Black and White and Psychedelic, Plus Polar Bear Wetsuits Flyer

Though I’m quite focused on finishing my novel, “SWAMIS,” surviving Winter and its lack of real revenue, and keeping my heart healthy enough to survive at least one more SEAHAWKS game; I have taken a little time to work on artsy stuff.

AND, partially due to a recent event in which I selfishly burned (as in took off on a wave next to but down the line from) a well known local surfer… Here’s the rule on that: Burn someone who is equally aggressive (and transgressive, etiquette-wise), or burn someone who is a relatively close friend; and you might be forgiven (plus, you have given that surfer the right to burn you on one [only] equally or better wave); but take off on someone who seems to follow all the rules (that is, is patient, passes up incredibly seductive set waves without whining, as in saying ‘wave of the day’ in the most sarcastic way, or splashing water); and, even if this surfer doesn’t instantly (and rightly) call you out for the callous, childish, greedy wave hog that you are; anyone else who witnesses your selfish move (and there’s always a witness) will; and if you cemented your own reputation for ruthless surf crimes, years ago, for burning, among others, this very same individual (even though you apologized and he said, “It’s all good.”  It’s never all good.  No one ever means this); and, even though you did, indeed, apologize for your most recent lineup infraction (this time he said, “You don’t really mean it,” and you- I mean me, of course- kind of lost the first person/second person narrative for a second- said, “No, I do,” and you meant that- mostly due to now realizing you’ve sentenced yourself to another seven years or so of bad karma and mandatory niceness/deference toward that individual any time you/I and he are in the same lineup); and partially due to my telling another local surfer (and witness) about how Trish, not surprised at my criminal behavior, would call this incident ‘just another greedy fat boy trick;’ and then I had to explain the history of that phrase; and partially due to Trish getting all excited (not about the incident) and suggesting I might write a series, possibly for future publication, entitled, “Erwin and His Greedy Fat Boy Tricks;” because of all this; I’m thinking about it.

It being my recalcitrant behavior, and, just to throw in another word I looked up just to make sure I spelled it correctly, yes, I must be, might just be, despite repeated claims to be changing my ways, a recidivist wave hog.

Again, trying to change.

The first and defining ‘greedy fat boy’ story would be this: Second eldest of seven children, with both parents working, I, partially because I seemed to be the one who got up earliest, made sack lunches for the nine of us from the age of twelve or so, about the time, coincidentally, that I started board surfing. Sandwiches.  Lots of peanut butter and jelly or lunchmeat, about a loaf a day.  My parents would bring home a bag of cookies each night, and it was my job to dispense them.  Evenly.  “Okay, eight cookies each.”  Crunch, crunch.  “Seven each.”  More crunching. I once did get down to three and a half each, but it might have been a smaller bag.

Greedy fat boy.

Other stories would have to include my insistence that I developed my bad (O could say unpopular but effective) surf techniques and (oh, I want to say skills- that would be wrong) skills, my ‘ghetto mentality,’ surfing in crowded city lineups.

“But you’re not in the city now,” you might counter. Hmmm.

“And then,” Trish said, “You can go with the greedy fat man.”  “Hey.” “It’d be all right; you’re only being self-deprecating.”  “Oh; okay then.”

Still love cookies.  Too many fucking cookies.

Okay, so here’s my latest illustration.  Yes, it’s all out black and white psychedelia.  Yes, I have told those who I’ve shown it to that, yes, I want people to wonder what kind of drugs the person who drew this is on.

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Here’s my fake flyer for fake wetsuit company, Polar Bear Wetsuits.  “Maximum stretch, minimum shrink.”

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MEANWHILE… Good etiquette has its rewards (or so they tell me).

Another Negative Image

FIRST, it’s not surf season along the Strait of Juan de Fuca. One must go coastal. Some friends of mine recently did; sharing an adventure that anyone who doesn’t live in the Pacific Northwest would consider the classic Pacific Northwest surf trip: Hiking with backpacks and surfboards, dropping down ropes (and climbing back up again) to possibly-never-surfed spots… exhausting.

OR, one could go to Westport, look for a parking spot, look for an empty wave.

OR, one could work. It is painting season, yes; but my wetsuit is dr-yyyy-yyy; and, yes, I’m thinking coastal.  Coastal.

MEANWHILE, I did complete a new drawing; meant to be reversed, black-for-white.  I don’t really know how this is going to work until I get to a print shop.  SO, last night, sort of hoping to run into the guy (Jay) at the Sequim Office Depot, who has a handle on such things, I, instead, ran into a person who asked another employee how to do the reversal. She wasn’t sure, either; and the first two attempts saw the image reversed but the black staying black.

“No, I kind of meant…”

ON the next attempt, what had been black was now red.  “Whoa! Didn’t know you could do that.”  “I guess we can.”

On the next attempt, we (with my input and the other Depot person’s advice) got it right.

“OH, but, um, can you do other colors?”  They looked it up.  “Red, yellow, magenta, blue, some other color.”  “One of each, please; full-sized; then a couple of eight and a half by elevens.  Please.”

NOW, suddenly, I’m a little irritated with myself that I didn’t get some smaller, as in scannable on my printer, versions of the ones in color.  Here’s the black-for-white version:

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I did lose some detail here; I’m blaming my scanner.  Now, imagine everything that is black as red, or blue, or…  and now imagine you are, quite exhausted from the hiking, out of a beach with silvery-shiny-glassy-empty-near-perfect waves.  And now imagine… whatever you want.

No, not being stuck in traffic.

Debriefing Hydro-Sx’l Stephen Davis…

…and two new realsurfers Coloring Book possibles. First, Stephen is back in the cold, snowy and great Pacific Northwest after, I’m not sure, but a long time away, Hawaii, Baja, California, Oregon. He hit Seaside yesterday, just in time for slight offshores to change back to howling onshores. I actually tried to find him in the parking lot on the… geez, is this a secret?… camera. The movement of the camera was too jerky and I was getting competing phone calls about work, real life stuff; never caught him or his van (the camera seems to usually be focused in on something other than the actual waves; which is fine) did catch the beginning of another round of sleet.

Next, evidently, after making some money, Stephen is planning on returning to Hawaii, but not before he fills in a few details and shares a few stories.

Money. Yeah. If he’d had more, Steve says, he’d have stayed longer. Not much sympathy from me, actually.

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As always, I showed Trish the new illustrations. “Uh huh,” she said of the “speed line” drawing, “You should add some flowers,” of the second one. “It’d be more… I mean, I’m thinking this is black and white and psychedelic, but, flowers…?” “People like flowers,” she said. “Uh huh” I said. Saving one without flowers, I’m going to add some flowers. Like everything, more later.

New Semi-Surf-Related Art by Melissa Lynch

My sister (and realartist) Melissa Lynch sent me her newest illustrations the other day. I, of course, a little confused by the technique but excited by the images, asked if I could use them on my site.

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The illustrations are titled “Troubled Shores I” and “Troubled Shores II,” and refer to the ongoing Mideast-to-Europe refugee crisis. They demand some study, and with the world-wide implications of desperate people sacrificing everything to escape violence and terror, finding greed and fear and, for way too many, death at sea; with politicians using fear and hatred as campaign strategy; with radicalized assholes killing for some perverted version of what they claim is religion but is not about any god but, rather, about more power… well, we can’t help but be caught in this.

It’s interesting that Melissa includes the Statue of Liberty. Perhaps the ‘huddled masses’ already here are… yes, the drawing has me thinking of things I was already thinking of, the consequences of whipped-up fear and hatred; but my worst fears are that there is no other America to run to.

Here’s what Melissa wrote to me:
I sent them for your use if you want to use them. No worries if not. They are mixed media, using a transfer method for the background texture, which is images from the internet about the refugees, a photo of the Statue of Liberty, and the “Raft of the Medusa” by Théodore Géricault (1791–1824). Then I drew on that background with pastel chalk. It was for my class and the assignment was to use the “Raft of the Medusa” as a springboard to react to current events. I titled it “Teeming Shores” or “Shores 2015”.

I used the same method and “appropriated” your wave illustration on an earlier piece (giving you credit of course). You might be interested in it too. If so, feel free to use it.
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The Raft of the Medusa as inspiration 
Alternate process; Collage: Photo-copy transfers, Glue, and India Ink. 
* Wave background appropriated from my brother, Erwin Dence. 
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Raft of the Medusa Inspired – Detail
This is a detail of a larger work which was inspired by the painting by Géricault, depicting a great tragedy. 

This work depicts myself playing in the sand as a child, a wave threatens to wipe me out. The woman in the foreground depicts my mother who passed away when I was very young, and my father, distraught with sorrow, and despair. The other women surrounding me and holding back the wave depict the many other “mothers” who stepped in to help protect and guide throughout my life; sisters, sister-in-law, step-mother, friends’ mothers, teachers, and aunts, and as an adult, my very dear friends. The wave itself, appropriated from my brother, though depicted here as a destructive force, also represents his help and guidance in my rearing, without which I wouldn’t be who I am today.

PS. “The Ragged Line” illustration was accepted to the Illinois Board of Higher Education 1 year exhibit!
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I am claiming (because it’s the way I remember it) Melissa drew this to illustrate a short story I wrote with the same title. I take no credit for her talent. And, since I’m showcasing her work, here’s another, Winter At Sea:
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