Clinton Burks on Point Grenville, Me on Jeff Parrish and Tom Decker, and a new Illustration

I received this comment in response to one of the most popular, over time, posts, “Tom Decker and Jeff Parrish.” Noticing the consistent number of hits the piece seems to get, I thought either Tom Decker, well known to pretty much anyone who surfs at Westport over the last twenty-five years, is a name people google, then find my article; or Jeff sends friends to check out what I wrote about him. I’ve had a sort of suspicion that, always just trying the real story, I may have written something that would or should offend Jeff. Since Jeff’s wife, Ruth, has started surfing, and, actually, before that, he seems to have other people he prefers to surf with (and, yes, I am somewhat hurt by this, but no longer whine about it when I see Jeff’s father-in-law, Jim Hodgson, at the post office.). Because I got this comment, I checked.

Yeah, maybe Jeff had a tough outing, called-out by Mr. Decker; but he’s not alone in that. I do drop the name (Tom Decker, though I always ask people from Seattle if they know Jeff. “Which Jeff?” They all know at least one) with folks from Westport, or those who say they surf there a lot, when I see them looking for waves on the Strait. Maybe Tom has mellowed; other names are mentioned as enforcers at the Groins and the Jetty.

So, here’s the contribution:

Clinton Burks (@soloncircus)

Erwin,

If it’s of any value to the surfing community, I’d like to recite some first-hand oral history about Pt. Grenville.

I surfed there from 1967 to -69, when I was in high school. We just showed up with surfboards and camped for the weekend, without any fuss from “authorities.”

Then, in 1969, we showed up as usual, and a truck pulled up and a well-spoken, close-shaved Indian came over to us in an very authoritarian manner, and spoke to us ominously, “Where are you boys from?”

“Bremerton,” we said.

Then he looked at the rock cliffs covered in grafitti, and most of it was the names of various high schools painted in great big letters in a wide variety of colors.

He paused and said, “If I looked up at these rocks and saw ‘West Bremerton,’ or ‘East Bremerton’ written here, I’d arrest you and put you in jail. But as it is, you can just leave.”

So we got kicked out, and never went back. Good thing us Bremerton guys specialize more in thievery and violence, and “school spirit” was for “soces.” Besides, our writing skills were sketchy, anyway.

In 1970 I heard that some friends tried to go there, and the Quinaults confiscated their boards and they had to pay fines. I left the state in 1970, and have not heard anything about it since, except for your piece on this web page.

BTW, concerning Washington surfing at the time, I had the feeling that Pt. Grenville was the only place, because the waves were dependable. I wasn’t part of any big surfing “scene,” because there were so few of us, so I don’t know if there were many guys scouting all the coastline in the state, looking for a good break. In those days, I’d never heard of surfing at Westport. (What’s more, I lived the 1970s in San Francisco, and never heard of Mavericks, though no one else seemed to know about it, either.) People in Bremerton were always going there for more fishing. When we got out of high school, it seemed like everyone went to Hawaii, got jobs, and stayed for awhile.

Aside: We didn’t use wet suits. When I was aged 6 to 9, I spent the summers living in a tent and a beach cabin at La Push, because my father was a commercial fisherman out of there & Neah Bay. My mom told me, “Just wait till you get numb, and you can play in the surf all day.” She was right. Last time I did it was 2010.

Clint Burks

So, I really don’t know anything about Mr. Burks except that he must be about my age, possibly another member of the class of 1969. And I have heard a few stories about Point Grenville in the mid 1960s, some which might explain why the beach was closed. Still, the image of some waves peeling off that point…

Here’s my latest illustration:

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Chasing the Diamonds; Quilted, Kenetic, Allusive

My sister, Melissa Lynch, the real artist in the family, scolded me for being in any way apologetic for my drawings. Yeah, well; I would like to be honest. If I could capture the building blocks of always-moving water, figure out how to weave a seamless shadowed/reflective/glimmering/black/white/multi-hued image I would.

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If I could.

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Since I can’t; yet; I’ll keep trying.

Meanwhile, I’m still in the thinking-it-through phase of a piece I must write under the working title of: “Are All Surfers Sociopaths; or Just the Good Ones?”

Three Acts: ACT ONE- several highschool surfing buddies and I surf Swamis after school. The only other surfers out are three (also high school age) members of the Surfboards Hawaii Surf Team. On the drive home, my friends complain they couldn’t catch any (or enough) waves. I hadn’t noticed, being busy catching waves and watching incredible longboard surfing. ONE, PART 2- One of my friends (Ray Hicks, most likely) points out (I think this was the day I ripped out my pants and had to borrow a pair of Levis from Billy McLean) that, when encountering other surfers of about our age, I seem to puff out my chest. “Maybe you’re intimidated.” “Yeah; probably.” “It’s, uh, like a gorilla.” “You mean, like, primal?” “Yeah, probably.”

ACT TWO- During the last week of my job up the hill from Trestles, taking an hour and a half break during my half hour official lunchtime, some surfer (I’ve always believed he was a Marine Officer) burned me and everyone else (I still got some, but not as many as usual waves). When I checked back at my half hour afternoon (supposed to be ten minutes) break, the guy was still out, still burning surfers mercilessly. I didn’t hate him; maybe he was going somewhere sucky, where a rifle was mandatory, for a while.

ACT THREE- My friend Stephen Davis, last time I spoke with him on the phone, mostly about his upcoming trip to the Oregon Coast and the chance I might meet him somewhere (probably won’t happen); had to, (had to) mention how I fell out of favor with many members of the Port Townsend surfing crew (very unofficial) because, over-amped, I (accidentally, I swear)wave-hogged on a day almost two years ago. Two years ago. Jeez. When I mentioned this on the phone this morning with Keith Darrock, and that I’m no more a sociopath than he is, and I do have empathy, whatever that is, he had to (had to) mention his observation that I’m kind of loud and possibly abrasive (see how he was tactful about this?) in the water, and, also, incidentally, I do seem to “kind of strut in the parking lot.” “WHAT? ME? No, it’s just being friendly.” (I am laughing at this point, but, also, thinking. Is he right?) “Like a rooster. And, oh,” he adds, has to add, “You kind of stick out your chest. And…and it seems like you want to dominate (I’m adding ‘even in’) the parking lot.”

There is no ACT FOUR where I try to change my ways, get all friendly and nice; empathize with those who won’t (before hand) or didn’t get enough waves. Empathize. I did tell Keith I’d rather attempt to empathize than be one of those who didn’t get enough waves. Maybe they’ll get points toward sainthood. No true contrition. Sorry. At least not so far. But, I am thinking; and since I can’t afford professional help, I’ll have to self-diagnose.

STEP ONE-“Yes, it’s all true.” See you in the parking lot.

Second Colorized Illustration- “Tucking In”

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I added a few more lines from the original black and white drawing after I added the color. The original was pretty much a sketch with a lot of white space. At one point I added some thick black lines to sort of frame it. That took away some of the sense of speed. Adding the color may have done the same thing. Hopefully not. I’m ready to draw someone making a bottom turn, all the action at the bottom right (could be the left), with nothing but white space on the top side opposite. No, maybe just the hint of a lip peeling over. No. Yes; maybe.

First in a Series of Newly-Colorized B&W Drawings

Because I actually have a large number of drawings in my portfolio, and wanted to display as many as possible for the recent (and extensively covered in realsurfers.net) Surf Culture on the Strait of Juan de Fuca and the Salish Sea Event, I took some time, dug through various shelves and drawers and drawing books, and found quite a few of the variously-sized originals, some previously-made copies; took them all to The Printery in Port Townsend, and, with a lot of help for the money, got them sized to fit on 8&1/2 by 11 inch shinier, heavier stock, and placed them in five stacks on a six foot piece of 12 inch wide pine.

Almost instantly I wanted to add color to many of them. Oops; too hard to color on the shiny stock. But, I do have a scanner/printer. Here’s the first. There will be more.

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Not so stoked on the way yellow reads like semi-worn out magic marker, but, not apologizing. And, somewhere here I’ll have to write about how I got some small waves today; small but… hey, look for both “Erwin Would Go, But What Will He Do When It’s Over A Foot?” and “If You Were Happy With Your Last Session, Don’t Talk to Adam Wipeout.” I have some photos; might even have some of me on really tiny waves.

Slightly Overdrawn, Overbusy “Strait” Poster

What I was going for, of course, was that look of classic produce labels. What I have to offer, perhaps, that other artists pursuing surf-related images, is a background as a sign painter. If I’d made the lettering fatter, I might not have gotten too busy with the other images. As soon as it was done, I knew it was overdone. Damn! I considered cutting out the main lettering, chucking everything else, going with a darker, bluer background, with horizontal stripes. This would play into the ‘strait’-ness.

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Yeah, I still might do some cutting and pasting, like, with a real knife and paste. Meanwhile…

Surf Forecast: Culture is coming to Port Townsend, July 11th

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I went back and added some more crosshatching to the drawing after, first, I saw the way it looked on the computer screen, second, Trish commented there was something wrong with the woman’s boobs, and third, this morning, when our daughter checked it out while turning on her work computer in Chicago and said, “Nice boobs. Wetsuits kind of push boobs down, so they must be, like double Ds.”

“Wait, Dru, I’ll put the newer version on the site. Whoops. Dru; check back later.”

The color gets sort of diluted from the original drawing, which I knew. I’m trying to allow room for the event director, Keith Darrock, to add the rest of the information through photoshop. The event will be be held upstairs at Port Townsend’s Carnegie Library on the evening (about 6ish) July 11th, will feature work by local artists, possibly some artistically-enhanced surfboards, several readings (so far this would be a brief reading by me, and, hopefully, a slide-and-chat by surf literature guru Drew Kampion), with the keynote reading, in conjunction with the Northwind Gallery, by Justin Hocking, author of “The Great Floodgates of the Wonderworld.”

None of the above explains the woman’s breasts. I better check the drawing again. I’ll repost the flyer when I get it back from Keith. Meanwhile, if you’re in the area…

BUCKY- Another Character for S(Heart)P MAN

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I’m getting the S(Heart)P MAN characters together for the non-epic, everyday (unfortunately) battle for a few waves. Bucky has been forced back into the ghetto mentality of seaside city surfing by the most devious of villains, the need to make a living. Where he once developed skills and a reputation, he’s now scrapping on an even-more-crowded playing field where he must compete against surfers with less skill, less wave knowledge, less… it’s debatable, even in Bucky’s mind, if he ever had the proper surfers’ soul, or even what that means. If the thrill is harder to achieve and the fun is fractured by drop-ins and cut-offs and the waves he can’t even go for because some SUP-riding A-hole is…

Well, there’s the drama, huh?

Naming this character Bucky is in homage to my first local surf hero. I hope he’s doing well. I decided to put in the sort-of super hero perspective, partially, in response to the response from Trish, whose comment on the drawing of Rhonda (not really based on anyone on a conscious level) was, “Her hands are kind of big… man hands;” and Stephen Davis, who agreed. I don’t want to go back and redraw Rhonda (again), but do plan on redoing the drawings of S(heart)P MAN and parts the montage, maybe just gluing-in some changes.

S HEART (READ IT AS ‘U’) MAN- RHONDA EXPOSITION

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Maybe I’m going to have to go back and work on the earlier drawings. It’s all about telling a story, and a story is developing. This isn’t me telling it; this is me working it out. Rhonda is not happy with her life, pushing flabby desk jockeys, cubicle dogs, guys who suddenly discover they never really had an adolescence, guys with enough money to suddenly find they want to be exciting, too (also) into weak beachbreak, in sometimes-skanky water, in a city with often-brown skies- for money.

“We’re all whores,” SUPman will (eventually) say; “at least you’re making money doing something you love. And, no, you’re, really, a ‘pusher,’ ha, ha; and, um, wait… brainstorm… ‘the first wave’s free.’ Hey, Rhonda, that could be your tagline. A gift. Another gift. You know I’m hooked, right?”

“Something I did love,” Rhonda will think. “If he calls me a ‘hook hooker’ I’m just gonna …”

Stay tuned; workin’ on it. Oh, and hope you didn’t find the Beach Boys allusion cheesy.

S HEART (READ IT AS A ‘U’) P MAN- THE COMIC- , ISSUE ONE, PAGE ONE

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I found out how to put images on the site in different sizes. The medium size probably looks better, and the large size does enable the viewer to pick out mistakes more easily. I am trying to adhere to what I perceive as current comic formatting, but, as always, I just can’t help going somewhere just beyond those lines. There’ll be more; I’m thinking, thinking, um, uh, what?

Oh, here’s the black and white version; just because I saved it.

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So, if you’re keeping score: SUPman’s nose got too much in the top image, the tutor is not attractive enough, and she just came out as a smudge in the ‘paddling/mine’ image. And, um, and I’m going to stop looking. NEXT TIME…

A Moment Before The Swoop

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At the height of a projection, the speed of the original drop used to get to this point, down the line and up into the thinnest part of the wave, hanging, suspended, the right hand holding nothing more than a level, the left hand only holding balance when and where there is none without the speed itself…hold that weightlessness… hold it.  When the hand opens…

ACKNOWLEDGEMENTS: The drawing is based on (as opposed to copied from) a photo of Keanu Asing competing at Lower Trestles during the recent Hurley WQS event. I looked through eighty photos supplied by the World Surfing League, airs and rotations and cutbacks and… at this moment, on this ride, there are choices. Were choices. I can imagine an adjustment that allows a freefall from the lip, even a tuck into the pocket. I can imagine a cutback into the whitewater.