It’s high painting season, and I have to, um, steal time away from something in order to do any drawings. Here are the two most recent:


It’s high painting season, and I have to, um, steal time away from something in order to do any drawings. Here are the two most recent:


I’m preparing to add some more images to the realsurfers coloring book, getting them resized, adding some lines; redrawing a few. Here are some I’ve been working on:




And here’s a backstory on the drawing of the guy on the nose. I’ve drawn it several times, had it all finished, but it didn’t seem right. I went back to the drawing I took this from, realized the surfer’s left arm is supposed to be in front of his face. Oops. And now it’s a bit darker. If I could, on occasion, sort of duplicate the silky, magic-lighting look of classic John Severson photos, I would. Maybe this is as close as I’ll get (not that I won’t keep trying).
Hey, it’s all just lines and dots. Suddenly I’m not sure if I reported on how the poetry/singing/book selling event went with “Awkward Guy” writer Franco Bertucci and I… it went well, probably better than expected. We’re not done. I’ll let you know.
…ready. I put it all together in time for an event at the Port Townsend Library last night; twenty copies, numbered, artist’s proofs. Here are a few drawings that were redrawn, resized from the large originals, or are actually new: Oh, not sure how this happened, but the drawing on the left is the cover for the poetry book I illustrated. Franco read some of his poetry, sang two of my songs, two of his; and I recited (rather than sang) a song or two, played some harmonica, recited some of Franco’s poetry. It went well. And we sold a few books.

Surfer/librarian Keith Darrock took this photo of Franco Bertucci and I setting up and preparing to kill it. It didn’t feel like ‘killing it’ at the time; but, for a poetry reading, it was racy and raucous
Now, if I could figure out how to approach the larger market.





Working on it.
I received this comment on a piece I wrote on running into and dinging the board of my (and, evidently our mutual) friend, Archie Endo. Since the odds are against you finding the original piece, and, partially because I do miss Archie, working most of the year now in Thailand (he went surfing twice when he was here last, one quickly blown out session with me, and one great session without me), I’m posting Jeremiah’s piece here:
…that would be Franco Bertucci, and I are getting ready for an event, Thursday, June 29, 7pm, Port Townsend Library. This is a flyer I passed on to PT Librarian Keith Darrock so he could do some publicity. First he has to add the copy. Glad it’s him; I can’t seem to keep it simple.

I did some illustrations for Franco’s book a couple of winters ago, opting, because I have a lot of faith in Franco, and his chances for success, to take a percentage (sort of vague on that) of the profits. Because, in order to get it out there in some form, he did a Kendle book; all fine, and you can buy one, and some have; or, if you’re an Amazon Prime person, you can just download it for free; or, it seems, you can just look at it for free.
I think that’s a link. Check it out; free; if you can.

I’ve been getting my drawings for the “Realsurfers Coloring Book” together while searching for the originals I did for “Awkward Guy” (evidently I scanned them to a computer that no longer is alive- but Franco has the color versions). The plan is to have both of these available in a paper, hold-it-in-your-hands version for the event. And this might be where I get into trouble in describing, simply, what Franco and I plan on presenting to whoever shows up. The leader of “Locust Street Taxi,” a very tight and professional group, Franco is a talented musician.
So, the deal is, since I have a lot of songs, copyrighted under the title “Love Songs for Cynics,” and though I play an acceptable harmonica, my singing stylings are, one could say, underappreciated; Franco has agreed to sing at least one of my songs, and, in return, I’ll read or recite several of his poems. And a couple of mine.
That was my idea. Franco’s was to open with Q&A and go from there.
sort of. I couldn’t get the scanner to do the other half of the cover after I did the preview. It must have been tired. It’s so exciting for me to do this layup and printing stuff, with lots of help from the folks at The Printery in Port Townsend.


So, I’m still working on how to present the actual book; which and how many drawings to put inside, whether to go two-sided or not… I’m thinking it would be really great if I could do a thing like the old pee-chee folders, loose drawings one can pull out of one side rather than a book style. I’ll investigate.
So far, the main criticism has been that I’ve pretty much filled the space where color could go. Okay, probably because I didn’t originally start drawing them with a coloring book in mind. Then there’s trying to sell some of these.
Oh, and I have to do a drawing of a stand up paddleboarder before I can go farther.
When I get the portfolio/book thing sorted out, this might go on the plain brown cover, handy for shipping, stealing…still working on it.

The next thing I need to do is get a collection of my colored-in stuff together, get them reduced, make up a montage for the back cover, all the inside stuff black and white; like, you know, a cheap magazine. Perhaps the portfolio/envelope could be a bit larger than the inside pages so folks can stick some colored pencils inside, whip ’em out when they’re ready to colorize; on a break, at a break (that’s not breaking); out to coffee, on a train; in public or in private. COLOR! Oh, I just did some coloring on this one because, as usual, Trisha’s assessment was, “Done? I’d say overdone?” “Great.” “Is that a question?” “No.”

Because I’m dead-ass serious about getting my coloring book together, I’m searching through some of my older drawings. I redid this one to make it more… I don’t want to say professional; let’s say cleaner.

I’m doing some work for “The Printery” in Port Townsend, with the goal of trading out some of the profit to pay for a few more copies, and maybe something a little more ‘professional.’ Yeah, now I’ll say professional.







































And I have more. I’m hoping to do about forty images; still figuring out some sort of portfolio arrangement, rather than a book form; open it up, pull one out, do some coloring.
If you draw on it long enough, keep adding to it, it eventually becomes gray.

This is the third version. Partway through the first version I decided to add the beams of light. Too late, too sketch-like. Partway through the second version I decided… well, there were things I liked about each of those, and my evaluator, Trish, liked the first one best. But, partially because I’m working on putting together a ‘real surfers’ coloring book, I went with something, probably a bit more, um, draftsman-like. Nah; can’t quite master that. I have this, and, when I tried to make a copy, this weird tire-tread-like line went down the right side, so, not risking the original, I may not actually color this. Yet.
Really on the coloring book. I’m just trying to figure out how I can do it at a reasonable price, and, of course, how the hell I’ll try to market it.
A great deal of what I know about surfing was learned through an amalgamation of my own trying and failing, reading, conversations with Frank at nxnw, and watching Archie. It would go like this: I would see Archie surfing, try to emulate and fail, go do a ton of research about what I saw and how it worked and how I failed, then talk to Frank about what I was reading and get some well-needed trimming and redirection from him. Eventually, it got to a point where it all started coming together, and Archie and I were surfing together quite a bit; and it was so incredibly beneficial. What a smart, stylish man…simultaneously capable of wise, incisive critiques and nearly limitless patience delivered with a special economy of language derived from being an already reserved man operating in a second language.
It’s not the coast, there isn’t going to be waves all the time. The straits are a place made for a surfer like Archie, a fickle, intricate, complex set of oceanography where the payoff is glassy, longboard gliders. I saw Archie ride 6″ waves all the way into the rivermouth crouched like a baseball catcher and, incredibly, 20 or 30 yards upstream into the river. It’s slow, foggy, winding, damp drives on mossy roads and cold water. I followed the Torino and the Ranchero rumbling along in my pickup at mellow speeds into town for dinner after cold sessions. It’s a skunker, a day wasting, soul crushing gas burner for those who cannot or will not put in the time and effort to figure it all out and arrive at just the right moment for the magic….it’s a natural club when you figure it out and start showing up to find the same people every time.
When my work and living situation changed, and I was forced to leave my surfing gear and move to make a living; Archie made a tiny, perfectly-shaped longboard out of driftwood from the strait; and he sent it with a small note saying that now I would always have a board. Having this arrive while I was driving trucks in the plains was so incredibly meaningful. It was perhaps one of the most thoughtful gestures anyone has ever made toward me…setting in stone my resolve to work through hard times and return myself to the sea.
Literally, today, I’m working through projects with my 79 Ford…which was bought because a surfer should have a stylish and functional rig, it was bought with memories of Archie’s Torino wagon rolling snow tires on cragers. Waves here are fickle and infrequent as well, not nearly as tricky to call but colder and more physically demanding. I carry a synthesis of Archie with me as I go, in my internal jury, carefully discerning what would be the most stylish, most efficient, most refined, most balanced way…regardless of my ability to achieve those levels, I carry the standard he set and it makes me a better person.