In Progress, In Color

I do appreciate a clean illustration. I just can’t seem to keep mine from getting ‘busy.’ Here is a sketch (actually third sketch) of my idea for a card for the shortest days of the year, the days when the sun, up on the USA’s north shore, barely clears the Olympics, when it’s dawn from dawn to dark.

Image (19)

NOTE: I only added my name at this stage (usually I wait until the drawing’s done, then go back and add some more lines and dots and maybe color) because, if you’ll notice, I overran the corner. Here are in-color versions of two (older) drawings from my last post. Yeah, I saved the black and whites.

insidebrkSldrClrrealsurfersDrpInClr

Just Chchch-Changing a Few Things

Back at Palomar Community College, taking all the art classes I could get into, I never quite fit into the scene. This was 1969-71, and it seemed more important to look like an artist than to actually turn out something original or real. Things haven’t changed that much. I really started this paragraph to say that I also took creative writing; also didn’t seem to fit in. Thing is, the artists seemed to think I was really better suited as a writer, the writers (not that I asked them, it was painful enough to act like I didn’t hate their stuff) seemed to think I was more an artsy guy.

The problem persists. It should be noted that my drawing is more influenced by Rick Griffin’s work in “Surfer” than anything I learned in class; my writing… well, nowadays I just write the way I want to write. But let me add, I so appreciate any image, verbal or visual (include music and song and, sometimes, smell) that causes me to stop for a second, or longer, just to enjoy; temporarily overwhelmed.

Image (15)Image (16)insidebreakSlider

I plan on adding some color to the ones that are still black and white. And I have more to work on, while, meanwhile, I’m working on a drawing that might be my Christmas (or fill in your choice of solstice celebrations) card. I’m imagining a view from the back of a wave, with the Olympics in the background. I’m having some trouble finding reference material for something from that vantage point. But, I’ll pay more attention next time I go surfing.

Image (18)

Going Not-Quite-Full-Picasso

It was Trisha’s pinochle night and it was going a bit past my bedtime and she wasn’t answering either of her two cell phones (the cheap one works almost everywhere, the fancy one almost nowhere, but it does work at Chick’s house). I was fooling around, sketching, waiting, did this.

Image (5)

A bit frustrated that I had no place to put a surfboard or anything referring to surf, I started thinking about Picasso.

Image (6)Image (9)Image (7)

Not to explain, but I wanted to keep some of the white from the board flowing into the background (that is, eliminating some of the outside line), and I thought about going a bit Dali on the background. And, I thought about adding a more rendered woman peering around the board. Too many lines in the background to add this. Mostly I decided it was done. For now.

Image (8)realsurfersNotattoos 001Image (11)Image (10)

So, I did the black and white drawing (above), wasn’t too stoked on the heaviness of the part of the wave curling over the rider, but added some (too much) color anyway. It’s hard to go back and simplify. Redraw.  Thinking about it. I also added some color to an earlier drawing (middle) that made it just way too…(I’m torn between ‘sexy’ and ‘erotic’, though I don’t want to get into this discussion again) erotic.

Oh, I must add that surfer/librarian Keith Darrock commented on the new header: “You mean the one where you’re just standing there?” “Yeah, but the wave goes on forever.” Trish said, “Yeah, it’s very pretty. Did you make the wave?” “I’m saying I did.” Keith said, “Yeah, you probably did.”

 

Two New Surf Illustrations

I ran into Andrew, another house painter, up in Port Townsend yesterday. Checking out a historic building in the Uptown area, stepping back into the street, I practically ran into him as he got out of his car. We had passed each other at the paint store, but this time he was out of costume and carrying a small painting on canvas. It was a scene of this very street, almost black and white. Because I have questionable social skills, I took it from him, checked it out.

Andrew is through, he says, with exterior painting for the season. “Oh. No, it’s still warm enough,” I said. No, I’m no where near through with exterior painting.  He plans on building his inventory of paintings. “You make any money on this,” I asked as he took his painting back. “Maybe in a couple of years.”

Image (4)

“Realsurfer.net” has always been a portfolio builder for me. And, with longer nights, I’ve been on a bit of a roll, lately. Trish recommended (strongly) that I not add color to the drawing above. I thought it looks ‘beatnik and 1959-ish,’ she says it’s Art Deco-ish. I probably will make a copy and color that. Oh, more than probably.

Image (3)

While the top drawing evolved from a sketch, the lower drawing came from some reference material; specifically a photo of Kahea Hart at Backdoor Pipeline by Pete Hodgson/AFrame. This time, because Trish had trouble discerning the surfer’s head from the background, she insisted I add some color. No, I didn’t make a copy first. Darn.

Chasing the Diamonds; Quilted, Kenetic, Allusive

My sister, Melissa Lynch, the real artist in the family, scolded me for being in any way apologetic for my drawings. Yeah, well; I would like to be honest. If I could capture the building blocks of always-moving water, figure out how to weave a seamless shadowed/reflective/glimmering/black/white/multi-hued image I would.

realsurfersquilted 001

If I could.

realsurfersquiltcolor 001

Since I can’t; yet; I’ll keep trying.

Meanwhile, I’m still in the thinking-it-through phase of a piece I must write under the working title of: “Are All Surfers Sociopaths; or Just the Good Ones?”

Three Acts: ACT ONE- several highschool surfing buddies and I surf Swamis after school. The only other surfers out are three (also high school age) members of the Surfboards Hawaii Surf Team. On the drive home, my friends complain they couldn’t catch any (or enough) waves. I hadn’t noticed, being busy catching waves and watching incredible longboard surfing. ONE, PART 2- One of my friends (Ray Hicks, most likely) points out (I think this was the day I ripped out my pants and had to borrow a pair of Levis from Billy McLean) that, when encountering other surfers of about our age, I seem to puff out my chest. “Maybe you’re intimidated.” “Yeah; probably.” “It’s, uh, like a gorilla.” “You mean, like, primal?” “Yeah, probably.”

ACT TWO- During the last week of my job up the hill from Trestles, taking an hour and a half break during my half hour official lunchtime, some surfer (I’ve always believed he was a Marine Officer) burned me and everyone else (I still got some, but not as many as usual waves). When I checked back at my half hour afternoon (supposed to be ten minutes) break, the guy was still out, still burning surfers mercilessly. I didn’t hate him; maybe he was going somewhere sucky, where a rifle was mandatory, for a while.

ACT THREE- My friend Stephen Davis, last time I spoke with him on the phone, mostly about his upcoming trip to the Oregon Coast and the chance I might meet him somewhere (probably won’t happen); had to, (had to) mention how I fell out of favor with many members of the Port Townsend surfing crew (very unofficial) because, over-amped, I (accidentally, I swear)wave-hogged on a day almost two years ago. Two years ago. Jeez. When I mentioned this on the phone this morning with Keith Darrock, and that I’m no more a sociopath than he is, and I do have empathy, whatever that is, he had to (had to) mention his observation that I’m kind of loud and possibly abrasive (see how he was tactful about this?) in the water, and, also, incidentally, I do seem to “kind of strut in the parking lot.” “WHAT? ME? No, it’s just being friendly.” (I am laughing at this point, but, also, thinking. Is he right?) “Like a rooster. And, oh,” he adds, has to add, “You kind of stick out your chest. And…and it seems like you want to dominate (I’m adding ‘even in’) the parking lot.”

There is no ACT FOUR where I try to change my ways, get all friendly and nice; empathize with those who won’t (before hand) or didn’t get enough waves. Empathize. I did tell Keith I’d rather attempt to empathize than be one of those who didn’t get enough waves. Maybe they’ll get points toward sainthood. No true contrition. Sorry. At least not so far. But, I am thinking; and since I can’t afford professional help, I’ll have to self-diagnose.

STEP ONE-“Yes, it’s all true.” See you in the parking lot.

Second Colorized Illustration- “Tucking In”

realsurfersColorTwo 001

I added a few more lines from the original black and white drawing after I added the color. The original was pretty much a sketch with a lot of white space. At one point I added some thick black lines to sort of frame it. That took away some of the sense of speed. Adding the color may have done the same thing. Hopefully not. I’m ready to draw someone making a bottom turn, all the action at the bottom right (could be the left), with nothing but white space on the top side opposite. No, maybe just the hint of a lip peeling over. No. Yes; maybe.

First in a Series of Newly-Colorized B&W Drawings

Because I actually have a large number of drawings in my portfolio, and wanted to display as many as possible for the recent (and extensively covered in realsurfers.net) Surf Culture on the Strait of Juan de Fuca and the Salish Sea Event, I took some time, dug through various shelves and drawers and drawing books, and found quite a few of the variously-sized originals, some previously-made copies; took them all to The Printery in Port Townsend, and, with a lot of help for the money, got them sized to fit on 8&1/2 by 11 inch shinier, heavier stock, and placed them in five stacks on a six foot piece of 12 inch wide pine.

Almost instantly I wanted to add color to many of them. Oops; too hard to color on the shiny stock. But, I do have a scanner/printer. Here’s the first. There will be more.

realsurferscrystalballcolor 001

Not so stoked on the way yellow reads like semi-worn out magic marker, but, not apologizing. And, somewhere here I’ll have to write about how I got some small waves today; small but… hey, look for both “Erwin Would Go, But What Will He Do When It’s Over A Foot?” and “If You Were Happy With Your Last Session, Don’t Talk to Adam Wipeout.” I have some photos; might even have some of me on really tiny waves.

S(Heart)P Man and Bucky Meet in the Water

SUPmanHowWeDoThings 001

I was trying to shuffle my drawing stuff off the table so I could set my dinner down, holding the hot plate in one hand. It was chicken, with a nice sauce. That’s what got on the drawing; hence the black border on the left side. My friend, hydrosexual Stephen Davis, who is working on some illustrations to be posted on this site, and who went to something more like an actual art school than Palomar Junior College, said, when told of the accident, “Oh, that’s what makes art great. It’s like the Dada thing.” “The Dada thing?” “Yeah.” “Well, then, Stephen Davis, If that’s so, my stuff has always been maximum Dada; smudges, hand prints, coffee cup rings, coffee spewed from my mustache.” “Maximum.” “Oh, at least. Oh, and Steve; the last drawing, Trish said, the guy, who looks kind of like my brother Jon, has gorilla hands.” “Oh. Uh huh.”

There is a story developing here (I mean, with the drawings). Trish told me I got the paddle handle wrong; more like a cane. She was, of course, right. She didn’t comment on the hands. Yet. Oh, and Stephen’s drawings, from cellphone photos are approved (by Trish, and, of course, me). Stay tuned.

realsurfersSUPman 001SUPmanPageOneColor 001SUPmanRhondaColor 001supmanBUCKYclr 001SUPmanHowWeDoThings 001

A Moment Before The Swoop

realsurfersSwoop 001eagleswooping

At the height of a projection, the speed of the original drop used to get to this point, down the line and up into the thinnest part of the wave, hanging, suspended, the right hand holding nothing more than a level, the left hand only holding balance when and where there is none without the speed itself…hold that weightlessness… hold it.  When the hand opens…

ACKNOWLEDGEMENTS: The drawing is based on (as opposed to copied from) a photo of Keanu Asing competing at Lower Trestles during the recent Hurley WQS event. I looked through eighty photos supplied by the World Surfing League, airs and rotations and cutbacks and… at this moment, on this ride, there are choices. Were choices. I can imagine an adjustment that allows a freefall from the lip, even a tuck into the pocket. I can imagine a cutback into the whitewater.