S(Heart)P Man and Bucky Meet in the Water

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I was trying to shuffle my drawing stuff off the table so I could set my dinner down, holding the hot plate in one hand. It was chicken, with a nice sauce. That’s what got on the drawing; hence the black border on the left side. My friend, hydrosexual Stephen Davis, who is working on some illustrations to be posted on this site, and who went to something more like an actual art school than Palomar Junior College, said, when told of the accident, “Oh, that’s what makes art great. It’s like the Dada thing.” “The Dada thing?” “Yeah.” “Well, then, Stephen Davis, If that’s so, my stuff has always been maximum Dada; smudges, hand prints, coffee cup rings, coffee spewed from my mustache.” “Maximum.” “Oh, at least. Oh, and Steve; the last drawing, Trish said, the guy, who looks kind of like my brother Jon, has gorilla hands.” “Oh. Uh huh.”

There is a story developing here (I mean, with the drawings). Trish told me I got the paddle handle wrong; more like a cane. She was, of course, right. She didn’t comment on the hands. Yet. Oh, and Stephen’s drawings, from cellphone photos are approved (by Trish, and, of course, me). Stay tuned.

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BUCKY- Another Character for S(Heart)P MAN

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I’m getting the S(Heart)P MAN characters together for the non-epic, everyday (unfortunately) battle for a few waves. Bucky has been forced back into the ghetto mentality of seaside city surfing by the most devious of villains, the need to make a living. Where he once developed skills and a reputation, he’s now scrapping on an even-more-crowded playing field where he must compete against surfers with less skill, less wave knowledge, less… it’s debatable, even in Bucky’s mind, if he ever had the proper surfers’ soul, or even what that means. If the thrill is harder to achieve and the fun is fractured by drop-ins and cut-offs and the waves he can’t even go for because some SUP-riding A-hole is…

Well, there’s the drama, huh?

Naming this character Bucky is in homage to my first local surf hero. I hope he’s doing well. I decided to put in the sort-of super hero perspective, partially, in response to the response from Trish, whose comment on the drawing of Rhonda (not really based on anyone on a conscious level) was, “Her hands are kind of big… man hands;” and Stephen Davis, who agreed. I don’t want to go back and redraw Rhonda (again), but do plan on redoing the drawings of S(heart)P MAN and parts the montage, maybe just gluing-in some changes.

S HEART (READ IT AS ‘U’) MAN- RHONDA EXPOSITION

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Maybe I’m going to have to go back and work on the earlier drawings. It’s all about telling a story, and a story is developing. This isn’t me telling it; this is me working it out. Rhonda is not happy with her life, pushing flabby desk jockeys, cubicle dogs, guys who suddenly discover they never really had an adolescence, guys with enough money to suddenly find they want to be exciting, too (also) into weak beachbreak, in sometimes-skanky water, in a city with often-brown skies- for money.

“We’re all whores,” SUPman will (eventually) say; “at least you’re making money doing something you love. And, no, you’re, really, a ‘pusher,’ ha, ha; and, um, wait… brainstorm… ‘the first wave’s free.’ Hey, Rhonda, that could be your tagline. A gift. Another gift. You know I’m hooked, right?”

“Something I did love,” Rhonda will think. “If he calls me a ‘hook hooker’ I’m just gonna …”

Stay tuned; workin’ on it. Oh, and hope you didn’t find the Beach Boys allusion cheesy.

S HEART (READ IT AS A ‘U’) P MAN- THE COMIC- , ISSUE ONE, PAGE ONE

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I found out how to put images on the site in different sizes. The medium size probably looks better, and the large size does enable the viewer to pick out mistakes more easily. I am trying to adhere to what I perceive as current comic formatting, but, as always, I just can’t help going somewhere just beyond those lines. There’ll be more; I’m thinking, thinking, um, uh, what?

Oh, here’s the black and white version; just because I saved it.

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So, if you’re keeping score: SUPman’s nose got too much in the top image, the tutor is not attractive enough, and she just came out as a smudge in the ‘paddling/mine’ image. And, um, and I’m going to stop looking. NEXT TIME…

S(HEART)P MAN- Origin Story

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I am aware that I have a tendency to overwrite. I’ve been discussing doing a surf/centric comic book with Stephen Davis. Both of us went to art school, if I may (because I do) say that taking just about every art class at Palomar Junior College (and not quite one math class and one science short of enough of those sort of non-humanities classes to actually graduate). So, I’ve been thinking; in fact, while listening to a rerun of a “This American Life” show yesterday, the one on Comic Superheroes, I drove past my intended turn.

I googled “Secret Surfer,” caught an image of a Victoria’s Secret model holding an (unwaxed) surfboard. Okay, take another second to consider Victoria’s Secret models and waxing. So, can’t use that title. Googled “SUP Man,” saw some references that led me to believe it is really S’up, Man, or should be. So, S (heart, read it as ‘U’) P Man; that’s what I’m going with.

Here’s the overwriting part: I want SheartP Man to appear to be the hero; clean cut, no doubt rich, went to fancy surf school (no, private lessons by someone who learned from Laird Hamilton)… you can see I’m still fleshing this out.  Please stay tuned.

Yeah, yeah, ‘this is the origin of the story,’ the origin of the characters will follow.

A Few Secret Straits Spots Revealed- Sorry If You Missed It

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THESE are a few photos taken on the Straits of Juan de Fuca by Jeffrey Vaughan; and, actually, I have more. The problem is, it’s not cool to publish photos where the location is obvious, even if the spot is nowhere near secret (oh, it might be somewhere near a secret spot). So, I surf these spots, too; and don’t really need anyone suddenly thinking this might be a destination other than, say, Westport. NOOOOOO! Even rideable waves are soooooo rare.

Besides, it’s not like thousands of wave-starved surf enthusiasts are going to catch a ferry and head many miles west northwest just because they saw something on my site.

SOOOOOOO, I’m going to do a flash posting, Saturday, 9pm Pacific Daylight Savings Time, featuring some very pretty photos at a spot easily recognizable to those who have been skunked at the very beach. I’ll delete the photos around 11:35, since anyone up will probably be seeing if Saturday Night Live is new, a rerun, or any way funny.

ORRRR, maybe a few city crews, spurred on by the images and hoping the forecasts and the buoy readings are wrong, might just be loading up for that first ferry.

UPDATE: I did post the other photos. They were great. And, like the fickle waves we seek, they’re gone.

It’s Like Mr. Peanut Without the Hat

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Jeff Vaughn, who ripped up a large number of lefts while I was searching for a right that would clear the reef, casually doing the classic South Bay longboard drop-stand-and-turn, noseride, kickout or island pullout or flip backwards in a closeout, sent me a few shots from an uncrowded session at a sort-of-secret spot (as in, everyone knows about it, but no one is supposed to give the name out to any kooks who evidently don’t own a computer or know anyone who does, and who might show up on one of those rare, rare, extremely rare days when there are actually waves) somewhere on the Straits of Juan de Fuca.

I showed my wife, Trish, the ones of me, obviously trimming, quite casually, and in the right spot on the wave. The images were quite small and her comments included: “You weren’t wearing a hood (the other surfer out, a PA local and member of the Surfrider Foundation, whose name I should know, but don’t, was);” and, “At least you’re standing up;” and, “That stick (‘you mean paddle?’), it looks like, maybe, you use it to help you stand up;” and, in response to a question from me, “No, you don’t look that fat.” More like “THAT fat.”

I wrote back to Jeff, thanked him, sent the photos on to a few of my surfing friends. Well, pretty much all of them I have email addresses for, mostly so I didn’t have to describe the waves as “knee to waist high with the occasional head high sets, and the indicators, at the lefts and the rights, going off pretty regularly.”

Wow, the last paragraph pretty much messed up the timing for this: Jeff sent more photos, bigger, zoomed-in. In these photos, I do look THAT fat. No, you won’t be seeing them, but, when I showed Trish, complained about how I look less like the surfing super hero I know she thinks of me as, than an old fat guy in an embarrassingly stretched-to-the-limit wetsuit (but still in perfect trim), she merely nodded. Politely. “And yet,” when I tried to show her the same photo again, just to show the wave positioning, she said, “and yet you can’t stop looking at it.”

No. In fact, maybe I’ll print it up, stick that on the refrigerator.

A Moment Before The Swoop

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At the height of a projection, the speed of the original drop used to get to this point, down the line and up into the thinnest part of the wave, hanging, suspended, the right hand holding nothing more than a level, the left hand only holding balance when and where there is none without the speed itself…hold that weightlessness… hold it.  When the hand opens…

ACKNOWLEDGEMENTS: The drawing is based on (as opposed to copied from) a photo of Keanu Asing competing at Lower Trestles during the recent Hurley WQS event. I looked through eighty photos supplied by the World Surfing League, airs and rotations and cutbacks and… at this moment, on this ride, there are choices. Were choices. I can imagine an adjustment that allows a freefall from the lip, even a tuck into the pocket. I can imagine a cutback into the whitewater.

High-Lining Down The Line, Edited, with Illustration

This is the drawing I didn’t have ready for “Down The Line.” I can’t seem to figure out how to make it larger on the page. The photo is of Black’s Beach by Matt Aden.

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You have to love the waves you don’t think you’ll make, ones on which you’d like just a little more speed out of your board. You’re trimming high on the wall, focused only on the wave ahead and below you, and it’s only getting hollower; and you know that section ahead, that last pitch before you can glide; it breaks, explodes, really, on river rocks, round, smooth; no oversized chunkers; cobblestones; and you’ve already been caught in that shallow trap, board dropping out and down as the lip hit you; you’ve already pirouetted and half-twisted and leaped toward the open ocean, and been thrashed, bounced off that reef, your board going over you in inches of water.

And you made some. Easy. Too easy; you must have been too far out in front.

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“Again” is really all you’re thinking; “This time…” Maybe you’ll crouch, hand in the wave face, tight, ready.

This time you might make be in that perfect spot. More speed. You take off at an angle, too far over, probably, project out of a down the line bottom turn, and find that high line again. Speed; you need more. You see the ribs of the wave ahead, the already-pitching lip. More speed. You don’t tuck in; but you move your weight forward, subtly pumping, just tweaking the angle. If you weren’t holding your breath, you are now. No, you’re ready to scream, success or failure; this is where you always wanted to be; that high line between… between frightening and thrilling.

The board skitters, no way it would hold in the thin lip; it side slips down the curve, you in the curtain, trying to stay on, your back hand pushed farther behind you, focus still on the deep water ahead, and…

…and now you’re laughing, and not thinking of anything else but… “Again!”

Excuse Me, Sir… uh, um… maybe you’re ‘MIND SURFING.’ Sorry. It’ll Wait. It’s Just, you know, Work

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“If I were free, beyond this cubicle, beyond these fences and stoplights and freeways, out where the ocean constantly, steadily, erodes and decays the man-made manifestations of pride and ego and power-games; if I had never bought into the ethic, the code, set up by the captors, gotten onboard the ‘debt-work-debt’ escalator; if I could even see beyond the next meal; maybe some bonus thrown my way in hopes I might show some teeth, some gratitude (though many would settle for dodging a turd); if the nights weren’t spent mostly anticipating the days; if I were free…

“…I’d be dropping in behind the peak, skittering, falling, setting my fins, powering… I’d be catching a glimpse of a waterfall rainbow… watching the field of diamonds bend and curve, see the sun through a thin, reaching, slapping hand of a wave as I break free. Free. If I were free, beyond this cubicle…”

My daughter, Drucilla Dence, walked to the Lincoln Park Zoo the other day, from her apartment (walking distance to work in the Hancock Tower). She said the trip was notable because nothing happened, no scary encounters with crazies, no near-misses in the crosswalks, and the day was lovely. She sent me some photos and said I had to respond. Okay. Thanks, Dru (and, no, I’ll not add this to the piece where you compared me to your cat, Mister Pugsley). Love, Dad.

And, look; maybe a lot of us would rather be somewhere else than working; I break free every once in a while. Tomorrow, maybe. Meanwhile…