Satiated, Satisfied, Ready for More

Image (26)

I was dissatisfied with the results when I added color to this drawing. I may try it again. Meanwhile, here’s a drawing for something I haven’t written yet. So, I’ll contemplate the complicated issue of wave lust while I scan the forecasts and the horizon, think about how great it might just be, and, probably, consider how long it’s been since I got a really super-satisfying surf experience, and how… you get the point. Even those who participated in, and were completely satiated by a recent feast of wave action, are ready for, ready for more.

Image (25)

Okay, so maybe I have now written enough. May your wave lust never be completely (as in, only, completely) satisfied.

 

In Progress, In Color

I do appreciate a clean illustration. I just can’t seem to keep mine from getting ‘busy.’ Here is a sketch (actually third sketch) of my idea for a card for the shortest days of the year, the days when the sun, up on the USA’s north shore, barely clears the Olympics, when it’s dawn from dawn to dark.

Image (19)

NOTE: I only added my name at this stage (usually I wait until the drawing’s done, then go back and add some more lines and dots and maybe color) because, if you’ll notice, I overran the corner. Here are in-color versions of two (older) drawings from my last post. Yeah, I saved the black and whites.

insidebrkSldrClrrealsurfersDrpInClr

Just Chchch-Changing a Few Things

Back at Palomar Community College, taking all the art classes I could get into, I never quite fit into the scene. This was 1969-71, and it seemed more important to look like an artist than to actually turn out something original or real. Things haven’t changed that much. I really started this paragraph to say that I also took creative writing; also didn’t seem to fit in. Thing is, the artists seemed to think I was really better suited as a writer, the writers (not that I asked them, it was painful enough to act like I didn’t hate their stuff) seemed to think I was more an artsy guy.

The problem persists. It should be noted that my drawing is more influenced by Rick Griffin’s work in “Surfer” than anything I learned in class; my writing… well, nowadays I just write the way I want to write. But let me add, I so appreciate any image, verbal or visual (include music and song and, sometimes, smell) that causes me to stop for a second, or longer, just to enjoy; temporarily overwhelmed.

Image (15)Image (16)insidebreakSlider

I plan on adding some color to the ones that are still black and white. And I have more to work on, while, meanwhile, I’m working on a drawing that might be my Christmas (or fill in your choice of solstice celebrations) card. I’m imagining a view from the back of a wave, with the Olympics in the background. I’m having some trouble finding reference material for something from that vantage point. But, I’ll pay more attention next time I go surfing.

Image (18)

Going Not-Quite-Full-Picasso

It was Trisha’s pinochle night and it was going a bit past my bedtime and she wasn’t answering either of her two cell phones (the cheap one works almost everywhere, the fancy one almost nowhere, but it does work at Chick’s house). I was fooling around, sketching, waiting, did this.

Image (5)

A bit frustrated that I had no place to put a surfboard or anything referring to surf, I started thinking about Picasso.

Image (6)Image (9)Image (7)

Not to explain, but I wanted to keep some of the white from the board flowing into the background (that is, eliminating some of the outside line), and I thought about going a bit Dali on the background. And, I thought about adding a more rendered woman peering around the board. Too many lines in the background to add this. Mostly I decided it was done. For now.

Image (8)realsurfersNotattoos 001Image (11)Image (10)

So, I did the black and white drawing (above), wasn’t too stoked on the heaviness of the part of the wave curling over the rider, but added some (too much) color anyway. It’s hard to go back and simplify. Redraw.  Thinking about it. I also added some color to an earlier drawing (middle) that made it just way too…(I’m torn between ‘sexy’ and ‘erotic’, though I don’t want to get into this discussion again) erotic.

Oh, I must add that surfer/librarian Keith Darrock commented on the new header: “You mean the one where you’re just standing there?” “Yeah, but the wave goes on forever.” Trish said, “Yeah, it’s very pretty. Did you make the wave?” “I’m saying I did.” Keith said, “Yeah, you probably did.”

 

Two New Surf Illustrations

I ran into Andrew, another house painter, up in Port Townsend yesterday. Checking out a historic building in the Uptown area, stepping back into the street, I practically ran into him as he got out of his car. We had passed each other at the paint store, but this time he was out of costume and carrying a small painting on canvas. It was a scene of this very street, almost black and white. Because I have questionable social skills, I took it from him, checked it out.

Andrew is through, he says, with exterior painting for the season. “Oh. No, it’s still warm enough,” I said. No, I’m no where near through with exterior painting.  He plans on building his inventory of paintings. “You make any money on this,” I asked as he took his painting back. “Maybe in a couple of years.”

Image (4)

“Realsurfer.net” has always been a portfolio builder for me. And, with longer nights, I’ve been on a bit of a roll, lately. Trish recommended (strongly) that I not add color to the drawing above. I thought it looks ‘beatnik and 1959-ish,’ she says it’s Art Deco-ish. I probably will make a copy and color that. Oh, more than probably.

Image (3)

While the top drawing evolved from a sketch, the lower drawing came from some reference material; specifically a photo of Kahea Hart at Backdoor Pipeline by Pete Hodgson/AFrame. This time, because Trish had trouble discerning the surfer’s head from the background, she insisted I add some color. No, I didn’t make a copy first. Darn.

A Woman/Wave Connection

We went out and bought a new computer because I couldn’t print anything and had to do my postponed, as usual, taxes.

Image (2)

That didn’t mean the problems were over, particularly with transferring drawings to my site. This piece actually took about as long to get here as it took to draw. Well, not quite. Still, my hope is that I’ll remember how I did the scan/transfer and the find-it-in-the-computer, and the transfer-it-to-the-site.  Of course, now I have to figure out why the edges all get crooked.

Clinton Burks on Point Grenville, Me on Jeff Parrish and Tom Decker, and a new Illustration

I received this comment in response to one of the most popular, over time, posts, “Tom Decker and Jeff Parrish.” Noticing the consistent number of hits the piece seems to get, I thought either Tom Decker, well known to pretty much anyone who surfs at Westport over the last twenty-five years, is a name people google, then find my article; or Jeff sends friends to check out what I wrote about him. I’ve had a sort of suspicion that, always just trying the real story, I may have written something that would or should offend Jeff. Since Jeff’s wife, Ruth, has started surfing, and, actually, before that, he seems to have other people he prefers to surf with (and, yes, I am somewhat hurt by this, but no longer whine about it when I see Jeff’s father-in-law, Jim Hodgson, at the post office.). Because I got this comment, I checked.

Yeah, maybe Jeff had a tough outing, called-out by Mr. Decker; but he’s not alone in that. I do drop the name (Tom Decker, though I always ask people from Seattle if they know Jeff. “Which Jeff?” They all know at least one) with folks from Westport, or those who say they surf there a lot, when I see them looking for waves on the Strait. Maybe Tom has mellowed; other names are mentioned as enforcers at the Groins and the Jetty.

So, here’s the contribution:

Clinton Burks (@soloncircus)

Erwin,

If it’s of any value to the surfing community, I’d like to recite some first-hand oral history about Pt. Grenville.

I surfed there from 1967 to -69, when I was in high school. We just showed up with surfboards and camped for the weekend, without any fuss from “authorities.”

Then, in 1969, we showed up as usual, and a truck pulled up and a well-spoken, close-shaved Indian came over to us in an very authoritarian manner, and spoke to us ominously, “Where are you boys from?”

“Bremerton,” we said.

Then he looked at the rock cliffs covered in grafitti, and most of it was the names of various high schools painted in great big letters in a wide variety of colors.

He paused and said, “If I looked up at these rocks and saw ‘West Bremerton,’ or ‘East Bremerton’ written here, I’d arrest you and put you in jail. But as it is, you can just leave.”

So we got kicked out, and never went back. Good thing us Bremerton guys specialize more in thievery and violence, and “school spirit” was for “soces.” Besides, our writing skills were sketchy, anyway.

In 1970 I heard that some friends tried to go there, and the Quinaults confiscated their boards and they had to pay fines. I left the state in 1970, and have not heard anything about it since, except for your piece on this web page.

BTW, concerning Washington surfing at the time, I had the feeling that Pt. Grenville was the only place, because the waves were dependable. I wasn’t part of any big surfing “scene,” because there were so few of us, so I don’t know if there were many guys scouting all the coastline in the state, looking for a good break. In those days, I’d never heard of surfing at Westport. (What’s more, I lived the 1970s in San Francisco, and never heard of Mavericks, though no one else seemed to know about it, either.) People in Bremerton were always going there for more fishing. When we got out of high school, it seemed like everyone went to Hawaii, got jobs, and stayed for awhile.

Aside: We didn’t use wet suits. When I was aged 6 to 9, I spent the summers living in a tent and a beach cabin at La Push, because my father was a commercial fisherman out of there & Neah Bay. My mom told me, “Just wait till you get numb, and you can play in the surf all day.” She was right. Last time I did it was 2010.

Clint Burks

So, I really don’t know anything about Mr. Burks except that he must be about my age, possibly another member of the class of 1969. And I have heard a few stories about Point Grenville in the mid 1960s, some which might explain why the beach was closed. Still, the image of some waves peeling off that point…

Here’s my latest illustration:

realsurfersUPcolor 001

Chasing the Diamonds; Quilted, Kenetic, Allusive

My sister, Melissa Lynch, the real artist in the family, scolded me for being in any way apologetic for my drawings. Yeah, well; I would like to be honest. If I could capture the building blocks of always-moving water, figure out how to weave a seamless shadowed/reflective/glimmering/black/white/multi-hued image I would.

realsurfersquilted 001

If I could.

realsurfersquiltcolor 001

Since I can’t; yet; I’ll keep trying.

Meanwhile, I’m still in the thinking-it-through phase of a piece I must write under the working title of: “Are All Surfers Sociopaths; or Just the Good Ones?”

Three Acts: ACT ONE- several highschool surfing buddies and I surf Swamis after school. The only other surfers out are three (also high school age) members of the Surfboards Hawaii Surf Team. On the drive home, my friends complain they couldn’t catch any (or enough) waves. I hadn’t noticed, being busy catching waves and watching incredible longboard surfing. ONE, PART 2- One of my friends (Ray Hicks, most likely) points out (I think this was the day I ripped out my pants and had to borrow a pair of Levis from Billy McLean) that, when encountering other surfers of about our age, I seem to puff out my chest. “Maybe you’re intimidated.” “Yeah; probably.” “It’s, uh, like a gorilla.” “You mean, like, primal?” “Yeah, probably.”

ACT TWO- During the last week of my job up the hill from Trestles, taking an hour and a half break during my half hour official lunchtime, some surfer (I’ve always believed he was a Marine Officer) burned me and everyone else (I still got some, but not as many as usual waves). When I checked back at my half hour afternoon (supposed to be ten minutes) break, the guy was still out, still burning surfers mercilessly. I didn’t hate him; maybe he was going somewhere sucky, where a rifle was mandatory, for a while.

ACT THREE- My friend Stephen Davis, last time I spoke with him on the phone, mostly about his upcoming trip to the Oregon Coast and the chance I might meet him somewhere (probably won’t happen); had to, (had to) mention how I fell out of favor with many members of the Port Townsend surfing crew (very unofficial) because, over-amped, I (accidentally, I swear)wave-hogged on a day almost two years ago. Two years ago. Jeez. When I mentioned this on the phone this morning with Keith Darrock, and that I’m no more a sociopath than he is, and I do have empathy, whatever that is, he had to (had to) mention his observation that I’m kind of loud and possibly abrasive (see how he was tactful about this?) in the water, and, also, incidentally, I do seem to “kind of strut in the parking lot.” “WHAT? ME? No, it’s just being friendly.” (I am laughing at this point, but, also, thinking. Is he right?) “Like a rooster. And, oh,” he adds, has to add, “You kind of stick out your chest. And…and it seems like you want to dominate (I’m adding ‘even in’) the parking lot.”

There is no ACT FOUR where I try to change my ways, get all friendly and nice; empathize with those who won’t (before hand) or didn’t get enough waves. Empathize. I did tell Keith I’d rather attempt to empathize than be one of those who didn’t get enough waves. Maybe they’ll get points toward sainthood. No true contrition. Sorry. At least not so far. But, I am thinking; and since I can’t afford professional help, I’ll have to self-diagnose.

STEP ONE-“Yes, it’s all true.” See you in the parking lot.

Second Colorized Illustration- “Tucking In”

realsurfersColorTwo 001

I added a few more lines from the original black and white drawing after I added the color. The original was pretty much a sketch with a lot of white space. At one point I added some thick black lines to sort of frame it. That took away some of the sense of speed. Adding the color may have done the same thing. Hopefully not. I’m ready to draw someone making a bottom turn, all the action at the bottom right (could be the left), with nothing but white space on the top side opposite. No, maybe just the hint of a lip peeling over. No. Yes; maybe.

First in a Series of Newly-Colorized B&W Drawings

Because I actually have a large number of drawings in my portfolio, and wanted to display as many as possible for the recent (and extensively covered in realsurfers.net) Surf Culture on the Strait of Juan de Fuca and the Salish Sea Event, I took some time, dug through various shelves and drawers and drawing books, and found quite a few of the variously-sized originals, some previously-made copies; took them all to The Printery in Port Townsend, and, with a lot of help for the money, got them sized to fit on 8&1/2 by 11 inch shinier, heavier stock, and placed them in five stacks on a six foot piece of 12 inch wide pine.

Almost instantly I wanted to add color to many of them. Oops; too hard to color on the shiny stock. But, I do have a scanner/printer. Here’s the first. There will be more.

realsurferscrystalballcolor 001

Not so stoked on the way yellow reads like semi-worn out magic marker, but, not apologizing. And, somewhere here I’ll have to write about how I got some small waves today; small but… hey, look for both “Erwin Would Go, But What Will He Do When It’s Over A Foot?” and “If You Were Happy With Your Last Session, Don’t Talk to Adam Wipeout.” I have some photos; might even have some of me on really tiny waves.