S(Heart)P Man and Bucky Meet in the Water

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I was trying to shuffle my drawing stuff off the table so I could set my dinner down, holding the hot plate in one hand. It was chicken, with a nice sauce. That’s what got on the drawing; hence the black border on the left side. My friend, hydrosexual Stephen Davis, who is working on some illustrations to be posted on this site, and who went to something more like an actual art school than Palomar Junior College, said, when told of the accident, “Oh, that’s what makes art great. It’s like the Dada thing.” “The Dada thing?” “Yeah.” “Well, then, Stephen Davis, If that’s so, my stuff has always been maximum Dada; smudges, hand prints, coffee cup rings, coffee spewed from my mustache.” “Maximum.” “Oh, at least. Oh, and Steve; the last drawing, Trish said, the guy, who looks kind of like my brother Jon, has gorilla hands.” “Oh. Uh huh.”

There is a story developing here (I mean, with the drawings). Trish told me I got the paddle handle wrong; more like a cane. She was, of course, right. She didn’t comment on the hands. Yet. Oh, and Stephen’s drawings, from cellphone photos are approved (by Trish, and, of course, me). Stay tuned.

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S HEART (READ IT AS ‘U’) MAN- RHONDA EXPOSITION

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Maybe I’m going to have to go back and work on the earlier drawings. It’s all about telling a story, and a story is developing. This isn’t me telling it; this is me working it out. Rhonda is not happy with her life, pushing flabby desk jockeys, cubicle dogs, guys who suddenly discover they never really had an adolescence, guys with enough money to suddenly find they want to be exciting, too (also) into weak beachbreak, in sometimes-skanky water, in a city with often-brown skies- for money.

“We’re all whores,” SUPman will (eventually) say; “at least you’re making money doing something you love. And, no, you’re, really, a ‘pusher,’ ha, ha; and, um, wait… brainstorm… ‘the first wave’s free.’ Hey, Rhonda, that could be your tagline. A gift. Another gift. You know I’m hooked, right?”

“Something I did love,” Rhonda will think. “If he calls me a ‘hook hooker’ I’m just gonna …”

Stay tuned; workin’ on it. Oh, and hope you didn’t find the Beach Boys allusion cheesy.

A Moment Before The Swoop

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At the height of a projection, the speed of the original drop used to get to this point, down the line and up into the thinnest part of the wave, hanging, suspended, the right hand holding nothing more than a level, the left hand only holding balance when and where there is none without the speed itself…hold that weightlessness… hold it.  When the hand opens…

ACKNOWLEDGEMENTS: The drawing is based on (as opposed to copied from) a photo of Keanu Asing competing at Lower Trestles during the recent Hurley WQS event. I looked through eighty photos supplied by the World Surfing League, airs and rotations and cutbacks and… at this moment, on this ride, there are choices. Were choices. I can imagine an adjustment that allows a freefall from the lip, even a tuck into the pocket. I can imagine a cutback into the whitewater.

High-Lining Down The Line, Edited, with Illustration

This is the drawing I didn’t have ready for “Down The Line.” I can’t seem to figure out how to make it larger on the page. The photo is of Black’s Beach by Matt Aden.

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You have to love the waves you don’t think you’ll make, ones on which you’d like just a little more speed out of your board. You’re trimming high on the wall, focused only on the wave ahead and below you, and it’s only getting hollower; and you know that section ahead, that last pitch before you can glide; it breaks, explodes, really, on river rocks, round, smooth; no oversized chunkers; cobblestones; and you’ve already been caught in that shallow trap, board dropping out and down as the lip hit you; you’ve already pirouetted and half-twisted and leaped toward the open ocean, and been thrashed, bounced off that reef, your board going over you in inches of water.

And you made some. Easy. Too easy; you must have been too far out in front.

Blacks photo by Matt Aden

“Again” is really all you’re thinking; “This time…” Maybe you’ll crouch, hand in the wave face, tight, ready.

This time you might make be in that perfect spot. More speed. You take off at an angle, too far over, probably, project out of a down the line bottom turn, and find that high line again. Speed; you need more. You see the ribs of the wave ahead, the already-pitching lip. More speed. You don’t tuck in; but you move your weight forward, subtly pumping, just tweaking the angle. If you weren’t holding your breath, you are now. No, you’re ready to scream, success or failure; this is where you always wanted to be; that high line between… between frightening and thrilling.

The board skitters, no way it would hold in the thin lip; it side slips down the curve, you in the curtain, trying to stay on, your back hand pushed farther behind you, focus still on the deep water ahead, and…

…and now you’re laughing, and not thinking of anything else but… “Again!”

Adam Wipeout’s realsurfers’ Guide to Being Real, Number 3

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This is the drawing for the post two down from here; but, rather than transfer the copy from there (mostly because I couldn’t seem to get it done), I should probably just update. I did hit the hot waves on the cold Straits last Thursday. The session that  started out… wait, I already wrote about that. I could mention the “Locals Only” session in Port Townsend earlier this week; two hours of rare wraparound waves with heavy nearly-offshore winds and a horizontal downpour . I was actually working nearby, headed over, watched the two hour session happen from the comfort of my work rig.

I probably should come up with the top ten excuses for not going out when there are actually waves. My ear was plugged up from the previous session, not thinking I needed earplugs because it was small (initially), and suffice it to say, I do feel the guilt. Maybe my best excuse is that I’m not a local, and didn’t want to impose.

No, that won’t be on my list; I’ve only done it once. merely crowded is not the same thing. Oh, and, for the sin of ever mentioning there are ever, EVER any waves in Port Townsend; no one could really predict or forecast the event, or take the chance to drive any distance on the chance it might happen.

As for today’s surf… owwwwww!

Coming up soon: “Are all surfers SOCIOPATHS; or is it just me?”

“So, This One Time, Back at Surf Camp…” a short story/illustration

I showed this, at a bit of a distance, to my wife, Trish. She nodded, approvingly, then asked why there were so many words. "I can't help it," I explained. So difficult to be clever, even with a few phallic symbols and a double entendre or two. Oh,and now I've over-explained. Damn.

I showed this, at a bit of a distance, to my wife, Trish. She nodded, approvingly, then asked why there were so many words. “I can’t help it,” I explained. It’s just so difficult to be clever, even with an “American Pie” reference, a few phallic symbols and a double entendre or two. Oh,and now I’ve ‘over-explained.’

Channeling Your Inner Greg Noll

It doesn't matter what beach you go to, how big the waves are; it's a part of the mystical ritual to get to the edge, find your inner Greg Noll (forever deified in the photo by John Severson), and prepare for the epic battle/love affair between surfer and sea. And then there's some kid/freak channeling an inner nine year old John John... and beware, that freak could be some old guy, that weird bit of spittle drooling onto his soul patch might just be froth.

It doesn’t matter what beach you go to, how big the waves are; it’s a part of the mystical ritual to get to the edge, find your inner Greg Noll (forever deified in the photo by John Severson), and prepare for the epic battle/love affair between surfer and sea. And then there’s some kid/freak channeling an inner nine year old John John… and beware, that freak could be some old guy, that weird bit of spittle drooling onto his soul patch might just be froth. So, froth on!

Two title illustrations for “Inside Break,” the Novelization

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Using the photograph used as an illustration in Chapter 3 of “Inside Break,” the novelization, I did a larger drawing, had it reduced and several copies made at the local (Port Townsend Printery) print shop. I then added color to two of the drawings. The top one is the one Trish preferred. I’d like to say I preferred the lower one, but, never totally satisfied, I went back to the original and colored it in. Now I have to wait until I can get back to PT to get it reduced to a size I can use. You have to know I’d love to add some color to the graphics.

I would really appreciate it if you could read some or all of the novel. I’m really trying (honest) to keep the writing tight and on point, but, there are just so many angles, so many other surf stories. Oh, yeah; that’s why I started this site; because real surfers have real stories in common, and each of us has a few that are just ours.

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The Keeper- Perspectives on Waves of Consequence by Stephen and Stig

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I did the line drawing, then added color; wasn't totally stoked on that, did the color version, then, because it seemed too bright, added lines. Different perspectives.

I did the line drawing, then added color; wasn’t totally stoked on that, did the color version, then, because it seemed too bright, added lines. Different perspectives.

STEPHEN DAVIS-
“Where the fuck is he?”, I thought, redlining on adrenaline and standing on a footprint free, remote Olympic Peninsula beach.
” Did he FUCKING drown?” Now I was really concerned. I had just navigated my Gordon & Smith, “funboard”/ turned Big wave gun through one of the most historically treacherous coastlines, on one of the biggest surf days of the Winter. Stig and I had been the only ones out, surfing together only fifteen minutes previous.
Now I was alone and he was… I didn’t know.
The waves were larger in the water than they looked from the beach, like always here. It’s odd when first paddling out and realizing the true size of the sets by being caught inside and out of position due to the long interval between sets. That interval is always the signature of a good swell and the reason we’d chosen this day.
Still, It had taken a curtain of water exploding right in front of me for my adrenaline system to bring my body into balance with the situation. Stig, like he always does, had just taken off deep and late on a monster I was trying to avoid and had disappeared.
I kept looking for him to paddle back out but he never did. I was alone. You are always alone here but I needed to know my friend was ok. I had just dropped in on a smaller set wave to come in over the reef and through the lavender, mussel clad rocks and eelgrass that protect the pools and ponds of this pristine tidal ecosystem.
Getting from the surf lineup to the beach has always been one of the most challenging aspects of this surf spot and, it seems like, most big wave spots. On the inside section, the wave hits the reef in a way that makes it hollow and powerful. Usually, I am cold and physically exhausted by the time I’m ready to head in to the beach. This makes trying to catch a massive moving cloud of white foam and then riding blindly into dry reef and protruding rocks a roll of the dice, especially on larger days when there is a lot of moving water. I have lost a camera and water housing here as well as had the reef shove fins through the deck of my favorite big wave board (with appropriate ‘Psycho’ traction pad), after using it sacrificially as body armor (which is why I was now riding the G&S) trying to get in.
On this day my effort paid off, except for being trapped on the Pacific side of two rock/reef clusters that were creating a four foot wide sluice that was unswimable every time a surge was draining from the pool beyond and nearer to the shore. I guess one could call it a “rip,” though not in the traditional sense. This was an ON/OFF-switching gusher of a different intensity, more like a rhythmic rapid or waterfall. I thought about paddling around it, but that would have presented me with the hazard of being slammed into numerous rocks, caves and reef formations, while eelgrass was petting me with the current.
Trying to time my exit move, I was able to clutch a rock with my left hand while holding my board with my right as the surge peak filled the pool. I beat the timing of the drain, like some old nintendo game, only in reality. From there I was able to find a route safely to the deep, barren, grey sand of the beach. It took a while to normalize my breathing.
Now, I was scanning the immense beach looking for signs of human life. There were none.
There was our stuff off in the distance, but no sign of Stig other than the deep divots we left when we arrived at the beach and where we had entered the surf. That’s all. My eyes turned back toward the sea in hopes of glimpsing Stig’s red board, perhaps tombstoning, and, at least, giving me an indication of his location. Still nothing.
“Maybe I could see better with my glasses…”.
I started the walk down the beach to where we had left our stuff, thinking to myself, “Should I try to carry Stig’s body back up the trail to the car or, should I leave him lying on the beach and go for help if I’m unable to resuscitate him?”. It was then that I saw him bobbing on his red board all the way on the other side of the channel, eyeing the massive lefts.
What I realized he had done was paddle over to the channel and beyond, which is the right thing to do, and offers a less terrifying route to the beach at this surf spot. Finally, I relaxed a bit and sank into a deep reverence for the amazing wave Stig had shown me and mentored me at so many years ago…
Stig was the first person to share this reef with me. He has been surfing it longer than anyone I know, and over the years, he has been the most committed to it of all my surfer friends. I’ve grown to appreciate the lessons and challenges this wave has dished out to my ego. It is definitely, without question, Stig’s favorite spot on the Washington coast. I KNOW I can always get him to surf there with me when no one else is down, especially if the conditions look like they are going to come together. By example, he has taught me a reverence and solemnity for this beach that I profoundly appreciate.
Earlier in our session, we were sitting together when a bomb lined up. I laid down and started to paddle towards it, angling for the shoulder from the inside ledgey part I was trying to race under. Once I realized I was ahead of the wall I stroked hard to catch it, only to catch a glimpse of Stig deep and underneath an overhanging, pitching, cartoon-like lip, taking off behind the peak, super committed, trying to backdoor it. This is what I completely expect from him. I pulled back and watched Stig drop into oblivion. It sounds cliche but Stig always does that here, that “don’t know ’till you go” style. I’ve seen it so many times it fucks my mind up. When I get serious and surgical he goes deep and late on BIG waves.
After seeing him charge from the safety of the shoulder I was able to get in position for the one behind it and see my friend paddling back out as I was focused on my take off and the long drop, trying to ignore what was happening behind me for the moment.
As a youth, Stig was fed a ration of North Shore, Oahu’s Sunset Beach. It’s another, even bigger right, with a hollow inside section. Some of the surfers that were inspiring to Stig growing up on Oahu were Duke Kahanamoku, Eddie Aikau, and Ken Bradshaw. In fact, Stig actually met the Duke at the Honolulu Yacht Club as a boy before his passing in 1968. Ken Bradshaw bailed Stig out on a big day at Sunset when he had lost his board and was battling a rip current.
Perhaps these and other events were the seeds of Stig’s hoale humility that he carries with him into the surf. He is very humble, reverent and soft spoken, letting his takeoff position speak for him.
Stig’s father’s paipo surfing molded him as well. Paipo is an extension of body surfing in which a plywood, delta shaped board is used as an aid, the parent of the contemporary boogie board. This may explain Stig’s enthusiasm for surfing warm water spots in a speedo, which is more a bodysurfing thing. One of the only men I’ve seen get away with it is North Shore lifeguard, Mark Cunningham. He is a master body surfer, which is a skill he uses as an accessory to help keep folks safe on the North Shore in heavy, Winter surf. I had the pleasure of a compliment from him down in Mexico on a fast left point wave after making a section backside. Stig says he sometimes enjoys the feel of speedo surfing because of the lack of resistance.
In Justin Hawking’s novel, “The Great Floodgates of the Wonderworld”, there is a chapter late in the book about being alone. The morning before our session I read some lines to Stig. Hawkings refers to the Herman Melville novel, “Moby Dick” throughout the book. In the chapter I read to Stig, Hawkings writes of an art show in San Francisco in which an artist cut out the last period of the last sentence of “Moby Dick” and pasted it in the middle of a large, blank white canvas.
So, at the end of that chapter in “Floodgates”, Justin did basically the same thing, a period on a blank page to give the reader that profound effect, the effect of being alone and floating on a coffin in the middle of a vast Ocean…
…Now, contrast that with a solid friend who charges hard and is there for you when the surf gets big and cold and empty. It’s impossible not to have humble gratitude.
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STIG WAIDELICH-
Dear Steve,
It’s an interesting experience to read of oneself from the perspective of another. Those details that we tend
to take for granted, the minutia that tend to take precedence over the more grand scheme of our lives itself.
While I was concerned with women at a gas station, and how I had failed to get the best waves for us, you, on the
other hand, were experiencing profound and beautiful moments. No less than life and death itself.
If so much can be received from a sloppy day of stormy conditions, what would have been had, from those glittering waves in the calm that preceded it?
But I remind myself that we were chasing a dream. You and I have always been chasing that dream, and it matters not
how many times we fail or strike out or get skunked. Because the true story is in the perseverance. The true story, YOUR
story, is in the friendship we share, and how it has brought us to this spot over and over again over the years. Absolutely
regardless of the relative success of “scoring it”.
We scored it my friend. Of that I am certain. No footprints. No trace did we leave behind. The point remained undisturbed
for another day. The seagulls and seals had their way, as they have had for aeons before. This is the wave we rode. The eternal wave that carries us through our lives and into our death as it has with all those who came before and all who will follow.
It is no co-incidence that your story and my reply found it’s way into the previous forward email documentary about “Why no
Waves in Titan’s Ocean’s”. What could possibly be the relevance between our session, and the possibility of waves on
a moon of Saturn?
Because both embody a promise of hope.
In 2008 I was studying photographs of Titan from my office in Dolce La Belle. I was blown away by what appeared to be the presence of lines of breaking surf taken from the Huygens probe during it’s two hour decent to the surface. I wrote a song inspired by it. Never mind life on another planet! Here was SURF!! And where there is surf, there is hope.
The video I forwarded to you denies the surf’s existence. And yet, a denial is a form of acknowledgement. To deny something is to recognize it’s possibility. It’s as if to say; “Why ISN’T there surf? -A question just as important.
The search for surf beyond our blue planet has already begun.
And it is colder. It is lonelier. It’s beauty, inconceivable.
And it is waiting to be ridden.
Thank you Steve.
Love,
Stig

Waiting, A Moment to Decide… Illustration for Stephen’s Story

Stephen Davis was reading from the first draft of his story on a surf session at a legendary and wild northwest coast spot, me on the cell phone, coming up a very long gravel road from another beach, knowing the signal would go all ghosty before it just went away. There was something about being alone in the water, waves larger than he and Stig had anticipated, larger than they looked from the cliff or the shore; and growing larger with each set. I thought I heard Steve read… “You’re always alone.”

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And now I’m waiting for the complete story. Meanwhile, I kind of went overboard with the bigger lines in the foreground. I’ll have to fix that. Soon.