“Overrun” With a Bit of Help

Things went wrong when I tried to post this yesterday. I had three or four paragraphs written, then did the cut-and-paste thing. OOPS! I had two copies of the text, taken from my manuscript for “Swamis,” and, when I tried several ways to speed up the deletion of the unwanted second version; errrrrrr, I eliminated the other stuff.

Anyway, this particular chapter is, in my work of fiction, written by 22 year old Jumper Hayes, freshly back from and severely wounded as a Marine in Vietnam. It’s 1969, and he asks the fictional Jody, just turning 18 and a fellow student in a Creative Writing class at Palomar Junior College, to type up what he had written.

What is very important to me is that anyone reading “Swamis” be certain that the writer was there; that it is accurate and has the feel of the place at the time. Since I wasn’t in Vietnam, I asked Trisha’s brother, my brother-in-law, James L. Scott, who was an officer in the Marines in Vietnam, to provide some feedback.

And he did. He said it read like it was written by someone who wasn’t there. He particularly pointed out the lack of swearing.

SO, here’s my solution. Jim said it was ‘better.’ I’m thinking he’s giving it a C+, maybe more like, hopefully, a B-. Check it out.

Wait, here’s what I was doing while Jim was in Vietnam. That’s a board, the “Sunshine Super Seed” with me, a board Scott Sutton made, sold to Trish. Her mother thought Scott ripped Trish off, so I bought it. Very thick. I could, at the time, knee paddle it.

CHAPTER TWENTY-ONE- WEDNESDAY SEPTEMBER 17, 1969

This is the piece Jumper submitted in Creative Writing class:

“OVERRUN”  

There weren’t enough claymores; or someone had set them off too soon; or there were just too many of them.  VC.  Local irregulars.  Them.

It wasn’t a firefight.  We were doing most of the shooting.  Our position wouldn’t hold.  We would be overrun.  Too many of them, running, charging, pushing others forward; leaping over branches and bodies.  Almost all of them were yelling, screaming; their screams mixed with ours, with the screams and moaning of pain, the constant-but-irregular beat of gunfire.

We couldn’t kill enough of them fast enough.

“Fall back!” the LT yelled, just before he fell back, dead; two soldiers over from me.  A couple Marines ran.  Others backed away, automatic weapons fanning the clearing.

I stood up, firing blindly; left to right, right to left.  Screaming.

I felt the first bullet.  Heat, then numbness, my left arm suddenly useless.  I saw the expressions on the faces; fear and anger and determination, then surprise, as I dropped two of the three charlies coming at me.  Closer.  So close.

The second one fell forward.  His momentum versus a bullet.  My rifle was jammed against his chest.  I kept firing.  As I was falling backwards, the third soldier struck me in the side of my head; and kept running.

Overrun.

This is battle.  Fear and anger and determination and confusion.  Falling back and falling down.

I was never unconscious.  Time had become nothing; time was blood in my eyes.

I was lying next to Sammy, PFC, smartass fucker from Houston; dead, wet, and cold; cold by Vietnam standards.  Vietnam, that steaming, sweating, triple-canopy jungle, rice fields that smelled like shit, scared yet smiling villagers; Viet-fucking-by-god-Nam.   

The two gooks; kids, really, more like conscripted villagers, rice farmers with guns; the two I had just shot, were on top of me, all of us in an awkward pile; their blood mixing with mine.  Pressure on my other wound.  The bad one.  I was behind a tree blown down by one of the previous air strikes.  I was squirming under the bodies and as close to the trunk as I could get.  More than a dozen feet stepped on us; running, charging, now chasing rather than attacking.

There is a tradition, as old as man, as old as war:  Once a position is secured, others make sure each one of the enemy fighters; the vanquished, the defeated, the overrun; is dead.  Weapons and clothes and some measure of revenge are the spoils; souvenirs; guns, clothes, ears.

Savage salvage.

Almost instantly, flies and crawling insects attacked.  They know death.  They know the difference, they don’t fucking care.  The flying and buzzing and crawling.

At the Little Bighorn, I thought, and I’m not sure why; I was trying so hard just to be quiet; women from the tribe smashed the heads of each one of the dead enemy soldiers; with the exception of, it’s said, General Custer.  Out of respect.  Respect?

That was more legend than history.  The history of man is the history of war.  You don’t have to know history to know the truth of this.

I was just trying not to move, to be still, quiet, alive; when I felt movement, heard moaning.  Low, close.  It was the kid, on top of me; not dead, getting louder.  I couldn’t allow this.

Maybe his moaning had been a prayer.  So sorry.

The noise, the gunfire and the yelling, which had been getting farther away, maybe an hour or so after the initial attack, was now coming back toward me.  Marines, motherfuckers; don’t like losing.  Reinforcements.  And we had the firepower.  An airstrike might be called in; cannons or mortars or planes or helicopter gunships, fifty caliber machine guns; followed by fresh troops.

At least, if I was in the targeted grid, it would be quick.

Some of the same shoes, jungle tennies, that ran over me before; ran over me again.  Retreating.   I clung to consciousness.  Eventually I heard calmer voices, mopping up.  “Here’s one,” a voice said.  “You alive, pal?”

“I think so,” I said.

The next thing I remember was the sound of a helicopter.  V-woop, woop, woop.

“We killed the fuck out of them slopes, Gunny,” the Marine at the landing site, said.  “Good to hear,” I said.  He said, “You’re walking.  You’ll have to wait for the next one.”

I wasn’t walking.  I was standing.  The next evacuation would be mostly bodies.  “Don’t think so, Corporal,” I said, lifting my empty rifle with the arm that still worked.

Overrun.

CHAPTER TWENTY-TWO- SUNDAY, SEPTEMBER 14, 1969

I’m dropping back a few days.  Jumper Hayes and I were in the formal dining room at his parents house, his chair moved to one of the corners of the table, mine at what I guessed was his father’s spot, my typewriter case open in front of me.

SEMI-COLONS

“Overrun” was Jumper’s story.  Surprisingly shocked by his original, hand-written version; I was equally surprised when he asked me to type it for him; and more surprised when he seemed so casual, even detached, as I read my third draft out loud, then handed it to him as if it was done.  Complete.  Ready to hand in.

“Sounds good.  Mostly.  Different than I’d of thought.”

“It’s your words.  Mostly.”

“Semi-colons,” he asked, “they’re, um, useful?”

“They’re like, um; somewhere between comas and periods,” I said.

“Sure.”

“It’s, it’s like, when someone reads it, out loud; it’s the rhythm.”

“Rhythm.  Yeah; I heard that, like a, um, cadence.  Semi-colons.”

“It’s like surfing; smooth flow…” There were hand gestures here.  “Take off, drop, turn, set up, swoop… flow.  Didn’t you ever think surfing is like…”

Jumper pointed to my free hand.  “A little jerky on your set up there, Jody.”

I dropped both hands.  “I’m not changing anything; maybe just, uh, rearranging.”

“I only asked you to type it up, man.”

“Yeah; well; editing; it’s a, uh, collaborative… process.  Some stuff has to be… cut.”

“Oh?  Collaborative… editing process?  Well, Jody, seems like you cut out a lot of fucking, cocksucking, motherfucking, shit-stomping, goddamn swearing, there; makes it sound like it was written by some draft-dodging, tit-sucking, flag-burning, mom’s boy, queer-bait, pussy, shit-bird, asshole, cocksucker who wasn’t fuckin’ there.”  When I seemed adequately shocked, he added, in a bit of a whisper, with a bit of a smile, “I was… there.”

“Okay, Jumper,” I said, pointing to the second page, “I did leave in the ‘motherfuckers’ in the, um, ‘Marines, motherfuckers, don’t like losing’ sentence.”

Jumper laughed. “So, uh, no; Jody; you have to own the words.  If you read it right, like you’ve ever fuckin’ sworn before; maybe, in your life, it’d be, like…”  He rose from his chair.   “‘Marines, mo-ther-fuck’-ers…’ like… hey; here’s something, Jody:  Our LT… his name was… it wasn’t his name; we called him Berkeley; it’s where he was from.  Or, at least, he went there.  Anyway… fucking Berkeley.  He was a gung ho motherfucker.” Jumper looked at me when he said ‘motherfucker;’ we both nodded- good flow.   “He was ‘God Bless America! Fuck everyone else!’  Yeah.  Really.  A couple of months in country, though; he changed.  Hey; I was the second whitest guy in the platoon.  Want to know how he died?”

“Who?  Berkeley?  Not really.”

“Okay.”  Jumper sat back down, looked at my corrections and editing on his story, looked at the portable Smith-Corona typewriter, sitting in its open case, and taking up one-eighth of the available space on the oversized, family table, almost more like a picnic table with a shine and doilies.  Most of the surface was covered in stacks, neat stacks of newspapers, invoices, order forms, bills and correspondence.  Again, neatly stacked, properly dusted.

Jumper looked at the new piece of paper spooling around on my typewriter.  “I should have taken a typing class, Jody.   Valuable.”

“Yeah.  A whole year.  Eighth grade.”  Jumper sat back down.  “Glad I did.” I sat down in front of the typewriter.  “Would you feel better if you told me?”

“What?”

“Double space is appropriate,” I said, nodding at the page.  “I mean, about Berkeley. Would talking about him, what happened, would it make you feel… better?”

“Probably not.”

“Okay.”  I started typing, looking at the page on the table.  “Maybe another time.”  I pulled a piece of twice-used masking tape from the inside of the case, hung the previous typed draft onto the leading edge of the open case.  Rather like a curtain.  “Or never.  I’m putting some fucking, ass-licking… um, just tell me where to put in the swearing.  Where it’s… appropriate.”

I heard a door open and close.  I heard voices. “Use your best fucking judgment,” Jumper whispered, his eyes going between the hanging pages and my face; “oh, and I wasn’t calling you a… an asshole.  Didn’t mean you.”

“Sure.”  I set my fingers on the proper keys, eyes on the last draft, and started typing, whispering, “draft-dodging, tit-sucking, flag-burning, mom’s boy, queer-bait, pussy, shit-bird, asshole, cocksucker.”  By the time I got to “who wasn’t fuckin’ there” it was less than a whisper.

“My parents,” Jumper said; “Sunday.  Mass, shopping, baseball.  Or football, depending.”

“Yeah.  Typing.”    

In time I converted the Jumper swear to “Draft-dodging, flag-burning cocksucker; tit-sucking, mom’s boy, queer-bait, pussy asshole.”  Better flow, I thought.  I cut out ‘shit-bird,’ I owned the words.

This is the version of Jumper’s piece I kept; “Overrun,” written by a twenty-two-year old, edited by an eighteen-year old.  Just turned eighteen-year old.  His submission included more swearing and was, again, shockingly well received by the students, highly praised by the professor.  My own first submission to the Creative Writing class is long gone, long and purposefully forgotten.  No, not completely.  “Rivulets, streams in the sand, saline flows, returning to Mother…”

Cringe.

Fixating on “Swamis”

While simplifying my manuscript for “Swamis” has actually become more complicated, I have also spent some time complicating illustrations; adding more color than necessary, going full psychedelic. Maybe that’s all right and even acceptable; the story does take place in Southern California, 1969.

You’re most likely too young to have any memories, or, if you were there, it may be more flashback than memory. A former cliché that may, through disuse, may have reached the statute of limitations on repeating is this: “If you can remember anything about the 60s, you really weren’t there.”

Okay, I googled it. The quote has been attributed to: Paul Kantner, Robin Williams, Paul Krassner, Pete Townshend, Grace Slick, Timothy Leary, and others. If you know who all of those people are… whoa! Look at you!

So, here are my latest workings:

overdone positive, line bending negative.

ANYWAY, I’m still getting my stuff together for the ZOOM event with the Port Townsend Library, Thursday, August 20, 7pm. There’s supposed to be a slide show of some of my stuff so people who tune in don’t have to look at me. Here’s a link: https://ptpubliclibrary.org/library/page/art-and-writing-erwin-dence OKAY, so how do I make that all blue so you don’t have to type it all out.

Oh, some of these and others are available at Tyler Meeks’ DISCO BAY OUTDOOR EXCHANGE. Stop in when you’re cruising out to the Peninsula, Thur-Sunday, 10am to 6pm.

More Swamis, More Coming

I am discovering more about the art and science of printing, particularly about how yellow seems to overwhelm other colors. Here is a version of my latest “Swamis” illustration:

inspired by 1960s Ron Stoner photograph

SO, I wanted to wait to see how the scanned drawing, now pixels on a screen, compares to the illustration I stuck in the scanner. Ummm, pretty close if I tilt the screen until it shows maximum color. This is taken from the color image, reduced to fit on eight and a half by eleven, which, because the yellow was too pervasive and some of the other colors were washed out, I attacked the drawing with colored pencils.

Okay, yeah; now if I could only get the drawings straight. They are, I swear, properly placed in the scanner. ANYWAY, I’m dropping a couple of framed pieces off at TYLER MEEKS’ DISCO BAY OUTDOOR EXCHANGE this afternoon, very limited edition prints with color added. Yeah, like on the actual drawings. I know there is no surf, but drop in on your way by. He’s open Thursday-Sunday, 10am to 6pm.

MEANWHILE, I am trying to get farther along on my latest edit (possibly not the last- but maybe the last full manuscript/big change version) of “Swamis” the novel. MORE INFORMATION is forthcoming on the upcoming ZOOM discussion/reading, with, if I can get it together, a slide show of my artsy works. Keith Darrock is setting it up with the PORT TOWNSEND PUBLIC LIBRARY. Thursday, August 20, and, yes, I will be putting more information out there. Here. Out here.

Stay safe, wear your fucking mask when appropriate; see if you can convince your friends and acquaintances who are obviously obstinate if not completely stupid refusers and deniers. to, at least, put on the fucking mask when they can’t fucking stay the fuck away. Yes, I am using profanity; not that that is unusual; but seeing people who think they’re making a statement by pushing into a store without a mask, expression saying, ‘yeah, say something,’ and I’m trying to buy a newspaper and a quart of chocolate milk; not risking getting whatever you’re spreading.

And wait, for all else I think I am; I make my living painting houses; and I do want to give a little praise to the other blue collar working folks who take a step back, grab their masks, and put them on when being able to socially distance isn’t possible. AND, YES, I know I do surf tiny waves on the Strait of Juan de Fuca, but, really, two feet isn’t six feet, not even here.

All real surfers have experienced those moments when we think we’re at the surface, suck in some air, only to find it’s foam; unbreathable. There are few things scarier than the inability to catch one’s breath. That’s what this virus brings; along with searing headaches, high fevers, delirium. It’s real, it’s around, and it’s more luck than any sort of inner strength or goodness that has kept us from getting it so far. So far. Through preaching.

I have a version of this headed for Disco Bay; hand colored

Stoner Photo made Fictional

It was almost coincidental that I found a photo from Ron Stoner of Swamis in about 1966, a year or so after I started surfing. Here it is:

Okay, the one on the right. The left photo is of the Malibu Invitational, in, I believe, 1965. My dad took my sister, Suellen; I declined to go. Too far away. Note the pre-drone angle.

So, here’s my version:

I believe I showed more than my usual amount of discipline.

Usually I can’t keep well enough alone. I did several modifications to another possible illustration for “Swamis,” the novel I’m now over halfway through my latest rewrite/edit (definitely making the manuscript easier to follow if less, um, colorful- Still too wordy, too much dialogue). This drawing is based on another Stoner Swamis photo. Before and after, with another after in the neverland file.

SO, I have several copies of the newer drawing and will attempt to show some discipline and restraint in coloring them. Results forthcoming.

MEANWHILE, I am getting some drawings together in preparation for the zoom event with the PORT TOWNSEND PUBLIC LIBRARY. I was actually volunteered by PT ripper Keith Darrock; and, since I don’t really need folks being forced to watch me talking all about my writing methods and such stuff, the plan is to get a selection of my art works together and have a slide show. It’s all supposed to happen August 20, but I will certainly post reminders as the date approaches.

AS ALWAYS, stay safe, surf when you can. OH, oh, yeah; Stephen R. Davis is in Hawaii, flight delayed by a hurricane; not sure about his current status, quarantine-wise. Checking the Big Island forecast fourteen days out… hmmm.

Cleaning up Swamies… oops

All right, here’s the illustration, so far:

And here’s what went wrong. I was working on the lettering, and had it pretty much done while sort of watching another British murder series on Netflix. Just as they revealed who really done it, and just as I was about to show Trish, I realized I had spelled Swamis incorrectly. Swamies.

Great. So, white out. I’ve taken to using the tape; sort of wroks (I mean works). SO, then I make a copy with my prin ter (also sort of works- images come out a bit crooked), and go back in and fix it. WELL, not yet; I’m thinking of getting a negative image, adding a bit more white.

If the image looks familiar, it’s from a Ron Stoner photo of Billy Hamilton, 1966. Mr. Hamilton is actually in my novel, “Swamis,” and probably from the same era. After one of my most memorable Swamis sessions to that point, from the ‘old men stop here’ platform on the stairs that were there at that time, I saw him cranking the most beautiful and flowing roundhouse to off the foam to in the pocket move (move as in it was seamless) I have still ever witnessed.

OKAY, so I took out a couple of other surfers who were in the Stoner photo, didn’t do justice to Mr. Hamilton. He’s stockier in my illustration, wrong here, not leaning into the turn as much as in the original… yeah, yeah… Hey, I am giving credit to Ron Stoner. His photos were, after John Severson’s in the first issues, the very heart of “Surfer” magazine; they captured the magic and mystery of the era.

I DID do a bit of a search for the photo, not wanting to risk scanning the photo ripped from an issue of “Surfer’s Journal”; ripped out only because there was some sort of misprint ting in that issue that ended up with most of the middle of the magazine duplicated. I didn’t find the actual photo, but I did find another Stoner photo.

When I was a sophomore at Fallbrook High School, 1966/67, Donn Fransich (sp?) brought in some “Surfer” magazines for show and tell in, I think, History class. He would stick them on the tray of one of those heavy, clunky overhead projectors. The photo on the right is one that I remembered from that his presentation. Not perfect, but perfect.

I’ve always remembered the photo, always wanted to see that vantage point in person. Coming back on the bus after a wrestling match with San Dieguito High School in which I actually didn’t lose, I still swear I saw surfers above and beyond the Self Realization Fellowship compound. When I lived in Encinitas in the seventies, I would often drive down the hill; again, looking for that magical image.

That Ron Stoner disappeared mysteriously; no, that doesn’t diminish the magic, not a bit. It’s there, the magic we chase; moments and images. I have caught some moments, surfing, that I will not forget; I am still trying to scratch and erase and capture, to flow into a perfect image. Not there; might never get there.

A New One for “Swamis”

I should, first of all, apologize for the coloring of the new drawings. A little too much for the one, maybe not enough for the illustration of Ginny Cole, some lettering added.

So, that’s about it. Stay safe, surf when you can. I do. Can’t say much more.

I am working on the manuscript; and, as objectively as I can be, I do believe the advice I’ve received is helping to make it better. If I can compare it to house painting, we get it all painted, then do the “Tighten up,” going back over all the surfaces, making sure it’s tight.

Not there yet, but working on it.

Ginny Cole in Color

I probably should start with the color version of the Ginny Cole illustration for “Swamis” before I get into anything remotely political. I am making progress on the novel; with at least one new character and so much concentration on how Jody’s father, Joseph DeFreines, Sr. died that I may have to severely cut back on the drama and adventure involved in the killings of Chulo and Gingerbread Fred.

Sequel? Not yet. Trish asked me if I wanted the drawing to be sort of mystical. Yeah, definitely; reflecting the time, 1969, and, more specifically, how a young person felt about the time, the place, life, love, surf, everything.

Fictional Ginny Cole on a mystical ride

I’m not actually through doing satirical political drawings. There is just too much material out there. For example, Ivanka Trump leading a public relations effort to encourage desperate and out of work folks to just ‘find something new.’ Yeah, like, um, with jobs at a premium and Republicans claiming the unemployed are just living it up on all the extra money; maybe what folks need is a new daddy. Works for her. Cake, yeah; let them eat cake; oh, and, because the owner of this outfit said nice things about her daddy; eat lots of Goya beans.

AND, I would like to do a drawing of Tucker Carlson, whose lawyers went to court recently to defend his right to tell lies; or, put in Fox-speak, Tuck-man is under no obligation to tell the truth. It’s not like he’s a real journalist. I would add, perhaps, a little sign that says, “Truth don’t matter; Ratings matter.” Yeah, it should be Truth ‘doesn’t’ matter; thanks for catching that.

Stay safe, surf when you can.

Ginny Cole at “Swamis” 1969

This is my latest attempt at the negative-to-positive technique:

Virginia (Ginny) Cole late afternoon Swamis, 1969

I’m pretty satisfied with the illustration, at least partially because it pretty much turned out as I imagined it would, hopefully, pretty; and I don’t feel the need to go back on this drawing and make changes.

Not yet, anyway. I am considering going back to the original and adding something referencing my novel, “Swamis,” Ginny Cole being a main character in the in-progress (still) manuscript.

AND, this image may end up on an ORIGINAL ERWIN t-shirt. If not, or if so, I’ll get a signed, framed, limited edition (limited, as always, by me) copy over to Tyler Meeks’ DISCO BAY OUTDOOR EXCHANGE soon, like, maybe today.

MEANWHILE, look for, wait for, or enjoy surf when you can, make sure you’re ready to vote in November, and STAY SAFE.

Speeding Surf Route 101

It wasn’t an accident that got me a ticket the other day, one hundred and ninety dollar fine for going seventeen miles an hour over the posted speed limit. I got a fucking speeding ticket because I was fucking speeding.

I do have an explanation, but not one that would get my fine reduced in a courtroom. Ya see, Judge; I was just pissed off; corona virus, people out of work, all kinda kooks coming over to the Peninsula, leisure time MFs (if you know what I mean), big trucks hauling bigger trailers and/or boats, cabover campers, and… anyway… oh, and earlier in the day, cruising up surf route 101, three vehicles passed me… me; one on a curve- had to pull over so I didn’t get hit by any shrapnel; I mean; good citizen, huh? Oh. Okay. So, I’m busy thinking about all that, and the stock market, and how black lives matter, and about Russia, China, Hawaii; whether the beaches will open in Mexico; lots on my mind; oh, and it looked like there might be waves the next day and whether I should go to bed as soon as I got home; and, yeah; I get down to 101 at Discovery Bay, over by Fat Smitty’s with his big Trump sign and folks waiting outside; not wearing masks, and I see all this traffic coming at me; so I pull out and I gun it. Now, I know it’s a 1987 Toyota Camry, but, maybe because of a hole in the muffler or something, it sounds like a sports car… and I’m moving along, thinking about the humane society and such, and… yeah, I’m slowing down because I’m catching up with other cars; you know, highway speed; and this car in front of me pulls over, over by West Uncas, in case you’re hep to this chunk of highway; and then, whoa, he pulls back out, lights flashing.

And he’s not really buying my story. “I had you clocked at 72.” “Well; I was slowing down; I wasn’t going to, you know, hit you.” Oh, I’m trying to be nice; figuring it’s all on body cam; and hoping… long story short, shorter; I get the ticket, three options, fifteen days to respond; and I instantly start thinking about how mad Trish is going to be, one, and that the surf will undoubtedly be good the next day because there’s no f’ing way I’m going to get to go.

And, of course, Trish is, mad, and, of course, there is surf, like, maybe knee high, but… but, of course, every person who owns or can borrow a surfboard is on it, and their cousins, and their cousin’s kids, and… anyway; maybe you don’t care about surfing; but, then we’re supposed to go over to our daughter, Dru’s, place in Port Gamble for dinner and a movie… George Takamoto drove the Camry; Trish went on ahead; and, and all I see out Dru’s window, heading east, are rigs with surfboards on ’em… oh, and, yeah; the movie was “Ford vs. Ferrari;” so, of course, there are jokes. “There goes Erwin.” That kinda thing.

No, I’ll probably pay the one hundred and ninety dollars.

HERE’S SOMETHING THAT I will take credit for; though it was an accident. I did a drawing, added a bit too much shading; figured I would redraw it. Because the original was on card stock, I couldn’t just tape it to a clear drawing board and use that as a template for another, hopefully better, version. So, I stuck it in the printer, but the printer ran out of black ink. So, I printed it in color. Everything that had been black came out white. So, I added some more lines and… here it is:

I may use it for my someday-to-be-finished novel, “Swamis.” Incidentally, I did use some of the time in which I would have been driving (too fast, no doubt) to and from the Strait, ripping up waves… whatever, to work on the manuscript. It is coming along. Really.

Slipping in something from”Sideslipping”

FIRST, here’s a drawing I did, white and dark on medium-toned paper. I can’t seem to get a white that will work. I had a paint pen but it clogged up, didn’t work twice.

Won’t work twice, it’s all right. Ma. Unnecessary allusion.

HERE’S my explanation for the cut scene: Including the exchange between Joey DeFreines and the writer/editor is a pretty conscious effort/shoutout to the sardonic and wise (and I always associate the two) writer/editor who managed to work through “Swamis,” the unexpurgated version, and provide me with… I don’t want to say ‘guidance,’ no one seems to suggest a better storyline… constructive criticism of my manuscript.

I have changed the first hundred pages enough, cut out enough, that the story is… it’s different. I did, I thought, let the story kind of work itself out, with a certain goal in mind, a last line planned before the first line was written (and subsequently, re-re-re-written). Most of the storyline of Joey/Jody in his later years has been cut. SO…

KAFKA LAUGHING

The next day, after Rudolph had several quite distraught visitors (never introduced to me) whom he seemed to have to console, after lunch, after a nap (I slept longer), Rudolph, smiling, put down his own tablet, said, “Kafka.  Supposedly he… serious stuff to most… readers… supposedly he was laughing his ass off while he was writing.”

I was writing, wasn’t laughing.

Rudolph made several disparaging comments on the current state of popular fiction, looked at me, pointed at my laptop with his tablet.  “Your book’s on there, right?”

“Very observant.”

“Oh?  That’s sarcasm.  Fine.  Don’t really know you, but… I do know writers; fucked-up crazy egotistical fucks… mostly; so… don’t take this personally, but… fuck you.”

Later (and not that much later), with Rudolph, evidently, having had enough of CNN (“Too redundant, too many commercials, too many panels of experts”), he switched the channel to Fox News, flipped off Sean Hannity.  Both hands.  “Double eagles,” I told him.  Since I also had a remote, I switched to MSNBC; Rachel Maddow (“Love her; don’t think she loves me back”).  Rudolph switched the TV off.

Rudolph- “Have any sex scenes in there?”

Me- “No.”

Rudolph- “No, not yet, or, no; never had sex?”

Me- “Not yet; but I hear it’s kind of fun.  Ha.  Ha.  Really, it’s not that kind of book.”

Rudolph- “Oh. Well; every kind of book needs a little… sex.”

I hit ‘save,’ shut down the ‘Word’ program.  “So, Rudolph… you do know publishers?”

“Sure.  Not as many as I once did; worst kind of pricks.  Not, um, needy, like writers, but used to feeling needed.  It’s worse.  Still, they spend some time on their knees.  Publishers, now; scared shitless of not making their money back.”  He held back for a second.  He seemed to enjoy that I was enjoying his commentary.  He had the inside information, dissected and delivered in a sarcastic/realistic way.  “But, really, my temporary roommate; Amazon.  Self-publish; it seems to be the way.”

I reopened the program, hit the ‘Pg Dn’ button until I got to the end, kept writing.  Typing, backspacing paragraphs, rephrasing.  I thought about laughing, just to mess with Rudolph.

“You know,” Rudolph said, during the setup for some BBC crime drama, one I had seen before; “I’ve never really watched a writer write before.”  I looked over at him, did a ‘was I drooling’ wipe at my mouth.  “Let me tell you… it’s an ugly process.”

“That’s why I don’t put on my writer clothes,” I said, “and go down to the café and fire up the laptop.”

“’Light up… light up the laptop,’ it’s better;” Rudolph said, editing, as if changing my words was amusing. “I assume you’ve google-searched for information on writing and publishing,”

I chuckled, gave him a ‘just a second’ gesture, went back to typing.  Rudolph said, somewhere during another ‘begging for money’ break on the local PBS channel, “Of course you have.  It’s sixty to ninety thousand words for a novel.”

Me- “Not a novel.” 

Rudolph- “Yeah; it is.  If you changed one name, forgot one thing, it’s… it’s your take on things.  There’s what’s the true truth, and there’s… it’s a novel.  Yes, all writing is, in some way, autobiography; but, Joseph; it’s a novel.  Where are you at, right now?”

Me- “Pages?”

Rudolph- “No.  Words.  Jeez.”

I was at a little over twenty thousand at the time.  I was at 25,931 when I started writing about Rudolph, but I keep going back.  Every time I open up the (yeah, I guess) novel, I tend to start at the beginning, get bogged-down.  In the time I have, with the energy I have; I’m not moving forward; at least not quickly. I’m editing.  Editing.  It sounds like cutting things out; but no; there’s always something I thought of overnight.

Something new.  Something old, rather, but newly remembered.

NOT DROWNING

“This is my new addiction,” I told Rudolph, “I look forward to writing the way I’ve always looked forward to surfing.  I miss it when I can’t do it.”

“This surfing;” he said, “the water’s cold, huh?”

“Can be.”  I had to add more.  “Probably, around here, gets up to 75 degrees or so, for about a week… August; goes down to 55, for about a week, middle of January, probably; again, for about a week.  In the old days, 60s, if you put on a wetsuit; and we only had short johns, before, say, December 10th or so… water down to 58 degrees… that was the cutoff; or if you put on a wetsuit before Easter; again, 58 degrees… you were a pussy.  Nowadays…”

Rudolph was smiling.  I stopped talking. “60,000 words; shouldn’t be a problem.”  We both smiled.  “Do you ever think about… drowning?”

“No; I mean, I have but, I’ve seen people who have drowned… I mean, any real surfer has had experiences where… I’ve just decided against it.  Cold water.  Bodies turn kind of… seaweed, um, green.”

“Yeah.  So, not dying, then.  Better to die in… Las Vegas, maybe.  Toasty… I’m thinking about the colors… tourist tan-burn.  Yes!  Hot, but dry.”  Realizing he was enjoying the moment, the conversation, a bit more than he might normally allow himself, Rudolph nodded toward my laptop.  “You finish it, I’ll give it a read.  When it’s done.  First draft, at least.”

“Whoa!”  I pointed at Rudolph, pointed back at the laptop.  A few seconds passed.  We both seemed to know I would ruin the mood.  And I did.  “Are you sure you’ll live long enough to read it?  I mean, you’re saying you will… read it; and I… I appreciate that… I just want you to tell me about… style.  I want to write it the way I want, but… I feel like, I believe I have a… style.”

“Fucking writers.  Egotistical fucks.”

“You said that… before.”

“Well, thanks for fucking listening to something other than the voices in your head.”

I laughed.  “Yeah; that’s what I’m in here for.  Voices.”  I tapped on my head.

“Oh.”

I waved my hand to suggest I was kidding.  I smiled, blinked several times.  “They don’t want to, uh, remove them… the voices; some doctor thinks she can translate them… into, uh, German.”

“Okay.  All right.  Look; If you live long enough to finish it, Joseph; I’ll live long enough to tell you it needs work.”

“Deal,” I said.

“Deal.”

Rudolph seemed to be, over the next hour or so, doing what I do, replaying the conversation in his mind. For most people there’s no replay, no rewind, no editing.  Most people.  My recall isn’t perfect, quite.  I replay the ones that seem important.  Over and over if I’ve fucked up somewhere in the back and forth. There are, I’ve discovered, few conversations, ever, that I’ve not fucked up somehow.

Sometime during the eleven o’clock news, after another nurse, Martha, had come in to introduce herself to Rudolph, check on him, with a cursory check on me; Rudolph took his phone from the side table, and said, “Let me give you my address.  You’re fine.  Do some of that surfing or something.  Thrive.  It’s, my address; it’s a condo.  Solana Beach.  On the bluff.”

“Solana Beach is wall-to-wall condos,” I said.  “I remember when…”

“Yeah, of course you do.  Remember.  But, hey, Roomie, if I might get a word in here; remember, remember when that swimmer… last guy in a group… got killed by the shark?”  Pause.  He nodded toward our big, shared window (view of apartment buildings, mostly). “Happened right out my window.”

“You saw it?”

“No, but I felt as if I had.  I’m not a fucking writer, but I can… (he twiddled his hands in the air) visualize.” He pointed to my cell phone, close to the edge of the bed.

I didn’t visit Rudolph in his condo.  I tried to call.  He never answered.  I wouldn’t leave a message, but would call back, let it ring once.  Missed call.  Or I’d text, something like, ‘working on it,’ or ‘the narcissists are in bloom.’  He would text, occasionally, something like, “Any SEX yet?” or “Entertaining the HOSPICE people.  Pre-hospice.  Counselors.  Like manic-depressive humorists.” Followed by, “Almost said BLACK HUMORISTS.”  “Different group.  DOUR lot.”

I texted, “Dour.  Good word.”

I missed an actual call an hour or so later.  The voice mail message was, “Oh, so now you’re not picking up?  Probably quoting Shakespeare to seagulls or something.  Anyways, dour.  Yes, I prefer it to ebullient.”  In a higher octave, “’Yes, you’re dying; but, hey, look on the bright side.’ Ebullient.”

When I did visit Rudolph, he was back in the hospital, one room over from the one we’d shared.  Same view, slightly different angle.

“They, the bastards, didn’t kill the child,” he said.  He wasn’t talking about the doctors, though he said he had given up hoping another test would have a different result, another consultant would have another opinion, a better prognosis.  He was talking about Nazis.  “But, in a way, see, they did.  I never got to be a child.  I, my life; I look for errors, for mistakes; and I envy the writers who have, like you; a sense of wonder.  Wonder.  What does that mean?  Passion, longing, wanting to fucking know, wanting to feel, to touch the magic.”

“Uh huh.  Yes.”

“So, that’s good is what I’m saying.  Shit, man; I’m pouring it out here, and you, best you can do is ‘uh huh.’  Writers?”

“Sorry, Rudolph.  It’s just that…”

“It’s just that, Joseph; I hope you don’t… sixty thousand words; that’ll take the wonder out of it; but not… not the magic.  Nobody… nobody who matters gives a flying fuck about flowery passages and perfect sentence structure; even about the… overall… construction.  Just tell the fucking stories.”

“Okay.”

Rudolph and I did exchange some stories.  He had felt passion, wonder, love; he was even capable of forgetting, briefly, that he had been robbed of a childhood.

Rudolph, who didn’t die in the concentration camps, who repeatedly told me the bastards would get him; eventually; never read a word.

I read some early chapters to him on one of his last days, in his condo on the bluff, looking out his windows, imagining the shark picking off the last swimmer.  One of his sons (looked up his name- Jacob) and Jacob’s two children (didn’t get their names) were there at the time, along with, briefly, a quite dour Hospice nurse (didn’t bother with her name).  My name, evidently, was on some sort of list. 

Rudolph kept dozing off and waking up, possibly disappointed he was still alive.  I kept reading.  I could tell when something I’d written was awkward or wrong.  Jacob would look over at his father.

“Needs work.” That was the last thing I said to Rudolph.

“Perfection,” Jacob said.  “My father says, ‘perfection is difficult to attain, and impossible to maintain.’” 

Rudolph woke up just before I was leaving the condo.  He didn’t seem to notice his son or me, but did look, through the afternoon glare, at the sliding glass doors.  Jacob’s two girls were playing, outside on the little deck, pressing themselves against the panels, salt stained, seventy-five feet above the ocean, their movements creating the on-glass equivalent of snow angels.  Jacob and I both noticed, smiled.  Not that we were ebullient.

Perfection.

See you out there. Somewhere. Soon.