Going Not-Quite-Full-Picasso

It was Trisha’s pinochle night and it was going a bit past my bedtime and she wasn’t answering either of her two cell phones (the cheap one works almost everywhere, the fancy one almost nowhere, but it does work at Chick’s house). I was fooling around, sketching, waiting, did this.

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A bit frustrated that I had no place to put a surfboard or anything referring to surf, I started thinking about Picasso.

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Not to explain, but I wanted to keep some of the white from the board flowing into the background (that is, eliminating some of the outside line), and I thought about going a bit Dali on the background. And, I thought about adding a more rendered woman peering around the board. Too many lines in the background to add this. Mostly I decided it was done. For now.

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So, I did the black and white drawing (above), wasn’t too stoked on the heaviness of the part of the wave curling over the rider, but added some (too much) color anyway. It’s hard to go back and simplify. Redraw.  Thinking about it. I also added some color to an earlier drawing (middle) that made it just way too…(I’m torn between ‘sexy’ and ‘erotic’, though I don’t want to get into this discussion again) erotic.

Oh, I must add that surfer/librarian Keith Darrock commented on the new header: “You mean the one where you’re just standing there?” “Yeah, but the wave goes on forever.” Trish said, “Yeah, it’s very pretty. Did you make the wave?” “I’m saying I did.” Keith said, “Yeah, you probably did.”

 

Two New Surf Illustrations

I ran into Andrew, another house painter, up in Port Townsend yesterday. Checking out a historic building in the Uptown area, stepping back into the street, I practically ran into him as he got out of his car. We had passed each other at the paint store, but this time he was out of costume and carrying a small painting on canvas. It was a scene of this very street, almost black and white. Because I have questionable social skills, I took it from him, checked it out.

Andrew is through, he says, with exterior painting for the season. “Oh. No, it’s still warm enough,” I said. No, I’m no where near through with exterior painting.  He plans on building his inventory of paintings. “You make any money on this,” I asked as he took his painting back. “Maybe in a couple of years.”

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“Realsurfer.net” has always been a portfolio builder for me. And, with longer nights, I’ve been on a bit of a roll, lately. Trish recommended (strongly) that I not add color to the drawing above. I thought it looks ‘beatnik and 1959-ish,’ she says it’s Art Deco-ish. I probably will make a copy and color that. Oh, more than probably.

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While the top drawing evolved from a sketch, the lower drawing came from some reference material; specifically a photo of Kahea Hart at Backdoor Pipeline by Pete Hodgson/AFrame. This time, because Trish had trouble discerning the surfer’s head from the background, she insisted I add some color. No, I didn’t make a copy first. Darn.

A Woman/Wave Connection

We went out and bought a new computer because I couldn’t print anything and had to do my postponed, as usual, taxes.

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That didn’t mean the problems were over, particularly with transferring drawings to my site. This piece actually took about as long to get here as it took to draw. Well, not quite. Still, my hope is that I’ll remember how I did the scan/transfer and the find-it-in-the-computer, and the transfer-it-to-the-site.  Of course, now I have to figure out why the edges all get crooked.

Potential World Local tshirt designs

I’ve always wanted to design stuff for t shirts. I’ve had a couple done (by others, I just supplied the art) for local musical events. Being basically cheap, and having some experience at silkscreening (mostly on flat paper and such, my attempts at t shirt printing did not go well), I figured one color stuff would save a few bucks. So…

It's supposed to read 'world local.' I'll probably go back and put the globe into the lettering as I did in the lower graphic. And, since I have copies, I'll, no doubt, be coloring these two.

It’s supposed to read ‘world local.’ I’ll probably go back and put the globe into the lettering as I did in the lower graphic. And, since I have copies, I’ll, no doubt, be coloring these two.

It's meant to be 'world local-er' as in, perhaps, just a bit... yeah, you get it; a homeless person who sleeps under the pier is obviously more local than you.

It’s meant to be ‘world local-er’ as in, perhaps, just a bit… yeah, you get it; a homeless person who sleeps under the pier is obviously more local than you.

Clinton Burks on Point Grenville, Me on Jeff Parrish and Tom Decker, and a new Illustration

I received this comment in response to one of the most popular, over time, posts, “Tom Decker and Jeff Parrish.” Noticing the consistent number of hits the piece seems to get, I thought either Tom Decker, well known to pretty much anyone who surfs at Westport over the last twenty-five years, is a name people google, then find my article; or Jeff sends friends to check out what I wrote about him. I’ve had a sort of suspicion that, always just trying the real story, I may have written something that would or should offend Jeff. Since Jeff’s wife, Ruth, has started surfing, and, actually, before that, he seems to have other people he prefers to surf with (and, yes, I am somewhat hurt by this, but no longer whine about it when I see Jeff’s father-in-law, Jim Hodgson, at the post office.). Because I got this comment, I checked.

Yeah, maybe Jeff had a tough outing, called-out by Mr. Decker; but he’s not alone in that. I do drop the name (Tom Decker, though I always ask people from Seattle if they know Jeff. “Which Jeff?” They all know at least one) with folks from Westport, or those who say they surf there a lot, when I see them looking for waves on the Strait. Maybe Tom has mellowed; other names are mentioned as enforcers at the Groins and the Jetty.

So, here’s the contribution:

Clinton Burks (@soloncircus)

Erwin,

If it’s of any value to the surfing community, I’d like to recite some first-hand oral history about Pt. Grenville.

I surfed there from 1967 to -69, when I was in high school. We just showed up with surfboards and camped for the weekend, without any fuss from “authorities.”

Then, in 1969, we showed up as usual, and a truck pulled up and a well-spoken, close-shaved Indian came over to us in an very authoritarian manner, and spoke to us ominously, “Where are you boys from?”

“Bremerton,” we said.

Then he looked at the rock cliffs covered in grafitti, and most of it was the names of various high schools painted in great big letters in a wide variety of colors.

He paused and said, “If I looked up at these rocks and saw ‘West Bremerton,’ or ‘East Bremerton’ written here, I’d arrest you and put you in jail. But as it is, you can just leave.”

So we got kicked out, and never went back. Good thing us Bremerton guys specialize more in thievery and violence, and “school spirit” was for “soces.” Besides, our writing skills were sketchy, anyway.

In 1970 I heard that some friends tried to go there, and the Quinaults confiscated their boards and they had to pay fines. I left the state in 1970, and have not heard anything about it since, except for your piece on this web page.

BTW, concerning Washington surfing at the time, I had the feeling that Pt. Grenville was the only place, because the waves were dependable. I wasn’t part of any big surfing “scene,” because there were so few of us, so I don’t know if there were many guys scouting all the coastline in the state, looking for a good break. In those days, I’d never heard of surfing at Westport. (What’s more, I lived the 1970s in San Francisco, and never heard of Mavericks, though no one else seemed to know about it, either.) People in Bremerton were always going there for more fishing. When we got out of high school, it seemed like everyone went to Hawaii, got jobs, and stayed for awhile.

Aside: We didn’t use wet suits. When I was aged 6 to 9, I spent the summers living in a tent and a beach cabin at La Push, because my father was a commercial fisherman out of there & Neah Bay. My mom told me, “Just wait till you get numb, and you can play in the surf all day.” She was right. Last time I did it was 2010.

Clint Burks

So, I really don’t know anything about Mr. Burks except that he must be about my age, possibly another member of the class of 1969. And I have heard a few stories about Point Grenville in the mid 1960s, some which might explain why the beach was closed. Still, the image of some waves peeling off that point…

Here’s my latest illustration:

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Chasing the Diamonds; Quilted, Kenetic, Allusive

My sister, Melissa Lynch, the real artist in the family, scolded me for being in any way apologetic for my drawings. Yeah, well; I would like to be honest. If I could capture the building blocks of always-moving water, figure out how to weave a seamless shadowed/reflective/glimmering/black/white/multi-hued image I would.

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If I could.

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Since I can’t; yet; I’ll keep trying.

Meanwhile, I’m still in the thinking-it-through phase of a piece I must write under the working title of: “Are All Surfers Sociopaths; or Just the Good Ones?”

Three Acts: ACT ONE- several highschool surfing buddies and I surf Swamis after school. The only other surfers out are three (also high school age) members of the Surfboards Hawaii Surf Team. On the drive home, my friends complain they couldn’t catch any (or enough) waves. I hadn’t noticed, being busy catching waves and watching incredible longboard surfing. ONE, PART 2- One of my friends (Ray Hicks, most likely) points out (I think this was the day I ripped out my pants and had to borrow a pair of Levis from Billy McLean) that, when encountering other surfers of about our age, I seem to puff out my chest. “Maybe you’re intimidated.” “Yeah; probably.” “It’s, uh, like a gorilla.” “You mean, like, primal?” “Yeah, probably.”

ACT TWO- During the last week of my job up the hill from Trestles, taking an hour and a half break during my half hour official lunchtime, some surfer (I’ve always believed he was a Marine Officer) burned me and everyone else (I still got some, but not as many as usual waves). When I checked back at my half hour afternoon (supposed to be ten minutes) break, the guy was still out, still burning surfers mercilessly. I didn’t hate him; maybe he was going somewhere sucky, where a rifle was mandatory, for a while.

ACT THREE- My friend Stephen Davis, last time I spoke with him on the phone, mostly about his upcoming trip to the Oregon Coast and the chance I might meet him somewhere (probably won’t happen); had to, (had to) mention how I fell out of favor with many members of the Port Townsend surfing crew (very unofficial) because, over-amped, I (accidentally, I swear)wave-hogged on a day almost two years ago. Two years ago. Jeez. When I mentioned this on the phone this morning with Keith Darrock, and that I’m no more a sociopath than he is, and I do have empathy, whatever that is, he had to (had to) mention his observation that I’m kind of loud and possibly abrasive (see how he was tactful about this?) in the water, and, also, incidentally, I do seem to “kind of strut in the parking lot.” “WHAT? ME? No, it’s just being friendly.” (I am laughing at this point, but, also, thinking. Is he right?) “Like a rooster. And, oh,” he adds, has to add, “You kind of stick out your chest. And…and it seems like you want to dominate (I’m adding ‘even in’) the parking lot.”

There is no ACT FOUR where I try to change my ways, get all friendly and nice; empathize with those who won’t (before hand) or didn’t get enough waves. Empathize. I did tell Keith I’d rather attempt to empathize than be one of those who didn’t get enough waves. Maybe they’ll get points toward sainthood. No true contrition. Sorry. At least not so far. But, I am thinking; and since I can’t afford professional help, I’ll have to self-diagnose.

STEP ONE-“Yes, it’s all true.” See you in the parking lot.

Second Colorized Illustration- “Tucking In”

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I added a few more lines from the original black and white drawing after I added the color. The original was pretty much a sketch with a lot of white space. At one point I added some thick black lines to sort of frame it. That took away some of the sense of speed. Adding the color may have done the same thing. Hopefully not. I’m ready to draw someone making a bottom turn, all the action at the bottom right (could be the left), with nothing but white space on the top side opposite. No, maybe just the hint of a lip peeling over. No. Yes; maybe.

First in a Series of Newly-Colorized B&W Drawings

Because I actually have a large number of drawings in my portfolio, and wanted to display as many as possible for the recent (and extensively covered in realsurfers.net) Surf Culture on the Strait of Juan de Fuca and the Salish Sea Event, I took some time, dug through various shelves and drawers and drawing books, and found quite a few of the variously-sized originals, some previously-made copies; took them all to The Printery in Port Townsend, and, with a lot of help for the money, got them sized to fit on 8&1/2 by 11 inch shinier, heavier stock, and placed them in five stacks on a six foot piece of 12 inch wide pine.

Almost instantly I wanted to add color to many of them. Oops; too hard to color on the shiny stock. But, I do have a scanner/printer. Here’s the first. There will be more.

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Not so stoked on the way yellow reads like semi-worn out magic marker, but, not apologizing. And, somewhere here I’ll have to write about how I got some small waves today; small but… hey, look for both “Erwin Would Go, But What Will He Do When It’s Over A Foot?” and “If You Were Happy With Your Last Session, Don’t Talk to Adam Wipeout.” I have some photos; might even have some of me on really tiny waves.

In Case You Missed the Surf Culture Event

Here’s the piece I read, with minimal ad-libbing, at the recent Surf Culture On the Strait of Juan de Fuca and the Salish Sea Event. I plan on adding some more photos, but it’ll probably be in another post. A pretty successful event- no one drowned, though I did hear some coughing.

CONJURING UP SOME MAGIC

ONE- I knew the two young guys, one on a soft top, the other on a yellow-but-at-one-time-white board were from Gold Bar, a town somewhere between I-5 and the Cascade Mountains. Because I asked them. Nicely. But I always ask surfers I haven’t seen before. This time, we were at a spot that, legend has it, sometimes features rights, off the island. That’s a clue. I’ve only experienced this lowtide phenomenon once; closeouts across the small bay many times.

Archie and I had gotten skunked at the place we had wanted to surf. At this spot there was a sandbar, there was a makeable right. There were several other surfers out, including a guy on the longest longboard ever, paddling with way too much nose out of the water (sure sign of a beginner/kook), but waiting in the perfect spot, catching the best waves (as in, the ones I wanted), jumping up, clumsily riding, arms flailing, and, somehow, making waves.

“Hey,” I said, nicely, “you don’t need that much nose out of the water.” “Hey,” he said, kind of snottily, looking at me kneepaddling a stand up paddleboard; “aren’t you supposed to be standing up on that thing?” “Oh,” I said, “yeah, I think so.” Eventually, whether or not he appreciated it, the surfer from… I didn’t ask where he came from… he got a rare treat; really great waves. Archie and I enjoyed them for another forty-five minutes after Long Longboard Guy left. Then the waves left.

But, the Gold Bar Boys. On this day it was a very high tide and the waves were wrapping around what in normally beach rather than sandbar. The best waves ended up in the creek. Another clue. “Um, maybe, if you want to actually catch waves, you might move over here,” I offered. “Thank you, sir.”

So, several waves later; and this was a few years ago, and I was on a non-SUP… just so you know… I took off and did what old fat guys who have ripped or torn, or merely worn out, tendons and ligaments on each knee, do on very small-but-peeling waves; I rode them on my knees. That made the wave, like, chest high. One of the Goldies was on the shoulder, doing the head down paddle-like-you-mean-it, and… and I know every gremmie practices this, the jump up to spiderman move, on the carpet of his mom’s house, out in the schoolyard to impress inland girls, wherever, and, whether they’ve actually caught the wave or not, the beginner is likely to leap up.

This time Goldie did catch the wave, jumped up, arms pumping, and actually was trimming down the line, on the shoulder, totally unaware I was behind him. Kneeboarding. It’s a long wave, as I intimated, and, though my fin was almost dragging, I kept going, into the creek. The wave sort of died in the deeper water, I did a smooth pullout while he just sort of stepped off the side of his board. He didn’t appear shocked he had ridden a party wave with a guy who isn’t fond of party waves, turned to me and said,

“That was EPIC!”

“Um; yeah, it was.”

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TWO

Up until a certain point in my board surfing… career, life, experience… I truly believed, and frequently stated, that I could remember every wave I’d ever ridden. And, further, I believed that there was something magical about catching, riding, or even watching a wave from the first line on the horizon, to the last wash up the beach.

I still believe in the magic, and, though I have trouble remembering individual rides, even from my most recent session, my mental harddrive is crammed with images from 50 years of board surfing, with mat surfing, surfie surfing, body surfing before that, and, possibly, I like to believe, even some foggy recollection from my first three years of life, on the beach in Surf City, North Carolina, toddling down a bit of an incline, somewhat ahead of my mother, toward the waves.

Waves. The early morning light on the east coast is like evening on the west; the view from the water reverses the colors, dawn to dusk. In winter, on the Strait of Juan de Fuca, the sun hugging the mountains, it’s dawn all day. And then it’s dark.

The images are all so clear; things I’ve seen- storm surf with sideways-ripped waves, lines of broken soup to the horizon, indicator sets in the kelp beds with the greenest color on the wall as each wave lifts, toward the peak angle on a surfer hard against the wall, a whale in the darker corner of a cove blowing a geyser, the view of waves between the houses and along the low sections of old Highway 101, Oceanside to La Jolla, nineteen fifty-something.

And more. I can conjure up the photo of Rincon from the hill, from a mid-sixties “Surfer” magazine, a guy on the hill at dawn, witnessing lines to the horizon, and… and maybe you know the photo.

So, my beginning hypothesis was: If we store a mental slideshow, and add to it over time, then, if a surfer wants to do some mind surfing, at any given time, those images can be brought forth, and that would be magic. And I want surfing to be magic.

The problem is, all our memories are fiction. There’s some Master Record of All Truth, and then there’s our version. “Overhead and glassy at an afternoon session at Cardiff Reef in 1967, the time Phillip Harper had to get rescued?” Maybe.

And that photo. I looked for it online. No, it was afternoon, the same lines at Rincon to the horizon, and published in “Surfer” in 1973. 1973? What? Can’t be. I wasn’t studying surfing magazines in 1973; maybe a glance at the grocery store.

If I’m wrong about that, what about the image of the competitor freesurfing before the Oceanside Invitational in 1965? My slideshow has the guy taking off, dropping with the wave, an attempt at a headdip turning into a vicious lip-to-the-head, pile-driving wipeout. Wrong. I was the kook, paddling out because I was too embarrassed by my sister, Suellen, running around the beach, collecting autographs from surfers like Mike Doyle, even chatting with Doyle’s mother, that kind of thing. The real truth might be that the surfer possibly could have made the wave if some gremmie hadn’t been directly in his way.

Still, I like my fiction better.

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THREE

It was still an hour and a half before dawn when three Peter Pans met at Fat Smitty’s, quickly moving boards onto and gear into the vehicle owned by the oldest of the three Pans. Heading west/northwest, coffee and expectations bouncing around inside, there would be adventure and excitement on this, as with most expeditions. Stories would be created: The drunk/or/sleepy driver; traffic tickets; a ripped-loose leash and a lost board saved by Big Dave; waves cresting near the pilings; the guy with the Shamrock on his board shoving Brett’s board back as he attempted to even a score for undue set wave hogging, and the follow-up screaming match in the lineup.

But, each of the Peters ended up with his fictional(-ized, maybe just slightly) account to save; each of us caught enough waves, got enough good rides. Other things, like real life, could be discussed on the way back home.

A few days after the above session, Jeff, a guy I occasionally sought waves with before his wife, my daughter’s old school friend, Ruth, got into surfing and they became what I call a ‘surfing power couple’, and who I didn’t realize was on the beach on that day, sent me a video of me ripping three bottom turns and totally in position on three sections before making a smooth kickout.

So, I was right. I do rip.

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FOUR

So, here’s the go pro my daughter bought me. Thanks, Dru. GoPro selfies always, and it doesn’t matter if the surfer is on a small wave or huge, just look like someone doing calisthetics. But, a shot down the line… better.

If you could access your mental slideshow, bring up a just-glassed-off afternoon session. Now, a wave approaches. You paddle over to get near the peak. You wait, wait, then turn, throw your weight down, then use that rebound to start your paddle. One stroke, two; you’re dropping. You lean a bit more toward the peak, allowing the board’s dropping ease your leap to your feet, with, in the same motion, a smooth turn off the bottom. You spot a place high on the shoulder and down the line… When you hit it, you’re so close to the top, ribs of feathering wave in front of you. There’s a real question as to whether you can make the wave. You shift your weight forward, allowing the back inside edge of your board to release.

There’s one moment, the briefest of moments here for you to tuck, drive…

All right, so you made the wave. Great. Or you wiped out. That happens. No big deal, unless you had put yourself in that one moment; then it’s memorable. Click.

Now you’re looking up the barrel at me in a similar moment. I’m standing tall, allowing the lip to move my hand back and down as my board freefalls a bit. At that questionable moment of making it or not, I just can’t help but channel some ancient surfing magic, and lean back, arch, and I may be screaming some one-syllable non-word. “Owwwwww!” which really means, “hey, look at this.”

I want you to add this image to your harddrive, and, later, when you bring it back up, and bearing in mind you just got a great ride, you can only respond by saying, “That was EPIC!”

May all your sessions be epic. May all your magic be real. Thanks

Slightly Overdrawn, Overbusy “Strait” Poster

What I was going for, of course, was that look of classic produce labels. What I have to offer, perhaps, that other artists pursuing surf-related images, is a background as a sign painter. If I’d made the lettering fatter, I might not have gotten too busy with the other images. As soon as it was done, I knew it was overdone. Damn! I considered cutting out the main lettering, chucking everything else, going with a darker, bluer background, with horizontal stripes. This would play into the ‘strait’-ness.

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Yeah, I still might do some cutting and pasting, like, with a real knife and paste. Meanwhile…