Skip Frye Should Have Won

 

                      

“Skip should have won,” one person said. “He was just TOO smooth,” another said, “He made it look TOO easy.” “North County judges,” a third San Diegan added. Their boards already loaded, each of them, two guys, one girl, dressed in 1965’s appropriate après surf uniform of Levis, t shirt, windbreaker; they looked at me long enough for me to realize I was part of the North County surfing audience intended to hear the criticism. 

Really? No, I was a chunky just-turned-fourteen year old kook walking from the far end of Tamarack’s lower parking lot carrying my ridiculous, used, already-an-antique Velzy/Jacobs balsa wood board, wearing some sort of unfashionable and stretchy trunks that were, in reality, a compromise between the Hawaiian print jams I wanted and the Australian bunhuggers (like my Dad wore) that my mom had purchased for my trips to the beach two years earlier.

Sure, I’d have preferred to be carrying a newer board, wearing Kanvas by Katins trunks; those had surf integrity; or the colorful striped nylon trunks featured in “Surfer.” Jantzen, maybe. Nope.  Later, after appropriate whining, I’d get some jams. After catching several times on my knees, they ripped out.

While still not quite past the San Diego visitors, Skip Frye himself, dressed, carrying his board, walked close to the group. “You should have won, Skip.” “It wasn’t… fair.” The criticism and the support were shrugged/brushed off with a cool nod and a sort of awkward smile that said, “I’m not really a contest surfer.” (Actually, he was… then, and quite successfully so)

Still, to shrug off a near-win/loss was stylish.

Though he was featured in many a classic Ron Stoner photograph, arching or crouching in the tube at The Ranch, sliding across crystal waves at Blacks, and scored well for years in the annual “Surfer Poll,” Skip Frye wasn’t a flashy sprinter.

He was in it for the long run; super marathon; steadily, consistently sliding.

Skip Frye has been quietly ruling the waves between Pacific Beach Point and Crystal Pier, and, of course, beyond, for what is forever in the lives of most surfers. Already well known in the mid-sixties, he continues to surf with style somewhere beyond his mid sixties.

I’ve written about Mr. Frye before, how I, probably in my lucky Hang Ten trunks, walked past him at Tourmaline Canyon in the early seventies. I was carrying my brand new, pirated version of the Waterskate he had been working on for Gordon and Smith in conjunction with Tom Morey.

Image

 

It seems I’ve always had a connection with, not surf shops with snarky, judgmental, guaranteed-to-be-good-surfers-because-they-work-at-a-surf-shop sales people, but those back rooms where shapers shape and glassers glass. So it was, on some pretense or need, resin or cloth, I visited the G&S factory on the other side of I-5 (over by the dog pound) a few times. Skip Frye was the guy not to be bothered, not that I would be so bold. He was busy. “So, what was it you wanted?”

“Um, uh, some resin, maybe.”

Information, insight, some connection to the craft.

In a crowded Saturday morning lineup north of Crystal Pier in the early seventies, all of us scrapping on our short boards, Skip, on some almost-a-joke-at-the-time longboard, would paddle laterally, then ease toward shore, picking up some unseen wave-between-waves, stand, ease into a perfect little peak.

When my friend Archie Endo lived in P.B. in the eighties, while attending UCSD, Skip Frye was, he says, with proper respect, “The Emperor of Pacific Beach.” 

And, this many years after that, he still is.

 

Check the previous piece for apologies and disclaimers.

 

Skip Frye slides from there to here

Skip Frye slides from there to here

“Then take me disappearin’ through the smoke rings of my mind;
Down the foggy ruins of time; Far past the frozen leaves,
The haunted, frightened trees, Out to the windy beach,
Far from the twisted reach… of crazy sorrow.
Yes, to dance beneath the diamond sky with one hand waving free;
Silhouetted by the sea, Circled by the circus sands,
With all memory and fate, Driven deep beneath the waves;
Let me forget about today… until tomorrow.”
Bob Dylan
This drawing was taken from one of a series of photos taken by Harold Gee in 1965 at Pacific Beach Point. At about the same time, Dylan’s song, “Mr. Tambourine Man,” had already been covered by popular performers of the time.
The thing is, both artists are still going.
Here’s the story: I wanted to do something more on Skip Frye, someone I mentioned in another piece from my days in Pacific Beach. I started writing it, and, at the same time…
Somehow illustrations have become a bigger part of my site than I originally planned. This is fine, even great with me. Classic Ron Stoner photos of Skip at The Ranch are part of my image-centric memory. Maybe yours, too. I started drawing one… wasn’t happy with it; Skip in the slot, hands at his side, arching slightly. And the lighting was perfect.
And, at the same time, I wanted to say something about other local PB surfers from my years (1971-’74) there. I couldn’t think of this guy’s name.
Then I did. Dale Dobson. I googled the name, got a video of a longboarder at Swamis.
Wait, wasn’t Dobson a goofy-footer? I checked farther, found a photo of Dobson at Big Rock, 1965. Yeah; goofy-footer. Then, in this group of photos by Harold Gee, there was this shot of Skip Frye at… he might have called it PB Cove, which I’d have to guess is somewhere between the Point and Tourmaline Canyon.
And the photo looked so familiar. It may have been used in Gordon and Smith Surfboard ads from the time.
Anyway, this is the black and white version. I just purchased some watercolor pencils, and, now that this version is on the computer, watch out!
Meanwhile, if Dylan or Gee, or even Skip Frye, have a problem with me using images or words… maybe their people can contact… wait, I have no people.
So, hey, check back later. Thanks for dropping in. realsurfers is not intended to be a secret spot.
To quote Dylan, again, “No, I’m not reclusive; I’m exclusive.”
NOTE: I tried to scan the drawing in black and white; didn’t work. The black would have been… sorry you can see a drawing is really just a bunch of lines.

Joe Roper Surfed Crystal Pier Like it was Pipeline

 

JOE ROPER SURFED CRYSTAL PIER LIKE PIPELINE

Joe Roper was the standout surfer among a group of kids who hung around and mostly surfed the Pacific Beach (PB) side of Crystal Pier.  By kids, I mean younger than I was when Trish and I got married in November of 1971, moved to a one bedroom apartment within easy walking distance. I was twenty, Trish barely nineteen. Two months later we moved to a two bedroom up Mission Boulevard, easy biking or skateboarding distance.

The stretch of beach from PB Point and Tourmaline Canyon to the pier was my new locale, I was a local; sometimes venturing to the reefs of Sunset Cliffs, sometimes the breaks of La Jolla.  

A Local. It didn’t mean a lot to Trish; meant a whole lot to me.

Joe and his cronies were in the early years of high school. Rather small in stature, driving across or tucking into the lefts off the pier, Joe made it look like getting barreled at the Bonsai Pipeline. And Joe got consistently barreled.

My two years plus tenure in PB seemed to line up with the “Dogtown” resurgence of skateboarding, and, while I was lettering new prices on the menu board for the little sandwich shop that shared space with the P.B. Surf Shop, close to the pier, trading some graphics for a wetsuit vest, trying to sell some original surf art at the Select Surf Shop on Mission, Joe and his buddies were doing low Larry Bertlemann spins on skateboards on the street, one gloved hand centering the turn, scraping across the pavement.

Just to further time stamp this tale, “Maggie Mae” and “American Pie” were hits on the radio, and surf leashes were still called kook straps.

I had yet to purchase one.

To someone who learned to fall on his board if he fell, how to swim in if he couldn’t, it was quite annoying when some grom dropped in, and, when it got hairy, simply bailed.

ROPER STORY ONE:

One afternoon, sitting just a little farther outside, I witnessed Joe, on a left, ride it into the shorebreak. He could have avoided contact with the equally-young surfer approaching on the right. Nope. Rather than kick out, he kicked into a full board-to-body board slam, followed not with an apology but a version of the classic, “Get fucked and go back to the valley.”

I actually asked Joe why he had behaved so violently. It seems the recipient of the slam was guilty of being from Clairemont, just on the other side of I-5, the real setting for fictional “Ridgemont High,” as in “Fast Times At…”

What this meant is the territorially-attacked inland cowboy lived within five miles, ten max, of the beach being so vigorously defended.

ROPER TWO:

I started surfing in Western Surfing Association (Ray Allen, to drop another name, was local head at the time) sanctioned contests, beginning with the first one held early in the 1972 season. Because I did well enough in that contest, I was seeded into the second round of the next event. This, and the contests to follow, featured more contestants, but, being seeded, I could avoid the first round.

Though I never won an event, somehow my surfing was adequate to maintain a somewhere-between-seventh-and-third-place performance level. Oh, yes, I was moving up. 2A, amassing points toward 3A.

Each contest provided another lesson in hurrying-up-and-waiting. On a particular Saturday, the contest was to be held at Crystal Pier. My heat was scheduled for about 10:30, which meant sometime later, I cruised down in Trisha’s VW bug to check it out.

There was Joe Roper, signed up to compete, and two or three of his buddies, standing around, and no contest. “It’s been moved to La Jolla Shores,” one of the kids said. A few minutes later, their boards on the rack, mine secured with my surf leash (yeah, I’d joined the kook strap set), it holding my almost new, custom painted (by me) surfboard.

This particular board was shaped and glassed by the local surf shop, the design pirated/copied/stolen from a photo accompanying an ad in “Surfer” announcing the Tom Morey-designed, Gordon & Smith-built model, the “Waterskate.”  Just like the original, mine featured a concave deck that rose up, side to side, from the stringer, to some thick downrails. It was probably about six-two..  

So, going down that last swooping hill from La Jolla proper to La Jolla Shores, the part of the leash holding the nose of my board popped off, the board sliding down the passenger side, the rail of the nose bouncing on the pavement, once- slow down- twice, three times- “Somebody grab it!”- steady scraping- pull over- Stop. Wince. Re-tie.

“Sorry, man,” Joe said in the parking lot, running off to join his friends.

                 Image

EXTRA ROPER:

After moving into a condo in University City (north of Clairemont and East of I-5- inland cowboy territory) the south end of my surfing grounds was probably Windansea. It was probably sometime after we moved to Encinitas in 1975 that I picked up a copy of “Surfer,” saw a photo of Joe Roper in a Gordon and Smith ad, tucked into a wailing wave at Pipeline that could have been, a bit smaller, one of those lefts off Crystal Pier.

Joe is and has been the owner of a surfboard repair shop in, I think, Mission Beach (other side of the pier). No, he didn’t repair the ripped up rail on my ripped-off/fake Waterskate, but… well, maybe there’s no ironic connection here.

However, in the karma-will-get-you department, the first or second time I waxed the board, climbing over the rocks to go out at Tourmaline, Skip Frye, test rider and surfboard designer and shaper at Gordon & Smith, was heading the other way.

Skip Frye was already a legend who could find a wave between waves in a crowd, who quietly ruled the range between PB Point and Crystal Pier; I was just another after-work-and-weekends surfer, but, this time, I was the weekend warrior with a pirate’s board, trying to hold it so Mr. Frye didn’t see the top. Unsuccessfully, though he didn’t say anything.

Once the board developed dangerous cracks along the spines on the deck, I ripped the glass off (my painting was mostly on the bottom), shaped it down to a saner, flatter shape, reglassed. Along with a board I got back in my Oceanside days, one that had a sort of bad-surgery-technique removal of the mid-section popular in the rush to move into the short board revolution, it was one of my favorite boards of all time.

As, maybe, more irony than karma, and not because I was tying it down with a surf leash, the former fake-waterskate blew off on I-5, nowhere to be found by the time I got back to the area.

It was between the onramp from Grand/Garnett in PB and the first exit to Mission Bay- 1973ish- just in case, maybe…

JOE ROPER SIDEBAR

There’s a guy who I’ve seen many times at my favorite break on the Straits. Big guy, rides, without a paddle, the same SUP model I own. We’ve spoken several times in the water. On this occasion, he was out at my, and his, backup spot.

Just about to get out, the break suddenly crowded (northwest version- 7 or 8 others) with also-skunked-elsewhere-surfers, I must have said something about San Diego. “Where?”

“Different parts,”

It turns out Dave (that’s all the name I’ve gotten so far) was part of that Pacific Beach brat pack. Dave’s father was a chef at Maynard’s, a restaurant near the pier, and, while I was just over 20, Dave, in 1972, was in middle school.

Yes, he knew Joe Roper. Yes, Joe was the best of his contemporaries. No, they didn’t like anyone from east of I-5.  Dave filled me in on a few P.B. details. He said Phil (Italian last name- Dave knows it), the owner of the Select Surf Shop, had died. 

 “Oh. I tried to sell some art work there. You punks didn’t buy any, just pawed through them.”

“We didn’t have money for artwork,” Dave said.

“That’s what Phil told me. Oh, and he tried to pick up on my wife.”

“Well.” Dave smiled and nodded. “Great place to be raised.”

I smiled and nodded. “Great place to be twenty years old.”