The Same Wind

Does this drawing make me look gay? I only ask because, going back to do some work on it, adding the black lines (and I should add that the color, in person, is more intense and the lines that form the border are actually even on all four sides), I asked my wife, Trish, as I usually do, what she thought. “Pretty,” she said. Then she chuckled. “Is it meant to be… um… a gay wave?” “What? No. I just wanted to add some rainbows on a wave and… oh; now I see it.” This started a conversation that made me ask her if the rainbow lei, the faded one that’s been hanging, along with a Saint Christopher medal and a long-worn-out scenty thing, for about a hundred thousand miles, on the mirror in the old work/surf van, which had originally been her mini-van (way cleaner, didn’t smell like paint OR wetsuits)… um, is that a… I mean I always just thought it was, you know, Hawaiian… it’s not… I mean, would someone think that…I mean, it’s not, like, a rainbow coalition-y thing?”

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Yesterday, in my new surf/not-work wagon, I was looking for surf on the Straits of Juan de Fuca. There’s been a serious lack of properly-aligned swell for most of February, and, though I’d almost decided to trek the extra hour or so to the coast, it looked like the waves might just cooperate at the second secret spot I checked. So I hung around, thinking how the coast has been the place to go all this winter; offshore winds, reasonably sized waves… no, I’d go out here and catch a few, maybe my timing would seem, once the long peelers started hitting the reef, brilliant.

Didn’t happen. The same east wind that was blowing against the open palms of the broken lines approaching the shores beyond the farthest headland I could see, out where the sun had already broken through the squalls; that same wind was reeling around the little point, ripping scars into the weak energy pockets I was trying to harness. I don’t give up easily.  ‘Exercise,’ ‘practice,’ ‘just had to get wet,’ take your choice. ‘Desperate’ is another motivational catch phrase.

And the wind got stronger, soon howling across the swells as they moved past me, sideways, tops blowing off. Once I got my fill of practice and exercise, once I had gotten wet and was no longer as desperate, using my car as a buffer, and just as I was about to lean over to grab my hoodie from the front seat… woosh! Whoa! Head dip! My big ass board flew over me, landed eight feet away.

The duck and tuck was the best surf move I’d made all day. And I did get home in time to check the buoys and the camera at La Push (not a secret spot). Swell up, direction better, and that same east wind that would bring better weather today was grooming the outside peaks. Brilliant.

“Maybe my mistake,” I told Trish about the time I realized the contest at Snapper Rocks had been on line for hours, and Kelly Slater had already lost in round one, “was I went too early.” “Oh,” she said, in sort of a mock-caring tone, “and now it’s almost dark.” By the time we had the discussion about the gayness, real or imagined, of my drawing, the women’s surfing had started. Full screen. Full color.

Trish looked at a replay of a woman in a bright orange bikini bottom bottom-turning into a decent walled-up section. She looked at me. “It’s Hawaiian,” she said. “What? Oh. Uh huh; I thought so.”

Hey, take a few minutes, when you get a chance, and check out ‘Inside Break,’ the novelization, a couple of place down from here. Thanks.

“Caught Inside” triptych, in progress

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It’s not like I’m looking for a vote, but: I did two versions for the right side of a possible triptych. I did the one on the right first but wasn’t completely stoked, mainly, I must admit, because the woman just didn’t look too attractive. Trish voted (because I asked her to), for the one on the right. This was before I did more work on the middle one, of which Trish said, “She’s prettier, but she doesn’t look happy.” “Oh, but the other one’s not too attractive.” “Either is the guy in the first one.” Well, maybe with some color… check back later. Thanks.

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so, a little color and… I still like the one on the right, but… later on this one.

Oceanside with Lightning, Ice Cream, and Melvin Glouser’s Farmers’ Toes

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So, when I get around to it (soon), I’ll put in the story. Or, you can check out the story in the next piece down. It took me wayyy too long to get the illustration from the new (son Sean’s old) printer to here, so, maybe I’ll (it’s technical speak I really don’t understand)… just stick the story in here and delete the previous piece.

I could explain the drawing and how I really wanted to make it trickier, maybe with the parking lot actually being the glassy waves and the Oceanside Pier, and the lightning, and the ice cream, and… and, and, we all want to just be better, don’t we?

You Knew You Couldn’t Capture the Magic or the Madness

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The thing about color, as opposed to black and white scratching, is that, once you start, you’re going to have to figure out where you want to go. The problem with black and white scratching is, well, once you take a wrong line, it’s so hard to pull back.

So, I made a few copies of the black and white, thinking I could just forget the ones where I screwed up; look for that balance; still driving down the line. Lines.

 

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Forward, Downward, Sideways-Down

NOTE: I reposted this in order to add a new illustration. The latest addition to realsurfers is the story and illustration on an encounter with James Arness at San Onofre in 1967.  Maybe I’ll repost that in order to get it to the top of the site.

I once bragged, and even believed
I could remember every wave I’d ridden up to that point.
Now they (the memories) are waves, waves of waves, and lulls,
and if I remember one or more from a particular time;
the first one, the one I rode in on, the one on which I couldn’t help but laugh,
hoot, arch my back as I ride, in equal parts,
across, forward and sideways-down.
Moments, waves of moments.

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Ah, but I also believe there’s song, music and words,
slightly out of the rhythm,
instant, too fast, out of control, sideways-down.
Waves of sound and a bit of broken verse.
At volume loud enough to recall.