What Are You Looking At? Some Color Added

I’m not sure how to get the colors, which are certainly bright and vivid enough on the drawings, transferred to the screen with the same intensity. I did probably over-color this drawing, and yet… by comparison, it still seems a bit washed-out.

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Now, if I tilt the screen backwards… oh, too much. I recently took a batch of drawings to The Printery in Port Townsend (shout out because I have the most annoying requests, cause them to spend a lot of time, and pay very little for the service- and I appreciate it), getting them reduced and centered. I’m hoping to frame up some of them, maybe see if I can, well, sell a few.

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Down Surf Route 101 at the HamaHama

I did a little project for the HamaHama Seafood Company, family-owned-and-run for five generations. The business is located about halfway down the portion of Surf Route 101 that snakes between the back side of the Olympic mountains and the Hood Canal.

If I wanted to be clever (and I do), I should add that the Hood Canal is, itself one of those TENTACLES that reach from the ocean, SURFROUTE 101 widely used by surfers coming up to the Strait, or down to the various surf opportunities to our south.

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SO, here’s some old guy sitting on the toilet in one of two bathrooms (easily available for customers, and there’s a sani-can outside) now sporting octopus graphics. I’m pretty proud of this illustration, adapted from drawings provided by a designer, but the second bathroom’s drawing…. WELL, my original contact at the HamaHama, Adam ‘Wipeout’ James, fifth generation of loggers and seafood folks (with a sixth growing up quickly) said, of the second illustration, a reverse of this one; “Now you’re really killing it… (or something similar- hip and positive and suggesting that one was even better- ‘crushing it,’ maybe).

ACTUALLY, I was working for Adam’s sister, Lissa. The second I showed up to start the painting portion of the store renovation project I got a call from Keith Darrock. Something about buoy readings and wave possibilities. I told Keith I was working for Adam Wipeout’s sister, Lissa Wipeout.

“ACTUALLY,” Lissa said later, “it’s more like Lissa Freakout.” This may have been a bit of pre-employment intimidation (possibly based on what Adam may have told his sister about my pre-surf mind games- guessing); Lissa has only been gracious to me.

IN FACT, everyone at the HamaHama, from those who work the tides, the folks in the retail store; those workers who shuck oysters, and prepare them for markets all over; those who talk to bigtime clients; Louie Lakeness (who grew up in the oyster business up the canal in Quilcene, and who does several jobs AND is a childhood friend of my son James- JJ to him); and Adam’s sister-in-law, Kendra, who his brother, Tom, met while earning a PHD in Forestry at Yale, and who is now the CEO; they all seem so… so HAPPY in their work. WIERD.

I mean Weird. Unusual. Happy. ALL I’M SAYING IS, when you’re headed up or down 101, stop in. If you have boards on your rig and Adam is around, expect him to talk you up on where you’re going or where you’ve been; what you expect or what you surfed.

ONE MORE THING. We were told, when driving over those two double bridges (look like the bridge at Haleiwa, huh?), it’s good luck to repeat “Hamahamahamahama…” as many times as you can on each one. Maybe it’s to distract you from the narrowness and the log truck coming at you, but… try it.

OH. There is a more flattering photo of me, on Facebook; but I don’t do Facebook, but my wife, and Adam’s newest Friend, Trish, won’t let me download it from her Page. OH, and there are less flattering photos you’ll never see.

Hydrosexual Stephen Davis Pig-Dogs One

More than one, actually. John the Calendar Guy took some photos of a rare northwest break. Hey, I have to go. I’ll get back to this. There is a story. Yeah, always a story. Here’s 1,000 words…

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Okay, so Stephen, whose wave riding posture is more typically a casual stand-and-almost-slouch (hope you’re imagining a confident, defiant, hips-forward, wave-challenging stance), but, on these little bombettes, was just tucking-in from the takeoff. Some he made, and on some the wave won; not that getting rolled while inside a tube isn’t the very best way to not make a wave.  If being absolutely parallel to the wave would give you a score of 100, I’m giving Stephen 105. Hey, do your own scoring.

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So, on the right, on the same day, in one of several photos taken by John the Calendar Guy, Librarian/surfer (totally alternate egos) Keith Darrock in his typical posture, tucked-and-driving. I’m saying 95, but, if you’re on the shoulder, hoping to take off, and don’t think Keith will make the section, think again.

And, thinking again, on the left, some unnamed spot on the Far Northwest Coast, with whiplash offshores; and because I like to give people nicknames, and a nickname just won’t stick if it doesn’t ring true, and “Stay at Home Nate” obviously didn’t, and I don’t actually know Nate’s last name; I would like to offer “Seventy-five percent Nate” as an alternative. Oh, yes; “75% thinks he’s barreled.” If I get called on this, I’ll probably cave. “Eight-two percent Nate;” no, doesn’t sound right. “Big Bic Nate?”

No, that’s right; Adam Wipeout told me it’s not a Bic.

 

Adam Wipeout and the Lost Skeg

I’m crawling around, sanding and painting baseboards on a project in Silverdale when the cell phone rings. Adam starts in with the story without a ‘hello.’ “So, I just had this feeling…” He had been in bed, he said, and possibly because he was still suffering the effects of what he had referred to as ‘the crud,’ he felt the same way he did when he got the most memorable ride of his last session, the session he had to get in despite his cold. Importantly, he chose surfing as an alternative to going to ELK CAMP. Elk Camp is, it must be said, quite important to someone born and raised in one of the wilder parts of the Olympic Peninsula. And, no, they don’t hunt the elk that show up frequently in his brother’s yard.

Adam had jumped out of bed, into his car, and driven quite a distance (about 52 miles) to the spot where he had lost one of his two Mark Richards’ designed fins. Adam James knows the tides. It’s part of his job as a key member of the Hama Hama Seafood operation, down Surf Route 101 on the Hood Canal. It was dead low tide, the middle of the night, with a gale blowing down the Strait; sideways rain. No biggie. “What?” That was my response. “And this was, like, three in the morning?”

“Yeah; about.” Adam told me he figured, in his haste to get in the water, he hadn’t fully secured the fin, and it was either in the sand, where it would be difficult to find; in the rocks near shore, where kelp and such would might hide it; or out where he had been sitting and waiting, and probably just fell off from being loose.

On this same day Adam lost one of his fins, the end of the single fin on Keith Darrock’s  board snapped off from contact with one of the rudely-placed and overly-large (this is the home of two foot waves and three foot rocks) rocks that populate the point. At this point, I must add that Keith, in, I’m guessing, a discussion on the beach concerning lost and broken fins, told Adam that he had also, once, lost a (complete) fin at this break; but found it at low tide, wedged between some of those wave-forming, board-dinging, wetsuit-slicing, gloveless finger-cutting rocks. Yeah, I’m listing a few of my discoveries, including, from the day before the fin-breaking/losing event, that, if you wipe out, roll under your board, smash your lower back/ass against one of those rocks, be grateful you didn’t hit your head. Add in a few too many surfers in a tight takeoff zone and… yeah, big time fun!

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Back to Adam’s story. “And where was it?” I asked, leaning into a window to lessen the echo in the empty room.

“Where I was sitting and waiting.” Yeah.

What I had to ask Adam is whether his wife has just given up on worrying about his sanity. I mean, if I told Trish I just ‘had a feeling’ and took off to look for a lost… anything. BUT, when I read her an email from Adam, she said it was so cool that he had that sort of psychic connection, and… geez, I don’t know. Maybe she’s right; Adam does seem to get the sessions with ‘chest high’ waves while I get the none-to-one (but glassy). I am working on finishing the story of my lost paddle. Oddly, my wife, when my paddle was stuck in the pilings, said I’d get it back. She just ‘had a feeling.”

UPDATE: I’ll write about my fin-breaking, fin-losing-not-finding stuff another time. We all have stories about treasures lost or found in the ocean. I’m not sure about Adam’s psychic powers, but, what he does work on, constantly, is his network. “I heard,” he’ll say, “that it was flat on the Strait on _____” (some day I had not gone, but had been considered it). Unlike me, Adam is genuinely nice, just laughs when I make rude remarks (example: Adam- “We have to come to grips with the fact that we’ll never be really really good.” Me- “Oh, I have come to grips with the fact that you’ll never be really really good.”), remembers the names and stories of those he meets (I’m more apt to remember the stories), and doesn’t seem to offend other surfers in the water. If I’m coming back into cell phone range after a session, I’m very apt to give him a report. “None to one, but glassy.” Always. If it isn’t flat.

Chasing the Diamonds; Quilted, Kenetic, Allusive

My sister, Melissa Lynch, the real artist in the family, scolded me for being in any way apologetic for my drawings. Yeah, well; I would like to be honest. If I could capture the building blocks of always-moving water, figure out how to weave a seamless shadowed/reflective/glimmering/black/white/multi-hued image I would.

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If I could.

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Since I can’t; yet; I’ll keep trying.

Meanwhile, I’m still in the thinking-it-through phase of a piece I must write under the working title of: “Are All Surfers Sociopaths; or Just the Good Ones?”

Three Acts: ACT ONE- several highschool surfing buddies and I surf Swamis after school. The only other surfers out are three (also high school age) members of the Surfboards Hawaii Surf Team. On the drive home, my friends complain they couldn’t catch any (or enough) waves. I hadn’t noticed, being busy catching waves and watching incredible longboard surfing. ONE, PART 2- One of my friends (Ray Hicks, most likely) points out (I think this was the day I ripped out my pants and had to borrow a pair of Levis from Billy McLean) that, when encountering other surfers of about our age, I seem to puff out my chest. “Maybe you’re intimidated.” “Yeah; probably.” “It’s, uh, like a gorilla.” “You mean, like, primal?” “Yeah, probably.”

ACT TWO- During the last week of my job up the hill from Trestles, taking an hour and a half break during my half hour official lunchtime, some surfer (I’ve always believed he was a Marine Officer) burned me and everyone else (I still got some, but not as many as usual waves). When I checked back at my half hour afternoon (supposed to be ten minutes) break, the guy was still out, still burning surfers mercilessly. I didn’t hate him; maybe he was going somewhere sucky, where a rifle was mandatory, for a while.

ACT THREE- My friend Stephen Davis, last time I spoke with him on the phone, mostly about his upcoming trip to the Oregon Coast and the chance I might meet him somewhere (probably won’t happen); had to, (had to) mention how I fell out of favor with many members of the Port Townsend surfing crew (very unofficial) because, over-amped, I (accidentally, I swear)wave-hogged on a day almost two years ago. Two years ago. Jeez. When I mentioned this on the phone this morning with Keith Darrock, and that I’m no more a sociopath than he is, and I do have empathy, whatever that is, he had to (had to) mention his observation that I’m kind of loud and possibly abrasive (see how he was tactful about this?) in the water, and, also, incidentally, I do seem to “kind of strut in the parking lot.” “WHAT? ME? No, it’s just being friendly.” (I am laughing at this point, but, also, thinking. Is he right?) “Like a rooster. And, oh,” he adds, has to add, “You kind of stick out your chest. And…and it seems like you want to dominate (I’m adding ‘even in’) the parking lot.”

There is no ACT FOUR where I try to change my ways, get all friendly and nice; empathize with those who won’t (before hand) or didn’t get enough waves. Empathize. I did tell Keith I’d rather attempt to empathize than be one of those who didn’t get enough waves. Maybe they’ll get points toward sainthood. No true contrition. Sorry. At least not so far. But, I am thinking; and since I can’t afford professional help, I’ll have to self-diagnose.

STEP ONE-“Yes, it’s all true.” See you in the parking lot.

First in a Series of Newly-Colorized B&W Drawings

Because I actually have a large number of drawings in my portfolio, and wanted to display as many as possible for the recent (and extensively covered in realsurfers.net) Surf Culture on the Strait of Juan de Fuca and the Salish Sea Event, I took some time, dug through various shelves and drawers and drawing books, and found quite a few of the variously-sized originals, some previously-made copies; took them all to The Printery in Port Townsend, and, with a lot of help for the money, got them sized to fit on 8&1/2 by 11 inch shinier, heavier stock, and placed them in five stacks on a six foot piece of 12 inch wide pine.

Almost instantly I wanted to add color to many of them. Oops; too hard to color on the shiny stock. But, I do have a scanner/printer. Here’s the first. There will be more.

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Not so stoked on the way yellow reads like semi-worn out magic marker, but, not apologizing. And, somewhere here I’ll have to write about how I got some small waves today; small but… hey, look for both “Erwin Would Go, But What Will He Do When It’s Over A Foot?” and “If You Were Happy With Your Last Session, Don’t Talk to Adam Wipeout.” I have some photos; might even have some of me on really tiny waves.

A (Revised) Last Look at the Second Occasional Surf Culture Event- and A Bit on Drew Kampion and Something on Author Justin Hocking

Alienating Drew Kampion is something that sits high on my worry list; right up there with being called a Kook or a Hodad (first I was thinking young surf punks who don’t appreciate the experience and innate coolness of someone who has been surfing for, forever- but then I really mean anyone, even if I’ve done something Hodad-ish or Kook-like). Mr. Kampion is held in a rare position in the surfing community. While surfers like Miki Dora and Greg Noll are admired for living a lifestyle unavailable to those of us who love adventure yet opt for some sense of security, and other surfers are noted for gloriously blazing and tragically (but, maybe predictably) burning-out, Drew Kampion has kept a toe in the waters and an eye on the changes in the surfing world since the evolution/revolution in the mid-to-late 1960s, pushing “Surfer” into new-age journalism while most of us were cutting old boards down and sticking one hand in the wave to duplicate some controlled sideslip we saw in the magazine. It would be pretty difficult to find a surf-related book without a forward or comment or endorsement by Drew Kampion. Or written by him.

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It was with great excitement that Port Townsend Librarian Keith Darrock was able to persuade Drew to come over from Whidbey Island for the first Surf Culture on the Strait of Juan de Fuca and the Salish Sea Event. This photo is from the second time I ever met the legend in person. When I first met him, last time, I said, “My only hope is that this isn’t all too cheesy.” “Have no fear,” he said, “I live in the cheese.”

Well, there’s cheese and there’s cheese. As I mentioned, I’m fortunate enough to be included in a group receiving a weekly email featuring a poem by Walt Whitman. I always write back something long, frequently something about the latest surf trek to the wilds of the Olympic Peninsula; sometimes a rant. I get back (thrilled to get anything back) some terse and brilliant.  I may never reach brilliant… or terse, but I am grateful to not be called out as a poser/kook/hodad; but if I did get called out, I’d have to believe it.

REVISION/NEW MATERIAL- Just to show there were younger folks at the event, and because he was the keynote speaker, I had to get back to this to say something about Justin Hocking, author of “The Great Floodgates of the Wonderworld.” Just this last weekend I ran into someone on the Strait who, like Justin, surfed Rockaway Beach in New York State.  Connection? Because Justin spent some time in Colorado, and because Stephen Davis was raised there, and because Stephen read his book before Mr. Hocking was invited to speak, and was impressed by it, Steve sort of grabbed (someone more sophisticated than I would say ‘button-holed’) the author during the after-presentation part of the program; and then I attacked him, interrogated him. “San Diego, huh… what part?” “Well, and this affected my skateboarding verses surfing; it was mostly geographical.” It turns out he lived in La Jolla for a while, then, when his father remarried, moved inland. “Not to, like, El Cajon?” “Yes. El Cajon.”

It explains a lot.  Stephen wanted to buy a book. I wanted a book. I had money, but someone else gave Steve enough for two books. “Steve, I can buy my own book.” “No, I’m buying you one.” Slightly more aggressive, maybe, than Stephen, Justin was busy writing something on mine when Keith came up, saying he wanted a book. He was out of books, but I still had some money, and bought one for Keith, offering some extra money for shipping. In my mind, it all kind of evened-out, and, anyway, I have my personalized copy.

So, what I’d like to say is, as always, there are connections, if we attack/interrogate/converse with someone enough to find them. I know this book isn’t the end of Justin’s work; I know attending cheesy gatherings and such activities is important to the promotion process; but, in the same way I hope for the best for those who are daring enough to pursue a career in the dangerous world of art and literature, like surfer/artists Todd Fischer and Jesse Watson, I would like to think Justin’s ride will find success. Go, Justin!

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A legend on the Strait, TIm Nolan.  Google "Tim Nolan and the Wave of the Day" for more. It's somewhere in the realsurfers.net archives. Still dominates.

A legend on the Strait, TIm Nolan. Google “Tim Nolan and the Wave of the Day” for more. It’s somewhere in the realsurfers.net archives. Still dominates. Oh, and check out the paintings in the background by Stephen Davis (center) and Todd Fischer.

part of the crowd at the event

part of the crowd at the event. Hey, there were some younger folks, also. No, really. That’s Stephen Davis with the man-bunn.

In Case You Missed the Surf Culture Event

Here’s the piece I read, with minimal ad-libbing, at the recent Surf Culture On the Strait of Juan de Fuca and the Salish Sea Event. I plan on adding some more photos, but it’ll probably be in another post. A pretty successful event- no one drowned, though I did hear some coughing.

CONJURING UP SOME MAGIC

ONE- I knew the two young guys, one on a soft top, the other on a yellow-but-at-one-time-white board were from Gold Bar, a town somewhere between I-5 and the Cascade Mountains. Because I asked them. Nicely. But I always ask surfers I haven’t seen before. This time, we were at a spot that, legend has it, sometimes features rights, off the island. That’s a clue. I’ve only experienced this lowtide phenomenon once; closeouts across the small bay many times.

Archie and I had gotten skunked at the place we had wanted to surf. At this spot there was a sandbar, there was a makeable right. There were several other surfers out, including a guy on the longest longboard ever, paddling with way too much nose out of the water (sure sign of a beginner/kook), but waiting in the perfect spot, catching the best waves (as in, the ones I wanted), jumping up, clumsily riding, arms flailing, and, somehow, making waves.

“Hey,” I said, nicely, “you don’t need that much nose out of the water.” “Hey,” he said, kind of snottily, looking at me kneepaddling a stand up paddleboard; “aren’t you supposed to be standing up on that thing?” “Oh,” I said, “yeah, I think so.” Eventually, whether or not he appreciated it, the surfer from… I didn’t ask where he came from… he got a rare treat; really great waves. Archie and I enjoyed them for another forty-five minutes after Long Longboard Guy left. Then the waves left.

But, the Gold Bar Boys. On this day it was a very high tide and the waves were wrapping around what in normally beach rather than sandbar. The best waves ended up in the creek. Another clue. “Um, maybe, if you want to actually catch waves, you might move over here,” I offered. “Thank you, sir.”

So, several waves later; and this was a few years ago, and I was on a non-SUP… just so you know… I took off and did what old fat guys who have ripped or torn, or merely worn out, tendons and ligaments on each knee, do on very small-but-peeling waves; I rode them on my knees. That made the wave, like, chest high. One of the Goldies was on the shoulder, doing the head down paddle-like-you-mean-it, and… and I know every gremmie practices this, the jump up to spiderman move, on the carpet of his mom’s house, out in the schoolyard to impress inland girls, wherever, and, whether they’ve actually caught the wave or not, the beginner is likely to leap up.

This time Goldie did catch the wave, jumped up, arms pumping, and actually was trimming down the line, on the shoulder, totally unaware I was behind him. Kneeboarding. It’s a long wave, as I intimated, and, though my fin was almost dragging, I kept going, into the creek. The wave sort of died in the deeper water, I did a smooth pullout while he just sort of stepped off the side of his board. He didn’t appear shocked he had ridden a party wave with a guy who isn’t fond of party waves, turned to me and said,

“That was EPIC!”

“Um; yeah, it was.”

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TWO

Up until a certain point in my board surfing… career, life, experience… I truly believed, and frequently stated, that I could remember every wave I’d ever ridden. And, further, I believed that there was something magical about catching, riding, or even watching a wave from the first line on the horizon, to the last wash up the beach.

I still believe in the magic, and, though I have trouble remembering individual rides, even from my most recent session, my mental harddrive is crammed with images from 50 years of board surfing, with mat surfing, surfie surfing, body surfing before that, and, possibly, I like to believe, even some foggy recollection from my first three years of life, on the beach in Surf City, North Carolina, toddling down a bit of an incline, somewhat ahead of my mother, toward the waves.

Waves. The early morning light on the east coast is like evening on the west; the view from the water reverses the colors, dawn to dusk. In winter, on the Strait of Juan de Fuca, the sun hugging the mountains, it’s dawn all day. And then it’s dark.

The images are all so clear; things I’ve seen- storm surf with sideways-ripped waves, lines of broken soup to the horizon, indicator sets in the kelp beds with the greenest color on the wall as each wave lifts, toward the peak angle on a surfer hard against the wall, a whale in the darker corner of a cove blowing a geyser, the view of waves between the houses and along the low sections of old Highway 101, Oceanside to La Jolla, nineteen fifty-something.

And more. I can conjure up the photo of Rincon from the hill, from a mid-sixties “Surfer” magazine, a guy on the hill at dawn, witnessing lines to the horizon, and… and maybe you know the photo.

So, my beginning hypothesis was: If we store a mental slideshow, and add to it over time, then, if a surfer wants to do some mind surfing, at any given time, those images can be brought forth, and that would be magic. And I want surfing to be magic.

The problem is, all our memories are fiction. There’s some Master Record of All Truth, and then there’s our version. “Overhead and glassy at an afternoon session at Cardiff Reef in 1967, the time Phillip Harper had to get rescued?” Maybe.

And that photo. I looked for it online. No, it was afternoon, the same lines at Rincon to the horizon, and published in “Surfer” in 1973. 1973? What? Can’t be. I wasn’t studying surfing magazines in 1973; maybe a glance at the grocery store.

If I’m wrong about that, what about the image of the competitor freesurfing before the Oceanside Invitational in 1965? My slideshow has the guy taking off, dropping with the wave, an attempt at a headdip turning into a vicious lip-to-the-head, pile-driving wipeout. Wrong. I was the kook, paddling out because I was too embarrassed by my sister, Suellen, running around the beach, collecting autographs from surfers like Mike Doyle, even chatting with Doyle’s mother, that kind of thing. The real truth might be that the surfer possibly could have made the wave if some gremmie hadn’t been directly in his way.

Still, I like my fiction better.

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THREE

It was still an hour and a half before dawn when three Peter Pans met at Fat Smitty’s, quickly moving boards onto and gear into the vehicle owned by the oldest of the three Pans. Heading west/northwest, coffee and expectations bouncing around inside, there would be adventure and excitement on this, as with most expeditions. Stories would be created: The drunk/or/sleepy driver; traffic tickets; a ripped-loose leash and a lost board saved by Big Dave; waves cresting near the pilings; the guy with the Shamrock on his board shoving Brett’s board back as he attempted to even a score for undue set wave hogging, and the follow-up screaming match in the lineup.

But, each of the Peters ended up with his fictional(-ized, maybe just slightly) account to save; each of us caught enough waves, got enough good rides. Other things, like real life, could be discussed on the way back home.

A few days after the above session, Jeff, a guy I occasionally sought waves with before his wife, my daughter’s old school friend, Ruth, got into surfing and they became what I call a ‘surfing power couple’, and who I didn’t realize was on the beach on that day, sent me a video of me ripping three bottom turns and totally in position on three sections before making a smooth kickout.

So, I was right. I do rip.

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FOUR

So, here’s the go pro my daughter bought me. Thanks, Dru. GoPro selfies always, and it doesn’t matter if the surfer is on a small wave or huge, just look like someone doing calisthetics. But, a shot down the line… better.

If you could access your mental slideshow, bring up a just-glassed-off afternoon session. Now, a wave approaches. You paddle over to get near the peak. You wait, wait, then turn, throw your weight down, then use that rebound to start your paddle. One stroke, two; you’re dropping. You lean a bit more toward the peak, allowing the board’s dropping ease your leap to your feet, with, in the same motion, a smooth turn off the bottom. You spot a place high on the shoulder and down the line… When you hit it, you’re so close to the top, ribs of feathering wave in front of you. There’s a real question as to whether you can make the wave. You shift your weight forward, allowing the back inside edge of your board to release.

There’s one moment, the briefest of moments here for you to tuck, drive…

All right, so you made the wave. Great. Or you wiped out. That happens. No big deal, unless you had put yourself in that one moment; then it’s memorable. Click.

Now you’re looking up the barrel at me in a similar moment. I’m standing tall, allowing the lip to move my hand back and down as my board freefalls a bit. At that questionable moment of making it or not, I just can’t help but channel some ancient surfing magic, and lean back, arch, and I may be screaming some one-syllable non-word. “Owwwwww!” which really means, “hey, look at this.”

I want you to add this image to your harddrive, and, later, when you bring it back up, and bearing in mind you just got a great ride, you can only respond by saying, “That was EPIC!”

May all your sessions be epic. May all your magic be real. Thanks

A Look Back at the First ‘Surf Culture on the Strait of Juan de Fuca and the Salish Sea Event’

Somewhere before it was my turn to present my short story, “Locals,” I realized a twenty minute reading wouldn’t work with the somewhat fractured audience. By fractured, I really mean distracted. There was a lot going on in and around the Cotton Building, the former Port Townsend Police Station, and, for this evening, the site of the first ever Surf Culture on the Strait of Juan de Fuca Cultural Event.

The Kinetic Kar thingie was happening nearby, there was a dance about to happen at the American Legion Hall, and, hey, it was a High Season Saturday night on Water Street. Former “Surfer” magazine (and many others) editor and the man whose name must appear somewhere on any jacket for any authentic surf-related book, Drew Kampion, was just finishing a slide show. He’d been there (everywhere, with photos to prove it) during surfing’s post-Gidget, short board evolution. As a writer/journalist, Kampion was the Hunter S. Thompson, the Tom Wolfe for surfers. Yes, Wolfe wrote about surfing, but he wasn’t a surfer.

Somewhere after Drew’s casually-presented show-and-tell, with insider stories; with Archie Endo (he volunteered for this, and was very well received) playing surf tunes through a little amp; with people milling about near the tables and easels of art work by legitimate, professional artists Todd Fischer and Jesse Watson, checking out a painting by Stephen Davis that just (I mean just) sold to a surf shop in Malibu; with photographs by Christian Coxen; with some people taking to seats who clearly thought this was some other event; with people (some possibly bored tourists) wandering in off the street; I knew it would soon be my turn.

Gulp.

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This first event came together much like the actual local surf scene; word of mouth, which includes texting, e-mails, random meetings between surfers at Waste Not Want Not (used merely as an example). Keith Darrock, surfing Librarian, came up with the idea of doing a surf-centered event, possibly including me because we ran into each other while looking for surf at a sort-of secret occasional-breaking surf spot. But this is how it worked. Tim Nolan, boat designer, will be displaying his new paddleboard and the cad drawings for it at the upcoming event, partially because Keith ran into him at a surf spot past Joyce.

“Yeah, but, Keith,” I had said prior to the first event, “if it’s sponsored by the library, shouldn’t there be something, you know, like, literary?”

“You know anyone… literary?”

I recommended Mr. Kampion, who actually dedicated a poem to me in “Surfer” magazine in 1969 (possibly because I have a funny name and did have a poem, heavily edited, published in the magazine in late 1968, written when I was 17), and who now lives on Whidbey Island. Keith reached out to him, he agreed to come over, and, relief, now I was the opening act.

Except I wasn’t. I was scheduled last. I tried to appear calm, but actually was unable to see the audience through my reading (only) glasses. That was just as well. I had rehearsed, thrown in some choreography, timed my readings. I didn’t want to screw this up.

At a normal, conversational rate, it took about nineteen minutes to read through.

And so I began.

“Whoa,” someone said, (like, fifteen minutes) afterward; “I didn’t think someone speak so… clearly, while talking so… (pause for a breath)… fast.”

So, this time, for this event, with the Northwind Gallery involved, there may be a bit of a change in the demographic. I would say more sophisticated. Maybe. Maybe the Port Townsend literati. We’ll see. Most of the original artists will have works on display. Background music will be provided by Pete Raab, including a couple by Archie currently working and surfing in Thailand). Drew Kampion has agreed to come back. Author Justin Hocking will be the main act, and I’m not sure how Keith arranged this, but, wherever I am in the lineup, I’ll be reading something shorter. And slower.

But I can read it faster if I have to.

See you this Saturday, starting around 6pm, uptown Port Townsend, upstairs at the Carnegie Library.

Singing and Surfing and Remembering and Not Remembering, In Reverse Order

The Second Occasional Surf Culture On the Strait of Juan de Fuca and the Salish Sea Event is coming up in Port Townsend on July 11. I’ve been working on several things for it. One item is music. For the first event, Archie Endo, now stuck in Thailand, working, some surfing, brought a little amp, played surf music. Great idea (his), and really added to the evening. This time, Pete Raab is putting together a sort of mixed tape from his huge music collection, with classic surf instrumentals and some island-themed ‘ambient’ music. Thanks, Pete.

My evil scheme was to have Pete (and he was willing) sneak two of my original surf songs without informing event curator Keith Darrock. That’s the evil part.  I originally recorded the only two strictly surf-related songs I’ve written at a former Theater in Quilcene (right on Surf Route 101) with the help of longtime professional sound engineer Tom Brown of HearHere, with me playing harmonica and singing. Pete was doing a surf music show on the Port Townsend radio station, 91.9, KPTZ, along with his old friend, and former music store owner, Ron McElroy, and graciously incorporated one of my tunes, “I Just Wanna Go Surfin’.” The other song is “Surf Route 101.” Naturally.

But, here’s the failure: Pete couldn’t find his copy, I couldn’t find mine (and searched frantically), and Tom Brown, after checking, determined the digital recording is somewhere on a dead computer.

Oh, and although I’m willing to read the piece I’ve been doing more thinking about that working on, concerning the images and memories we save, I won’t perform music live at this event. A sigh of relief might be appropriate here. Not that I’m embarrassed by my harp playing or the lyrics…

But, thinking about music, and singing, I wrote to my old friend Ray. You have to read it bottom to top. I do think it was him with the Monkees tape.

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NO way, I never owned a Monkeys tape, you must have me confused with somebody else I swear.

From: ERWIN
Sent: Tuesday, June 23, 2015 9:28 AM
To: Ray Hicks

Ray, have a good time on vacation. I checked back before leaving; glad to see a response. I’ll be working until dark anyway (9ish). I do remember you once telling me that the best song ever done was the Cream song…. wait, was it ‘white room with white curtains at the station,’ or, no, I think that was it.  Otherwise, “driving in my car, smoking my cigar, the only time I’m happy’s when I play my guitar.” Join in anytime. Now I better go. And, hey, that was probably enough gas to get home, to school, wherever… See you, Erwin
I am pressed for time, so I might use this on my site, not mentioning that you had a Monkees tape, or that I liked some of their songs also.

From: “Ray Hicks”
To: ERWIN
Sent: Tuesday, June 23, 2015 9:14:06 AM

HI Erwin,

Not in Hawaii yet. Today is my last day before starting vacation but we don’t leave until Thursday. I’ve never been much on lyrics, to this day I hear the voice as another instrument rather than a method of delivering poetry or storytelling.  My loss according to Carol. I do remember the ‘fruit of the vine’ song though. The music that brings back surf memories to me is Cream. When I hear some of those songs I am taken back to driving down the coast highway cruising by the camp grounds in South Carlsbad with an eight track player under the dash. I listen to the Sirius radio classic stations now and hear that music all of the time. Occasionally I’m driving down the coast highway when I’m So Glad comes on the radio and it really takes me back. I also hear the Doors often and still love it. Other than classic rock I listen to the blues. I just love the B B King channel on Sirius Radio.

I remember one occasion of us surfing at Swami’s  then coming up starving and thirsty, buying something to eat at the liquor store in the middle of Encinitas then buying gas for your Morris Minor in Carlsbad with the left over change. Maybe 26 or 27 cents worth.

The only music I associate with Phillip is Jethro Tull because he introduced me to them, still one of my favorites.

Ray

From: ERWIN
Sent: Tuesday, June 23, 2015 8:08 AM
To: Ray Hicks
Ray,
not sure if you’re in Hawaii right now. I almost called you yesterday. I’m working on a thing for the surf culture event on surfing images we keep in our memory banks. The idea is, if we think of surfing as something magical, and we can conjure these (I was originally thinking only visual) images, allowing us to ‘mind surf’ when we can’t actually surf; this is kind of magical.
That got me thinking that my memories of my high school surfing adventures include fewer actual surfing images (maybe because I seem to concentrate on my own surfing rather than noticing that of others) than images of you and Phillip and the other assorted characters going to or from the beach, hanging out around various fires. Mostly pleasant memories, maybe with five of us in the back of a CHP cruiser less pleasant, but, overall, good images. Jeez, we were going to, at, or coming home from surfing.
So, as I was driving an hour to a job, I started thinking about songs we used to sing cruising around town or going surfing. Maybe we were in cars (like mine) that didn’t have radios; maybe we had only AM radios with the pop stations the best we could get.  This line of thinking might have been helped along because the local Port Townsend radio station played the Doors cover of the song with the lyrics, “Show me the way to the next whiskey bar; oh, don’t ask why…” followed by something about “Whiskey, let me go home.” A theme, evidently; and I was trying to remember the song that seemed to be one of Phillip’s favorites, without much luck. A few miles later I pulled (from the brain archives) out a few lines. “Bottle of wine, fruit of the vine; when you gonna let me get sober? Leave me alone, let me go home, let me go home and start over.” It took a few more miles before I remembered, “Pain in my head, there’s bugs in my bed, my pants are so old that they shine; out on the street, I tell the people I meet, to buy me a bottle of wine.”
I’m not even sure if those lyrics are fit together correctly. Perhaps you remember. Oh, and my singing hasn’t improved a bit. If we were going surfing together and I started singing, I’m sure you’d still reach for the radio control knob, whether the radio works or not.
The other, and real point of the thing I’m working on is that if we keep trying to remember, we keep the connections straighter, and if we keep surfing, we’re always refreshing our image files. More to conjure.
Writing this actually helps in writing the real piece, keeps me away from a couple of peripherals.
I’m in the usual summer position of too much work, not enough time, and no rain in sight. Luckily, perhaps, the waves are really small. Hopefully you’ve managed to slide a few. See you, Erwin

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Tom Paxton wrote the “Bottle of Wine” song, but we probably heard the version by the Kingston Trio. White people. Oh, but, when we sang it, it was  sort of another contest, who could sing it with the most soul, raspiest voice… you know, another thing to compete in. Guess who usually won? And that’s why someone (else) always reached for the radio control knob. Oh, and maybe it was someone else with the Monkees tape. hey, hey!