It’s high painting season, and I have to, um, steal time away from something in order to do any drawings. Here are the two most recent:


It’s high painting season, and I have to, um, steal time away from something in order to do any drawings. Here are the two most recent:


…ready. I put it all together in time for an event at the Port Townsend Library last night; twenty copies, numbered, artist’s proofs. Here are a few drawings that were redrawn, resized from the large originals, or are actually new: Oh, not sure how this happened, but the drawing on the left is the cover for the poetry book I illustrated. Franco read some of his poetry, sang two of my songs, two of his; and I recited (rather than sang) a song or two, played some harmonica, recited some of Franco’s poetry. It went well. And we sold a few books.

Surfer/librarian Keith Darrock took this photo of Franco Bertucci and I setting up and preparing to kill it. It didn’t feel like ‘killing it’ at the time; but, for a poetry reading, it was racy and raucous
Now, if I could figure out how to approach the larger market.





Working on it.
I received this comment on a piece I wrote on running into and dinging the board of my (and, evidently our mutual) friend, Archie Endo. Since the odds are against you finding the original piece, and, partially because I do miss Archie, working most of the year now in Thailand (he went surfing twice when he was here last, one quickly blown out session with me, and one great session without me), I’m posting Jeremiah’s piece here:
…that would be Franco Bertucci, and I are getting ready for an event, Thursday, June 29, 7pm, Port Townsend Library. This is a flyer I passed on to PT Librarian Keith Darrock so he could do some publicity. First he has to add the copy. Glad it’s him; I can’t seem to keep it simple.

I did some illustrations for Franco’s book a couple of winters ago, opting, because I have a lot of faith in Franco, and his chances for success, to take a percentage (sort of vague on that) of the profits. Because, in order to get it out there in some form, he did a Kendle book; all fine, and you can buy one, and some have; or, if you’re an Amazon Prime person, you can just download it for free; or, it seems, you can just look at it for free.
I think that’s a link. Check it out; free; if you can.

I’ve been getting my drawings for the “Realsurfers Coloring Book” together while searching for the originals I did for “Awkward Guy” (evidently I scanned them to a computer that no longer is alive- but Franco has the color versions). The plan is to have both of these available in a paper, hold-it-in-your-hands version for the event. And this might be where I get into trouble in describing, simply, what Franco and I plan on presenting to whoever shows up. The leader of “Locust Street Taxi,” a very tight and professional group, Franco is a talented musician.
So, the deal is, since I have a lot of songs, copyrighted under the title “Love Songs for Cynics,” and though I play an acceptable harmonica, my singing stylings are, one could say, underappreciated; Franco has agreed to sing at least one of my songs, and, in return, I’ll read or recite several of his poems. And a couple of mine.
That was my idea. Franco’s was to open with Q&A and go from there.
Because I’m dead-ass serious about getting my coloring book together, I’m searching through some of my older drawings. I redid this one to make it more… I don’t want to say professional; let’s say cleaner.

I’m doing some work for “The Printery” in Port Townsend, with the goal of trading out some of the profit to pay for a few more copies, and maybe something a little more ‘professional.’ Yeah, now I’ll say professional.







































And I have more. I’m hoping to do about forty images; still figuring out some sort of portfolio arrangement, rather than a book form; open it up, pull one out, do some coloring.
Maybe it’s because I suffered the triple skunking the other day… a trip to a spot on the Strait that should have been, according to the buoys, working, but wasn’t. At all. Then a backtrack to a backup spot that also wasn’t working; but, while in cell phone territory, I discovered the buoy readings were even better. With various theories of tidal influences, ebb, flow, playing in my head, and not wanting to miss it (never wanting to miss the small windows) I headed back out.
That’s the double; didn’t have the triple until I got a report that several surfers near where I would have been if I hadn’t driven out, got a session (as in, after the session). This probably, with nothing showing in the forecast, bothered me more than it should. It’s only surfing, after all; not like it’s critical.
So I resumed my occasional contemplation of what surfing means. Fifty plus years of some participation in this; I still don’t have it figured out.

This (below) is an edited version of something I wrote the day after I was triple-skunked.
When you finally, having, perhaps, exhausted all the cheap and easy options, admitting that being among the waves fills some void in your heart, and, possibly unaware of how brave and foolish and true this confession is; it’s impossible to do anything else but agree.
Still, this is not an empty heart; it is a heart; and as long as it’s beating, as long as the liquid flows…

I’m considering putting together a coloring book (all the rage I hear) of black and white drawings. It’s not like you can’t color them in as well as I do. I always feel like I need more colors in my quiver. Three sizes of ink pens does fine, but color, color… imagine the possibilities.
The title has nothing to do with the drawings; but it has everything to do with surfers who check out every spot on the Strait of Juan de Fuca, then get to a place that’s actually working at about the time it stops doing so.
Not that it’s happened to me. No, of course it has. Right now, trying to figure angles and tides; I wouldn’t bet on going to…you know, one of those spots… but, if I screw around, it might even be too late to go to… darn. Let me check those buoys again.
I drew this larger, to fit a found frame, and, when I got it reduced, it was on paper a little too slick for the color. Not an excuse, an explanation. I have a load of wood and roofing in and on my work van, and no gas, and… checking the buoy. Oops, gotta go.



Here’s the colored version of what I imagined as a more typical surf illustration than I usually do.

I originally planned this as a border, with the woman probably less defined, kind of out of focus, and more linear so I could put a more focused wave, with someone on it, in the background. I’m saving this in steps so I can have some options. I’ve already done more to the original; some swoops in the clouds, something coming from the horizon.We’ll see.




I’m not sure how to get the colors, which are certainly bright and vivid enough on the drawings, transferred to the screen with the same intensity. I did probably over-color this drawing, and yet… by comparison, it still seems a bit washed-out.

Now, if I tilt the screen backwards… oh, too much. I recently took a batch of drawings to The Printery in Port Townsend (shout out because I have the most annoying requests, cause them to spend a lot of time, and pay very little for the service- and I appreciate it), getting them reduced and centered. I’m hoping to frame up some of them, maybe see if I can, well, sell a few.



A great deal of what I know about surfing was learned through an amalgamation of my own trying and failing, reading, conversations with Frank at nxnw, and watching Archie. It would go like this: I would see Archie surfing, try to emulate and fail, go do a ton of research about what I saw and how it worked and how I failed, then talk to Frank about what I was reading and get some well-needed trimming and redirection from him. Eventually, it got to a point where it all started coming together, and Archie and I were surfing together quite a bit; and it was so incredibly beneficial. What a smart, stylish man…simultaneously capable of wise, incisive critiques and nearly limitless patience delivered with a special economy of language derived from being an already reserved man operating in a second language.
It’s not the coast, there isn’t going to be waves all the time. The straits are a place made for a surfer like Archie, a fickle, intricate, complex set of oceanography where the payoff is glassy, longboard gliders. I saw Archie ride 6″ waves all the way into the rivermouth crouched like a baseball catcher and, incredibly, 20 or 30 yards upstream into the river. It’s slow, foggy, winding, damp drives on mossy roads and cold water. I followed the Torino and the Ranchero rumbling along in my pickup at mellow speeds into town for dinner after cold sessions. It’s a skunker, a day wasting, soul crushing gas burner for those who cannot or will not put in the time and effort to figure it all out and arrive at just the right moment for the magic….it’s a natural club when you figure it out and start showing up to find the same people every time.
When my work and living situation changed, and I was forced to leave my surfing gear and move to make a living; Archie made a tiny, perfectly-shaped longboard out of driftwood from the strait; and he sent it with a small note saying that now I would always have a board. Having this arrive while I was driving trucks in the plains was so incredibly meaningful. It was perhaps one of the most thoughtful gestures anyone has ever made toward me…setting in stone my resolve to work through hard times and return myself to the sea.
Literally, today, I’m working through projects with my 79 Ford…which was bought because a surfer should have a stylish and functional rig, it was bought with memories of Archie’s Torino wagon rolling snow tires on cragers. Waves here are fickle and infrequent as well, not nearly as tricky to call but colder and more physically demanding. I carry a synthesis of Archie with me as I go, in my internal jury, carefully discerning what would be the most stylish, most efficient, most refined, most balanced way…regardless of my ability to achieve those levels, I carry the standard he set and it makes me a better person.