Dawn All Christmas Day

There are things we all have to do today; traditions; people to visit; maybe a movie, maybe dinner out. Or in. Maybe you get to watch the expressions; anticipation, excitement, possibly unguarded joy; of your children, of those you love, unwrapping gifts. Maybe someone you love is watching your expressions. Maybe you’re sleeping in as a gift to yourself. I have things to do; some place far away to be later that means doing this is as close to surfing as I’ll get today; oh, maybe check out the waves near my Dad’s house in Ilwaco if I get there in time.

I did, as always, check the buoy reports. Errrrrhhh. Someone is getting a present; a few slides while the rest of us… well, if it happens to be you, great. Anticipation, excitement, possibility unguarded joy. May the waves wrap around you, and, then, unwrap at just the perfect moment.

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But, now, tomorrow; that’s a different story. Whoa; just discovered the colors got way too bold; at least on this computer.

New Semi-Surf-Related Art by Melissa Lynch

My sister (and realartist) Melissa Lynch sent me her newest illustrations the other day. I, of course, a little confused by the technique but excited by the images, asked if I could use them on my site.

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The illustrations are titled “Troubled Shores I” and “Troubled Shores II,” and refer to the ongoing Mideast-to-Europe refugee crisis. They demand some study, and with the world-wide implications of desperate people sacrificing everything to escape violence and terror, finding greed and fear and, for way too many, death at sea; with politicians using fear and hatred as campaign strategy; with radicalized assholes killing for some perverted version of what they claim is religion but is not about any god but, rather, about more power… well, we can’t help but be caught in this.

It’s interesting that Melissa includes the Statue of Liberty. Perhaps the ‘huddled masses’ already here are… yes, the drawing has me thinking of things I was already thinking of, the consequences of whipped-up fear and hatred; but my worst fears are that there is no other America to run to.

Here’s what Melissa wrote to me:
I sent them for your use if you want to use them. No worries if not. They are mixed media, using a transfer method for the background texture, which is images from the internet about the refugees, a photo of the Statue of Liberty, and the “Raft of the Medusa” by Théodore Géricault (1791–1824). Then I drew on that background with pastel chalk. It was for my class and the assignment was to use the “Raft of the Medusa” as a springboard to react to current events. I titled it “Teeming Shores” or “Shores 2015”.

I used the same method and “appropriated” your wave illustration on an earlier piece (giving you credit of course). You might be interested in it too. If so, feel free to use it.
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The Raft of the Medusa as inspiration 
Alternate process; Collage: Photo-copy transfers, Glue, and India Ink. 
* Wave background appropriated from my brother, Erwin Dence. 
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Raft of the Medusa Inspired – Detail
This is a detail of a larger work which was inspired by the painting by Géricault, depicting a great tragedy. 

This work depicts myself playing in the sand as a child, a wave threatens to wipe me out. The woman in the foreground depicts my mother who passed away when I was very young, and my father, distraught with sorrow, and despair. The other women surrounding me and holding back the wave depict the many other “mothers” who stepped in to help protect and guide throughout my life; sisters, sister-in-law, step-mother, friends’ mothers, teachers, and aunts, and as an adult, my very dear friends. The wave itself, appropriated from my brother, though depicted here as a destructive force, also represents his help and guidance in my rearing, without which I wouldn’t be who I am today.

PS. “The Ragged Line” illustration was accepted to the Illinois Board of Higher Education 1 year exhibit!
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I am claiming (because it’s the way I remember it) Melissa drew this to illustrate a short story I wrote with the same title. I take no credit for her talent. And, since I’m showcasing her work, here’s another, Winter At Sea:
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Illustration for World Mind-Surfing League

I’m going to insert this into the piece, but, since I have enough folks who get a message, psychic or over the mysterious intranet, when I post something new, I’m putting it here first. I’ve got a secret (okay, letting you in on it) plan to get this to the WSL, which I love (and was watching earlier, before the Seahawks game started. Wouldn’t it be great if they did a little skit where…

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…Hey, if you have some contacts… that’d be great. Greater. Also, I wouldn’t have finished the drawing if the surf had just cooperated and followed the forecast.

In Progress, In Color

I do appreciate a clean illustration. I just can’t seem to keep mine from getting ‘busy.’ Here is a sketch (actually third sketch) of my idea for a card for the shortest days of the year, the days when the sun, up on the USA’s north shore, barely clears the Olympics, when it’s dawn from dawn to dark.

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NOTE: I only added my name at this stage (usually I wait until the drawing’s done, then go back and add some more lines and dots and maybe color) because, if you’ll notice, I overran the corner. Here are in-color versions of two (older) drawings from my last post. Yeah, I saved the black and whites.

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Just Chchch-Changing a Few Things

Back at Palomar Community College, taking all the art classes I could get into, I never quite fit into the scene. This was 1969-71, and it seemed more important to look like an artist than to actually turn out something original or real. Things haven’t changed that much. I really started this paragraph to say that I also took creative writing; also didn’t seem to fit in. Thing is, the artists seemed to think I was really better suited as a writer, the writers (not that I asked them, it was painful enough to act like I didn’t hate their stuff) seemed to think I was more an artsy guy.

The problem persists. It should be noted that my drawing is more influenced by Rick Griffin’s work in “Surfer” than anything I learned in class; my writing… well, nowadays I just write the way I want to write. But let me add, I so appreciate any image, verbal or visual (include music and song and, sometimes, smell) that causes me to stop for a second, or longer, just to enjoy; temporarily overwhelmed.

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I plan on adding some color to the ones that are still black and white. And I have more to work on, while, meanwhile, I’m working on a drawing that might be my Christmas (or fill in your choice of solstice celebrations) card. I’m imagining a view from the back of a wave, with the Olympics in the background. I’m having some trouble finding reference material for something from that vantage point. But, I’ll pay more attention next time I go surfing.

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“Damn Strait” and “Energy Between the Lines”

I’ve been trying to come up with a line that conveys the message that there are never any decent waves on the Strait of Juan de Fuca; or if there are, they’re rare fickle and probably not worth the effort of looking for them. Everyone who has tried a few times has been skunked on a percentage of these trips. The drawing is utter fantasy. Sometimes the waves are, too.

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I’m also always trying to come up with a slogan for realsurfers.net other than “shoulder hoppers and name droppers.”

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As with everything, working on it. Since I fired up the printer/scanner, I figure I should add at least one more so I can do a medium size; something one can look at without moving the image up and down. The waves may be going off right this minute. Somewhere, they no doubt are.

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Not that it’s all that relevant, but, after getting the drawings reduced and a couple of copies at the Fed-Ex/Kinko (unless they’ve dropped the Kinko altogether) yesterday, I made some inquiries as to what it would cost to put together a little book of illustrations. I discovered that… well, my second or third question was, “Then how does anyone make any money with books?” “Um, maybe a… printshop? Volume? Um; hey, we don’t know. That’ll be $3.66 for the copies. Oh, and you have some pens?” This morning I discovered the pens that make that in-between line I really need, the two-pack… blue. Not black. Blue. Blue like one gets from a trip to the Strait. Maybe the good kind of blue. Damn, I could have been there by now.

Sorry, I was just interrupted by Adam Wipeout. “I think it’s firing.” Bluer.

Going Not-Quite-Full-Picasso

It was Trisha’s pinochle night and it was going a bit past my bedtime and she wasn’t answering either of her two cell phones (the cheap one works almost everywhere, the fancy one almost nowhere, but it does work at Chick’s house). I was fooling around, sketching, waiting, did this.

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A bit frustrated that I had no place to put a surfboard or anything referring to surf, I started thinking about Picasso.

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Not to explain, but I wanted to keep some of the white from the board flowing into the background (that is, eliminating some of the outside line), and I thought about going a bit Dali on the background. And, I thought about adding a more rendered woman peering around the board. Too many lines in the background to add this. Mostly I decided it was done. For now.

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So, I did the black and white drawing (above), wasn’t too stoked on the heaviness of the part of the wave curling over the rider, but added some (too much) color anyway. It’s hard to go back and simplify. Redraw.  Thinking about it. I also added some color to an earlier drawing (middle) that made it just way too…(I’m torn between ‘sexy’ and ‘erotic’, though I don’t want to get into this discussion again) erotic.

Oh, I must add that surfer/librarian Keith Darrock commented on the new header: “You mean the one where you’re just standing there?” “Yeah, but the wave goes on forever.” Trish said, “Yeah, it’s very pretty. Did you make the wave?” “I’m saying I did.” Keith said, “Yeah, you probably did.”

 

Two New Surf Illustrations

I ran into Andrew, another house painter, up in Port Townsend yesterday. Checking out a historic building in the Uptown area, stepping back into the street, I practically ran into him as he got out of his car. We had passed each other at the paint store, but this time he was out of costume and carrying a small painting on canvas. It was a scene of this very street, almost black and white. Because I have questionable social skills, I took it from him, checked it out.

Andrew is through, he says, with exterior painting for the season. “Oh. No, it’s still warm enough,” I said. No, I’m no where near through with exterior painting.  He plans on building his inventory of paintings. “You make any money on this,” I asked as he took his painting back. “Maybe in a couple of years.”

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“Realsurfer.net” has always been a portfolio builder for me. And, with longer nights, I’ve been on a bit of a roll, lately. Trish recommended (strongly) that I not add color to the drawing above. I thought it looks ‘beatnik and 1959-ish,’ she says it’s Art Deco-ish. I probably will make a copy and color that. Oh, more than probably.

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While the top drawing evolved from a sketch, the lower drawing came from some reference material; specifically a photo of Kahea Hart at Backdoor Pipeline by Pete Hodgson/AFrame. This time, because Trish had trouble discerning the surfer’s head from the background, she insisted I add some color. No, I didn’t make a copy first. Darn.

A Woman/Wave Connection

We went out and bought a new computer because I couldn’t print anything and had to do my postponed, as usual, taxes.

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That didn’t mean the problems were over, particularly with transferring drawings to my site. This piece actually took about as long to get here as it took to draw. Well, not quite. Still, my hope is that I’ll remember how I did the scan/transfer and the find-it-in-the-computer, and the transfer-it-to-the-site.  Of course, now I have to figure out why the edges all get crooked.

Potential World Local tshirt designs

I’ve always wanted to design stuff for t shirts. I’ve had a couple done (by others, I just supplied the art) for local musical events. Being basically cheap, and having some experience at silkscreening (mostly on flat paper and such, my attempts at t shirt printing did not go well), I figured one color stuff would save a few bucks. So…

It's supposed to read 'world local.' I'll probably go back and put the globe into the lettering as I did in the lower graphic. And, since I have copies, I'll, no doubt, be coloring these two.

It’s supposed to read ‘world local.’ I’ll probably go back and put the globe into the lettering as I did in the lower graphic. And, since I have copies, I’ll, no doubt, be coloring these two.

It's meant to be 'world local-er' as in, perhaps, just a bit... yeah, you get it; a homeless person who sleeps under the pier is obviously more local than you.

It’s meant to be ‘world local-er’ as in, perhaps, just a bit… yeah, you get it; a homeless person who sleeps under the pier is obviously more local than you.