Microsoft Word Doesn’t Like “Swamis” on Sundays, Stealing Something from Keith, and…

…It isn’t as if Keith doesn’t steal (as in a wave or two) or borrow a few things from me (though borrowing doesn’t fit as well with the surf metaphor) a few things from me, including the graphic below, but it was just so easy to copy and paste the announcement for the FOURTH OCCASIONAL SURF CULTURE ON THE STRAIT OF JUAN DE FUCA AND THE SALISH SEA EVENT from Librarian Keith’s (as opposed to Cougar Keith or any other Keith) Port Townsend Public Library newsletter… and just… repost it.

Because excuses are always necessary when taking things without permission (such as, “Oh, you actually wanted that wave?”) I would say the goal here is to further spread the news.

Erwin Dence

Join us at the library, WEDNESDAY, JULY 17th, 6 to 8 pm, for an evening of surfing stories and surf art. Writers and story-tellers include, Greg Tindell, Drew Kampion, Tim Nolan, Dana Terill and Erwin Dence. A crew of local surf artists may be present to show their work. 

Greg Tindall
Although Greg Tindall has written for the UK-based Surfer’s Path, the US-centric Surfer’s Journal and Australia’s equivalent, White Horses, and while he has covered surf contests for Surfline and hurricane-surf seasons for ESPN, his true passion is telling stories in-person.  From the Society of the Four Arts in Palm Beach, as a Florida Voice, to the Surfing Heritage And Cultural Center (SHACC) in San Clemente, from the Tuckerton Seaport in New Jersey to the Libby Little Theatre in Montana, Greg now has the privilege of telling some good ones to his friend and mentor, Drew Kampion.

Drew Kampion is a former editor of SURFER (1968-72), SURFING (1973-82), WIND SURF (1982-89), and WIND TRACKS (1996-99) magazines. He was Editorial Director for the Patagonia clothing company (1990-91) and Associate Editor for NEW AGE JOURNAL (1992). He founded, published, and edited the ISLAND INDEPENDENT (1993-96), an award-winning “bioregional magazine in newsprint,” serving the “maritime rainshadow” islands of Washington State. For his work with the INDEPENDENT, he received first prize for editing a periodical with a circulation under 50,000. Until recently, Drew was the American Editor of THE SURFER’S PATH, world’s first “green” surf magazine. His episodic parody, THE TEACHINGS OF DON REDONDO: A SURFER’S WAY OF KNOWLEDGE (as illustrated by artist Tom Threinen) was a regular feature of the magazine. 

Erwin Dence is a writer and visual artist residing in Quilcene. He is well known for his regional surf-centric essays on his website realsurfers.net. Erwin is also in the final stages of the surf novel, Swami’s. His visual art is vivid, surreal and at times hypnotic. His art will be on display at the event. 

“SWAMIS” WISE, because, last Sunday, my computer went from fast to ‘oh my God, what the fuck’s gone wrong’ mode last Sunday, right after I decided to pull out early, so to speak, chopping off the last fifteen-thousand words or so, but it seemed okay on Monday, I took my thumb drive to COHO PRINTING and had eight copies printed up.

IT’S A DIFFERENT THING, looking at a manuscript on paper. 104 pages on the computer, 90,000 words, printed front and back to reduce waste if not cost, is still a lot of paper. And it’s… real. Tangible. Touchable. And… shit; I want to make changes.

THE LAST things I wrote were a last chapter modified to fit better as the end of… of this; with so much more to the story; and a new epilogue because the one I had written before the last rewrite no longer fit. SO, eight copies in a box, a copy in hand, questions in my mind on who could read them, I realized the new epilogue was possibly as ill-fitting as the others. Yes, others; there are others of everything.

SO, I DECIDED TO JUST start with the first chapter; all dialogue, not too much (but enough) exposition, AND, I thought, why not share it with, you know, YOU.

BUT THEN, partway through some unavoidable rewriting, M I C R O F T started going R E A L L Y S L O W.

I get a certain sense of panic when this happens; maybe not as severe as last week’s attack, but I am still not sure what to do: New computer? No. Go to the library and use their’s? Maybe. Not today. TODAY I AM working on a poster for the upcoming event. It’s getting closer by the second!

I HOPE ALL YOU ALL had a great International Surf Day, enjoyed the recent Solstice, and… and you’re saving the date to do what surfers do: Talk Story.

OH, and there is some possibility that outtakes, at least, from a very short documentary by a professional filmer, centering on a villainous surfer who hits the sometimes waves on the Strait, just might be something else offered at the upcoming surf culture event.

OH, and surfer, ARCHIE ENDO, Crescent Cruiser, is back in the area after an extended stay in Thailand.

MORE. Later. GET GOING!

Doors, Panels, Screens, Artsy Dealies, My Most Recent Obsessions, Eye, Eye, Eye, AND BIG DAVE Stuff

Trish wasI, as always, correct when she said I had become obsessed with these door panels I have been working on; four by-fold doors rescued/salvaged/pack-ratted from some job. My theory was, because everyone has limited wall space for art, these would serve as screens, or even, doors.

Yes, there’s an inside and an outside, and I kind of lost track of what was on one side when I was painting the other side. It wasn’t all, like, thematic. Maybe a little. Obviously I have some sort of fascination with waves. And color. I would start out, get to something that was not what I envisioned and… here’s the obsessive part; I would keep going until l was a high percentage of satisfied. The fear at some point is that I could then screw the whole thing up. A line too far. Or a color. Or… something.

I want to thank Joel and Rachel Carben, owners of the COLAB in Port Townsend, for allowing me to have my art in their space. Although I paint houses for a living, my artistic leanings have been toward drawing.

SO, I am not at all sure what to do with these panels now. Hanging out for three of the monthly Port Townsend ARTWALKS has reinforced my belief that marketing is not my strong suit. Not even close. SO, do I tell myself that the joy of art is in the process? That is true, but… but, but, but…

Captions: Stephen R. Davis approaching the wall of doors at the COLAB;Joel Carben and Steve; a framed painting that caused Steve to comment,”It’s nice that you’re finally going for fine art,”; various panels taken where they were painted (a Costco/White Trash garage). OHHH, and then there’s BIG DAVE.

I took this a week or so ago at the Home Depot in Sequim. I had already heard a rumor that Legendary Surfer BIG DAVE RING was giving up surfing due to arthritis in his knees. I did write about this. The rumor was confirmed. *Sort of. Quickly, Dave was raised in Pacific Beach, San Diego, and was part of the pack of “Pier Rats” that included standout, Joe Roper. Dave, currently 66, was fourteen when I moved to PB in late 1971. I was twenty. Not a big talker in the lineup, not a guy who hangs out and chats it up on the beach, part of the reason I found out any info at all is because we have been mistaken for each other, as in: “I read your last thing on your blog,” to Dave, or “I heard you were ripping the other day,” to me.

Most of this was back when Dave was merely rocking a big-ass mustache. We both were riding big boards (Dave a 12′ SUP as a regular surfboard), and we both caught a lot of waves, from the outside, or scrapping for insiders. Dave is a master of the late takeoff and the sideslip, and plows through sections I would dodge..

A notable quote that got back to me was, “I rolled up and the Walrus and the Beast were both out. I went somewhere else. Though I’m almost more comfortable with being referred to as ‘That asshole wavehog, kneeboards on a SUP,” and I’ve been doing my best to increase the size of my mustache, I must agree with those who say Big Dave is the Walrus. Coo coo ca choo, coo coo ca choo.

*Having already, in a pattern that seems to hold true among older surfers, moved from popping up automatically, to knee boarding the takeoff and standing up after the first section, to kneeboarding the entire wave, Dave expressed little interest in belly boarding. “No, but…” I could tell Dave was imagining the perfect pre dawn session, sneaking out, lining up a few bombers.

“It is amazng,” he said, “what I’ve gotten done because I’m not always putting stuff off to go surfing.”

I get it, Dave.

EYE and LEG UPDATE- I’m finally through with the wound care for the gouge on my right calf. Pretty impressive scar. I am going to have my eye checked out on Friday, with surgery to remove the clear oil inside it, hopefully, scheduled for… soon. It isn’t as if I can’t work, it’s just annoying. I sort of attacked a woman in a parking lot the other day because she had a bandage over one eye. “Hey, what happened to you?” Different deal. Worse than mine. Nice conversation. ANYWAY, I did tell Trish that, because of the glare in the water, I might not surf until the oil in my eye is exchanged for (I asked) saline solution, that to be replaced by the proper bodily-produced fluid.

BUT, but, but… when I check the forecast…

Moving on. Back to another of my obsessions. After I post this, my plan is to get back to “Swamis.” I had friends attempt to read earlier versions. I know where I have to make changes, and I have been working on it. That’s my process. Evidently. Obsession, distraction; what we have to do and what we want to do and what we really really want to do.

Good luck with your obsessions.

Surf, Music, Dance, Poetry… STUFF

THIS is a silkscreen I did in the 1980s. I’m not apologizing for it being, perhaps, sexist or something bad by today’s standards. It doesn’t go so much with a poem I’ve been working on, but nothing I found in a search did either. I COULD, of course, draw something that does connect better, but… I haven’t.

I AM ALWAYS working on something, art-wise, story-wise, song-wise, otherwise. I have been working recently on a song that starts out, “It was a private conversation, Words I was not yet meant to hear, She had been to long at the station, Couldn’t have known that I was near…”

WHAT I DO is keep working on these songs, and everything I do until it’s… better. SURF-WRITING-WISE, I am always trying to push some comparison between the best moments and music, even dance. Not all dancing is graceful, Stephanie Gilmore style pretty. AND she also incorporates solidly radical, powerful moves into her repertoire. Similarly, there is something esthetically pleasing about a vicious power hack.

MUSIC-WISE, please try to convince me that you don’t have some tune or beat going through your head when you’re paddling for and surfing a wave. If you don’t, well…

Too much explaining.

                        A Private Conversation

I was coming up the stairway, two bags of groceries pressed against my chest, She was dancing on the landing, third floor, Sun from the distant windows lit her hair on fire, Her shadow moving with her on the sidewall.

Six stairs below her, I leaned against the inside rail.

She was moving to music, music I could not hear.

Her movements made the music real. Slink and slide and step and stop, Step and stop, slink and slide, one arm always at her side, The other, gliding, raised then lowered, Free, and spelling or signing or reflecting, Words or images or memories or dreams,   Real to her.

Real to her, private.

Sunset music, light, a tinkling rhythm beat under the woodwinds, Only fleeting hints of nightfall.

I should not have been a witness, Seeing her, dancing, silent, hair on fire,  In some soft and private conversation with some distant, absent, loved one.

Loved one, someone else dancing with her on the landing, Sharing her space.

The background, The air and the light and the wallpaper and the paint were as alive as she was, Slinking and sliding and stepping and slowing, Listening, perhaps, briefly, The dance resumed as response.

Her other arm became the free one, Sending the code, The secret, private messages in our most ancient language.

I should not have been there.

I couldn’t face facing her, Couldn’t imagine her trying to explain, Not to some neighbor, some stranger three doors down.

Setting my bags on the third step from the landing, Sitting two stairs below that, Alone in the dark, with vague shadows of someone dancing, Projected on the stairwell wall.

I envied her for dancing, dancing alone in the hallway, Music swirling in her head.

Waiting in the stairwell,   Waiting long after her door closed, Long after the light moved up the wall and softened, And darkened, I waited long until her music faded.  

My steps up became drums, not heavy, Step, step, step,

If I imagined a saxophone solo, Sad squeaks and missed notes, Looking out the window at a screaming orange sunset, I couldn’t stop myself from sliding one foot across the worn oak floor, And then the other, My grocery bags shifting, side to side, In some rhythm that made some sense… to me.

THANKS FOR READING. Original material, of course, protected by copyright, all rights reserved by the author/artist, Erwin A. Dence, Jr.

AS ALWAYS, IF YOU CAN’T BE NICE, BE REAL.

I FULLY expect to not tell you about a surf session in the next posting. AND, yes, I am still working on my novel, “SWAMIS.”

Additions and Corrections and, Yeah, More

“SWAMIS” UPDATE- Working on it. Here is a quickie flyer for a fictional Newspaper. I can’t say that there wasn’t such a weekly paper back in the time my novel covers, 1969. My guess, yes. I do know, based on a story I heard, later, like 1971, when I went to work in the Big City, San Diego, from an older guy, that there were Free Clinics, or, at least, one. “So, I picked up this hitchhiking Hippie chick, and I’m thinking… you know, free sex and all that, and she says she’s trying to get to the free clinic.”

Also not related, directly: I noticed, on occasional trips south, in the narrow strip that is Mission Beach, a storefront law office that, real or imagined, seemed to offer free services. Hard to imagine that now. Parking, incidentally, was pretty much as bad then as it is now.

If writing, journalism or fiction, or drawing, or any form of art is someone trying to transfer imagination to paper or wood or film or any other medium, images stored and remembered are the critical ingredient.

Although I haven’t quite gotten to THE END of the fourth or fifth rewrite of “Swamis,” I do have plans, beyond it, for the main characters. The storefront law office might be part of that.

MEANWHILE, I am still recovering from cuts and an infection on my leg, the treatment keeping me out of the water for at least the rest of this week. SO, IF THERE ARE WAVES, I won’t be competing for them. GOOD LUCK.

SCREW UP of the day- I did write something, using Microsoft Word, filling in some omissions from my last posting. Halfway through this, I realized I hadn’t copied it. Not wanting to lose what I had, I… well, I’ll get back to you on what is partially “Guilty with an explanation” stuff.

In the “I’M NOT POLITICAL, BUT…” category, something about the delays in the trials of the former president, and the inability of some other citizens to see a grift when it’s reaching into their pockets, caused me to draw… this:

It’s already, liike, last week’s news. Ordinarily I claim all rights to my work, but, this time, in the spirit of freedom, free press, all that, if you want to borrow it… FEEL FREE.

Original Erwins in Progress, “Swamis” Again

Now that I am committed to putting out a new round of ORIGINAL ERWIN t-shirts, I’m going through my past drawings AND doing some new ones. I scanned these two on my printer AND I have two more illustrations that I have to take to a print shop. AS ALWAYS, attempting to go simpler, I fail.

LET’S DISCUSS THE SURF SITUATION on the Olympic Peninsula and the Strait of Juan de Fuca. NOT GOOD. Now, if you’re almost anywhere SOUTH of here, you should be scoring. AND the forecast is not too… thrilling. BUT I do have my HOBIE patched up and I’ve done some work on the MANTA. I’m ready to leap into some wind chop when it… let me check the forecast. Yeah, wind chop. That’s official.

As far as “Swamis” goes, I am committed to what JUST HAS TO BE a final draft before the ridiculously scary act of trying to actually sell the novel. I moved the former first chapter to the end, and though I am dying to write about what fictionally happened to the fictional characters between 1969 and now, I’m going to NOT… not yet.

My hope is that, now that I’ve completely mind-surfed the hell out of plot and characters, I might be able to cut the length down from the current 104,000 thousand words. HERE IS the new prologue and a bit more:

“SWAMIS” A novel by Erwin A. Dence, Jr.

                                    PROLOGUE

            Some events, terror and bliss, mostly, which occurred in seconds, in moments; those almost nothing in the expanse of time; expand, over time, into placemarks; a corner turned, a road taken, a life changed. Magic.

            Half a century after the events, I started writing “Swamis,” as memoir. It no longer is that. This is my fourth full rewrite, with so many discarded words, deleted chapters, all in attempting to turn notes and dreams, images and remembered dialogue, into a story. I have tried to do justice to the various people, characters here, but real people with real lives, who changed mine. There are people who have come into my life, changed it in some way, and gone out. Somewhere. For the most part I do not know where they went, but I do wonder. Wonder.

            The story centers on a very specific time, 1969, in a very specific place, North San Diego County. I was turning eighteen, in love, and the world I wanted swirled and revolved around surfing, and surfing revolved around Swamis.

            My apologies for my writing style. Years of writing briefs, documents. Dry, perhaps, but thorough. A friend’s review of an earlier draft concluded I went for detail and clarity rather than flash and description.

“I don’t use a lot of adjectives in regular speech,” I countered.

“But this is writing,” she said, “The prologue shouldn’t be an apology.”

“Honest.”

“Sure, and it is… your own voice. Yes, it is that, and, as your mother said, ‘the mind fills in the colors.’ Different thing, I know. Photos, stories; it still applies.”

“Not arguing.”

“Not yet. But… ambiguity and bullshit aside, you don’t exactly nail down who the killer was. Or killers were. Some detective novel, Atsushi.”

“It’s in there. And… doesn’t that explain the need for detail and clarity? And, more importantly, I never said it was that… A detective novel. Trueheart.”

“There’s no such thing as a seventeen-year-old detective. Not in real life.”

“It’s in there; that quote; in the text. And… as far as real life goes…”

“From your particular viewpoint.”

“That’s all any of us have.”

 “But… Joey… you called me a friend. ‘A friend’s review.’”

“Just another draft, Julie; I can… change it.”

“To what?”

“Keep reading. It’s in there.”

                                    CHAPTER ONE- MONDAY, NOVEMBER 13, 2023

            “The allure of waves was too much, I’m told, for an almost three-year-old, running, naked into them. If I say I remember how the light shone through the shorebreak waves, the streaks of foam sucked into them; if I remember the shock of cold water and the force with which the third wave knocked me down, the pressure that held me down, my struggle for air; if I say I remember anything other than my mother clutching me out and into the glare by one arm… Well, that would be, this all happening before the accident; that would be… me… creating a story from fragments. Wouldn’t it, Doctor?”

            “Memories. Dreams. We can’t know how much of life is created from… fragments. But, please, Joey; the basketball practice story; I didn’t get a chance to write it down. So, the guy…”

            “Locker room. After. I’m not here because of that… offense.”

            “I am aware. Just… humor me.”

            “He said I had a pretty big… dick… for a Jap. I said, ‘Thank you.’ All the Varsity players came in. Most stood behind him. He said, ‘Oh, that’s right; your daddy the cop, he’s all dick.’ Big laugh.”

“Detective,” I said. “Sorry about your brother at the water fountain, but I’m on probation already… and I don’t want to cut my hand… on your front teeth.’”

            “Whoa! Did that end it? Joey. Joey, are you… You’re remembering the incident.”

            “I tried to walk away. He… Basketball. I never had a shot. Good passer, great hip chuck.”

            “All right. So, let’s talk about the incident for which you are here.”

ALL RIGHTS to all ORIGINAL WORK by Erwin A. Dence, Jr. are reserved by the author/illustrator. THANK YOU for respecting these rights, AND, AS ALWAYS, for checking out realsurfers.net

“Swamis” ‘Sexy Scene’, FrankenSUP, More from the Adam’s Family Big Island Vacation, and…

…that’s about it. Oh, yeah; HAPPY VALENTINE’S DAY!

I AM, AGAIN, at the end of the latest complete rewrite of “Swamis.” As in, where an author is supposed to write, in case a lack of more pages isn’t enough, “THE END.” I wrote, “NOT EVEN CLOSE TO THE END.” The current version is, after thousands of words were cut, at a little over 103,000 words. As I explained in an earlier post, I was forced to move the first chapter, which, cleverly, I thought, set in something more like the current time, answered a lot of questions I didn’t want to spell out at the end.

AFTER several attempts to write something concise AND with the all important AWESOME first line, I am pretty much just changing all the chapter numbers on my next go-through. LAST? I hope so. ONE OF THE ISSUES I wanted a new opening chapter to deal with is the writing style of the fictional narrator, JOSEPH DeFREINES, JR, aka Atsushi Defreines, aka Jody, aka Joey.

It sort of comes down to whether, as I’m hoping, the clues JOEY finds along the course of the novel are enough for a reader to draw conclusions. It’s not some conscious attempt at might-be-cool (or another failed attempt at it) AMBIGUITY, but Mr. DeFreines, who, after years as an attorney (alluded to but not overtly stated) writes in a very controlled way, clarity over flash. To that end, I wrote, and will not use, a line like, “I don’t use a lot of adjectives in my regular conversation, why should I do so because I’m writing rather than telling the story.”

WHAT’S CHANGED in my constantly working and editing and thinking about the story, “Swamis,” is that it has become much more a love story, Julie and Joey, tangled in the rush and roar of 1969. I have tried to convince the LOVE OF MY LIFE, TRISH, that it would make a great HALLMARK MOVIE. “Oh, with a guy being burned alive and all that?” “Yes I mean, it’s not gratuitous.”

I might be if Joseph DeFreines used more ADJECTIVES.

With apologies for going on about this, I wrote a sub-chapter, moved it to another place because I didn’t know where to fit it in. The place is now the depository of the latest rounds of cuts. AND, when I asked our daughter, DRUCILLA, to check out something on the laptop I am borrowing from her, she had to comment, out loud, “Oh, ‘Sexy scene,” to which Trish responded, “Really? I might have to read that.”

Sexy Scene for “Swamis”

“No, Julie, it was more you than me… The kissing. I was… more… controlled.”

It was late in the afternoon. There were still three surfers out. Julie and I were on the point end of the lifeguard tower. Our towels had slid into a single pile on the x shaped cross members. “No, Joey. You certainly were not.”

“I certainly tried to be… controlled.”

Julie reached into her big gray bag, unwrapped a top, basically something like a small apron. “Controlled. You… weren’t. But… enthusiastic. Yes.”

“More like surprised.”

“Are you going to… look away?”

“You look away; I’m the one who’s… topless.”

“Yes, you are.” Julie put the palm of her left hand on my chest. “You and your stick out nipples.”

“Nipples?” I crossed my arms over my chest.  Julie untied the strap on her bikini top, her left hand holding her top to her chest. She widened her eyes. I turned, untangled my towel from hers, spun around and backed up a bit closer to her, holding the towel up and out in front of both of us. “In case those guys… in the water, have… really good eyesight.”  

“Really good? Thanks.”

“Not a… I didn’t mean…”

Julie pressed her body against mine, slid her arms around me, her hands on my chest until she had my alleged stick out nipples between the first two fingers of each hand.

I tried not to inhale. Failed. A deep breath I was afraid to exhale.

“Don’t giggle, Joey.”

“You are.”

 “You know it was my birthday…” Julie stopped giggling. “…over the weekend. I’m legal!”

“Congratulations. I’m not… legal… yet.”

“I’m willing to risk it.” Julie took a breath. “If you are.”

The towel dropped away as I spun, slowly, with control, Julie’s arms never fully pulling away, toward Julie, my arms squeezing her closer.

Closer.

I FEEL DUTY-BOUND to now mention that, whether or not I use this for the novel, it is still protected by copyright. Thanks for respecting that.

WIPEOUT UPDATE- This is the EMU Adam “Wipeout” James’s son, EMMETT caught off the Big Island. It was prepared by a chef in Seattle, presumably the woman in the photo. ALSO, and it may be because, like realsurfers.net, Adam and the HAMA HAMA OYSTER COMPANY have a world wide reach, my site got a higher than average number of hits since I posted the photos and story of the Adam’s family vacation. So, thanks.

FRANKENSUP UPDATE- Thanks to Joel Carbon for the apt description. Yes, that is my thumb. Yes, I did need a skil saw to cut the fin box out of the tail section of the first SUP I owned. And chisels, and knives. I filled in the big divot with foam from the same board, used some leftover cloth and some resin given me by Keith Darrock to cover the wound. Oh, and the sawhorses were from Mikel “Squintz” Comiskey, cutting down on possessions before he moved to the Big Island. I am also holding on to binoculars and a trophy he won at the Cape Kawanda Longboard contest a few years ago. I’m using the trophy, a beautiful turned bowl, for my keys, not that I still don’t still misplace them.

SPEAKING OF OLD DUDES WITH BAD MEMORIES, I’m thinking that will be my new excuse for bad lineup behavior when I get back to searching the Strait of Juan de Fuca for waves. “Backpaddling? Oh, sorry, I didn’t notice you.” Yeah, age, along with my wearing earplugs and my hearing being no better than marginal without them.

I DO PLAN on doing more board repair on the HOBIE. I guess I’ve had it for six or seven years, way longer than any other board I’ve ever owned (and thrashed), and ALL I WANT is another six or seven years out of it.

It’s still Winter. Get some waves when you can. And, again, HAPPY VALENTINE’S DAY to all the lovers out there.

INSTANT COMMENTARY from (obvious alias) Frank Lee Darling: “If your taking a swipe at Biden. He doesn’t remember all the good things he’s done. Marmalade Man can’t thinnk of any. Because bone spurs never don anything that wasn’t self serving. That’s it. Connot wait til you book comes out. Probably banned and or burnt in Fla.

“Stagefright” and “Swamis”

“And when he gets to the end, he wants to start all over again.” From “Stagefright,” lyrics by Robbie Robertson. Originally performed by The Band.

“I’d rather be clever than funny.” From “Swamis,” spoken by narrator, Joseph Atsushi DeFreines.

Throughout my third (or fourth) total rewrite of my novel I have been thinking that, when I get to THE END, an ending that was vague and unclear as I wrote; knowing that the denouement (I could just say finale) had to be unexpected, clever, AND another character had to die; I also believed that the changes I was making in an attempt to tighten the scope of the story, to focus on fewer characters in a shorter span; all this would tell me how to end “Swamis.”

And, last night, I got to THE END. Again.

EXCEPT, cleverness and conceit and the desire to produce a novel I can unreservedly be proud of continue to collide. IT’S FIXABLE. It just takes more work. Writing this piece this morning is my way of outlining where I have to go. ISSUES:

The events in CHAPTER ONE occur AFTER the timeline of the novel. Prologue that could be epilogue. Perhaps should be. EXPLANATION- I wanted the story to begin with surfing, with establishing JUMPER HAYES as a suspect in the murder of CHULO. I wanted to establish the narrator, JOEY/JODY/ATSUSHI as a non-local outsider longing to be in whatever culture there is in and around Swamis. I wanted to show that Joey had a romantic relationship with JULIA “Julie” COLE, and that the relationship was strained because of something Joey had done. BUT there was hope.

I have been rather insistent that the novel is told from Joey’s PERSPECTIVE, in his voice. It is not my voice. If “Swamis” is memoir, rather than being overly descriptive, Joey insists on clarity.

MY CONCEIT is that, because obsessive note taker Joey has chased down and documented leads, and has discovered who, from street level dealers to wholesalers to money launderers to detectives, was involved in the growth of marijuana as a cash crop in late 60s Southern California; and we, as readers, have the opportunity to be aware of the clues he has collected; when we get to the end, there is no need to further explain. DROP THE FILES and someone else works it out.

NOT THAT SIMPLE.

If I had intended the novel to be more surf/coming-of-age than mystery or ROMANCE, I have not, probably, succeeded. The love between Joey and Julie is the thread that goes outside the other boundaries of “Swamis.”

Speaking of BOUNDARIES; If 100,000 words is my projected boundary, and I kept track along the way, and I have already cut and moved a couple of novel’s worth of chapters and pages, most recently the PROLOGUE- good stuff; I am not ashamed of it, not sure where to put it.

It would definitely be easier to have thought of “Swamis” as two 65,000 word novels. While I am already considering a sequel, possible title, “BEACONS,” I must now see what must be done with CHAPTER ONE. So… Work.

THANKS FOR sticking with me, and… meanwhile, It may or may not be related to all the drawing I have been doing recently, my GORILLA HANDS clutching skinny ass pens and pencils, but I am dealing with this excruciating pain in my right hand that feels like, if I am clutching anything, all the blood in my body is focused on my thumb, and, if I poked, say, the end of it… Yeah; I can imagine how jokes could so easily be made of this. “Too bad it’s your thumb,” “Clutching, you say,” etc.

To provide more opportunity for humor, when I self-diagnosed with the help of the always-reliable internet, it seems the malady is nicknamed “Mommy thumb.” No, it’s because moms seem to suffer with similar symptoms from holding newborns. And no, I don’t see how that compares to my holding cell phones and writing implements. It is, essentially, tendonitis, and yes, when the swelling finally goes down… relief.

ANYway, since I have some actual painting projects coming up, with rest and Ibuprofen and a splint (which, happily, doesn’t seem necessary when typing), my hand’s condition will improve further by the time some actual waves find their way my way. I do hope you are getting the benefits of the atmospheric river.

Check on Wednesday; I may have “Swamis” dialed.



Original Erwin and Erwin Originals

I’ve been busy drawing. I have several reasons for doing so. New designs for t shirts, some work for the PORT TOWNSEND PUBLIC LIBRARY’s upcoming SUMMER READ, and, just because I enjoy it.

SO, LET’S SEE HOW MY LATEST scans look on the screen:

THERE ARE MORE, but should save some copyrighted original stuff for next time. WEDNESDAY… MORE! (sorry about the explanation point; not that a show of enthusiasm isn’t appropriate. MEANWHILE, thanks, as always, for checking out realsurfers. See you out on Surf Route 101.

IF I HAVE TO BLAME something for the prolific-ness, it’s the recent far-eeez-ing weather. AND I have been sa-soww-ly getting cal-lose-er finishing my novel, “Swamis.”

!!!

Content with the Content? NO

Because it’s been preternaturally cold (I looked it up; it could mean ‘extraordinarily’ f’ing cold, as in, yeah, it’s been this cold before… in, like, Canada, Siberia, anywhere east of the Cascade mountains, just not lately), I have had some time, afraid, perhaps, to risk the icy roads (“I’ve heard of Quilcene,” the Facebook site our daughter, Dru, started, and Trish helps monitor; had reports of multiple cars in the ditch… and, perhaps, you remember I totaled a car against a tree in black ice two years ago, and, since, have become, I admit, less willing to assert my mastery over slippery roadways), and, anyway, someone has to run around and make sure no more pipes freeze up; BECAUSE OF ALL THAT, and the fact that folks don’t really think about house painting when it’s like this…

…I have had some time to work on my ART, on my NOVEL, on REALSURFERS.NET, what others always refer to as a BLOG. “I call it a WEBSITE.” “Yeah, you would.” “Yeah, and I do, and what I want to present to the tens of people who see it, is CONTENT.” “Oh. Sure. Content. What do you have?”

I HAD PLANNED to post images of recent illustrations, but, even after Dru switched the images of drawings from PDF to JPEG, they came out looking as if someone had placed a piece of frosted glass over them. SO, nope, I’ll get the originals back and rescanned. AND, though I wrote two pieces I might have used in today’s posting, AND wrote them in Microsoft Word rather than, kinda like LIVE, on the Word Press site, I, in the extended darkness of mid-winter night, under a thick pile of sheets and blankets, the heater set at “Roast,” decided they just weren’t good enough to share with you. WHY? CONTENT.

A drawing I didn’t think good enough to use on a t shirt, but, now that I see it after some time has passed; hmmm… maybe put a border on parts, and… yeah, that might be better.

WE, as consumers of ENTERTAINMENT, are constantly looking for BETTER CONTENT. If a TV channel doesn’t provide it… NOPE. We can scroll through the available options on ROKU, Prime, Netflix, whatever you or I have. NOPE; though I spent too many of my cabin fever hours watching one of those binge-worthy (the producers hoped) series(es?), the ending so rediculus (shit- Word has spell-fix, Word Press doesn’t), that I wanted my time back. I could have been doing something useful, like CONTENT.

YouTube; yeah, I’m a bit of an addict; surfing (I am caught up on Nathan Florence exploits, now fast forward paddling out sequences), politics (some I have watched LIVE, like Hunter showing up for sham committee and MTG acting… trashy, and when NSNBC stopped showing it, I, YES, watched some more on, yes, C-SPAN), some historical stuff that looks interesting (Bigfoot- not historical); OH, and I just discovered that, on my tablet (never on the laptop, but some surf stuff has been moved to the BIG TV), if I watch one of those quickies, I can scroll down and watch another, and then… another..

AND eventually, bored or fed up (which typically suggests some sort of anger), or SATIATED (seems more positive), or just OUT OF TIME, we… quit.

NOW, I do PROMISE new illustrations, several I’m really pleased with, and properly scanned, will be posted on WEDNESDAY. Meanwhile, the polishing of my manuscript continues. And, NOTE; I didn’t stop posting excerpts because they weren’t good enough, it was because the content is still changing. Of all the things I am involved in, in all aspects of life (other than surfing, where, still enjoying the hell out of it, I may have peaked a while back), what I’m striving for is to be… BETTER.

SO, other than all of the above (and Microsoft Word would give me a word count), no real posting today. STAY WARM, find some SURF. Oh, and, as always, thanks for checking out realsurfers..net

You-Tubing/Dreaming Swamis/Big Waves in General, Full Wetsuits in 63 degree water,

This isn’t from the most current big wave event at SWAMIS, but, that doesn’t really matter when it’s the same deal any time the news media (and all your instagram surf-adjacent folks) hypes up an incoming swell; every wannabe hero paddling out at one of the only places one can (easily) make it out in San Diego County on those swells that come down from up here in the Pacific Northwest (just incidentally, totally missing the north shore of the Strait of Juan de Fuca); and… yes, getting out at Swamis is easy; not getting in some other hero’s way as they ride a wave they snaked someone else to get, getting more than three waves in a session, not kooking-it up and crashing on a takeoff with 89 scrappers, 19 actual rippers, and five videographers, 105 cell phone or actual cameras, and all the eyes of a bluff and stairway full of tourists and surfers who claim they got the sickest wave ever (or plan to, once they wax up and have another hit or sip… all trained on you. YOU. You.

Don’t blow it.

Damn! FELL OFF AFTER THE DROP!

YES, I have my own not-quite-a-hero stories; already shared. For years. Swamis, Windansea, Sunset Cliffs, Cardiff, Upper Trestles, La Jolla Cove; pretty much the other accessible spots on big days.

AND

But now, leeward of the swell, I just might have overdosed, self-medicating in the long nights of this amazingly warm winter (not arguing global warming while trying not to sound like I’m indulging in geezer-talk, but 50 degrees plus on any December day; not what it was when we moved up here in 1978, haven’t scraped ice in a while) by watching waves and wave riding on YouTube: Some amazing rides among so much disappointingly bad surfing, almost all of the scare-factor coming from the crowds rather than the waves.

Raw footage? No. Please edit the shit out of whatever you put out there.

I do have a few ISSUES, other than the oversold clickbait headlines/come ons, “20-25 foot Blacks,” for example. I only sometimes appreciate the ‘here I am getting a parking spot, here I am putting on my full wetsuit, booties, gloves, hood, floatation vest, compass.” behind or near the camera commentary, having heard enough “Sick,” “Rad,” “Oh no!” “Come out!” “Kook burned the other kook!” “Look at that one!” “Shit; broke his board and didn’t even make it out!” “Can we get pizza, Daddy!” Yeah, I’m looking, but I frequently fast forward and I almost always turn down the volume on the background music/rap.

HERE IS A QUESTION I felt compelled to text-ask of Trisha’s (and, by marriage, my) nephew, DYLAN SCOTT: Okay, two questions: Are you getting any of those waves? Why the hell are surfers wearing so much gear when the water temperature (I checked) at La Jolla Shores (where he lives) is 62.6 degrees. “WHY, back in my day, water got to 58, you put on your short john and…” Dylan did text back a ‘YES,’ and that it is a bit of overdressing, though he has become fond of booties.

ME, TOO; ever since that time at SEASIDE (not the one in Solana Beach, though I have surfed there) when I got bullheads in my feet walking up toward the… the cove. Wheww, almost said too much.

All this SCREEN SURFING may have affected my dreams. YES. So, last night I had this dream… you know how wave height is often compared to multi story buildings? It’s never, “Whoa, the wave was as big as a rambler in a tract out in the valley!” So, someone is giving this woman on a board close to shore shit for getting in the way. I go out (imagine, IF YOU WILL, Nate Florence or JOB with a POV sequence).

WHEN I GET TO THE LINEUP, there’s this multi-story building (imagine the train station at the entrance to Disneyland- I may have been) that is, evidently, a wave. I turn, I paddle; I’m at the peak, ready to drop in from the turret/tower. AND, looking down from something that magically turns back into the biggest wave my mind/memory can muster, I… CHOKE.

THE GOOD NEWS IS no one caught it on camera. It won’t even be one of those shorts that pop up- 29 seconds of dude who shouldn’t have been out considering the multi-story conditions.

THAT’S MY STORY. Hopefully, in the coming year, you’ll have moments and sessions worth remembering; and, sure, hopefully you have many from this year.

I do hate to mention how close I am to totally finishing the manuscript for “SWAMIS.” I am culturally bound not to say too much about when and where I have surfed recently, or where and when I plan to attempt to find waves next. So, I won’t.

Oh, and HAPPY NEW YEAR to all the real surfers! Yes, I am including kooks and posers and hodads and, of course, geezers. I do plan on posting some new click-worthy stuff on Wednesday. Thanks for reading.