In Case You Missed the Surf Culture Event

Here’s the piece I read, with minimal ad-libbing, at the recent Surf Culture On the Strait of Juan de Fuca and the Salish Sea Event. I plan on adding some more photos, but it’ll probably be in another post. A pretty successful event- no one drowned, though I did hear some coughing.

CONJURING UP SOME MAGIC

ONE- I knew the two young guys, one on a soft top, the other on a yellow-but-at-one-time-white board were from Gold Bar, a town somewhere between I-5 and the Cascade Mountains. Because I asked them. Nicely. But I always ask surfers I haven’t seen before. This time, we were at a spot that, legend has it, sometimes features rights, off the island. That’s a clue. I’ve only experienced this lowtide phenomenon once; closeouts across the small bay many times.

Archie and I had gotten skunked at the place we had wanted to surf. At this spot there was a sandbar, there was a makeable right. There were several other surfers out, including a guy on the longest longboard ever, paddling with way too much nose out of the water (sure sign of a beginner/kook), but waiting in the perfect spot, catching the best waves (as in, the ones I wanted), jumping up, clumsily riding, arms flailing, and, somehow, making waves.

“Hey,” I said, nicely, “you don’t need that much nose out of the water.” “Hey,” he said, kind of snottily, looking at me kneepaddling a stand up paddleboard; “aren’t you supposed to be standing up on that thing?” “Oh,” I said, “yeah, I think so.” Eventually, whether or not he appreciated it, the surfer from… I didn’t ask where he came from… he got a rare treat; really great waves. Archie and I enjoyed them for another forty-five minutes after Long Longboard Guy left. Then the waves left.

But, the Gold Bar Boys. On this day it was a very high tide and the waves were wrapping around what in normally beach rather than sandbar. The best waves ended up in the creek. Another clue. “Um, maybe, if you want to actually catch waves, you might move over here,” I offered. “Thank you, sir.”

So, several waves later; and this was a few years ago, and I was on a non-SUP… just so you know… I took off and did what old fat guys who have ripped or torn, or merely worn out, tendons and ligaments on each knee, do on very small-but-peeling waves; I rode them on my knees. That made the wave, like, chest high. One of the Goldies was on the shoulder, doing the head down paddle-like-you-mean-it, and… and I know every gremmie practices this, the jump up to spiderman move, on the carpet of his mom’s house, out in the schoolyard to impress inland girls, wherever, and, whether they’ve actually caught the wave or not, the beginner is likely to leap up.

This time Goldie did catch the wave, jumped up, arms pumping, and actually was trimming down the line, on the shoulder, totally unaware I was behind him. Kneeboarding. It’s a long wave, as I intimated, and, though my fin was almost dragging, I kept going, into the creek. The wave sort of died in the deeper water, I did a smooth pullout while he just sort of stepped off the side of his board. He didn’t appear shocked he had ridden a party wave with a guy who isn’t fond of party waves, turned to me and said,

“That was EPIC!”

“Um; yeah, it was.”

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TWO

Up until a certain point in my board surfing… career, life, experience… I truly believed, and frequently stated, that I could remember every wave I’d ever ridden. And, further, I believed that there was something magical about catching, riding, or even watching a wave from the first line on the horizon, to the last wash up the beach.

I still believe in the magic, and, though I have trouble remembering individual rides, even from my most recent session, my mental harddrive is crammed with images from 50 years of board surfing, with mat surfing, surfie surfing, body surfing before that, and, possibly, I like to believe, even some foggy recollection from my first three years of life, on the beach in Surf City, North Carolina, toddling down a bit of an incline, somewhat ahead of my mother, toward the waves.

Waves. The early morning light on the east coast is like evening on the west; the view from the water reverses the colors, dawn to dusk. In winter, on the Strait of Juan de Fuca, the sun hugging the mountains, it’s dawn all day. And then it’s dark.

The images are all so clear; things I’ve seen- storm surf with sideways-ripped waves, lines of broken soup to the horizon, indicator sets in the kelp beds with the greenest color on the wall as each wave lifts, toward the peak angle on a surfer hard against the wall, a whale in the darker corner of a cove blowing a geyser, the view of waves between the houses and along the low sections of old Highway 101, Oceanside to La Jolla, nineteen fifty-something.

And more. I can conjure up the photo of Rincon from the hill, from a mid-sixties “Surfer” magazine, a guy on the hill at dawn, witnessing lines to the horizon, and… and maybe you know the photo.

So, my beginning hypothesis was: If we store a mental slideshow, and add to it over time, then, if a surfer wants to do some mind surfing, at any given time, those images can be brought forth, and that would be magic. And I want surfing to be magic.

The problem is, all our memories are fiction. There’s some Master Record of All Truth, and then there’s our version. “Overhead and glassy at an afternoon session at Cardiff Reef in 1967, the time Phillip Harper had to get rescued?” Maybe.

And that photo. I looked for it online. No, it was afternoon, the same lines at Rincon to the horizon, and published in “Surfer” in 1973. 1973? What? Can’t be. I wasn’t studying surfing magazines in 1973; maybe a glance at the grocery store.

If I’m wrong about that, what about the image of the competitor freesurfing before the Oceanside Invitational in 1965? My slideshow has the guy taking off, dropping with the wave, an attempt at a headdip turning into a vicious lip-to-the-head, pile-driving wipeout. Wrong. I was the kook, paddling out because I was too embarrassed by my sister, Suellen, running around the beach, collecting autographs from surfers like Mike Doyle, even chatting with Doyle’s mother, that kind of thing. The real truth might be that the surfer possibly could have made the wave if some gremmie hadn’t been directly in his way.

Still, I like my fiction better.

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THREE

It was still an hour and a half before dawn when three Peter Pans met at Fat Smitty’s, quickly moving boards onto and gear into the vehicle owned by the oldest of the three Pans. Heading west/northwest, coffee and expectations bouncing around inside, there would be adventure and excitement on this, as with most expeditions. Stories would be created: The drunk/or/sleepy driver; traffic tickets; a ripped-loose leash and a lost board saved by Big Dave; waves cresting near the pilings; the guy with the Shamrock on his board shoving Brett’s board back as he attempted to even a score for undue set wave hogging, and the follow-up screaming match in the lineup.

But, each of the Peters ended up with his fictional(-ized, maybe just slightly) account to save; each of us caught enough waves, got enough good rides. Other things, like real life, could be discussed on the way back home.

A few days after the above session, Jeff, a guy I occasionally sought waves with before his wife, my daughter’s old school friend, Ruth, got into surfing and they became what I call a ‘surfing power couple’, and who I didn’t realize was on the beach on that day, sent me a video of me ripping three bottom turns and totally in position on three sections before making a smooth kickout.

So, I was right. I do rip.

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FOUR

So, here’s the go pro my daughter bought me. Thanks, Dru. GoPro selfies always, and it doesn’t matter if the surfer is on a small wave or huge, just look like someone doing calisthetics. But, a shot down the line… better.

If you could access your mental slideshow, bring up a just-glassed-off afternoon session. Now, a wave approaches. You paddle over to get near the peak. You wait, wait, then turn, throw your weight down, then use that rebound to start your paddle. One stroke, two; you’re dropping. You lean a bit more toward the peak, allowing the board’s dropping ease your leap to your feet, with, in the same motion, a smooth turn off the bottom. You spot a place high on the shoulder and down the line… When you hit it, you’re so close to the top, ribs of feathering wave in front of you. There’s a real question as to whether you can make the wave. You shift your weight forward, allowing the back inside edge of your board to release.

There’s one moment, the briefest of moments here for you to tuck, drive…

All right, so you made the wave. Great. Or you wiped out. That happens. No big deal, unless you had put yourself in that one moment; then it’s memorable. Click.

Now you’re looking up the barrel at me in a similar moment. I’m standing tall, allowing the lip to move my hand back and down as my board freefalls a bit. At that questionable moment of making it or not, I just can’t help but channel some ancient surfing magic, and lean back, arch, and I may be screaming some one-syllable non-word. “Owwwwww!” which really means, “hey, look at this.”

I want you to add this image to your harddrive, and, later, when you bring it back up, and bearing in mind you just got a great ride, you can only respond by saying, “That was EPIC!”

May all your sessions be epic. May all your magic be real. Thanks

Slightly Overdrawn, Overbusy “Strait” Poster

What I was going for, of course, was that look of classic produce labels. What I have to offer, perhaps, that other artists pursuing surf-related images, is a background as a sign painter. If I’d made the lettering fatter, I might not have gotten too busy with the other images. As soon as it was done, I knew it was overdone. Damn! I considered cutting out the main lettering, chucking everything else, going with a darker, bluer background, with horizontal stripes. This would play into the ‘strait’-ness.

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Yeah, I still might do some cutting and pasting, like, with a real knife and paste. Meanwhile…

Surf Forecast: Culture is coming to Port Townsend, July 11th

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I went back and added some more crosshatching to the drawing after, first, I saw the way it looked on the computer screen, second, Trish commented there was something wrong with the woman’s boobs, and third, this morning, when our daughter checked it out while turning on her work computer in Chicago and said, “Nice boobs. Wetsuits kind of push boobs down, so they must be, like double Ds.”

“Wait, Dru, I’ll put the newer version on the site. Whoops. Dru; check back later.”

The color gets sort of diluted from the original drawing, which I knew. I’m trying to allow room for the event director, Keith Darrock, to add the rest of the information through photoshop. The event will be be held upstairs at Port Townsend’s Carnegie Library on the evening (about 6ish) July 11th, will feature work by local artists, possibly some artistically-enhanced surfboards, several readings (so far this would be a brief reading by me, and, hopefully, a slide-and-chat by surf literature guru Drew Kampion), with the keynote reading, in conjunction with the Northwind Gallery, by Justin Hocking, author of “The Great Floodgates of the Wonderworld.”

None of the above explains the woman’s breasts. I better check the drawing again. I’ll repost the flyer when I get it back from Keith. Meanwhile, if you’re in the area…

A Moment Before The Swoop

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At the height of a projection, the speed of the original drop used to get to this point, down the line and up into the thinnest part of the wave, hanging, suspended, the right hand holding nothing more than a level, the left hand only holding balance when and where there is none without the speed itself…hold that weightlessness… hold it.  When the hand opens…

ACKNOWLEDGEMENTS: The drawing is based on (as opposed to copied from) a photo of Keanu Asing competing at Lower Trestles during the recent Hurley WQS event. I looked through eighty photos supplied by the World Surfing League, airs and rotations and cutbacks and… at this moment, on this ride, there are choices. Were choices. I can imagine an adjustment that allows a freefall from the lip, even a tuck into the pocket. I can imagine a cutback into the whitewater.

High-Lining Down The Line, Edited, with Illustration

This is the drawing I didn’t have ready for “Down The Line.” I can’t seem to figure out how to make it larger on the page. The photo is of Black’s Beach by Matt Aden.

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You have to love the waves you don’t think you’ll make, ones on which you’d like just a little more speed out of your board. You’re trimming high on the wall, focused only on the wave ahead and below you, and it’s only getting hollower; and you know that section ahead, that last pitch before you can glide; it breaks, explodes, really, on river rocks, round, smooth; no oversized chunkers; cobblestones; and you’ve already been caught in that shallow trap, board dropping out and down as the lip hit you; you’ve already pirouetted and half-twisted and leaped toward the open ocean, and been thrashed, bounced off that reef, your board going over you in inches of water.

And you made some. Easy. Too easy; you must have been too far out in front.

Blacks photo by Matt Aden

“Again” is really all you’re thinking; “This time…” Maybe you’ll crouch, hand in the wave face, tight, ready.

This time you might make be in that perfect spot. More speed. You take off at an angle, too far over, probably, project out of a down the line bottom turn, and find that high line again. Speed; you need more. You see the ribs of the wave ahead, the already-pitching lip. More speed. You don’t tuck in; but you move your weight forward, subtly pumping, just tweaking the angle. If you weren’t holding your breath, you are now. No, you’re ready to scream, success or failure; this is where you always wanted to be; that high line between… between frightening and thrilling.

The board skitters, no way it would hold in the thin lip; it side slips down the curve, you in the curtain, trying to stay on, your back hand pushed farther behind you, focus still on the deep water ahead, and…

…and now you’re laughing, and not thinking of anything else but… “Again!”

Adam Wipeout’s realsurfers’ Guide to Being Real, Number 3

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This is the drawing for the post two down from here; but, rather than transfer the copy from there (mostly because I couldn’t seem to get it done), I should probably just update. I did hit the hot waves on the cold Straits last Thursday. The session that  started out… wait, I already wrote about that. I could mention the “Locals Only” session in Port Townsend earlier this week; two hours of rare wraparound waves with heavy nearly-offshore winds and a horizontal downpour . I was actually working nearby, headed over, watched the two hour session happen from the comfort of my work rig.

I probably should come up with the top ten excuses for not going out when there are actually waves. My ear was plugged up from the previous session, not thinking I needed earplugs because it was small (initially), and suffice it to say, I do feel the guilt. Maybe my best excuse is that I’m not a local, and didn’t want to impose.

No, that won’t be on my list; I’ve only done it once. merely crowded is not the same thing. Oh, and, for the sin of ever mentioning there are ever, EVER any waves in Port Townsend; no one could really predict or forecast the event, or take the chance to drive any distance on the chance it might happen.

As for today’s surf… owwwwww!

Coming up soon: “Are all surfers SOCIOPATHS; or is it just me?”

Channeling Your Inner Greg Noll

It doesn't matter what beach you go to, how big the waves are; it's a part of the mystical ritual to get to the edge, find your inner Greg Noll (forever deified in the photo by John Severson), and prepare for the epic battle/love affair between surfer and sea. And then there's some kid/freak channeling an inner nine year old John John... and beware, that freak could be some old guy, that weird bit of spittle drooling onto his soul patch might just be froth.

It doesn’t matter what beach you go to, how big the waves are; it’s a part of the mystical ritual to get to the edge, find your inner Greg Noll (forever deified in the photo by John Severson), and prepare for the epic battle/love affair between surfer and sea. And then there’s some kid/freak channeling an inner nine year old John John… and beware, that freak could be some old guy, that weird bit of spittle drooling onto his soul patch might just be froth. So, froth on!

The Same Wind

Does this drawing make me look gay? I only ask because, going back to do some work on it, adding the black lines (and I should add that the color, in person, is more intense and the lines that form the border are actually even on all four sides), I asked my wife, Trish, as I usually do, what she thought. “Pretty,” she said. Then she chuckled. “Is it meant to be… um… a gay wave?” “What? No. I just wanted to add some rainbows on a wave and… oh; now I see it.” This started a conversation that made me ask her if the rainbow lei, the faded one that’s been hanging, along with a Saint Christopher medal and a long-worn-out scenty thing, for about a hundred thousand miles, on the mirror in the old work/surf van, which had originally been her mini-van (way cleaner, didn’t smell like paint OR wetsuits)… um, is that a… I mean I always just thought it was, you know, Hawaiian… it’s not… I mean, would someone think that…I mean, it’s not, like, a rainbow coalition-y thing?”

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Yesterday, in my new surf/not-work wagon, I was looking for surf on the Straits of Juan de Fuca. There’s been a serious lack of properly-aligned swell for most of February, and, though I’d almost decided to trek the extra hour or so to the coast, it looked like the waves might just cooperate at the second secret spot I checked. So I hung around, thinking how the coast has been the place to go all this winter; offshore winds, reasonably sized waves… no, I’d go out here and catch a few, maybe my timing would seem, once the long peelers started hitting the reef, brilliant.

Didn’t happen. The same east wind that was blowing against the open palms of the broken lines approaching the shores beyond the farthest headland I could see, out where the sun had already broken through the squalls; that same wind was reeling around the little point, ripping scars into the weak energy pockets I was trying to harness. I don’t give up easily.  ‘Exercise,’ ‘practice,’ ‘just had to get wet,’ take your choice. ‘Desperate’ is another motivational catch phrase.

And the wind got stronger, soon howling across the swells as they moved past me, sideways, tops blowing off. Once I got my fill of practice and exercise, once I had gotten wet and was no longer as desperate, using my car as a buffer, and just as I was about to lean over to grab my hoodie from the front seat… woosh! Whoa! Head dip! My big ass board flew over me, landed eight feet away.

The duck and tuck was the best surf move I’d made all day. And I did get home in time to check the buoys and the camera at La Push (not a secret spot). Swell up, direction better, and that same east wind that would bring better weather today was grooming the outside peaks. Brilliant.

“Maybe my mistake,” I told Trish about the time I realized the contest at Snapper Rocks had been on line for hours, and Kelly Slater had already lost in round one, “was I went too early.” “Oh,” she said, in sort of a mock-caring tone, “and now it’s almost dark.” By the time we had the discussion about the gayness, real or imagined, of my drawing, the women’s surfing had started. Full screen. Full color.

Trish looked at a replay of a woman in a bright orange bikini bottom bottom-turning into a decent walled-up section. She looked at me. “It’s Hawaiian,” she said. “What? Oh. Uh huh; I thought so.”

Hey, take a few minutes, when you get a chance, and check out ‘Inside Break,’ the novelization, a couple of place down from here. Thanks.

“Curves,” Boards for Girls Illustration

If it seems like I was going for a sort of Art Nouveau look, well; didn’t get that quite right. Not that I’m apologizing; it’s just… maybe when I add some color. Meanwhile, please feel free to just keep going through the site. Surf or not, we’re always mind-surfing.

UPDATE: 2/15/15- Allright; I got some, um, feedback. Maybe I shouldn’t have relied on my life drawing class from 1974 or so. I swear she looked right (that being anatomically) before I added the towel. Okay, there’s room for a third attempt. How does the board look? Yeah, I know; you want one. I would have drawn it right side up but didn’t want to draw wax or a tail pad. As always, stay tuned, and, as always, deep charging down the line (as in, check out some more). see you.

UPDATE: SLIGHTLY LATER ON 2/15/15- On second thought, since the worst thing about the criticism is that it is correct; I should just delete the drawings (even the color version) until I get it right. Sorry if you missed it.

But, to hold you until I do, here’s a photo of a secret spot inside the harbor near Ocean Shores, taken last week by Adam “Wipeout” James, just in case you want to blame someone the next time you’re there and you see someone else is out. I went to Ocean Shores for four days last spring, blown out the whole time until I was homebound, on the inland side of that same in-the-harbor spit. I did get a t shirt at the local surf shop. Not for me.

UPDATE: MORNING, 02/16/15- Adam Wipeout sent me a photo of his most recent expedition, to a popular unknown/secret spot on the north Olympic coast. I haven’t looked at it yet, but, if I don’t get the drawing right (and I’m thinking wetsuit instead of towel- oh, yes), I’ll post his photo. Meanwhile, next down the line is Stephen Davis’s story. And then there’s… so much more.

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Waiting, A Moment to Decide… Illustration for Stephen’s Story

Stephen Davis was reading from the first draft of his story on a surf session at a legendary and wild northwest coast spot, me on the cell phone, coming up a very long gravel road from another beach, knowing the signal would go all ghosty before it just went away. There was something about being alone in the water, waves larger than he and Stig had anticipated, larger than they looked from the cliff or the shore; and growing larger with each set. I thought I heard Steve read… “You’re always alone.”

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And now I’m waiting for the complete story. Meanwhile, I kind of went overboard with the bigger lines in the foreground. I’ll have to fix that. Soon.