Original Erwin, Surf, Swamis, Squalls, Fantasy Surf Spot Illustrations, slightly off kilter (scanner, not the artist)

We have to, occasionally, scroll. My fault. I haven’t figured out how to tighten the borders on Drucilla’s Mac.

BY WAY OF EXPLANATION:

The ORIGINAL ERWIN LOGO thing came from trying to simplify my drawing style, such as, I’m often afraid, it is. Yes, I am planning on doing some more t-shirts as soon as I pay my taxes. I tried to make both sides of the wave match, then went to THE PRINTERY in Port Townsend, had Steven do the reversal/blue thing. I was so excited that I didn’t really perfectly align the reflection part. Close.

BECAUSE the SAILBOAT RACING THE SQUALL drawing was already being copied, a version came out blue (and reversed).

THE SALISH C tugboat illustration is the subtle color version, the colors all the more subtle(ized) by the vagaries of multiple copiers and printers and computer screens. Subtle and Simple are so fucking hard (I can say fucking because, so far, no one has told me not to. Still, I’m fucking cutting back… damn it).

THE YOUNG WOMAN illustration is another attempt to draw women without overdrawing. It is another possible cover or title page for “SWAMIS.” I have Dru working on adding some perfect non-hand-drawn lettering. She has, but, because I don’t know how to sign in to her acrobat account, it is unopen-able on her computer. It would be able to be opened on the laptop Trish is hanging on to, but then I would probably have to fucking (sorry) find it. AND YES, I’m so so close to finishing the final go through on the manuscript, trying so hard to keep it around 95,000 words.

FANTASY POINT. Here’s the point: Two local artists, JESSE JOSHUA WATSON (I insist on calling him Jesse Merle Watson- easier for me to remember) and STEPHEN R. DAVIS have done paintings of fantasy point breaks. I’m competitive.

I would put Jesse’s version up, but I would have to contact him and… and, anyway, no one wants anyone to believe any rendering or abstraction of lineups that don’t actually exist (yeah, maybe Indonesia or Surfer’s Journal) might be real. BUT, both Stephen and Jesse surf, so we do share similar inspirations. Maybe… okay, I’ll call someone who might have Jesse’s number. Meanwhile, google him. I DIDN”T SAY my interpretation is better. To quote another surfer/writer: “I wouldn’t say ‘better,’ I would say ‘different.’ ” I will gladly accept DIFFERENT.

PLEASE REMEMBER, all the rights to all original works on realsurfers.net are owned by someone.

Overdrawn, Over-colored

As usual, I have limited time before I am supposed to be somewhere, checking out someone’s castle for potential painting opportunities. I did get up early, checked what limited info is available to make a guess on whether it is worth it to drive a distance, or a greater distance to possibly find surf. In the circumstance where there might be an opportunity for the closer trip, I would, of course, text the client and claim one or more of the various contractor excuses.

Didn’t happen, but I did do some coloring on a drawing I finished during a frantic, frustrating day… yesterday, and then had the original reduced so I could do the coloring and the scanning. Okay, so, as usual, the illustration, based on a photograph taken by Reggie Smart out on the actual northwest Pacific coast, is kind of over-drawn.

I scanned the colorized version a few minutes ago and… surprise, it is also over-colored. Some colors kick ass on other colors and take over. The most wrong of the colors. Wrongest? The ones I don’t want standing out. Luckily, I got five prints to color up.

Back to the lack of time. Gotta go. Next time, a hopefully, not overcolored version.

Thanks for the shot, Reggie.

Simple, simple, simple… damn, damn, damn

New Original Erwin’s Originals*

Perhaps I should explain the process. I draw something (the actual original*) and then I dick with it. Perhaps I should explain dicking with it: Get a copy, possibly a reversal (black to white, white to black), then I do some coloring.

In the case of the Orca, and I have drawn Orcas before. Okay, once. So, Stephen Davis’s girlfriend (bethrothed [sp], couldn’t spell fiance’ [sp] correctly either), Sierra, evidently, wanted a birthday card featuring the beloved and feared local on the Strait of Juan de Fuca and the Salish Sea, and, more local for me, occasionally patrolling the Hood Canal. “So, hey, Steve; why don’t you just draw her one?” “Maybe I will.” “Maybe I will.” “Okay.” So, I drew this one:

Yes, it is in color. I didn’t scan the black and white version

Okay, so, as usual, I show the drawing to Trish. “Orcas are, you know, black?” “Isn’t it?” “No.” Okay, so, with the illustration on my clear plastic drawing board, I trace the outline and do a drawing where the black will become white (printery- my scanner sucks). Then, hanging out at THE PRINTERY in Port Townsend while STEVEN does some machine/computer interface magic, and a constant stream of customers cruise through the doors, I color in the reversed image. Still, I was a bit hurried. The result is this:

The white and black version looked way too flat… flatish

Yeah, well; I felt compelled to put in something, partially based on Stephen Davis’s recent run-in with supposed locals, about how there are true locals. Despite getting good reviews from any of the PRINTERY customers who happened to check out my stuff (one guy commented on my use of crayons. “Um, uh, no; colored pencils.” “Still…”) I am not totally happy with the coloring job (kind of lose the orca outline), but then, I’m never truly done with any drawing.

I have the originals. I can go back. Some time. Later.

Meanwhile, here’s one my scanner wouldn’t let me scan last time I tried.

Not sure what to do with this one. Tried it as a Holiday card. Maybe I’ll try again.

I did post this card before, as in before I added the new stuff.

Plain and…
…fancy.

Because of the seasonal (paying) work slowdown, and while it’s cold and rainy or colder and sleeting, even colder and clear, I continue to work on the third full rewrite of “Swamis.” I know the story; I know each of the characters so very well; I’ve endeavored to edit and cut and chop. Stephen Davis, when I showed him the illustration immediately above, said, “Maybe your writing is kind of like… this.” “Yeah. It is.” My philosophy on the ‘psychedelic’ drawings is that ‘it isn’t done until it’s overdone.’

I love simple, but simple is really… difficult. I’ll keep trying, but I am stubborn enough to not give up on the purposefully kinetic and the clinically insanely overdrawn.

I do have something ready; an outline that was an attempt to simplify the trilogy I tried to cram into one book; an outline that became something, mostly because I just fucking love the dialogue, more a script than a treatment. More on that forthcoming. If you can help me sell it, let me know.

Merry, Happy, Peaceful, and; I just couldn’t keep it simple, a few lined-up waves to lean into.

Look at this, read the previous post. Thanks

When I have the time to write, I probably write too much. Since I didn’t work on Sunday, aided by my typing skills, I went on and on; probably should have broken it into two (or three) pieces. Now, I know you don’t have a lot of time to read, BUT, if you do get a bit, check out my previous posting. Again; thanks.

I’m trying to ‘square up’ some of the copies I made from contact prints of drawings from the 1980s. Having a scanner that refuses to help doesn’t, um, help. I added the lettering on the drawings of the two women, only added a border on the “Over the Rainbow” illustration.

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Something Other than Surfing…

…maybe that should be a question. When there are waves, or even the possibility, even (more) the probability of surf, tensions rise. Every surfer wants a chance at dealing with quality waves.  Some do, and are elated; others, for various reasons, miss out on opportunities and are frustrated. Tempers can flare.

Shit happens. Work, family responsibilities, broken equipment or vehicles, power outages, not taking a chance on iffy conditions, other shit. Shit!

And it’s not just that you (or I) aren’t committed, or committed enough to the lifestyle/sport. We rearrange our schedules the best we can, but, sometimes, we just hear about classic conditions after the fact. Sometimes we witness classic conditions but can’t, for any combination of the above or other reasons, participate.

That happens. I haven’t really  gotten over, or, at least, I still remember, painting a house on the bluff above Stone Steps, late in the afternoon, with the waves glassing-off, lining-up, and only a few surfers out. Yeah, I kept painting; felt I had to finish the project.

Still, those waves… they may not have been as great if I’d surfed them, but, in my memory, they were sooooo good.

WAIT. I’m adding this, just in, photo of Hydrosexual Stephen Davis (I was going to drop the hydrosexual part because of spam from sex-related, um, spammers, but Steve kind of likes the description/title) doing something besides surfing, work as part of the crew on a catamaran off the Big Island. OH, and he did the artwork for the t-shirt.

stephendeckhanding.jpeg

Anyway, I am trying to do a bit of a pivot in my career, and I’ve actually started drawing things not surf-related. Here are some examples:

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What unites us as surfers is not our performance level; it’s more that we have suffered the frustration of getting caught inside, of missing or wiping-out early on a great wave, of watching someone else wail on a wave we could have been on, of hearing about or seeing wonderful surf we can’t get into, of driving a long way to get skunked. It’s sad and just wrong to get frustrated enough to unload verbally or physically on another surfer; particularly when, if there were no waves, this would be someone you’d be chatting with; a friend.

Even the best, longest ride is short compared to real life. What we really save is the memories. I’m sure we’d all rather have pleasant ones.

And, no; all this peace talk isn’t because someone took offense with my wavehog ways. I mean, people have, not recently; it really relates to friends going off on other friends.  Friends. It’s sad. It’s fixable.

I am continuing to do a series of  landscape drawings, anxious to expand my scope. I currently have some illustrations at Helen Gunn’s gallery uptown Port Townsend, some at Tyler Meek’s  Disco Bay Outdoor Exchange in Discovery Bay, and, once Adam “Wipeout” James sees my HamaHama drawing… I mean, my friend Adam James… and, yeah, working on it. Committed. See you.

OKAY, here are the first of my Olympic Peninsula landscapes:

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Story Somewhat Related to Bruce Brown…

Phillip Harper, Trish Harper, Ray Hicks, Bucky Davis, My Sister Suellen, My Mom, Bob Dylan, and The Endless Summer

Posted on February 16, 2014 by Erwin A. Dence Jr. under Uncategorized

“First of all,” I said, standing in the kitchen of Phillip Harper’s parents’ house, two bars of paraffin wax melting in a soup can on the stove, Phillip’s (second-ever, and not sun-browned like the first one) surf board, stripped and ready for a ‘pre-coat’, floating between two chairs and across the dining room table, “the theater was in no way ‘underground.’ Disappointing.”

Phillip and Ray Hicks seemed to be properly impressed that I, more country kid than either of them, had gone into the city for some other reason than to ride the escalators at Sears with my many brothers and sisters while my parents shopped.

It was at about this moment that Phillip’s sister, Trish (not my Trish- hadn’t met her yet), came in from the pantry (no one ever seemed to use the formal front door). She appeared noticeably disappointed that her brother and at least one of his geeky friends were there. Trish was followed in by her boyfriend, Bucky Davis. He was, perhaps, a bit less disappointed; a nod for Phillip, smaller one for Ray, even smaller one for me (standard cool reaction to over-amped groms). Bucky took a moment to check out the board (approvingly), then the wax melting on the stove.

“You have to be careful,” he said, both hands simulating an explosion. “A candle might be a better idea.” A single hand tipping an imaginary candle illustrated the point.

“Erwin went to see ‘The Endless Summer’ in San Diego,” Phillip said. “At an underground theater,” Ray added.

“The thing is,” I said, trying to be informative, and trying to be as cool as Phil and Ray “kind of disappointing; it wasn’t at all underground. Just a regular, um, theater. And…”

Phillip and Ray appeared less impressed than the first time they heard this. Of course; though they did seem to be checking Bucky’s reactions.

“On University Avenue?” Trish asked. I shrugged. I hadn’t driven. We’d gone down 395. It was somewhere near the Zoo.  “Well,” she said, “I saw it at State.” She paused, possibly to see if she had to add ‘San Diego State.’

No, I knew she had been spending some time down there, preparing to attend ‘State’ in the fall of 1967. Bucky would not be attending.  He was planning on going to Palomar Junior College; he’d have to go somewhere to stay out of the draft.

“When I saw it,” she continued, “Bruce Brown narrated it… himself. He was behind this curtain and…” She stopped because Bucky seemed a bit surprised at the news. At least that is what I thought, at the time, as if she had seen it without him. That would be sad, her and her new, big-city life and Bucky…

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[Let me add here, fifty years after this incident, three years after originally writing this piece, that, among my first surfing friends, Trish and Bucky were the perfect surfing couple.  That they didn’t remain a couple was, bits and pieces of the disconnection playing out over, and just beyond, my high school years, tragic; tragic in that teenager’s romanticized, love-lost way.

Part of the reason I started this blog was to record how I changed from total kook, over-stoked beginner, with Bucky one of my early surf heroes, to… I don’t know… over-stoked surfer out past high school, past the inside break; my friends scattered.

My opinion of surf heroes, with Bucky the best illustration, went, along with my connection to surfing, from a sort of ‘this is magic’ awe, to a more realistic view.  Bucky had some serious life challenges. He was a real person.

Still, what I loved about Phillip’s sister, that seeming-self confidence, that willingness to stand up as an equal, is part of what attracted me to my Trish.

Still… still an over-stoked surfer, awed by the magic… still I, somewhere in the part of me that never got past adolescent romantic, I’ve held out a notion that Bucky and Trish could… yeah, maybe I just hope they, and all my scattered surf heroes and friends, including Phillip and Ray… have been, mostly, happy.

And, I am grateful, while I’m anxiously awaiting my next surf adventure, that I have such great memories of interesting, and real, people. And someone to share current adventures with.]

I’m sure I was mostly trying to hide being impressed. And out-cooled. Again. Always by her.

“Bruce Brown? In person? That’s… cool.”

After all, it had been impossible for me to be really, even passably, cool, at the above-ground theater, hanging with my older sister, Suellen, AND my mother.

Still, hoping to in some way to compete with Trish Harper, I said, “Yeah, well; they had these previews for a movie with Bob Dylan, and…”

“’Don’t Look Back’,” Trish said.

“Huh?” Phillip and Bucky and Ray asked, pretty much at the same time.

“Uh huh,” I said; “and Bob Dylan’s, like… he’s holding up these…”

“Cue cards,” Trish said.

“I guess. Yeah. And my mom starts laughing.”

“Laughing?” Phillip and Trish and Bucky and Ray all asked.

“Yeah, laughing; and… I mean, not even Suellen is laughing. No one’s laughing.”

“Because it’s Dylan,” Trish said, serious and almost indignant.

“Yeah, Dylan; Bob Dylan. But, pretty soon, someone else starts laughing. And then more people are laughing; and then everyone’s laughing. And Bob Dyl… Dylan, he just keeps dropping the cards. And…”

By this time, in the kitchen, I was also laughing. Phillip started to laugh. Ray, studying Bucky’s face,  allowed himself to join in the laughter. Then Bucky looked over at his girlfriend (not laughing), maybe thought for a moment about how he didn’t see “The Endless Summer” at ‘State’ with her, with Bruce Brown personally narrating; and he laughed.

And then the wax exploded.

Bruce Brown, revealing the stoke and the magic and the awe to a larger world, stepping behind another curtain. Rest In Peace. And thank you.

Surfing for Fun (and some new illustrations)

It’s not ready yet, but I’m working on a piece about forgetting Stephanie Gilmore. Actually, it’s about a few moments of surfing in which Stephanie forgot herself, her image, her contest persona, her heat strategy; forgot everything except the joy of the moment.

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It’s something we all forget when dealing with the crowds, the conditions, and our own expectations for ourselves.

Meanwhile, here are a couple of other recent drawings:

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Explaining the Current Header

I freely (mostly because it’s so obvious) that my computer skills are lacking; particularly in the graphics area. It least that’s where I’m particularly frustrated. I think of my sister, Melissa, often; most often when I’m trying to draw.

I can no longer call her up for feedback or opinion, I can’t ask her to draw something for my site; a plan I had for teaming-up on some children’s books is not going to happen.  My work, compared to hers, is scribbling, sketching.  It should be mentioned, also, that my writing gets over-detailed, over-complicated, possibly over-thought; not something that lends itself to children’s stories.

Yet, I do think of Melissa; I do call on her spirit, wherever that is, to assist me. A high percentage of the art, or whatever it is I produce (somewhere down the spectrum), is the image I’ve worked out in my mind; then it’s all scribbling; and (if the image in my mind is perfect) the work never quite is.

When I mentioned this all to my late sister’s husband, Jerome, he said; “Oh, so, like Melissa; you think every drawing has to be… has to be perfect?”

MELISSA horses w drawing

This is the uncropped version of Melissa’s montage. I tried, unsuccessfully, several times, to include as much of the pencil drawing as possible in the header. If I knew… yeah, if I knew how, I could have used the whole thing.

When I started surfing, my drawings were about surfing. When Melissa started drawing, her drawings were of horses. Somewhere she developed the ability to capture people; not just the image expertly rendered, but the emotion, some sense of story; perfectly.

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I’ll keep the header up for a while.  Here’s one of my drawings

Spirit Guides and a surf session made…

…special.

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I called my brother-in-law, Jerome, on Wednesday when I couldn’t make the memorial. Couldn’t. That’s a loaded word; the ceremony was in Illinois and I’m… I’m here. Part of the couldn’t has to be that I haven’t faced my sister Melissa’s passing. Passing. Couldn’t. Haven’t; not sure I will; face it. Eventually, I’m just not sure when. Our (Trisha’s and my) daughter, Drucilla, made the train trip down state from Chicago several times, as the prognosis worsened and my sister weakened.

Still, it all seemed too sudden. Way too soon. There hours before Melissa passed, Dru would return on Friday, representing Trish and me, supporting her uncle and her cousins Fergus and Emma.

Oh, I know it’s real, real like our (his eight children) father’s passing last December. I know they’re both gone, not sure where they’ve gone to. Once a person realizes (or accepts or believes) we each have a soul, something separate from the body, even from the “I think, therefore I am” consciousness, something more than just BEing; one can’t help but imagine that this very more-ness is, has to be, somehow, transcendent.

There was a full moon the night my sister passed. Is that relevant?

“You know,” Jerome said, “what your sister would have wanted is for you to go surfing.”

I tried. On Friday, with friends and relatives recounting stories two thousand miles away, I worked, crazy-hard, to finish another job while monitoring the buoys. There was a chance. As is so typical on the Strait, on that long summer evening, it was ‘almost’ something. Just not quite enough. Even so, I almost talked myself into paddling out into one foot chop. Almost.

Allow me to mention the story Jerome told about the hawks. The last painting my sister completed is of three Cooper’s hawks. During the last week, with my sister Mary Jane (Janey to me) helping out, and my sister Suellen en route, three Cooper’s Hawks landed in the trees behind Jerome and Melissa’s house, and stayed there. Every day.

Spirit Guides? I’m willing to believe so.

On Monday I met up with Mike “Squints” Cumiskey, headed out. The surf was just a bit better than ‘almost,’ probably in the ‘barely’ category. Other surfers were in the water. It’s been a long, mostly-flat summer. Bruce, the Mayor of Hobuck, according to Adam “Wipeout” James, checking it when we arrived, eventually talked himself into going out.

Maybe it’s because I persisted, a paddle providing a lot of the power on many of the waves; but, at some point, I was the only one out. It would be something if I said that, for about twenty minutes, the waves improved; not all time, but lined-up, a bit more power, and every time I paddled back out, another set was approaching.

It was something.

Though most of the other surfers had left the beach for the coast or home, I have witnesses: Mike, Bruce, Cole. They agreed it was, for this day, special. Please forgive me if I give my sister a bit of credit.

A NOTE about the drawing. I told Jerome I would write something about the surf experience, and I’d do a drawing; I just wanted it to be good enough. “Oh, so, like your sister, it has to be perfect.” It was almost a question. No, but it has to be good enough.

Sum-mer-time… Skunked on the Strait, 66 degrees at Swamis, 1967…

The surf report and forecast for the Northwest portion of the contiguous U-nited States of A-merica (dashes added to more closely reflect prideful way we pro-nounce stuff) is pretty bleak. You’d have to believe the Pacific Ocean could churn up something more than a two foot swell.

Hey, it’s summertime. Painting season. Hydrosexual Stephen Davis and I, both of us drinking coffee, were each sitting in doorways of our vans, paint gear spread around. I asked him about water temperatures in Baja (last fall) and Hawaii (this last winter). “Oh,” he said, “Baja was right between trunking-it and wetsuit temperature; probably 66 degrees or so.”

“Oh,” I said. Pause, both of us nodding our heads. “You know, back when I was a teenager…” Now Steve was trying to avoid rolling his eyes. “…when the water temperature got up to 58 degrees, somewhere around Easter; if you were still wearing a wetsuit… and bear in mind we only had shortjohn wetsuits… you were a pussy.”

“Uh huh. Pussy.” “Really. And you couldn’t put one on until it got back down to 58, somewhere around December; before Christmas, anyway.” “Uh huh.”

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What I didn’t bother to tell him, but probably drifted off into remembering, was an early summer morning when Phillip Harper, Ray Hicks, possibly Mark Metzger and Billy McLain, and I; no doubt in two cars from Fallbrook, all hit Swamis at about the same time.  I was first down the stairs.

I surfed Swamis enough from 1965 to see the basic reef, sort of fanned, overlapping shelves, hold up while the shoreline would change more dramatically; erosion, refill. Seasonal. The wave conditions went from one high tide peak too close to the bigger rocks; to mid-tide and two distinct peaks; to ultra low tide, one running crazy and almost hollow wave; from the December ’69 swell; through dawn patrol, after school, between classes-at- Palomar and work-in-Oceanside sessions (pre-1971); to the times I lived in Encinitas (’74-’76) and could sneak in a few; to New Years day ventures while working in San Diego because I didn’t have work in the Northwest (1991,’92); everything from Santa Ana mornings to south wind chop, onshore, glassy; overhead to flat; overcrowded to almost empty; with so many memories… they’re all memories now; haven’t surfed there in twenty-five years.

On the particular morning I was remembering while talking with Steve, shadows of the bluff extending into the water, there was a chalk board on the still-empty lifeguard station. “Surf 2-3, water temp- 66.” Whoa! Warming up! We would probably end up surfing what we referred to as Swamis Beachbreak, the quarter mile or so between Swamis proper, and Pipes, pretending there was a better lineup off this rock than off that. “Hey, I WAS on the nose!” “Hey, did you see that rollercoaster?” “Hey!”

I hit the water straight out in front of the stairs, caught a left just as my friends hit the sand. “Hey!”

Not that Stephen would be all that impressed. “Uh huh. Do you have any more coffee?”

self realization

“Uh. Um. Yeah.” I’m certain many of us will look back on the times we went searching for waves on the Strait. Sometimes it can be… “Waves?” “Waves? No, I got skunked.” “Then why are you smiling?”