“Damn Strait” and “Energy Between the Lines”

I’ve been trying to come up with a line that conveys the message that there are never any decent waves on the Strait of Juan de Fuca; or if there are, they’re rare fickle and probably not worth the effort of looking for them. Everyone who has tried a few times has been skunked on a percentage of these trips. The drawing is utter fantasy. Sometimes the waves are, too.

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I’m also always trying to come up with a slogan for realsurfers.net other than “shoulder hoppers and name droppers.”

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As with everything, working on it. Since I fired up the printer/scanner, I figure I should add at least one more so I can do a medium size; something one can look at without moving the image up and down. The waves may be going off right this minute. Somewhere, they no doubt are.

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Not that it’s all that relevant, but, after getting the drawings reduced and a couple of copies at the Fed-Ex/Kinko (unless they’ve dropped the Kinko altogether) yesterday, I made some inquiries as to what it would cost to put together a little book of illustrations. I discovered that… well, my second or third question was, “Then how does anyone make any money with books?” “Um, maybe a… printshop? Volume? Um; hey, we don’t know. That’ll be $3.66 for the copies. Oh, and you have some pens?” This morning I discovered the pens that make that in-between line I really need, the two-pack… blue. Not black. Blue. Blue like one gets from a trip to the Strait. Maybe the good kind of blue. Damn, I could have been there by now.

Sorry, I was just interrupted by Adam Wipeout. “I think it’s firing.” Bluer.

Going Not-Quite-Full-Picasso

It was Trisha’s pinochle night and it was going a bit past my bedtime and she wasn’t answering either of her two cell phones (the cheap one works almost everywhere, the fancy one almost nowhere, but it does work at Chick’s house). I was fooling around, sketching, waiting, did this.

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A bit frustrated that I had no place to put a surfboard or anything referring to surf, I started thinking about Picasso.

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Not to explain, but I wanted to keep some of the white from the board flowing into the background (that is, eliminating some of the outside line), and I thought about going a bit Dali on the background. And, I thought about adding a more rendered woman peering around the board. Too many lines in the background to add this. Mostly I decided it was done. For now.

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So, I did the black and white drawing (above), wasn’t too stoked on the heaviness of the part of the wave curling over the rider, but added some (too much) color anyway. It’s hard to go back and simplify. Redraw.  Thinking about it. I also added some color to an earlier drawing (middle) that made it just way too…(I’m torn between ‘sexy’ and ‘erotic’, though I don’t want to get into this discussion again) erotic.

Oh, I must add that surfer/librarian Keith Darrock commented on the new header: “You mean the one where you’re just standing there?” “Yeah, but the wave goes on forever.” Trish said, “Yeah, it’s very pretty. Did you make the wave?” “I’m saying I did.” Keith said, “Yeah, you probably did.”

 

Two New Surf Illustrations

I ran into Andrew, another house painter, up in Port Townsend yesterday. Checking out a historic building in the Uptown area, stepping back into the street, I practically ran into him as he got out of his car. We had passed each other at the paint store, but this time he was out of costume and carrying a small painting on canvas. It was a scene of this very street, almost black and white. Because I have questionable social skills, I took it from him, checked it out.

Andrew is through, he says, with exterior painting for the season. “Oh. No, it’s still warm enough,” I said. No, I’m no where near through with exterior painting.  He plans on building his inventory of paintings. “You make any money on this,” I asked as he took his painting back. “Maybe in a couple of years.”

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“Realsurfer.net” has always been a portfolio builder for me. And, with longer nights, I’ve been on a bit of a roll, lately. Trish recommended (strongly) that I not add color to the drawing above. I thought it looks ‘beatnik and 1959-ish,’ she says it’s Art Deco-ish. I probably will make a copy and color that. Oh, more than probably.

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While the top drawing evolved from a sketch, the lower drawing came from some reference material; specifically a photo of Kahea Hart at Backdoor Pipeline by Pete Hodgson/AFrame. This time, because Trish had trouble discerning the surfer’s head from the background, she insisted I add some color. No, I didn’t make a copy first. Darn.

A Woman/Wave Connection

We went out and bought a new computer because I couldn’t print anything and had to do my postponed, as usual, taxes.

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That didn’t mean the problems were over, particularly with transferring drawings to my site. This piece actually took about as long to get here as it took to draw. Well, not quite. Still, my hope is that I’ll remember how I did the scan/transfer and the find-it-in-the-computer, and the transfer-it-to-the-site.  Of course, now I have to figure out why the edges all get crooked.

Chasing the Diamonds; Quilted, Kenetic, Allusive

My sister, Melissa Lynch, the real artist in the family, scolded me for being in any way apologetic for my drawings. Yeah, well; I would like to be honest. If I could capture the building blocks of always-moving water, figure out how to weave a seamless shadowed/reflective/glimmering/black/white/multi-hued image I would.

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If I could.

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Since I can’t; yet; I’ll keep trying.

Meanwhile, I’m still in the thinking-it-through phase of a piece I must write under the working title of: “Are All Surfers Sociopaths; or Just the Good Ones?”

Three Acts: ACT ONE- several highschool surfing buddies and I surf Swamis after school. The only other surfers out are three (also high school age) members of the Surfboards Hawaii Surf Team. On the drive home, my friends complain they couldn’t catch any (or enough) waves. I hadn’t noticed, being busy catching waves and watching incredible longboard surfing. ONE, PART 2- One of my friends (Ray Hicks, most likely) points out (I think this was the day I ripped out my pants and had to borrow a pair of Levis from Billy McLean) that, when encountering other surfers of about our age, I seem to puff out my chest. “Maybe you’re intimidated.” “Yeah; probably.” “It’s, uh, like a gorilla.” “You mean, like, primal?” “Yeah, probably.”

ACT TWO- During the last week of my job up the hill from Trestles, taking an hour and a half break during my half hour official lunchtime, some surfer (I’ve always believed he was a Marine Officer) burned me and everyone else (I still got some, but not as many as usual waves). When I checked back at my half hour afternoon (supposed to be ten minutes) break, the guy was still out, still burning surfers mercilessly. I didn’t hate him; maybe he was going somewhere sucky, where a rifle was mandatory, for a while.

ACT THREE- My friend Stephen Davis, last time I spoke with him on the phone, mostly about his upcoming trip to the Oregon Coast and the chance I might meet him somewhere (probably won’t happen); had to, (had to) mention how I fell out of favor with many members of the Port Townsend surfing crew (very unofficial) because, over-amped, I (accidentally, I swear)wave-hogged on a day almost two years ago. Two years ago. Jeez. When I mentioned this on the phone this morning with Keith Darrock, and that I’m no more a sociopath than he is, and I do have empathy, whatever that is, he had to (had to) mention his observation that I’m kind of loud and possibly abrasive (see how he was tactful about this?) in the water, and, also, incidentally, I do seem to “kind of strut in the parking lot.” “WHAT? ME? No, it’s just being friendly.” (I am laughing at this point, but, also, thinking. Is he right?) “Like a rooster. And, oh,” he adds, has to add, “You kind of stick out your chest. And…and it seems like you want to dominate (I’m adding ‘even in’) the parking lot.”

There is no ACT FOUR where I try to change my ways, get all friendly and nice; empathize with those who won’t (before hand) or didn’t get enough waves. Empathize. I did tell Keith I’d rather attempt to empathize than be one of those who didn’t get enough waves. Maybe they’ll get points toward sainthood. No true contrition. Sorry. At least not so far. But, I am thinking; and since I can’t afford professional help, I’ll have to self-diagnose.

STEP ONE-“Yes, it’s all true.” See you in the parking lot.

First in a Series of Newly-Colorized B&W Drawings

Because I actually have a large number of drawings in my portfolio, and wanted to display as many as possible for the recent (and extensively covered in realsurfers.net) Surf Culture on the Strait of Juan de Fuca and the Salish Sea Event, I took some time, dug through various shelves and drawers and drawing books, and found quite a few of the variously-sized originals, some previously-made copies; took them all to The Printery in Port Townsend, and, with a lot of help for the money, got them sized to fit on 8&1/2 by 11 inch shinier, heavier stock, and placed them in five stacks on a six foot piece of 12 inch wide pine.

Almost instantly I wanted to add color to many of them. Oops; too hard to color on the shiny stock. But, I do have a scanner/printer. Here’s the first. There will be more.

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Not so stoked on the way yellow reads like semi-worn out magic marker, but, not apologizing. And, somewhere here I’ll have to write about how I got some small waves today; small but… hey, look for both “Erwin Would Go, But What Will He Do When It’s Over A Foot?” and “If You Were Happy With Your Last Session, Don’t Talk to Adam Wipeout.” I have some photos; might even have some of me on really tiny waves.

Melissa Lynch watercolor, “Boys on the Beach,” Featured

My sister, Melissa Lynch, texted me the other morning to tell me how annoying it is to her that I seem to apologize for my illustrations. I texted back, asking why this watercolor, which I thought was actually titled,”Boys on the Beach,” wasn’t on my site. Texts can be so easily misinterpreted, so, after a couple of confused back-and-forths, I called her.

The upshot is this: I’m a fricking genius and my stuff is incredible.

So, no more apologizing.

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However, it should be quite obvious why I’m intimidated by my sister’s work. The watercolor is a commissioned work, done for a woman who lost one of her four sons. Though Melissa criticized what I thought was merely me candidly explaining my process, she did say, in reference to the piece, that she wanted to add a hint of the (stuck for a word here, don’t want to say ‘mystical’ or ‘divine,’ as they are words too easily pushed in one direction or another)… mysterious.

And she, of course, succeeded. We discussed how fear plays into art, how we each strive to replicate what we see in our minds. “Blah, blah, blah” you can quite rightly say, “it’s like poets pathetically pontificating.” No, don’t say that.

Did I say ‘intimidated?’ I meant ‘inspired.’ It’s just that my medium, and my muse, and my, um, choice of subject matter… what I go for is, what I’m striving to attain is… I’ll stop. Okay, geniusness. It’s just that… it’s just that I know better. Not apologizing, however. Thanks again, Melissa.

Slightly Overdrawn, Overbusy “Strait” Poster

What I was going for, of course, was that look of classic produce labels. What I have to offer, perhaps, that other artists pursuing surf-related images, is a background as a sign painter. If I’d made the lettering fatter, I might not have gotten too busy with the other images. As soon as it was done, I knew it was overdone. Damn! I considered cutting out the main lettering, chucking everything else, going with a darker, bluer background, with horizontal stripes. This would play into the ‘strait’-ness.

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Yeah, I still might do some cutting and pasting, like, with a real knife and paste. Meanwhile…

Flyer and Update (and more updates) on Surf Culture on the Strait Event

P1060887First, here’s a shot of Port Townsend librarian, and curator of the upcoming Surf Culture Event, Keith Darrock taken by Tim Nolan on an above-average (average being flat) day at a not-unknown spot on the Strait of Juan de Fuca. “Chest high” we’re saying. You’ll notice Keith measuring.

PaulStrauchFiveFor comparison, here’s a shot of Paul Strauch, Executive Director of the Surfing Heritage and Culture Center in San Clemente, in a classic photo at Haleiwa, performing the same maneuver, formerly called “The Paul Strauch Stretch” or “Paul Strauch Five.” No comment on the wave size.

Keith will be on the local Port Townsend radio station, KPTZ, 91.9, on Friday, June 19, sometime between 4 and 6 pm, on the FreeSpin program, hosted by Ron McElroy; the program also featuring surf music in honor of International Surf Day, June 20. KPTZ is online if you’re out of range.

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All right; here’s the flyer. The graphics were done by Cindy Whacker. There will be more updates to come as other artists and exhibitors are signing on. So, check back.