Archie), a list of other outings including three hours at a Sunset Cliffs peak with Steven Penn, 1972, and… hey, go through your own list.
In surfing, I’ve long believed, we sort of pay for the gifts we receive. The thrashings, the wipeouts, the relentless impact zones, the cold (let’s throw in the crowds), the skunkings; and then… again, think about the gifts surfing has given you.
Just to calm down, and since it was my birthday and I had no strict schedule, I stopped off at a well know break on the Strait. No one was out. It was small. It was so easy.
Meanwhile, here’s the latest logo design for the DISCO BAY OUTDOOR EXCHANGE:
I keep forgetting to take photos of real surfers, but here’s Tugboat Bill, ready to rip.
Real Surfers 