Two title illustrations for “Inside Break,” the Novelization

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Using the photograph used as an illustration in Chapter 3 of “Inside Break,” the novelization, I did a larger drawing, had it reduced and several copies made at the local (Port Townsend Printery) print shop. I then added color to two of the drawings. The top one is the one Trish preferred. I’d like to say I preferred the lower one, but, never totally satisfied, I went back to the original and colored it in. Now I have to wait until I can get back to PT to get it reduced to a size I can use. You have to know I’d love to add some color to the graphics.

I would really appreciate it if you could read some or all of the novel. I’m really trying (honest) to keep the writing tight and on point, but, there are just so many angles, so many other surf stories. Oh, yeah; that’s why I started this site; because real surfers have real stories in common, and each of us has a few that are just ours.

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The Keeper- Perspectives on Waves of Consequence by Stephen and Stig

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I did the line drawing, then added color; wasn't totally stoked on that, did the color version, then, because it seemed too bright, added lines. Different perspectives.

I did the line drawing, then added color; wasn’t totally stoked on that, did the color version, then, because it seemed too bright, added lines. Different perspectives.

STEPHEN DAVIS-
“Where the fuck is he?”, I thought, redlining on adrenaline and standing on a footprint free, remote Olympic Peninsula beach.
” Did he FUCKING drown?” Now I was really concerned. I had just navigated my Gordon & Smith, “funboard”/ turned Big wave gun through one of the most historically treacherous coastlines, on one of the biggest surf days of the Winter. Stig and I had been the only ones out, surfing together only fifteen minutes previous.
Now I was alone and he was… I didn’t know.
The waves were larger in the water than they looked from the beach, like always here. It’s odd when first paddling out and realizing the true size of the sets by being caught inside and out of position due to the long interval between sets. That interval is always the signature of a good swell and the reason we’d chosen this day.
Still, It had taken a curtain of water exploding right in front of me for my adrenaline system to bring my body into balance with the situation. Stig, like he always does, had just taken off deep and late on a monster I was trying to avoid and had disappeared.
I kept looking for him to paddle back out but he never did. I was alone. You are always alone here but I needed to know my friend was ok. I had just dropped in on a smaller set wave to come in over the reef and through the lavender, mussel clad rocks and eelgrass that protect the pools and ponds of this pristine tidal ecosystem.
Getting from the surf lineup to the beach has always been one of the most challenging aspects of this surf spot and, it seems like, most big wave spots. On the inside section, the wave hits the reef in a way that makes it hollow and powerful. Usually, I am cold and physically exhausted by the time I’m ready to head in to the beach. This makes trying to catch a massive moving cloud of white foam and then riding blindly into dry reef and protruding rocks a roll of the dice, especially on larger days when there is a lot of moving water. I have lost a camera and water housing here as well as had the reef shove fins through the deck of my favorite big wave board (with appropriate ‘Psycho’ traction pad), after using it sacrificially as body armor (which is why I was now riding the G&S) trying to get in.
On this day my effort paid off, except for being trapped on the Pacific side of two rock/reef clusters that were creating a four foot wide sluice that was unswimable every time a surge was draining from the pool beyond and nearer to the shore. I guess one could call it a “rip,” though not in the traditional sense. This was an ON/OFF-switching gusher of a different intensity, more like a rhythmic rapid or waterfall. I thought about paddling around it, but that would have presented me with the hazard of being slammed into numerous rocks, caves and reef formations, while eelgrass was petting me with the current.
Trying to time my exit move, I was able to clutch a rock with my left hand while holding my board with my right as the surge peak filled the pool. I beat the timing of the drain, like some old nintendo game, only in reality. From there I was able to find a route safely to the deep, barren, grey sand of the beach. It took a while to normalize my breathing.
Now, I was scanning the immense beach looking for signs of human life. There were none.
There was our stuff off in the distance, but no sign of Stig other than the deep divots we left when we arrived at the beach and where we had entered the surf. That’s all. My eyes turned back toward the sea in hopes of glimpsing Stig’s red board, perhaps tombstoning, and, at least, giving me an indication of his location. Still nothing.
“Maybe I could see better with my glasses…”.
I started the walk down the beach to where we had left our stuff, thinking to myself, “Should I try to carry Stig’s body back up the trail to the car or, should I leave him lying on the beach and go for help if I’m unable to resuscitate him?”. It was then that I saw him bobbing on his red board all the way on the other side of the channel, eyeing the massive lefts.
What I realized he had done was paddle over to the channel and beyond, which is the right thing to do, and offers a less terrifying route to the beach at this surf spot. Finally, I relaxed a bit and sank into a deep reverence for the amazing wave Stig had shown me and mentored me at so many years ago…
Stig was the first person to share this reef with me. He has been surfing it longer than anyone I know, and over the years, he has been the most committed to it of all my surfer friends. I’ve grown to appreciate the lessons and challenges this wave has dished out to my ego. It is definitely, without question, Stig’s favorite spot on the Washington coast. I KNOW I can always get him to surf there with me when no one else is down, especially if the conditions look like they are going to come together. By example, he has taught me a reverence and solemnity for this beach that I profoundly appreciate.
Earlier in our session, we were sitting together when a bomb lined up. I laid down and started to paddle towards it, angling for the shoulder from the inside ledgey part I was trying to race under. Once I realized I was ahead of the wall I stroked hard to catch it, only to catch a glimpse of Stig deep and underneath an overhanging, pitching, cartoon-like lip, taking off behind the peak, super committed, trying to backdoor it. This is what I completely expect from him. I pulled back and watched Stig drop into oblivion. It sounds cliche but Stig always does that here, that “don’t know ’till you go” style. I’ve seen it so many times it fucks my mind up. When I get serious and surgical he goes deep and late on BIG waves.
After seeing him charge from the safety of the shoulder I was able to get in position for the one behind it and see my friend paddling back out as I was focused on my take off and the long drop, trying to ignore what was happening behind me for the moment.
As a youth, Stig was fed a ration of North Shore, Oahu’s Sunset Beach. It’s another, even bigger right, with a hollow inside section. Some of the surfers that were inspiring to Stig growing up on Oahu were Duke Kahanamoku, Eddie Aikau, and Ken Bradshaw. In fact, Stig actually met the Duke at the Honolulu Yacht Club as a boy before his passing in 1968. Ken Bradshaw bailed Stig out on a big day at Sunset when he had lost his board and was battling a rip current.
Perhaps these and other events were the seeds of Stig’s hoale humility that he carries with him into the surf. He is very humble, reverent and soft spoken, letting his takeoff position speak for him.
Stig’s father’s paipo surfing molded him as well. Paipo is an extension of body surfing in which a plywood, delta shaped board is used as an aid, the parent of the contemporary boogie board. This may explain Stig’s enthusiasm for surfing warm water spots in a speedo, which is more a bodysurfing thing. One of the only men I’ve seen get away with it is North Shore lifeguard, Mark Cunningham. He is a master body surfer, which is a skill he uses as an accessory to help keep folks safe on the North Shore in heavy, Winter surf. I had the pleasure of a compliment from him down in Mexico on a fast left point wave after making a section backside. Stig says he sometimes enjoys the feel of speedo surfing because of the lack of resistance.
In Justin Hawking’s novel, “The Great Floodgates of the Wonderworld”, there is a chapter late in the book about being alone. The morning before our session I read some lines to Stig. Hawkings refers to the Herman Melville novel, “Moby Dick” throughout the book. In the chapter I read to Stig, Hawkings writes of an art show in San Francisco in which an artist cut out the last period of the last sentence of “Moby Dick” and pasted it in the middle of a large, blank white canvas.
So, at the end of that chapter in “Floodgates”, Justin did basically the same thing, a period on a blank page to give the reader that profound effect, the effect of being alone and floating on a coffin in the middle of a vast Ocean…
…Now, contrast that with a solid friend who charges hard and is there for you when the surf gets big and cold and empty. It’s impossible not to have humble gratitude.
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STIG WAIDELICH-
Dear Steve,
It’s an interesting experience to read of oneself from the perspective of another. Those details that we tend
to take for granted, the minutia that tend to take precedence over the more grand scheme of our lives itself.
While I was concerned with women at a gas station, and how I had failed to get the best waves for us, you, on the
other hand, were experiencing profound and beautiful moments. No less than life and death itself.
If so much can be received from a sloppy day of stormy conditions, what would have been had, from those glittering waves in the calm that preceded it?
But I remind myself that we were chasing a dream. You and I have always been chasing that dream, and it matters not
how many times we fail or strike out or get skunked. Because the true story is in the perseverance. The true story, YOUR
story, is in the friendship we share, and how it has brought us to this spot over and over again over the years. Absolutely
regardless of the relative success of “scoring it”.
We scored it my friend. Of that I am certain. No footprints. No trace did we leave behind. The point remained undisturbed
for another day. The seagulls and seals had their way, as they have had for aeons before. This is the wave we rode. The eternal wave that carries us through our lives and into our death as it has with all those who came before and all who will follow.
It is no co-incidence that your story and my reply found it’s way into the previous forward email documentary about “Why no
Waves in Titan’s Ocean’s”. What could possibly be the relevance between our session, and the possibility of waves on
a moon of Saturn?
Because both embody a promise of hope.
In 2008 I was studying photographs of Titan from my office in Dolce La Belle. I was blown away by what appeared to be the presence of lines of breaking surf taken from the Huygens probe during it’s two hour decent to the surface. I wrote a song inspired by it. Never mind life on another planet! Here was SURF!! And where there is surf, there is hope.
The video I forwarded to you denies the surf’s existence. And yet, a denial is a form of acknowledgement. To deny something is to recognize it’s possibility. It’s as if to say; “Why ISN’T there surf? -A question just as important.
The search for surf beyond our blue planet has already begun.
And it is colder. It is lonelier. It’s beauty, inconceivable.
And it is waiting to be ridden.
Thank you Steve.
Love,
Stig

Waiting, A Moment to Decide… Illustration for Stephen’s Story

Stephen Davis was reading from the first draft of his story on a surf session at a legendary and wild northwest coast spot, me on the cell phone, coming up a very long gravel road from another beach, knowing the signal would go all ghosty before it just went away. There was something about being alone in the water, waves larger than he and Stig had anticipated, larger than they looked from the cliff or the shore; and growing larger with each set. I thought I heard Steve read… “You’re always alone.”

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And now I’m waiting for the complete story. Meanwhile, I kind of went overboard with the bigger lines in the foreground. I’ll have to fix that. Soon.

“Caught Inside” triptych, in progress

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It’s not like I’m looking for a vote, but: I did two versions for the right side of a possible triptych. I did the one on the right first but wasn’t completely stoked, mainly, I must admit, because the woman just didn’t look too attractive. Trish voted (because I asked her to), for the one on the right. This was before I did more work on the middle one, of which Trish said, “She’s prettier, but she doesn’t look happy.” “Oh, but the other one’s not too attractive.” “Either is the guy in the first one.” Well, maybe with some color… check back later. Thanks.

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so, a little color and… I still like the one on the right, but… later on this one.

Lost Between the Lines

This drawing is from a copy of the original black and white, which I (and at one point I was afraid I hadn’t) saved. The colors seem to get muted in the copying process, so I probably got a little over-amped (not unusual). A different mood could be achieved by going with different colors, but, having started with yellow, it got a bit stained-glassy.

realsurfersreflectionmancolor 001My original thought was to have a darker mood, a surfer swimming in, a wave behind him about to break. I also thought, once I got on the reflected image, that another reflection, high in the wave might be… okay, you’re imagining it now. And, I did want to keep some white space, keep it cleaner. Simpler. I just didn’t. Maybe I couldn’t. However, I spent some time (mostly wasted it) looking for images of a woman in a similar situation, thinking, yeah, triptych, this one on the left, the drawing on the right with a woman, maybe more in the actual wave, that wave breaking the opposite way; and the middle drawing just, simple, the wave between them. Okay, you’re seeing that now. And I’m seeing it.

That’s the first step. Only; but probably the most important one. The rest is scratching and coloring, sometimes in between the lines.

Seattle Seahawks, “the Wave” rolls on…. and on, and…

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It’s a bit disturbing, if not irritating, that the color I apply to the drawings doesn’t come through the cosmos and onto the computer screen. Please take my word, the original color is WAY more intense. Maybe this reflects how my calm demeanor is way more controlled than my inner Seahawks fanaticism.  Living on the northwestern-most chunk of the contiguous United States, I tend to believe any west coasters- Charger, 49er, Raider (jeez, even Arizona and, gulp, Denver) fans- should, at least for this game, root for the Seahawks. Hawaii, Alaska? Yeah, and… it’s not like everyone has to love the team whose play on the field reflects the bird that glides, majestically, on ocean updrafts; swoops, attacks, tears, shreds… while the Patriots; maybe they’ll wait until they see the whites of the eyes of… that may be too late.

If I could figure out how to change the size of… wait… Goooooooo0SeaaaaaaHaaaaaaaaaaaaaaaaawksssssss!

Okay, and back to calm, mellow… waiting, waiting… eeerrrrrrrrrrrrrrrrrrrrrrrrrrrrr.

Real (and annoying OLD GUY) Surfers

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I don’t know how the top line got all crooked. I thought I measured it. Well, old guys, don’t even know how to do computer illustrations. Incidentally, I want to make the statement, “I’m here to surf!” I probably can’t copyright it, or trademark it, but it does define my mindset when I hit the water. Always has. Not apologizing.

Still, I never use the ‘old guy’ card to excuse any perceived over-zealousness; just as I never used my youth to excuse my wave-hogging to the limits of my ability and the constraints of ocean and crowd.

And I do have sessions and particular waves that I’ll never forget. Until I’ve forgotten just about everything else. Oh, and there’s no semi-self portrait here. I never surfed Rincon, epic or otherwise; but I did, once, surf small-but-decent Upper Trestles alone. Once. I will have to work on something to do with how surfers tend to think the waves can’t be any good because no one’s out. Or maybe just one guy. I’ll never forget… hey, get your own memories.

A Slightly LarGER VERsion of the Drawing for ‘Joyce Hoffman’s Bra’

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I posted the story before I finished processing the drawing; and then the drawing- I don’t know why- can’t seem to figure this stuff out- came out smaller than I’d like. So, I hit ‘edit.’ Not sure what happened to that version. Anyway, if you’re looking at this, just keep moving down to the next story. And the next, and…  Hey, Happy New Year!

A Christmas Retelling of “Joyce Hoffman’s Bra”

JOYCE HOFFMAN’S BRA

My boss, Buddy Rollins [real name Lacy, which partially explains why he went to prison in Florida, where he learned sign lettering], of Buddy’s Sign Service, sold Christmas trees for several years at an otherwise empty lot next to Master’s Automotive, right on Oceanside Boulevard (U.S. Highway 101) in Oceanside, California.

Master’s Automotive, or, as we, in my family, referred to it, Mac’s Garage. Mac’s was where my father worked all day on Sundays, and Tuesday and Thursday evenings after his regular job on Camp Pendleton. It’s not like my dad and I hung out during the two seasons I untied bundles of trees, cut a little off the bottom, set them up on wooden supports, sold trees, and tied trees onto cars. We were busy.

I enjoyed the selling of the trees the most. I had received some experience helping out at the lot set up by my Boy Scout Troop (724, Fallbrook, California). At that time, I thought the whole place was like a clean, moveable, and fake almost-Disney Christmas woods, conveniently set up on blacktop. I could easily imagine background music from the March of the Tin Soldiers. I could fully visualize the cute girls who occasionally came in frolicking with me in the big military-issue (originally) tent; the little post-Mouseketeer, pre-Beach Party Annette Funicellos all giggly and…

Hey, I was, like, eleven to, maybe 13. So, not much actual frolicking. Mind frolicking.

But now, on Buddy’s lot, I was eighteen [the first year], then nineteen. I had a girlfriend, Trish, a real surfer girl- blond hair, not afraid of waves, not irritated by the sand as Annette had been rumored to have been.

And, in 1970, my second season on Buddy’s lot, Trish [who had her own job] worked a few shifts with me. That is, she sold lots [lots] of trees, and kept me busy loading and tying-on, while not merely holding several for her customers to decide between. “What do you think?” they’d ask. They’d ask her.

“Um, Erwin; could you load this please?” Sure.

So it was that I didn’t sell but did get to carry a tree to Joyce Hoffman’s VW bus, two surfboards on top. This was JOYCE HOFFMAN, the famous surfer, world champion, everything champion, the first woman to surf [I read this- didn’t see footage] the Banzai Pipeline, the only surfer to be named “Person of the Year” by the Los Angeles Times, the first woman to (later) be be inducted into the Surfer’s Hall of Fame.[‘On her way home from surfing Trestles, Rincon, some other mythological spot, she had stopped in here!’ You should read the previous line like the voice-over from “A Christmas Story”]

Blonde, fit, Joyce Hoffman had competed in a male-dominated sport and conquered. “Hey,” I wanted to say, “I surf. I have a VW bus. I, I surf, too.”  I didn’t. I did say something like, “Joyce Hoffman,” to which she responded with something like a polite, casual, “Uh huh.”

It seemed just knowing who she was would have been enough to prove I was a surfer. A real surfer, dammit.

Then she opened the side door. There, on the bed, was a bra. Nothing else. [nothing else I instantly focused on]  “Um.” I turned around quickly, politely, adjusting the tree a bit. When I turned back, the bra was gone. Joyce looked only slightly less casual, arms kind of crossed.

taken from Matt Warshaw's Encyclopedia of Surfing

taken from Matt Warshaw’s Encyclopedia of Surfing

NEAR MISS. In 1976, living in Encinitas, I was painting most weekends for Two-Coat Charlie Barnett. I had actually gone back to work for the Navy Public Works in San Diego. Charlie wanted me to call in sick a couple of days to help out him and his brother, Olie, on a job in Leucadia, near Moonlight Beach. An added incentive was that the job was for a famous woman surfer, Joyce, and her husband.

I really couldn’t, and I didn’t. It turned out that the job involved bleaching and stripping real wood paneling, and somewhere in the process, Olie, who regularly sprayed lacquer without a respirator, got ill enough to have to be rushed to the hospital, and then stayed there a couple of days. No smoking, either.

Well. Missed opportunities. Had I worked the job at Joyce’s house, I could have said, waiting for the ambulance, probably in an only slightly chemically-altered state, “Hey, I once loaded a Christmas tree in your VW bus, and…” chuckle, chuckle, end of this imagined scenario.

Other than Joyce Hoffman might have said, giving me one more, slightly skeptical check-out, “Uh huh.”  If she’d kind of crossed her arms, I’d have known she remembered.

[Merry Whatever-you-celebrate-during-this-season to all the real surfers; to all the former surfers who remember there was, on rare occasions, something magical about surfing; to all the kooks and posers and after-work-and-weekenders; to all the girls who couldn’t just sit on the beach and watch; to all the young frothers, and to all those who merely simmer. If I can’t be surfing, I do feel thankful that I sometimes have a few moments to write about it (Not that I wouldn’t rather be pulling up high and tight on a runner)]