…and “Real, Real-er, Real-ist,” and “Realistically, Really?”
It’s something about how (I am coming to believe) every surfer seems to believe he or she (to save time I’m going to say ‘you’) has an approach to our shared sport/lifestyle/addiction that is true and valid; enough so that the other kooks and posers and influencers and disciples of this or that offshoot of the one true surfer’s life are… well, they’re mostly in the way, decadently preening and cavorting and, basically, despoiling the waves and the beach and the purity of purpose, with its co-existing morals and list of sins… those folks are in your way.
WAIT, that sounds like some excerpt from a MANIFESTO written by some madman in some cabin in some woods. YEAH, well, maybe, but I’m still working on how to refine it. SO, ask yourself if it applies to you and your realistic place in an increasingly crowded lineup. Maybe not.
I HAVE DECIDED to go back to posting excerpts from “SWAMIS” (not a manifesto) on Wednesdays, mostly because of time restraints. MAYBE just this week. I woke up in the middle of the night and watched too much of the WSL contest, enough to see SALLY FITZGIBBONS win, cementing her place back on next year’s big show. I was rooting for the veteran (not too surprisingly), and have long wondered why contest commentators never seem to mention that, coming close to number one in the WSL, she is, like (like as in I don’t have time to fact check) the four time champion of the INTERNATIONAL SURF LEAGUE (ISL). Perhaps it is because the WSL is the one true contest heaven.
TRISHA’S BROTHER’S SON, DYLAN, our nephew, and his wife just moved into a house in ENCINITAS. It seems he was surprised to discover that his aunt and I once owned a house in the same neighborhood. THE DISAPPOINTMENT, for surfer Dylan, as it was for me, was that our houses, purchased decades apart for should-be shockingly different amounts of money, is EAST OF I-5, well east of SURF ROUTE 101. And, looking at an aerial view that went along with the Zillow report, with 29 photos (Dylan gave me his new address so I can send him one of my new ORIGINAL ERWIN longsleeve t-shirts), I was even more disappointed to see so many houses, so little open land.
“It’s EASTINITAS,” I Texted, “AND there’s probably a surfer in one out of four of those houses.”
IN KEEPING with my habit of overdoing, I did a couple of sketches to go with my noticing how all these kids and their grownup cronies are riding electric bikes like they’re motorcycles… because, yes, they are.
Got to go- places to be, already late to start a promised and put-off painting project. DAMN, being a “Whore for the money,” an accusation from my friend, Keith, I can’t deny, though, technically, it makes me a prostitute, does cut into my ‘me time.’ That is, what could be time to search for and ride… waves.
I DO HOPE DYLAN and, okay, you, real surfer that you are, get some really life-affirming rides. OH, and don’t steal my drawings. I probably will keep going on the first sketch. WEDNESDAY, “SWAMIS.”
FIRST LIE: “I just want to get in the water,” or any variation on this (purposefully not talking about the folks cruising SURF ROUTE 101 and, I guess, everywhere, with Walmart plastic kayaks, canoes, wavestorms) by someone who actually surfs. Okay, shouldn’t have excluded Wavestormer Troopers, BUT…
…here’s the (a) story: So, three sessions ago, fighting a radically outgoing tide and small, choppy waves, I had one of those go-outs in which I, objectively, SUCKED. Two sessions ago, on a borrowed SUP, same spot, even smaller waves, I, subjectively, did OKAY. Or, at least, better… BUT, tasked with packing a board heavier than my Hobie on a long trek back, and unable to just drag someone else’s board across the soft sand and the scrub, I allowed, for the first time in my career, someone else to pack my board part way. It was his board. I was… grateful.
So, next session I packed in my MANTA board. I had finally coated over the paint with resin, and figured, if the waves were the usual, minimal, I could, at least, jump into a few. The waves lived up to my expectations; minimal. AND, NO, even if I said I just wanted to get in the water, which I didn’t, I would be lying. I wanted o RIP. I always want to rip. I didn’t. I let frothed-out ripper KEITH ride the board. He did rip. I watched. I caught ONE WAVE, belly ride, totally tubed, with enough juice to propel me down the line and into the gravel shelf. YAY!
MANTA and slightly lost Hobbit.
OH, and Keith put a ding in the Manta. That’s one of the costs in surfing. Occasionally getting h orumbled is another. STILL, next time I get wet…
SECOND LIE: “I’m not political.” Add to this, “I am willing to talk.” That part is true. I am working on a project proposal for a guy who is running for the state senate as a republican. So, in discussing the job, politics did come up. I said that, probably, 70 percent of people agree on 75% of things, that where the radical 30%, 15 in each direction, left and right, come together is distrust of the government. The potential client agreed. THEN, because he is also part of the nebulous percentage of people who consider themselves religious (there is a scale on this), I added that we are all raised with certain morals, and, if we go against these, we, in our own minds, sin. So, because we want to consider ourselves ‘good people,’ we try to live up to our own sense of morality.
HE AGREED. What I actually (or also) meant, or meant to imply was, that if a person is raised by a parent who used every device and trick to fuck over people in order to enrich himself, that person’s moral backstop, compass, guidebook, whatever, is… different.
BECAUSE I couldn’t help myself, and, actually, I MIGHT DO MORE, I drew a couple of, possibly, kind of political illustrations. I found out a few things: A LOT of women do not want to see even a negative image of Fred Trump’s son, a NASTY piece of work. I don’t know. Maybe I’m wrong: there might be, like, 15% who think… SHIT, I can’t imagine why they’d have anything other than disgust, AND, if they defend him on some false and thin pretense, I might believe they have an incredibly strong resistance to the gag reflex, and/or are lying.
Again, I am willing to talk.
“SWAMIS.” Since I am serializing the novel, I should recap: 1. Joey is at the court-appointed psychologist’s office; the conversation coming around to whether he has moved from being bullied to being a bully. 2. Joey’s first meeting with Julie at Pipes.
CHAPTER THREE- SUNDAY, SEPTEMBER 15, 1968
My nine-six Surfboards Hawaii pintail was on the Falcon’s rust and chrome factory racks. I was headed along Neptune, from Grandview to Moonlight Beach. The bluff side of Neptune was either garage or gate and fence, or hedge, tight to the road. There were few views of the water. I was, no doubt, smiling, remembering something from that morning’s session.
There had been six surfers at the outside lineup, the preferred takeoff spot. They all knew each other. If one of them hadn’t known about me, the asshole detective’s son, others had clued him in. There was no way the local crew and acceptable friends would allow me to catch a set wave. No; maybe a wave all of them missed or none of them wanted. Or one would act as if he was going to take off any wave I wanted, just to keep me off it.
As the first one in the water, I had surfed the peak, had selected the wave I thought might be the best of a set. Three other surfers came out. Okay. Three more surfers came out. Sid was one of them. I knew who Sid was. By reputation. A set wave came in. I had been waiting. I was in position. It was my wave. I took off. Sid took off in front of me, ten yards over. I said something like, “Hey!”
Rather than speed down the line or pull out, Sid stalled. It was either hit him or bail. I bailed. Sid said, “Hey!” Louder. He looked at me, cranked a turn at the last moment. He made the wave. I swam.
“I didn’t do anything wrong,” I said, back at the lineup. The four other surfers there were laughing with Sid.
“Wrong, Junior; you broke the locals rule.” Sid pointed to the lefts, the waves perceived as not being as good, on the other side of a real or imagined channel. “Local’s rule. Get it?” Trying to ignore the taunts of the others, I caught an insider and moved over.
After three lefts, surfed, I believed, with a certain urgency and a definite aggression, I prone-paddled back to the rights, tacking back and forth. A wave was approaching, a decently sized set wave. I wanted it.
“Outside!” I yelled, loud enough that four surfers, including Sid, started paddling for the horizon. I paddled at an angle, lined up the wave at the peak. Though the takeoff was late, I made the drop, rode the wave into the closeout section, pulling off the highest roller coaster I had ever even attempted.
There had been no outside set. I kept my back turned to the water as I exited, not daring to look up at the surfers on the bluff, hooting and pointing. I did look up for a moment as I grabbed my towel, my keys and wallet and cigarettes rolled up in it, tromped up the washout to Neptune Avenue, trying not to smile.
Driving, almost to Moonlight Beach, a late fifties model Volkswagen bus, two-tone, white over gray, was blocking the southbound lane. Smoke was coming out of the open engine compartment. Black smoke. Three teenagers were standing behind the bus: Two young men, Duncan Burgess and Rincon Ronny, on the right side, one young woman, Monica, on the left.
There was more room on the northbound side. I pulled over, squeezed out between the door and someone’s bougainvillea hedge, and walked into the middle of the street, fifteen feet behind the van. “Can I help?”
Duncan, Ronny, and Monica were dressed as if they had surfed but were going to check somewhere else: Nylon windbreakers, towels around their waists. Duncan’s and Monica’s jackets were different, but both were red with white, horizontal stripes that differed in number and thickness. Ronny was wearing a dark blue windbreaker with a white, vertical strip, a “Yater” patch sewn on. Each of the three looked at me, and looked back at each other, then at the smoking engine. The movement of their heads said, “No.”
Someone stepped out of an opening in the hedge on the bluff side of the road, pretty much even with me. I was startled. I took three sideways steps before I regained my balance.
Julia Cole. Perfectly balanced. She was wearing an oversized V-neck sweater that almost covered boys’ nylon trunks. Her legs were bare, tan, her feet undersized for the huarache sandals she was wearing. She looked upset, but more angry than sad. But then… she almost laughed. I managed a smile.
“It’s you,” she said. It was. Me. “Are you a mechanic?” I shook my head, took another step toward the middle of the road, away from her. “An Angel?” Another head shake, another step. She took two more steps toward me. We were close. She seemed to be studying me, moving her head and eyes as if she might learn more from an only slightly different angle.
I couldn’t continue to study Julia Cole. I looked past her. Her friends looked at her, then looked at each other, then looked, again, at the subsiding smoke and the growing pool of oil on the pavement. “We saw what you did,” she said. I turned toward her. “From the bluff.” Her voice was a whisper when she added, “Outside,” the fingers of her right hand out, but twisting, pulling into her palm, little finger first, as her hand itself twisted. “Outside,” she said again, slightly louder.
“Oh,” I said. “It… worked.”
“Once. Maybe Sid… appreciated it.” She shook her head. “No.”
I shook my head. “Once.” I couldn’t help focusing on Julia Cole’s eyes. “I had to do it.”
“Of course.” By the time I shifted my focus from Julia Cole’s face to her right hand, it had become a fist, soft rather than tight. “Challenge the… hierarchy.”
I had no response. Julia Cole moved her arm slowly across her body, stopping for a moment just under the parts of her sweater dampened by her bathing suit top. Breasts. I looked back into her eyes for the next moment. Green. Translucent. She moved her right hand, just away from her body, up. She cupped her chin, thumb on one cheek, fingers lifting, pointer finger first, drumming, pinkie finger first. Three times. She pulled her hand away from her face, reaching toward me. Her hand stopped. She was about to say something.
“Julie!” It was Duncan. Julie, Julia Cole didn’t look around. She lowered her hand and took another step closer to me. In a ridiculous overreaction, I jerked away from her.
“I was going to say, Junior…” Julia was smiling. I may have grinned. Another uncontrolled reaction. “I could… probably… if you were an… attorney.”
“I’m not… Not… yet.”
Julia Cole loosened the tie holding her hair. Sun-bleached at the ends, dirty blonde at the roots. She used the fingers of both hands to straighten it.
“I can… give you a ride… Julia… Cole.”
“Look, Fallbrook…” It was Duncan. Again. He walked toward us, Julia Cole and me. “We’re fine.” He extended a hand toward Julia. She did a half-turn, sidestep. Fluid. Duncan kept looking at me. Not in a friendly way. He put his right hand on Julia Cole’s left shoulder.
Julia Cole allowed it. She was still smiling, still studying me when I asked, “Phone booth? There’s one at… I’m heading for Swamis.”
A car come up behind me. I wasn’t aware. Rincon Ronny and Monica watched it. Duncan backed toward the shoulder. Julia and I looked at each other for another moment. “You really should get out of the street… Junior.”
“Joey,” I said. “Joey.”
She could have said, “Julie.” Or “Julia.” She said neither. She could have said, “Joey.”
No one got a ride. I checked out Beacons and Stone Steps and Swamis. I didn’t surf. The VW bus was gone when I drove back by. Dirt from under someone’s hedge was scattered over the oil, some of it seeping through.
OBLIGATORY COPYRIGHT STUFF: I reserve the rights to any and all of my original works. Please respect this. Erwin A. Dence, Jr. Thanks.
HAPPY LABOR DAY! I do hope you’re getting WET and BARRELED! The next time (and any time) I get in the water, remember, “I’M HERE TO SURF.”
Very bad day yesterday. All I wanted to do was get my panels up to Port Townsend for the August Art Walk, AND take ARCHIE ENDO out to lunch. Short Version: Van got accidentally locked. Not blaming. Keys and cell phone inside. Van parked in handicapped spot. $120 cash to unlock. Move panels and remaining Original Erwin shirts. Now to lunch. NO. Van won’t start. Tried jump starting. Thanks, LOU. NO. Waited for tow truck, arrived while trying to eat something at La Cucina, across the street. Slugged down last of quesadilla and milk. KIRK LAKENESS was the tow truck driver. Perhaps you remember Kirk from the time I crashed vehicle on Eaglemount in black ice. Kirk towed van to electric shop. Archie and I got a ride to his house in DIscovery Bay area with REGGIE. Archie gave me a ride home.
Here’s a shot of Stephen R. DAVIS’S friend from the Big Isand, ‘CAP” (real name Brian, though, he says, only his mother [and I] call him that), stylishly sporting the latest ORIGINAL ERWIN T SHIRT and posed as if he might be checking out surf. NO. No surf ’round here. Incidentally, he and other Big Islanders call Steve “Moose.” I don’t.
HERE is the poster I was hoping to sell multiple copies of at the COLAB during the Art Walk. Hoping. I was sure enough that it would be a popular item that II had forty of them printed, 20 at 11’by 17′, twenty at 8and1/2′ by 11′. LIMITED EDITION.
SPEAKING of which, when I was waiting for RANDY at COHO PRINTING to finish the project, I said that I love doing the artwork, but hate trying to sell my works. “Well,” he said, “My suggestion would be to put them all in a drawer somewhere.” “Thank you, Professor, might I have another?” “It should be ‘Sir.'” “I know. I gave you a promotion.” MEANWHILE… WORK. A different story.
Find some waves. Ride them. Later. Oh, and the poster is covered by copyright, all rights reserved.
…not exactly addictive, but, as a fan, with favorites, some winning, some not; if there’s a chance to watch… I just mighjt. NEWS for the Non-Watchers and the WSL haters, John John won the mens, moments ago and Caroline Marks… Yeah, I’m sure you know by now.
I kind of half thought it was Father’s Day today, another excuse, this one for sleeping late, not being totally concerned about work (the kind that pays selected bills), and maybe even taking a nap. It isn’t Father’s Day. While Mother’s Day (l’m choosing the singular possessive here because, while we can celebrate all mothers, it’s our own that we should be honoring) is set up during the school year, with craft assignments designed to produce refrigerator art and coffee table crafts, fathers have to wait, and wait, and get something store bought. Still, most likely refrigerator and coffee table stuff. BUT StILL…
I did do some surfing since my last posting, memorable mostly in that my psychedelic oil-filled eye didn’t present too much of a problem. Or the bright sunlight and the decent waves made me ignore it. Or I just closed the left one while screaming down the line. That’s screaming as in ‘loudly proclaiming.’
On that front, there is still some scarring in the eye and the potential that the retina could come loose, so, out of an abundance of caution, I get to go at least another three weeks with the magical liquid holding the wallpaper to the inner walls. I am learning more each time I get checked out. Not that I’ve been anxious to know some of this. And, again, I have a bit of regret for not giving a bit more sympathy for other surfers who have problems with the glare and such in the water.
In a non-similar situation, I stumbled and crashed going out on my last session, doing the dive straight in rather than the wade, AND, as is increasingly happening, I got thrashed trying to land in a not-that-vicious shorebreak, pushing my board up the beach and crawling with, of course, witnesses. IN BETWEEN, of course, I ripped.
Not just me, of course, but if it’s ever SURFERS DAY, I will use the singular possessive ‘surfer’s,’ and the surfer’s performance I am most concerned with, though I do appreciate any good-to-great ride by anyone, is mine.
Allow me a moment to look up SOCIOPATHIC NARCISSISTS’ DAY.
Artist/surfer Stephen R. Davis and I at the COLAB in Port Townsend with my panels. Photos by Joel Carben. Joel and his wife, Rachel, run the collaborative work space and have allowed me to exhibit my work there. Steve helped spread the word on social media.
Side note: I’m wearing the t-shirt I designed for the Port Townsend Public Library’s SUMMER READ.
Secret note: Partially (only partially) because non of the semi local crew would say that I’m in any way thinner than another local surfer, I’m getting more serious about dieting. Slightly more serious. I’m switching from ice cream to yogurt, mushroom burgers (with cheese and sometimes eggs) to salads; I’m avoiding chips, fries, donuts; and I’ve broken it off, hopefully for good, with Little Debbie; and I’m rethinking my longterm obsession with Hostess.
Meanwhile, there are plans and schemes for the NEXT OCCASIONAL SURF CULTURE ON THE STRAIT OF JUAN DE FUCA AND THE SALISH SEA EVENT. The date is set for July 17th. Art, talking story, special guests… MORE to be reported, LATER!
Hope you’re scoring some waves on occasion. As always, if you can’t be nice, be real.
Trish wasI, as always, correct when she said I had become obsessed with these door panels I have been working on; four by-fold doors rescued/salvaged/pack-ratted from some job. My theory was, because everyone has limited wall space for art, these would serve as screens, or even, doors.
Yes, there’s an inside and an outside, and I kind of lost track of what was on one side when I was painting the other side. It wasn’t all, like, thematic. Maybe a little. Obviously I have some sort of fascination with waves. And color. I would start out, get to something that was not what I envisioned and… here’s the obsessive part; I would keep going until l was a high percentage of satisfied. The fear at some point is that I could then screw the whole thing up. A line too far. Or a color. Or… something.
I want to thank Joel and Rachel Carben, owners of the COLAB in Port Townsend, for allowing me to have my art in their space. Although I paint houses for a living, my artistic leanings have been toward drawing.
SO, I am not at all sure what to do with these panels now. Hanging out for three of the monthly Port Townsend ARTWALKS has reinforced my belief that marketing is not my strong suit. Not even close. SO, do I tell myself that the joy of art is in the process? That is true, but… but, but, but…
Captions: Stephen R. Davis approaching the wall of doors at the COLAB;Joel Carben and Steve; a framed painting that caused Steve to comment,”It’s nice that you’re finally going for fine art,”; various panels taken where they were painted (a Costco/White Trash garage). OHHH, and then there’s BIG DAVE.
I took this a week or so ago at the Home Depot in Sequim. I had already heard a rumor that Legendary Surfer BIG DAVE RING was giving up surfing due to arthritis in his knees. I did write about this. The rumor was confirmed. *Sort of. Quickly, Dave was raised in Pacific Beach, San Diego, and was part of the pack of “Pier Rats” that included standout, Joe Roper. Dave, currently 66, was fourteen when I moved to PB in late 1971. I was twenty. Not a big talker in the lineup, not a guy who hangs out and chats it up on the beach, part of the reason I found out any info at all is because we have been mistaken for each other, as in: “I read your last thing on your blog,” to Dave, or “I heard you were ripping the other day,” to me.
Most of this was back when Dave was merely rocking a big-ass mustache. We both were riding big boards (Dave a 12′ SUP as a regular surfboard), and we both caught a lot of waves, from the outside, or scrapping for insiders. Dave is a master of the late takeoff and the sideslip, and plows through sections I would dodge..
A notable quote that got back to me was, “I rolled up and the Walrus and the Beast were both out. I went somewhere else. Though I’m almost more comfortable with being referred to as ‘That asshole wavehog, kneeboards on a SUP,” and I’ve been doing my best to increase the size of my mustache, I must agree with those who say Big Dave is the Walrus. Coo coo ca choo, coo coo ca choo.
*Having already, in a pattern that seems to hold true among older surfers, moved from popping up automatically, to knee boarding the takeoff and standing up after the first section, to kneeboarding the entire wave, Dave expressed little interest in belly boarding. “No, but…” I could tell Dave was imagining the perfect pre dawn session, sneaking out, lining up a few bombers.
“It is amazng,” he said, “what I’ve gotten done because I’m not always putting stuff off to go surfing.”
I get it, Dave.
EYE and LEG UPDATE- I’m finally through with the wound care for the gouge on my right calf. Pretty impressive scar. I am going to have my eye checked out on Friday, with surgery to remove the clear oil inside it, hopefully, scheduled for… soon. It isn’t as if I can’t work, it’s just annoying. I sort of attacked a woman in a parking lot the other day because she had a bandage over one eye. “Hey, what happened to you?” Different deal. Worse than mine. Nice conversation. ANYWAY, I did tell Trish that, because of the glare in the water, I might not surf until the oil in my eye is exchanged for (I asked) saline solution, that to be replaced by the proper bodily-produced fluid.
BUT, but, but… when I check the forecast…
Moving on. Back to another of my obsessions. After I post this, my plan is to get back to “Swamis.” I had friends attempt to read earlier versions. I know where I have to make changes, and I have been working on it. That’s my process. Evidently. Obsession, distraction; what we have to do and what we want to do and what we really really want to do.
…and when, perhaps, men are going to catch up or on. If ever.
When I started board surfing in 1965, almost fourteen-years-old, there were girls and women who surfed. Not that many, and those who were good at it were known by name. In San Diego’s North County, Barbie Barron from Oceanside, and Margo Godfrey were the main contenders.
It would be totally wrong if I didn’t mention that my older sister, Suellen, got me into board surfing. If Suellen had romantic notions about what surfing is, and she did, and we all do, the truth is that sometimes surfing lives up to those notions.
Trish went to Junior High with Barbie and was a member of an upstart Oceanside Girls Surfing Club before Trisha’s father got transferred to Philadelphia. I would run into Barbie frequently when I got out of High School, 1969, and did a lot of pre-work, dawn patrol surfing at the short jetty south of Oceanside harbor. Trish, who came back west in 1968 with a lot of east coast sophistication and a touch of the vibe (so alluring to a rube from Fallbrook), would ask if I actually spoke to her. No. Barbie did own the Offshore Surf Shop in Carlsbad for years. I reached out shortly after she retired. So, still no.
My only live almost interaction with Margo Godfrey was a big-but-blown out afternoon at Swamis, Scott Sutton, Jeff Officer, and I stuck with that situation because we had to wait for Scott’s father to do whatever he had to do that was more important than taking kids surfing. Margo and Cheer Critchlow were walking out, so casually, hitting the outside lineup, while we were going for the insiders.
I did write about my one interaction with the most famous woman surfer of that generation, Joyce Hoffman, from Christmas of 1970, the piece entitled “Joyce Hoffman’s Bra.” It is Google-able. I checked.
Oh, and I threw in a shot of Silvana Lima to represent women surfers who rip but don’t, perhaps, fit into the ‘image’ that sponsors are looking for. The image issue is, to a lesser extent, perhaps, also true on the men’s competitive side.
This is probably the right time to apologize for my attitude toward women. I love women, and my realization that boys and men treat women, um, rudely, and artists, trying to capture something of the beauty and wonder of women are insensitive if not clueless. So, yeah, one of those “I didn’t know, I don’t know, I’m working on it” kind of man-pologies.
Here’s how this post happened: I wanted to write about women who surf. Not finding anything I was stoked on in a quick web image search, I decided to check out my own media library. These are images that have appeared on this site. Some of the silk screen images are from the 1980s when I thought it was completely a good thing to do nudes. You know, like, tasteful.
Because of the way I put this post together, the writing is as disjointed as the images. Still:
Margo Godfrey, Santa Cruz, Oct 1969from pinteresttaken from Matt Warshaw’s Encyclopedia of Surfing
The second from the bottom drawing was done by my youngest sister, Melissa. She died of metastatic breast cancer a few years ago. She did surf. She was so committed to producing high quality, high emotion images. I endeavor to live up to her standards, knowing I have a long way to go.
The last image is of my favorite surfer girl, Trish.
All original art works are protected by copyright, all rights reserved. Thanks for respecting that. AND… I have more to say about macho-ness and all that. Quick shout out to WARM CURRENTS. Check them out.
Now that I am committed to putting out a new round of ORIGINAL ERWIN t-shirts, I’m going through my past drawings AND doing some new ones. I scanned these two on my printer AND I have two more illustrations that I have to take to a print shop. AS ALWAYS, attempting to go simpler, I fail.
LET’S DISCUSS THE SURF SITUATION on the Olympic Peninsula and the Strait of Juan de Fuca. NOT GOOD. Now, if you’re almost anywhere SOUTH of here, you should be scoring. AND the forecast is not too… thrilling. BUT I do have my HOBIE patched up and I’ve done some work on the MANTA. I’m ready to leap into some wind chop when it… let me check the forecast. Yeah, wind chop. That’s official.
As far as “Swamis” goes, I am committed to what JUST HAS TO BE a final draft before the ridiculously scary act of trying to actually sell the novel. I moved the former first chapter to the end, and though I am dying to write about what fictionally happened to the fictional characters between 1969 and now, I’m going to NOT… not yet.
My hope is that, now that I’ve completely mind-surfed the hell out of plot and characters, I might be able to cut the length down from the current 104,000 thousand words. HERE IS the new prologue and a bit more:
“SWAMIS” A novel by Erwin A. Dence, Jr.
PROLOGUE
Some events, terror and bliss, mostly, which occurred in seconds, in moments; those almost nothing in the expanse of time; expand, over time, into placemarks; a corner turned, a road taken, a life changed. Magic.
Half a century after the events, I started writing “Swamis,” as memoir. It no longer is that. This is my fourth full rewrite, with so many discarded words, deleted chapters, all in attempting to turn notes and dreams, images and remembered dialogue, into a story. I have tried to do justice to the various people, characters here, but real people with real lives, who changed mine. There are people who have come into my life, changed it in some way, and gone out. Somewhere. For the most part I do not know where they went, but I do wonder. Wonder.
The story centers on a very specific time, 1969, in a very specific place, North San Diego County. I was turning eighteen, in love, and the world I wanted swirled and revolved around surfing, and surfing revolved around Swamis.
My apologies for my writing style. Years of writing briefs, documents. Dry, perhaps, but thorough. A friend’s review of an earlier draft concluded I went for detail and clarity rather than flash and description.
“I don’t use a lot of adjectives in regular speech,” I countered.
“But this is writing,” she said, “The prologue shouldn’t be an apology.”
“Honest.”
“Sure, and it is… your own voice. Yes, it is that, and, as your mother said, ‘the mind fills in the colors.’ Different thing, I know. Photos, stories; it still applies.”
“Not arguing.”
“Not yet. But… ambiguity and bullshit aside, you don’t exactly nail down who the killer was. Or killers were. Some detective novel, Atsushi.”
“It’s in there. And… doesn’t that explain the need for detail and clarity? And, more importantly, I never said it was that… A detective novel. Trueheart.”
“There’s no such thing as a seventeen-year-old detective. Not in real life.”
“It’s in there; that quote; in the text. And… as far as real life goes…”
“From your particular viewpoint.”
“That’s all any of us have.”
“But… Joey… you called me a friend. ‘A friend’s review.’”
“Just another draft, Julie; I can… change it.”
“To what?”
“Keep reading. It’s in there.”
CHAPTER ONE- MONDAY, NOVEMBER 13, 2023
“The allure of waves was too much, I’m told, for an almost three-year-old, running, naked into them. If I say I remember how the light shone through the shorebreak waves, the streaks of foam sucked into them; if I remember the shock of cold water and the force with which the third wave knocked me down, the pressure that held me down, my struggle for air; if I say I remember anything other than my mother clutching me out and into the glare by one arm… Well, that would be, this all happening before the accident; that would be… me… creating a story from fragments. Wouldn’t it, Doctor?”
“Memories. Dreams. We can’t know how much of life is created from… fragments. But, please, Joey; the basketball practice story; I didn’t get a chance to write it down. So, the guy…”
“Locker room. After. I’m not here because of that… offense.”
“I am aware. Just… humor me.”
“He said I had a pretty big… dick… for a Jap. I said, ‘Thank you.’ All the Varsity players came in. Most stood behind him. He said, ‘Oh, that’s right; your daddy the cop, he’s all dick.’ Big laugh.”
“Detective,” I said. “Sorry about your brother at the water fountain, but I’m on probation already… and I don’t want to cut my hand… on your front teeth.’”
“Whoa! Did that end it? Joey. Joey, are you… You’re remembering the incident.”
“I tried to walk away. He… Basketball. I never had a shot. Good passer, great hip chuck.”
“All right. So, let’s talk about the incident for which you are here.”
ALL RIGHTS to all ORIGINAL WORK by Erwin A. Dence, Jr. are reserved by the author/illustrator. THANK YOU for respecting these rights, AND, AS ALWAYS, for checking out realsurfers.net
I haven’t done any t shirts in a while. There has been a lot of interest and I have done other drawings that are not included here because… I haven’t scanned them yet. I am trying to make my illustrations simpler, but, somewhere in the process, they all go a bit psychedelic.
All the shirts I’ve done and sold or given away (Trisha’s idea, to her friends, some to clients) are gone, and, as mine are, probably wearing out. If you have one, hold on to it. It’s not just my ego saying this. Okay, mostly that, but they are all truly limited editions.
Limited by my having to put out the money all at once, the return coming in… slower.
But, I do have some limited backing, have discussed some potential local outlets, and I am ready to go!
The three toward the bottom are designs I’ve done. I will probably not do the one immediately below, and, as far as color, it’s way more expensive unless I go with a sort of modern day version of iron on, and then… I’m obviously not someone who deals in percentages and wholesale/retail, nor do I really want to be. I just want to keep drawing simple little pen and ink illustrations and… I WILL HAVE a few more examples next time. WEDNESDAY.
OH, I am going to do the one below the “Locals” one first; white on black. It seems kind of, you know, graphic and only semi-psychedelic.
All images are copyright protected and are the sole property of Erwin A. Dence, Jr. All rights reserved.
MEANWHILE, I just (as in yesterday) had a bit of a fall; ladder slipped, I started falling, grabbed onto ladder with one hand, slowing my descent, hit metal railing with my back, landed on stairway and two open paint cans, totally destroying them and cutting and bruising the shit out of the back of both legs, and spilling the two colors I’m using on a Victorian I have the least of. SO, rather like any fall you see on any skateboarding video. I ALSO destroyed my work cellphone, its screen already cracked. SO, that’s not good. Trying to figure out what to do about that. SWAP sim card with new phone like they do in every spy movie? Meanwhile, the message says I’ll get back to you and… Yeah, Ibuprofen.
“And when he gets to the end, he wants to start all over again.” From “Stagefright,” lyrics by Robbie Robertson. Originally performed by The Band.
“I’d rather be clever than funny.” From “Swamis,” spoken by narrator, Joseph Atsushi DeFreines.
Throughout my third (or fourth) total rewrite of my novel I have been thinking that, when I get to THE END, an ending that was vague and unclear as I wrote; knowing that the denouement (I could just say finale) had to be unexpected, clever, AND another character had to die; I also believed that the changes I was making in an attempt to tighten the scope of the story, to focus on fewer characters in a shorter span; all this would tell me how to end “Swamis.”
And, last night, I got to THE END. Again.
EXCEPT, cleverness and conceit and the desire to produce a novel I can unreservedly be proud of continue to collide. IT’S FIXABLE. It just takes more work. Writing this piece this morning is my way of outlining where I have to go. ISSUES:
The events in CHAPTER ONE occur AFTER the timeline of the novel. Prologue that could be epilogue. Perhaps should be. EXPLANATION- I wanted the story to begin with surfing, with establishing JUMPER HAYES as a suspect in the murder of CHULO. I wanted to establish the narrator, JOEY/JODY/ATSUSHI as a non-local outsider longing to be in whatever culture there is in and around Swamis. I wanted to show that Joey had a romantic relationship with JULIA “Julie” COLE, and that the relationship was strained because of something Joey had done. BUT there was hope.
I have been rather insistent that the novel is told from Joey’s PERSPECTIVE, in his voice. It is not my voice. If “Swamis” is memoir, rather than being overly descriptive, Joey insists on clarity.
MY CONCEIT is that, because obsessive note taker Joey has chased down and documented leads, and has discovered who, from street level dealers to wholesalers to money launderers to detectives, was involved in the growth of marijuana as a cash crop in late 60s Southern California; and we, as readers, have the opportunity to be aware of the clues he has collected; when we get to the end, there is no need to further explain. DROP THE FILES and someone else works it out.
NOT THAT SIMPLE.
If I had intended the novel to be more surf/coming-of-age than mystery or ROMANCE, I have not, probably, succeeded. The love between Joey and Julie is the thread that goes outside the other boundaries of “Swamis.”
Speaking of BOUNDARIES; If 100,000 words is my projected boundary, and I kept track along the way, and I have already cut and moved a couple of novel’s worth of chapters and pages, most recently the PROLOGUE- good stuff; I am not ashamed of it, not sure where to put it.
It would definitely be easier to have thought of “Swamis” as two 65,000 word novels. While I am already considering a sequel, possible title, “BEACONS,” I must now see what must be done with CHAPTER ONE. So… Work.
THANKS FOR sticking with me, and… meanwhile, It may or may not be related to all the drawing I have been doing recently, my GORILLA HANDS clutching skinny ass pens and pencils, but I am dealing with this excruciating pain in my right hand that feels like, if I am clutching anything, all the blood in my body is focused on my thumb, and, if I poked, say, the end of it… Yeah; I can imagine how jokes could so easily be made of this. “Too bad it’s your thumb,” “Clutching, you say,” etc.
To provide more opportunity for humor, when I self-diagnosed with the help of the always-reliable internet, it seems the malady is nicknamed “Mommy thumb.” No, it’s because moms seem to suffer with similar symptoms from holding newborns. And no, I don’t see how that compares to my holding cell phones and writing implements. It is, essentially, tendonitis, and yes, when the swelling finally goes down… relief.
ANYway, since I have some actual painting projects coming up, with rest and Ibuprofen and a splint (which, happily, doesn’t seem necessary when typing), my hand’s condition will improve further by the time some actual waves find their way my way. I do hope you are getting the benefits of the atmospheric river.
These are some recent works I didn’t think I had scanned. OR I believed they were scanned as PDFs, something I couldn’t transfer. I SHOULD, perhaps keep the line drawings for some possible future edition of a realsurfers/original Erwin coloring book, particularly since I may tend to over-color drawings that were, possibly, overdrawn in the first place.
MEANWHILE, I got some bad news on an art project I have been working on; basically, that the process was not set up correctly, paperwork-wise, and when I sent a bill for services (and illustrations) rendered, there were issues.
ISSUES. I HATE ISSUES. If I say getting paid is the reward for my labors; contemplating, sketching, drawing, revising, redrawing; and is temporarily gratifying, the money just a part of a cache and mostly spoken-for dollars, having issues in collecting the reward substantially reduces the JOY.
NOT THAT I don’t enjoy the prospect and the actual work of doing an illustration for some amount of cash. I DO, even as I realize I can make substantially more money per hour scraping and priming and painting someone’s house. AND I do factor in that it is not painting season.
THIS SETBACK has given me pause to consider (not for the first time) why the hell I insist on pursuing some life outside of the scraping and priming and painting.
SO, I DID what I do; I wrote about it. Not all vitriol and grievance; rather I wrote a piece on how most folks who attempt to be artists want to please an audience.
AS DO I. Though I do want to please myself, with varying degrees of success, AND I have, indeed, accused other writer’s works (well, one writer, I confess) as being masturbatory; everything I write or draw or paint (including houses) is meant to be seen by, and, bottom line, to please the client and potential clients. I must add to this that a job isn’t finished until it is. I throw away so many more drawings than I display, I edit the shit out of things I write, and I go around and around any painting project doing what I call the “Tighten up.”
I realize that sounds, even as I write it, kind of queazy-ness inducing if not outright creepy. This isn’t me VIRTUE-SIGNALLING. No, I would love to be anything close to successful at writing and/or drawing, two things that have been part of my life, on and off, mostly off, almost all my life.
SO, I wrote the not-quite screed, but deciding to listen to Trish, I will wait and see what happens with the project with the issues. Meanwhile, I have other exciting projects/prospects on the ‘possibly fantastic,’ probably not’ scale. I should mention that I am really bad at waiting. If you’ve seen me in the water, you might agree.
BUT NOW, since I’m all calm and resolved, I’ll hit “Save” for the whole thing, stash it away for future check out if not use. Then, I will highlight this part and put it on my (yeah I’m resigned to calling my ‘site’ this) blog.
As my projects get sorted out, I’ll, of course, write about it… here.
AS ALWAYS, thanks for checking this out, and for respecting the copyright ISSUES with any original stuff. Whether I make any money or not from my work, I do reserve all rights to it.
AS FAR AS WAVES on or around the Strait of Juan de Fuca, your guess is as good as mine.
Real Surfers 