It’s drizzling outside. Heavy drizzle. I’ve been working for about two and a half hours on the latest rewrite/edit of “Swamis.” That would be about as long as my last surf session, if one doesn’t count getting into and out of a wetsuit; so, sure, writing session.
The Summer Solstice might mean something different out here on the Olympic Peninsula than it does elsewhere. This area, more specifically the Strait of Juan de Fuca, has become, with my lack of surf travelling, my locale. It’s a strange world where surfers wait for ocean swells to find their way forty, even eighty miles into a narrow (compared to the open seas) opening; and then we hope they, diminished in size by the journey, hit the right beach at the right angle on the best tide, and then become a really good (I am tempted to say ‘righteous’) wave.
Oh, and we’d prefer glassy and uncrowded conditions, and, if it isn’t too much to ask for, a little more size. Huh?
ANYWAY, without going through what I went through to get in my last session (hint- daylight is, like, seventeen hours) within a very narrow window, and without mentioning the number of times I was skunked or near-skunked, I will now pivot to a story from elsewhere and elsewhile:
This is a photo Trish found on Facebook while doing some sort of research after she got a friend request from Don McLean, a guy in my class (1969) at Fallbrook High. Don tried surfing, didn’t stick with it, but his younger brother, Billy, did surf, and did manage to get my other friends and I in trouble on more than one occasion.
In fact, of the two times I spent time in custody of the Police, the second time, for curfew, along with Phillip Harper, Ray Hicks, and Mark Metzger, was almost totally the fault of Billy McLean. I have written about it. I’m not sure if Trish accepted Don’s request.
The first time I was held, for truancy, Shuichi and some other older guy (might have been the other guy in this photo) were with me. I was held, they lied, said they were going to Palomar Junior College, I got to follow the cop in my hand-painted psychedelic 1958 Buick, hang around the Oceanside Police station until my mother, who knew I was headed for a car show in San Diego, and, well, might as well go surfing, came from work to pick me up; me, still dressed in trunks, holding my driver’s license they finally returned to me; oh, and by the way, the only reason they put me in the holding cell was because I was just too nosy, checking out the station, reading stuff coming off the teletype. Criminal. No charges.
That’s pretty much the story, other than my mom did not allow me to continue on to the car show, and she did feel obligated to turn me in, in person, to the school. Detention.
Notoriety. Another story. “Oh, no; they did lock the cell. What? No, an hour, hour and a half. At least.”
The narrator of “Swamis,” Jody DeFreines, is the son of a white father and a Japanese mother. I wrote him as such because, with surfers from the sixties self-identifying as loners and outsiders, I wanted him to be more of both. I was influenced, also, because two of my longtime friends, George Takamoto and Archie Endo, are of Japanese descent.
Oh, but Shuichi is closer to Jody. We (Phil and Ray and I) once rode with him, after school, to El Toro Marine Airfield in Orange County, where his father was stationed. The plan was for him to visit his dad for a while, then we’d surf San Onofre. It seemed to me his relationship with his father was a bit, um, fraught. We waited. He came back. It was too late to surf.
Shuichi was at least one grade ahead of me. Because I made sandwiches for my six siblings and parents, and his mother, evidently, did not, he started buying lunch from me, the proceeds I then used to buy ice cream bars and such. Or gas money. I could make more sandwiches.
He was in my art class. We had a pretty redneck-ish teacher (I took four years of art, not that it shows) who once, because he feared break-ins, actually considered rigging a shotgun over one of the doors. He did, at least, discuss it. Oh, and, this tidbit might transfer somehow to “Swamis,” (changed to mostly male Big Jacket photography students) the regular teacher seemed kind of pervy toward the girls; and most of the students were girls. Artists? Yeah.
At one point we had a substitute teacher, a woman artist from La Jolla, very hip and chic, who said Shuichi should seriously consider, as a career, being a gigolo. I’m not positive she ever gave him this advice. She did tell me, and I was under the impression that she may have had some actual clients in mind. I, of course, did tell him what she suggested. Again, evidently Shuichi was eighteen as a senior, so, almost-sorta-kinda-not so shocking.
It was to me, of course. I don’t know that he didn’t follow that line of work. His latest Facebook posting showed him, fairly recently, getting married; so, I would guess, not for the first time. He still looked good. His work history seems to reflect sales, and representing this company or that, so… good on him.
OKAY, so, like somewhat over an hour on this, this session. Happy solstice to all, no matter how far waves have to travel to get to you; and remember, it’s all downhill now for the next six months.