Enduring the Dog Days, and “Tightening”

It’s a sort of positive for me that the summer drought on the Strait of Juan de Fuca coincides with painting season. More like consolation, with even driving to the coast not a guarantee of finding waves. Busy now, it gets crazier in September when people start panicking about getting their castle dolled-up before the rains start getting more consistent. Finding time to devote to my other passions, including drawing and writing, becomes more challenging.

BUT I do have time while scraping and painting and second-coating to think, THINKING, IMAGINING being the most crucial component in each of these activities. Imagine what the drawing COULD look like, imagine WHAT I want to convey.

IT’S A PROCESS. Not dissimilar to house painting, actually. To use the project I am currently working on as an examlple, the homeowner has a vision of what she wants her Victorian home to look like; I have my own ideas. A few color changes later, we do it her way,. with eventual agreement that it works AND it’s what the person paying me wants.

SO… I prep and paint, and it’s never one coat of any color. I paint, and then TIGHTEN UP the paint, picking up missed spots (‘holidays’ in the vernacular), making sure the transitions are crisp and clean, the result being a job I can be proud of and the client will both pay me for and recommend me to others because I did it (right).

BRIEF SURFING INTERJECTION- Having missed one opportunity summer surf, and being pissed because I could have gone and didn’t, I did get a few waves recently. Just enough, with passing fancy rigs with boards on them on a daily basis along SURF ROUTE 101, to cause me to want more. MORE.

TIGHTENING. I am going to a memorial later today for a person I have been bumping into for years on the PORT TOWNSEND. I have a story I told his widow I would tell, and I’m going to try to write it out rather than ramble on in some fashion that might embarrass the others as well as me.

BUT FIRST, “SWAMIS,” the novel I’ve been thinking about, writing, rewriting, tightening for way too long. Having thought about how I needed to tighten a SCENE with the protagonist, JOEY, and the closest character to an antagonist, BRICE LANGDON, I tried to devote a bit of time to it yesterday, but got an urgent text: THE floor guys didn’t show up, could I PLEASE do some painting. PRAYER EMOJI. Shit! Fuck! I made the changes, pulled out the thumb drive. The emergency painting and looking at another project pretty much did the day in. OH, and then thunder and lightening; the weather kind. I went to bed and did not get up early… enough.

ORIGINAL ERWIN NEWS- I paid back some seed money I was loaned by local master builder/climber/skier/hiker/all kinds of other stuff, JIM HAMILTON; the money intended for my investment in getting some t shirts going, which, four months later, I did. Most are gone now. Thanks, Jim. BUT, DWAYNE at D&L LOGOS has been working on a FULL COLOR DESIGN, and I am SOOOO excited to see the results.

DWAYNE did some digital editing and had eight of the image printed up. They are heat-transferred, in a modern, way-better version of the hated ‘iron on’ process. I have to wait to see what the my cost will be. SEVERAL are already promised. WE’LL SEE. I will get back to you on it.

IN A NOT-UNRELATED STORY, I showed my most recent illustration to the clients I met with yesterday, friends of ANNIE FERGERSON, the woman behind the recent documentary about, you know, me. NOW, I REALLY BELIEVED folks would have to have a copy. I had forty printed up, two sizes. I have 38 left, BUT, hey, sales is not what I’m good at.

Although I haven’t given them an estimate, I did get a text back saying, “this would make a great t shirt.” “Open for discussion,” I texted back. I should have included the PRAYER EMOJI, way more convincing when the two hands come together. WE’LL SEE.

ADDING TOO MUCH CONTENT to make the best use of my semi-free minute, here is a poem/song I’ve been working on. THE PROCESS is, again, the IDEA- overhearing a conversation about you; the FIRST DRAFT- this includes singing verses, trying out rhymes. This takes some time; usually when driving to or from a job; harmonica to see if there is a tune. It has to flow. And repetition to make sure I have it memorized. WRITING- Putting it on the thumb drive. REWRITING, EDITING, CHANGING- making sure it tells the story. TIGHTENING, TIGHTENING, TIGHTENING.

AGAIN, THIS is an imagined scene. Fiction. Maybe it’s a song I’ll never sing in public, a poem I’ll never recite; I don’t know; I wrote it and it’s part of the driving song collection, along with favorites by others, the result of many years of song writing.

I HAVE TO GO, and I still have to write something about the late PETER BADAME. Get some waves, huh? See you on the highway. OH, and I do claim and reserve all rights to my work, so…

                                    A PRIVATE CONVERSATION

                                                      an excerpt from some longer story

It was a private conversation, words I was not yet meant to hear,

Thought I’d surprise you at the station, couldn’t have known that I was near.

Your words and tears shared with a stranger, someone you’ve met along the line,

I should have known this was a danger, if I did not the fault is mine,

I’m sorry, so sorry.

You spoke of time apart and sorrow, now… I could barely hear your voice,

You said that love’s something we borrow, said freedom is a frightening choice.

You spoke of hope and disappointment, small victories, great tragedy,

In all the time we’ve been together, you never disappointed me.

Not ever, not ever.

I saw the touch, though at a distance, saw how your fingers were entwined,

You didn’t put up much resistance, offered a kiss, you did decline.

That’s when I walked out of the station, this is my last apology,

You should need no more explanation, perhaps we’ve set each other free.

It’s frightening… so frightening.

But that’s another conversation, a private conversation, a very frightening conversation,

A private conversation

This version: August 9, 2024. Some changes August 17, August 18, 2024. AND YES, I did make a couple of changes after I put it on this page. FLOW.

ART Walking, Talking, Talking, Talkinnnggg

JOEL and RACHEL CARBEN are the proprietors of the COLAB in downtown Port Townsend. Colab as in Collaborative Work Space. Joel is one of the members (if there is such a thing) of the rabid-if-desperate and frequently-disappointed Olympic Peninsula/Strait of Juan de Fuca surf community. There is an ART WALK each month in PT (I’ve never gone on one), so, partially in the interest of promoting the COLAB enterprise (more people hanging out with laptops and connections), why not have me and two other artists show our stuff? I mean, after all, Joel does actually own the cedar art piece/surfboard shown below. Long story. I was supposed to spray paint “Locals Only” on it or something, but…

ARTISTS, huh?

As usual, I didn’t do everything right. I had a whole room to display my stuff. I didn’t put prices on things, didn’t put business cards out. And, I didn’t hang out in the room, charming the folks who came in. BUT, I now realize, the main thing I did wrong is that I didn’t take some photos of STEPHEN R. DAVIS, KEITH DARROCK, and, yeah, me, cruising around to the various galleries.

If I had you could see LIBRARIAN KEITH, as rabid a surf fanatic as I have ever run into (or been burned by), but a solid citizen, mingling with the tourists and the artists, and in the company of two, perhaps… no, I don’t know how to describe Steve and I except we’re probably not as out-there as we believe ourselves to be. I mean, I’m as CITIZEN as the next person, but Steve? ARTISTS, huh?

And we’re checking out everyone else’s art, chatting with artists, partaking in the free snacks (no wine for me, not that I’m bragging. A nice expresso would have been… appreciated).

AND IT kind of worked out. EXAMPLE- We’re at the fanciest gallery in PT (prices fancier, also- wine from bottles with, probably, recognizable names for wine aficionados- no, not Ernest & Julio), and Steve is kind of (I thought) kissing up to this artist with the tiniest possible ponytail (so high concept/fashion), and I see this kid sitting on a bench with a sweatshirt with a logo from CHRIS BAUER SURFBOARDS. “Hey, where’d you get that sweatshirt, kid?” “He’s my dad. Chris Bauer.” “Oh.” When one of the board members (because fancy galleries have boards and directors) comes over and says I’m getting a bit rowdy, I acknowledge this and ask her if he knows KEITH.

THEY chat and I go outside. Again, as with my leaving first at other venues, I sort of think, as I acknowledged, that, if I still smoked, I’d be having one at this point. OUTSIDE the gallery.

I am not a marketer. Particularly not of my stuff.

HERE’S WHERE STEPHEN R. DAVIS got it right. I was critiquing and moving, asking quick, real questions of the folks showing and explaining and (you have to guess) trying to sell their works, questions such as: “How much are the dues? How much floor time do you have to put in? Do you sell enough to make it worth it? Meanwhile, Steve, a bundle of his cards in his hand, was showing his stuff, handing out samples as business cards, making, you know, inroads into the PT art scene.

NOW WE’RE on to the post event CRITIQUE, as in, what did I do wrong? What can I do NOW? I probably should have hung around in the space at the COLAB, charminig the folks who stumbled in, maybe selling

EVEN WITH THE BARAT, would you buy art from this double-chinned fat guy in the sweatshirt for the OLYMPIC MUSIC FESTIVAL (though several people thought OMF stood for Old M F-er)?

Here’s a shot of Keith, Joel, me (hiding the double chin), and Adam “Wipeout” James.

Here’s Steve on his boat from a few years ago. AGAIN, I should have taken a few photos from the ART WALK.

BUT I did, because I was displaying some drawings I did years ago of houses in Port Townsend, get an opportunity to draw one for someone. AND I DO OWE a big thank you to JOEL and RACHEL for the opportunity. TRISH says I should give them a piece of my art. “WHY? He already has the surfboard?”

So, BIG THANK YOU! Heart emoji, hang loose emoji.

MARKETING. I’m working on it. AND I did actually have a good time, chatting it up with people I don’t know, running into some I do know (shout out to Ian), hanging with friends.

Perhaps, on Wednesday, I’ll go over how I’m getting over and/or dealing with the detached retina, the infection in my leg, both related, possibly, to a fall, and a high blood pressure situation I discovered because I just had no choice but to go to a doctor; and the double chin thing. I am totally ready to get back in the water. TAKE THIS AS A WARNING.

Good luck. And, again, if you can’t be nice, be real.

International Women’s (Surfing) Day and…

…and when, perhaps, men are going to catch up or on. If ever.

When I started board surfing in 1965, almost fourteen-years-old, there were girls and women who surfed. Not that many, and those who were good at it were known by name. In San Diego’s North County, Barbie Barron from Oceanside, and Margo Godfrey were the main contenders.

It would be totally wrong if I didn’t mention that my older sister, Suellen, got me into board surfing. If Suellen had romantic notions about what surfing is, and she did, and we all do, the truth is that sometimes surfing lives up to those notions.

Trish went to Junior High with Barbie and was a member of an upstart Oceanside Girls Surfing Club before Trisha’s father got transferred to Philadelphia. I would run into Barbie frequently when I got out of High School, 1969, and did a lot of pre-work, dawn patrol surfing at the short jetty south of Oceanside harbor. Trish, who came back west in 1968 with a lot of east coast sophistication and a touch of the vibe (so alluring to a rube from Fallbrook), would ask if I actually spoke to her. No. Barbie did own the Offshore Surf Shop in Carlsbad for years. I reached out shortly after she retired. So, still no.

My only live almost interaction with Margo Godfrey was a big-but-blown out afternoon at Swamis, Scott Sutton, Jeff Officer, and I stuck with that situation because we had to wait for Scott’s father to do whatever he had to do that was more important than taking kids surfing. Margo and Cheer Critchlow were walking out, so casually, hitting the outside lineup, while we were going for the insiders.

I did write about my one interaction with the most famous woman surfer of that generation, Joyce Hoffman, from Christmas of 1970, the piece entitled “Joyce Hoffman’s Bra.” It is Google-able. I checked.

Oh, and I threw in a shot of Silvana Lima to represent women surfers who rip but don’t, perhaps, fit into the ‘image’ that sponsors are looking for. The image issue is, to a lesser extent, perhaps, also true on the men’s competitive side.

This is probably the right time to apologize for my attitude toward women. I love women, and my realization that boys and men treat women, um, rudely, and artists, trying to capture something of the beauty and wonder of women are insensitive if not clueless. So, yeah, one of those “I didn’t know, I don’t know, I’m working on it” kind of man-pologies.

Here’s how this post happened: I wanted to write about women who surf. Not finding anything I was stoked on in a quick web image search, I decided to check out my own media library. These are images that have appeared on this site. Some of the silk screen images are from the 1980s when I thought it was completely a good thing to do nudes. You know, like, tasteful.

Because of the way I put this post together, the writing is as disjointed as the images. Still:

Margo Godfrey, Santa Cruz, Oct 1969
from pinterest
taken from Matt Warshaw’s Encyclopedia of Surfing

The second from the bottom drawing was done by my youngest sister, Melissa. She died of metastatic breast cancer a few years ago. She did surf. She was so committed to producing high quality, high emotion images. I endeavor to live up to her standards, knowing I have a long way to go.

The last image is of my favorite surfer girl, Trish.

All original art works are protected by copyright, all rights reserved. Thanks for respecting that. AND… I have more to say about macho-ness and all that. Quick shout out to WARM CURRENTS. Check them out.

NEW Original Erwin T Shirts and… yeah… more

I haven’t done any t shirts in a while. There has been a lot of interest and I have done other drawings that are not included here because… I haven’t scanned them yet. I am trying to make my illustrations simpler, but, somewhere in the process, they all go a bit psychedelic.

All the shirts I’ve done and sold or given away (Trisha’s idea, to her friends, some to clients) are gone, and, as mine are, probably wearing out. If you have one, hold on to it. It’s not just my ego saying this. Okay, mostly that, but they are all truly limited editions.

Limited by my having to put out the money all at once, the return coming in… slower.

But, I do have some limited backing, have discussed some potential local outlets, and I am ready to go!

The three toward the bottom are designs I’ve done. I will probably not do the one immediately below, and, as far as color, it’s way more expensive unless I go with a sort of modern day version of iron on, and then… I’m obviously not someone who deals in percentages and wholesale/retail, nor do I really want to be. I just want to keep drawing simple little pen and ink illustrations and… I WILL HAVE a few more examples next time. WEDNESDAY.

OH, I am going to do the one below the “Locals” one first; white on black. It seems kind of, you know, graphic and only semi-psychedelic.

All images are copyright protected and are the sole property of Erwin A. Dence, Jr. All rights reserved.

MEANWHILE, I just (as in yesterday) had a bit of a fall; ladder slipped, I started falling, grabbed onto ladder with one hand, slowing my descent, hit metal railing with my back, landed on stairway and two open paint cans, totally destroying them and cutting and bruising the shit out of the back of both legs, and spilling the two colors I’m using on a Victorian I have the least of. SO, rather like any fall you see on any skateboarding video. I ALSO destroyed my work cellphone, its screen already cracked. SO, that’s not good. Trying to figure out what to do about that. SWAP sim card with new phone like they do in every spy movie? Meanwhile, the message says I’ll get back to you and… Yeah, Ibuprofen.

There are waves… somewhere. Hope you find some.

“Stagefright” and “Swamis”

“And when he gets to the end, he wants to start all over again.” From “Stagefright,” lyrics by Robbie Robertson. Originally performed by The Band.

“I’d rather be clever than funny.” From “Swamis,” spoken by narrator, Joseph Atsushi DeFreines.

Throughout my third (or fourth) total rewrite of my novel I have been thinking that, when I get to THE END, an ending that was vague and unclear as I wrote; knowing that the denouement (I could just say finale) had to be unexpected, clever, AND another character had to die; I also believed that the changes I was making in an attempt to tighten the scope of the story, to focus on fewer characters in a shorter span; all this would tell me how to end “Swamis.”

And, last night, I got to THE END. Again.

EXCEPT, cleverness and conceit and the desire to produce a novel I can unreservedly be proud of continue to collide. IT’S FIXABLE. It just takes more work. Writing this piece this morning is my way of outlining where I have to go. ISSUES:

The events in CHAPTER ONE occur AFTER the timeline of the novel. Prologue that could be epilogue. Perhaps should be. EXPLANATION- I wanted the story to begin with surfing, with establishing JUMPER HAYES as a suspect in the murder of CHULO. I wanted to establish the narrator, JOEY/JODY/ATSUSHI as a non-local outsider longing to be in whatever culture there is in and around Swamis. I wanted to show that Joey had a romantic relationship with JULIA “Julie” COLE, and that the relationship was strained because of something Joey had done. BUT there was hope.

I have been rather insistent that the novel is told from Joey’s PERSPECTIVE, in his voice. It is not my voice. If “Swamis” is memoir, rather than being overly descriptive, Joey insists on clarity.

MY CONCEIT is that, because obsessive note taker Joey has chased down and documented leads, and has discovered who, from street level dealers to wholesalers to money launderers to detectives, was involved in the growth of marijuana as a cash crop in late 60s Southern California; and we, as readers, have the opportunity to be aware of the clues he has collected; when we get to the end, there is no need to further explain. DROP THE FILES and someone else works it out.

NOT THAT SIMPLE.

If I had intended the novel to be more surf/coming-of-age than mystery or ROMANCE, I have not, probably, succeeded. The love between Joey and Julie is the thread that goes outside the other boundaries of “Swamis.”

Speaking of BOUNDARIES; If 100,000 words is my projected boundary, and I kept track along the way, and I have already cut and moved a couple of novel’s worth of chapters and pages, most recently the PROLOGUE- good stuff; I am not ashamed of it, not sure where to put it.

It would definitely be easier to have thought of “Swamis” as two 65,000 word novels. While I am already considering a sequel, possible title, “BEACONS,” I must now see what must be done with CHAPTER ONE. So… Work.

THANKS FOR sticking with me, and… meanwhile, It may or may not be related to all the drawing I have been doing recently, my GORILLA HANDS clutching skinny ass pens and pencils, but I am dealing with this excruciating pain in my right hand that feels like, if I am clutching anything, all the blood in my body is focused on my thumb, and, if I poked, say, the end of it… Yeah; I can imagine how jokes could so easily be made of this. “Too bad it’s your thumb,” “Clutching, you say,” etc.

To provide more opportunity for humor, when I self-diagnosed with the help of the always-reliable internet, it seems the malady is nicknamed “Mommy thumb.” No, it’s because moms seem to suffer with similar symptoms from holding newborns. And no, I don’t see how that compares to my holding cell phones and writing implements. It is, essentially, tendonitis, and yes, when the swelling finally goes down… relief.

ANYway, since I have some actual painting projects coming up, with rest and Ibuprofen and a splint (which, happily, doesn’t seem necessary when typing), my hand’s condition will improve further by the time some actual waves find their way my way. I do hope you are getting the benefits of the atmospheric river.

Check on Wednesday; I may have “Swamis” dialed.



Content with the Content? NO

Because it’s been preternaturally cold (I looked it up; it could mean ‘extraordinarily’ f’ing cold, as in, yeah, it’s been this cold before… in, like, Canada, Siberia, anywhere east of the Cascade mountains, just not lately), I have had some time, afraid, perhaps, to risk the icy roads (“I’ve heard of Quilcene,” the Facebook site our daughter, Dru, started, and Trish helps monitor; had reports of multiple cars in the ditch… and, perhaps, you remember I totaled a car against a tree in black ice two years ago, and, since, have become, I admit, less willing to assert my mastery over slippery roadways), and, anyway, someone has to run around and make sure no more pipes freeze up; BECAUSE OF ALL THAT, and the fact that folks don’t really think about house painting when it’s like this…

…I have had some time to work on my ART, on my NOVEL, on REALSURFERS.NET, what others always refer to as a BLOG. “I call it a WEBSITE.” “Yeah, you would.” “Yeah, and I do, and what I want to present to the tens of people who see it, is CONTENT.” “Oh. Sure. Content. What do you have?”

I HAD PLANNED to post images of recent illustrations, but, even after Dru switched the images of drawings from PDF to JPEG, they came out looking as if someone had placed a piece of frosted glass over them. SO, nope, I’ll get the originals back and rescanned. AND, though I wrote two pieces I might have used in today’s posting, AND wrote them in Microsoft Word rather than, kinda like LIVE, on the Word Press site, I, in the extended darkness of mid-winter night, under a thick pile of sheets and blankets, the heater set at “Roast,” decided they just weren’t good enough to share with you. WHY? CONTENT.

A drawing I didn’t think good enough to use on a t shirt, but, now that I see it after some time has passed; hmmm… maybe put a border on parts, and… yeah, that might be better.

WE, as consumers of ENTERTAINMENT, are constantly looking for BETTER CONTENT. If a TV channel doesn’t provide it… NOPE. We can scroll through the available options on ROKU, Prime, Netflix, whatever you or I have. NOPE; though I spent too many of my cabin fever hours watching one of those binge-worthy (the producers hoped) series(es?), the ending so rediculus (shit- Word has spell-fix, Word Press doesn’t), that I wanted my time back. I could have been doing something useful, like CONTENT.

YouTube; yeah, I’m a bit of an addict; surfing (I am caught up on Nathan Florence exploits, now fast forward paddling out sequences), politics (some I have watched LIVE, like Hunter showing up for sham committee and MTG acting… trashy, and when NSNBC stopped showing it, I, YES, watched some more on, yes, C-SPAN), some historical stuff that looks interesting (Bigfoot- not historical); OH, and I just discovered that, on my tablet (never on the laptop, but some surf stuff has been moved to the BIG TV), if I watch one of those quickies, I can scroll down and watch another, and then… another..

AND eventually, bored or fed up (which typically suggests some sort of anger), or SATIATED (seems more positive), or just OUT OF TIME, we… quit.

NOW, I do PROMISE new illustrations, several I’m really pleased with, and properly scanned, will be posted on WEDNESDAY. Meanwhile, the polishing of my manuscript continues. And, NOTE; I didn’t stop posting excerpts because they weren’t good enough, it was because the content is still changing. Of all the things I am involved in, in all aspects of life (other than surfing, where, still enjoying the hell out of it, I may have peaked a while back), what I’m striving for is to be… BETTER.

SO, other than all of the above (and Microsoft Word would give me a word count), no real posting today. STAY WARM, find some SURF. Oh, and, as always, thanks for checking out realsurfers..net

The Day After Sunday, and…

…I do try to keep to some sort of schedule. I have been trying to have potential and actual readers ready for new posts on Sundays and Wednesdays, it’s just that… no, no excuses.

There is an old saying: “Never complain, never explain.” Since I constantly do the first, I should be willing to do the other. I’ve been trying to make up for the time (and money) lost during my recent power surge/outage. I’m still working on figuring out… things.

I did work on my manuscript for “SWAMIS” during my down time, the generator churning outside; picturing the starving artist alone in some freezing Paris garret, desperately trying to make those subtle adjustments that will bring… heat, light, shit like that.

So, power back on, off to do the work that actually pays the bills. Out of town job. While waiting for a submarine (maybe, couldn’t see) to go through the Hood Canal Bridge (forty minute delay in this case), I actually made a list of what changes I need to make to my novel in order for it to make sense, story wise.

BUT, FIRST, because I’m changing the ending a bit, and I’m never quite sure if I might make more changes mid chapter (of course I will), I must write the last seven pages. THEN go back.

I also have been working on some drawings. I will put one of several possible ORIGINAL ERWIN t shirt designs, and a sort of redo of a little cove/point, with some added, never-happen-in-real-life waves:

Please overlook or forgive my lack of scanning skills. “I’m here to surf” is pretty much my motto. I do have some other designs. If I am going to inv.est in making another run of ORIGINAL ERWIN shirts (and, if you own one… it’s a VERY LIMITED item), I want them to be as good as the ones I’ve already done.

I do plan on going to a print shop this afternoon, and, if I don’t post anything else, I will put up some new illustrations.

MEANWHILE, I’m putting out local surf-related gossip, spreading rumors, trying to verify other things I’ve heard, lots of surfers coming over to the Peninsula and getting skunked is a common one. Very common.

OH, AND I’m also working on a possible shirt design for Washington State’s WEST END. It seems like, out on the rugged coast (and, for some reason, locals don’t seem to include fan favorites HOBUCK and WESTPORT) are not all that enthusiastic about folks cruising in from, you know, non-west. I’m not really involved in this- Yes, I did once try to surf Ruby Beach (so many logs, so many rocks), and yes, I did have a logger/surfer, years ago (late 80s), when I was out at Kalaloch, three children with me, trying to find some gems I could surf as practice for the RICKY YOUNG WESTPORT LONGBOARD CONTEST; tell me where I could find an accessible almost-point break; but, other than a few trips to the cove of vampires, I try to contain myself to the north(er) zone.

SO, self-promoting a bit, do check in on realsurfers.net occasionally, like, just to make sure, hit on it on THURSDAY.

AS ALWAYS, get some waves when you can.

Water-Color Adventures

Maybe I should just put up the images without explaining what I was going for and why I decided to do some water colors. NO, I should explain. Jealousy, competition, that sort of thing. I am very impressed by what TIM NOLAN has been doing with photos and watercolor. In particular, I was super stoked over some colors he used on a work I have not yet posted, BUT WILL. SOON.

AND, I do want to get some froth building for the upcoming THIRD OCCASIONAL SURF CULTURE ON THE STRAIT OF JUAN DE FUCA AND THE SALISH SEA EVENT, Friday, June 30, Port Townsend Public Library, 6pm. The event will feature story and music and art works by local Olympic Peninsula artists.

MORE INFO TO COME.

OKAY, so I am perfectly willing to refer to these watercolors as studies or sketches. The poster… um, I’m not totally stoked on it. Even though it is a surf ‘culture’ event, when you add people to the mix, the risk is of getting cartoony, which I kind of did. SO, I’m redoing the poster. The deal with three surfers in the glare was designed to put in the middle of a poster. The darker version was a mistake by Steven at my favorite non-surf, non-work hangout, THE PRINTERY in Port Townsend. I had just gotten a reversal done for the new attempt at the poster. SO… whoa! I like it. And what I liked about the color on the original, the splotches in the breaking part of the wave, I like the colors in reverse almost equally. Happy accidents.

THE BOTTOM two drawings are… okay, studies. I am working on (Today, actually) some other possibilities for new ORIGINAL ERWIN t shirts. IF you own one now, hang onto it. I, most likely, will not print more shirts with those designs. They are authentic and ultra-exclusive and, and… yeah, if I ever hit it big…

IN other dream scenarios…

HAPPY MOTHER’S DAY to all the mothers. I’m scrambling to get past my me-time and maybe buy something special for TRISH, the mother of our three delightful children. I mean, I do have a list: Toilet paper, paper towels, some vitamins, stuff like that. I’ll see when I get to Costco.

Oh, yeah; please respect the copyright restrictions on use of my, you know, studies and sketches, and… fuck it, why didn’t I go to the coast? The NEXT TIMES are piling up. But, yeah, next time, man…

Ginny Cole at “Swamis” 1969

This is my latest attempt at the negative-to-positive technique:

Virginia (Ginny) Cole late afternoon Swamis, 1969

I’m pretty satisfied with the illustration, at least partially because it pretty much turned out as I imagined it would, hopefully, pretty; and I don’t feel the need to go back on this drawing and make changes.

Not yet, anyway. I am considering going back to the original and adding something referencing my novel, “Swamis,” Ginny Cole being a main character in the in-progress (still) manuscript.

AND, this image may end up on an ORIGINAL ERWIN t-shirt. If not, or if so, I’ll get a signed, framed, limited edition (limited, as always, by me) copy over to Tyler Meeks’ DISCO BAY OUTDOOR EXCHANGE soon, like, maybe today.

MEANWHILE, look for, wait for, or enjoy surf when you can, make sure you’re ready to vote in November, and STAY SAFE.

because I’m Unable to keep my hands to myself…

“Swamis” remains incomplete. I’m working on it. I’m still cutting as much as I can, trying to logically decide or guess or divine which parts are just too, too… wrong. Too this or too that. The goal is to make it all logical and an easier read and, you know, a great American Novel. Not that easy as it turns out. I’m breaking the manuscript into more manageable chapters (meaning more of them) moving some plot items so there’s less skipping around in the timeline.

I am putting the larger outtakes into the sidework file, “Sideslipping.” I’m including two of these in this post.MEANWHILE, I’m continuing to work on illustrations. I’ve included two new ones here, and, because I just can’t help myself, I’ve done some rework on another.

THE FIRST OUTTAKE is a bit of a redundant note that corresponds to Phil and Ray getting busted after appearing on TV the day after Chulo is murdered at Swamis. That is fiction. The note is pretty much the truth about the real life Phil and Ray.

THE SECOND OUTTAKE is some explanation, obviously not for real surfers. I was asked if I did research for “Swamis.” I did. Stephen R. Davis told me about the ‘donkey’ thing, I did look up ‘punk.’ Didn’t look up ‘kook.’ Real surfers know some shit.

NOTE- Phillip and Ray were (I’ll get to this) busted, partially because of this incident, for serial ditching at Fallbrook High.  They had so many hours of detention to serve (the usual punishment, an hour served for each hour missed) that they couldn’t do the time before graduation.  They were, instead, tasked with having to pick up trash around the campus at nutrition and lunch until the end of the year.  While some students threw wrappers and apple cores and lunch sacks to the ground when they saw either (or both) of them approaching with their large canvas bags and sticks with a nail on the end; they were also folk heroes of sorts, rebels; an enviable status.  Peace signs and nods, a few slugs to the shoulder (precursor to the high five and/or fist bump); maybe an already-dated ‘far out’ or ‘right on;’ probably not a ‘groovy,’ even from some otherwise-clueless classmate. 

*The word ‘punk,’ evidently, comes from Elizabethan/Shakespearean times, referring to prostitutes; updated to include petty criminals in the early nineteen-hundreds, with a secondary meaning added in American prisons in which punks were prisoners available, willingly or not, for sexual favors.  ‘Kook’ supposedly a synonym for shit in Hawaiian, has come to mean someone who isn’t proficient.  Shitty. A friend of mine, one who has spent enough time in Hawaii to risk using some pidgin if in the right company, informs me ‘donkey’ has become a synonym for kook, even cooler when a bit of a bray is included, as in, ‘donnnnnk,’ the final ‘ey’ optional.

ILLUSTRATIONS with EXPLANATIONS: I wanted an illustration for GINNY that showed a just-turning 18 year old. My drawings tend to get too dark too quickly. Partway through this one, I told Trish I just didn’t want to screw it up. “Oh, you’ll keep going until you do.” Hope not.

The illustration that I may or may not use for JUMPER HAYES started out to be one of JOSEPH ‘JODY’ DEFREINES. Jody is half Japanese, the drawing, part way through, according to Trish, looked more like someone who is Hispanic and a bit older. “Okay, I’m adding a mustache.”

I had already completed a drawing that, admission here, started out to be PORTIA. “Looks like Jesus,” Trish said. “Okay, it’ll be CHULO then.” I added some whiskers. I was drawing in black and white from a fairly dark background and couldn’t get a white enough white; BUT I got a white paint pen and… now Chulo looks way too pretty. OKAY, I’ll use the same technique when I get an illustration properly mysteriously beautiful enough to actually be Portia.

Possibly Ginny Cole
possibly Jumper Hayes
modified Chulo Lopez (Chulo does mean ‘good looking’)

RUMORS of swells and beach openings and such things continue. Stay safe. Six feet. That’s called ‘overhead’ in the Northwest, ‘four feet in Southern California, ‘flat’ in Hawaii. Oh, you knew that. Of course.

OH, I just remembered, I added a cross to an earlier illustration of Chulo, might just add one to this drawing.