Surf Noir, Illustration for “No One That Mattered”

Trish came into the room yesterday, looked at the early stages of this drawing, asked, “A gun? What’s that for?” “A story.” “Where’d you even find that…um…” It was as if I’d been checking out porno. “What kind of story would…” “I googled ‘man with a gun in his waistband’ and, well…”

To be honest, there were some images of guys with what might be called ‘holster’ underwear, and other people with gun tattoos, including at least one shot of a woman with what my daughter Dru would call a ‘tramp stamp,’ this one of crossed pistols, on the small of her back.

Okay, now you’re opening a new tab.

Image (40)

I’ll add the drawing to the next post down; the story it was drawn for. I still haven’t purchased ink for my printer, but I will get the backlog of drawings copied so I can do some color versions. Writers are always (because we have to), begging people to read our stuff) read the story if you get a chance. I’m not ordinarily a surf noir writer, and, like the (mostly fictional) narrator, don’t have a lot of first hand experience with the seamier (but real) side of surfing, but I do have some second hand knowledge.

Image (40)Image (38)

Secret Spot, Illustration

The drawing is taken from a Rich Wilken photograph of Dru Harrison at Waddell Creek, a spot unknown to me but probably not secret; that photograph from the 40 year “Surfer” anthology “The Perfect Day,” accompanied by a piece by Drew Kampion on “The Day They Walked on the Moon,” July 20, 1969. About that, and, of course, more. In this case, the story was also about radical, for the time, surfing at a Western Surfing Association (WSA) contest at Oceanside, and some perfect (and uncrowded) waves at Lower Trestles.

Image (37)

What I remember about the day, a Sunday, is that I went surfing, and the next day, I went to the accountant’s office in Oceanside to pick up my paycheck for the previous week’s work at Buddy’s Sign Service. Buddy’s real name, because almost no one, even someone in Florida whose son would end up learning sign painting in prison, would give a child the name Buddy when Lacey, Lacey Rollins, was available (Oh, maybe Buddy was a prison name).

Buddy, with his wife, Sandy, had recently moved from a trailer in the back of his first shop, in South Oceanside, which they had moved to from a shed, to one of three upstairs apartments at what had been the “Blade-Tribune” newspaper building, 1st and Tremont, home of his new shop. Big, high ceilings; quite Loft-like. The building was a block from the Greyhound  bus station, a few blocks from the pier. With the Vietnam War still in full swing, and Camp Pendleton nearby, for a kid from what I thought was the suburbs but would now qualify as rural, this was a pretty scary/exciting neighborhood, with waves just beyond the railroad tracks.

Buddy seemed to hang out at the office a bit, and, in fact, was there, slouching in a chair, when I came in.  The woman who was making out my check, I noticed, while I was waiting at her desk, had been practicing a signature on some scratch paper. Sheila Rollins (or some other first name I’ve forgotten).

Since I, freshly graduated from Fallbrook High, considered Buddy, at 32, old; and, in fact, thought Sandy, at 21, was a little oldish, and kind of (I’m being honest here) cheap; and definitely thought Buddy was pretty white trashish. He was good at lettering- a skill, practiced and learned; rather than in any way artistic (which is the reason I went after a job as a sign painting apprentice- high(er) art). I was a bit stunned that the woman might consider Buddy- I don’t know, desirable- maybe.

“Where were you… um… yesterday,” she asked. “Surfing,” I said, and probably went into some details of where and how good she, knowing I had seen the signatures and was probably judging her (I was), didn’t actually care to hear. “You know, you’ll always remember where you were when man first walked on the moon.”

Buddy nodded at me and smiled at Sheila, then sat up straighter when Sandy entered the office.

Sheila gave me my check for whatever balance remained, after taxes, from forty hours at $1.35/hr. I would routinely cash my check at the market on the way home, or, if it was early enough, before checking out a few surf spots, maybe surfing Tamarack or Grandview. Yeah, minimum wage was $1.65 an hour at the time. I found this out a month or so later when I found a required government poster in one of the bathrooms at the “Blade-Tribune” building; right after Buddy gave me a raise to $1.50.

“No,” I told the new bookkeeper, Sandy, “You actually have to pay me more.” Sandy looked at Buddy, lettering at a 4′ by 8′ easel, standing on one leg, like Ian Anderson of Jethro Tull (so you get an image). “I can show you the poster. I mean…” Buddy looked at Sandy, looked at me, shrugged. “Next week, then. Okay, Kid?”

I’m pretty sure I surfed at the south jetty that Monday morning, but, can’t quite remember where I surfed on the day… you know, THE day.

NOTE: My  printer is out of ink. I’ll do a color version of this later.

If the Session Report is, “It was really pretty…”

…it, most likely, means the waves weren’t happening. It was very pretty yesterday.

I’ve long decided to include the trip there and back into any session report; and, in the Pacific Northwest, with the snow level moving up and down with the same systems that bring swell to some spots and not to others; well, the view of the Olympics, even from the Safeway gas station in Port Angeles, is ultra pretty.

We all try to be scientific, using all the information available, plus past experience (ie; at this angle, this tide, this size, this spot was working); but we always have to factor in the skunk factor (on a similar tide and swell angle, the same spot was not working), and the “Random Theory,” that being that sometimes, even when the factors all seem slightly off, random acts of surf magic can happen.

EDIT- And sometimes everyone gets skunked.

Throw in wishing and hoping and praying, and that it’s a weekend between a constant barrage of wet frontal systems, and you get way too many desperate surfers combing the Strait of Juan de Fuca.

Image (35)

My original plan was to either hit West Riverdale at dawn, before the tide got too high, with the Wrench as a backup. Or, I could go to The Outfall a bit later, when the tide got high enough.  I had things to do in Sequim, and, really, I planned on going to work on a painting project later. The problem, pre-dawn, was, the angle just wasn’t there. Oh, the swell, which had been stubbornly southwesterly, was supposed to go more northerly during the day, coinciding with a drop in swell size.

So, I made what I thought was the best decision. Nope. Lots of people at West Riverdale, all on the beach, cars piled high with boards; one guy, Tim Nolan, in the water, and the tide already too high. BUT PRETTY. Vehicles were coming, heading out farther; the coast always an option for those with enough time. Some surfers were, evidently, deciding to wait out the tide. I went out anyway. Tim paddled past me, pointed to the horizon, said something about where the swell was actually going, and got out of the water. I snagged a few shorewashers and surrendered to reality, wetsuit-driving away.

Over at the Wrench, the parking lot was packed with multi-board vehicles and warriors suiting up or suiting down. I squeezed into the back row, asked the guy in the rig next to mine if he could get out. “Hi, Erwin,” he said. It turns out it was Darrin, who provided me a ride on his board when mine was caught in the rip on a big day in December. I was also caught in the rip, my daughter on the beach, on the phone to her mother.

“Thanks, Darrin,” I said, shaking his hand a second time. I had been unable to really thank him properly when I got back out (after Keith Darrock rescued my board, and because one must go back out after a thrashing); and all this gratitude didn’t stop me from (accidentally, I swear) taking off in front of him on my first ride at the Wrench.

Thinking I was doing allright among those surfing, many of them beginners, kneeboarding weak little waves into the creek; one of several guys on standup paddleboards, evidently trying to be civil, asked me if I was new to riding an SUP. “First time, today,” I answered; not like he was so good. “Oh, you’re doing great, then,” he said, “you really seem to have the physics down.” “Thanks.” This was kind of depressing, and the waves were dying anyway.

Deciding I’d switch to only riding erect, I took off on a solid eighteen incher when another SUP hero took off in front of me. When he saw me, he bailed. “No problem,” he said, as if it was my fault, after my board went under his. “I didn’t know you were going to go straight,” I said. Next weak wave, I paddled, standing up, all the way to the parking lot. High tide. Two sessions. I was done.

More surfers, some quite excited, some not even checking the waves, going by the ‘if surfers are out, it must be good,’ were headed for the wild surf as I got dressed and headed toward Costco, then home.

I got a call from Keith while waiting for my order at the Jack in the Box. It’s perfectly acceptable to talk about great waves ‘after’ you get out of the water. I’d made the wrong decision. “You would have loved them.” Yeah. If I hadn’t had stuff that needed refrigeration, if I hadn’t just ordered a milkshake for Trish, if I didn’t know for a fact (or pretty sure near-fact) that the waves Keith and a few others (others in on this super fickle secret spot) had gorged on would be gone before I could get there…

I left my board on the car, just in case. I’ve checked the buoys since 5:30. Nope; might as well go work on the project I didn’t get to yesterday (I did do the drawing, above). Still, hoping and wishing, I’ll leave it on the car, just in case. Okay, it’s 7:13; I’ll post this and check the buoys.

Oh, and Tim Nolan did get in on the waves that had missed West (and East) Riverdale.

“So, um; what are you lookin’ at?”

Image (32)

So, if you google “How to draw a nearly-naked woman near the beach, in profile, with a towel,” maybe you’ll get this drawing. I plan on tagging AND adding  another category; “How to draw a nearly-naked woman near the beach, in profile, with a towel.”

WHOOPS! WOOPS! WAIT- Just after posting this, I actually googled “How to draw a nearly-nakd woman near the beach, in profile, with a towel,” and… maybe it’ll be there later, but, no, not yet. I don’t think you’ll have to drop the ‘safe search’ to see this, and, yeah, maybe it’s a tease, there’s nothing there on how to actually draw. Just do some lines, add some more, maybe some pointillism; stop before it’s too late.

Down Surf Route 101 at the HamaHama

I did a little project for the HamaHama Seafood Company, family-owned-and-run for five generations. The business is located about halfway down the portion of Surf Route 101 that snakes between the back side of the Olympic mountains and the Hood Canal.

If I wanted to be clever (and I do), I should add that the Hood Canal is, itself one of those TENTACLES that reach from the ocean, SURFROUTE 101 widely used by surfers coming up to the Strait, or down to the various surf opportunities to our south.

20160125_181258.jpg

SO, here’s some old guy sitting on the toilet in one of two bathrooms (easily available for customers, and there’s a sani-can outside) now sporting octopus graphics. I’m pretty proud of this illustration, adapted from drawings provided by a designer, but the second bathroom’s drawing…. WELL, my original contact at the HamaHama, Adam ‘Wipeout’ James, fifth generation of loggers and seafood folks (with a sixth growing up quickly) said, of the second illustration, a reverse of this one; “Now you’re really killing it… (or something similar- hip and positive and suggesting that one was even better- ‘crushing it,’ maybe).

ACTUALLY, I was working for Adam’s sister, Lissa. The second I showed up to start the painting portion of the store renovation project I got a call from Keith Darrock. Something about buoy readings and wave possibilities. I told Keith I was working for Adam Wipeout’s sister, Lissa Wipeout.

“ACTUALLY,” Lissa said later, “it’s more like Lissa Freakout.” This may have been a bit of pre-employment intimidation (possibly based on what Adam may have told his sister about my pre-surf mind games- guessing); Lissa has only been gracious to me.

IN FACT, everyone at the HamaHama, from those who work the tides, the folks in the retail store; those workers who shuck oysters, and prepare them for markets all over; those who talk to bigtime clients; Louie Lakeness (who grew up in the oyster business up the canal in Quilcene, and who does several jobs AND is a childhood friend of my son James- JJ to him); and Adam’s sister-in-law, Kendra, who his brother, Tom, met while earning a PHD in Forestry at Yale, and who is now the CEO; they all seem so… so HAPPY in their work. WIERD.

I mean Weird. Unusual. Happy. ALL I’M SAYING IS, when you’re headed up or down 101, stop in. If you have boards on your rig and Adam is around, expect him to talk you up on where you’re going or where you’ve been; what you expect or what you surfed.

ONE MORE THING. We were told, when driving over those two double bridges (look like the bridge at Haleiwa, huh?), it’s good luck to repeat “Hamahamahamahama…” as many times as you can on each one. Maybe it’s to distract you from the narrowness and the log truck coming at you, but… try it.

OH. There is a more flattering photo of me, on Facebook; but I don’t do Facebook, but my wife, and Adam’s newest Friend, Trish, won’t let me download it from her Page. OH, and there are less flattering photos you’ll never see.

Drawing off the bottom Drawing

Yeah, I know I just posted a drawing yesterday, but, somehow, too much time on my hands, maybe, not wanting to watch any football after the Seahawks were eliminated (the team who should have, and could have beaten All World Cam and the Campthers, and, at least, did [almost] come back, and didn’t get humiliated- sorry Arizona], I kept working on this drawing. And I like it.

Image (30)

I don’t always love everything I do, and I’m always worried that I’ll screw the whole thing up by adding color; but I do like this one.

Image (31)

I do wish I could figure out a way to sell some of these images. I’ve been building quite a portfolio. Any Ideas?

Illustration for “You’re a writer, too… Right?”

It’s fiction. I wrote the piece first. I added the illustrations to the short story (next post down), and because I just can’t not edit, change, clarify, hopefully improve whatever I write (or draw, but can’t once the drawings have been scanned), I made a few changes.

Image (28)Partway through the drawing I decided to add the coffee. I totally lost control after that.

 

Image (29)

On Wildcard Sunday…

The actual drawing is a bit too big for my scanner. This is, however, most of it. Thinking posterization, I started the drawing on Saturday, worked on it off and on, then, up early on Sunday to maximize the pre-game preparation, I added more up to and during the Seahawks/Vikings game.

Image (27)

When I decided, sometime after my wife, Trish, decided she couldn’t watch any longer, probably about the end of the third quarter, with the Seahawks behind 9-0, that I should pay more attention, give a more focused fan, um, whatever it is fans, and, in particular, fans watching on TV, might be able to contribute to a team effort, I set the drawing aside.  I went back to it before and after dinner, put my name on it some time during our delayed viewing of “Downton Abbey.” Look for a color version some time before the Seahawks take on Carolina next Sunday. I’ll be listening to most of it on the radio, cosmically cheering, as Trish and I have decided we can’t really watch close games together.   GO HAWKS!

Meanwhile, I’ve been trying to will some favorable buoy readings. Okay, I’ll focus a little more; see how that works.

It always works.

Eventually.

Satiated, Satisfied, Ready for More

Image (26)

I was dissatisfied with the results when I added color to this drawing. I may try it again. Meanwhile, here’s a drawing for something I haven’t written yet. So, I’ll contemplate the complicated issue of wave lust while I scan the forecasts and the horizon, think about how great it might just be, and, probably, consider how long it’s been since I got a really super-satisfying surf experience, and how… you get the point. Even those who participated in, and were completely satiated by a recent feast of wave action, are ready for, ready for more.

Image (25)

Okay, so maybe I have now written enough. May your wave lust never be completely (as in, only, completely) satisfied.

 

New Semi-Surf-Related Art by Melissa Lynch

My sister (and realartist) Melissa Lynch sent me her newest illustrations the other day. I, of course, a little confused by the technique but excited by the images, asked if I could use them on my site.

troubledshoresI

TroubledShoresII

The illustrations are titled “Troubled Shores I” and “Troubled Shores II,” and refer to the ongoing Mideast-to-Europe refugee crisis. They demand some study, and with the world-wide implications of desperate people sacrificing everything to escape violence and terror, finding greed and fear and, for way too many, death at sea; with politicians using fear and hatred as campaign strategy; with radicalized assholes killing for some perverted version of what they claim is religion but is not about any god but, rather, about more power… well, we can’t help but be caught in this.

It’s interesting that Melissa includes the Statue of Liberty. Perhaps the ‘huddled masses’ already here are… yes, the drawing has me thinking of things I was already thinking of, the consequences of whipped-up fear and hatred; but my worst fears are that there is no other America to run to.

Here’s what Melissa wrote to me:
I sent them for your use if you want to use them. No worries if not. They are mixed media, using a transfer method for the background texture, which is images from the internet about the refugees, a photo of the Statue of Liberty, and the “Raft of the Medusa” by Théodore Géricault (1791–1824). Then I drew on that background with pastel chalk. It was for my class and the assignment was to use the “Raft of the Medusa” as a springboard to react to current events. I titled it “Teeming Shores” or “Shores 2015”.

I used the same method and “appropriated” your wave illustration on an earlier piece (giving you credit of course). You might be interested in it too. If so, feel free to use it.
lynch.melissa.06 
The Raft of the Medusa as inspiration 
Alternate process; Collage: Photo-copy transfers, Glue, and India Ink. 
* Wave background appropriated from my brother, Erwin Dence. 
lynch.melissa.06detail
Raft of the Medusa Inspired – Detail
This is a detail of a larger work which was inspired by the painting by Géricault, depicting a great tragedy. 

This work depicts myself playing in the sand as a child, a wave threatens to wipe me out. The woman in the foreground depicts my mother who passed away when I was very young, and my father, distraught with sorrow, and despair. The other women surrounding me and holding back the wave depict the many other “mothers” who stepped in to help protect and guide throughout my life; sisters, sister-in-law, step-mother, friends’ mothers, teachers, and aunts, and as an adult, my very dear friends. The wave itself, appropriated from my brother, though depicted here as a destructive force, also represents his help and guidance in my rearing, without which I wouldn’t be who I am today.

PS. “The Ragged Line” illustration was accepted to the Illinois Board of Higher Education 1 year exhibit!
RaggedLine5-sm
I am claiming (because it’s the way I remember it) Melissa drew this to illustrate a short story I wrote with the same title. I take no credit for her talent. And, since I’m showcasing her work, here’s another, Winter At Sea:
winteratsea-sm