Why’s This Funny?

FIRST, let me say I’ve been doing drawings of what amuses me for a long time. Somewhere in the early eighties, bored with my Civil Service job as a painter at the Puget Sound Naval Shipyard in Bremerton (having transferred her from the Public Works Center at 32nd Street Naval Station in San Diego as soon as I could after they moved/promoted me from a temporary to a Career-conditional employee), I, along with working on a novel (during breaks/lunch- mostly reading new stuff to other bored workers), put together a little collection of cartoons under the loose title of “Absurd Delusions.”

None of my co-workers thought any of the cartoons were funny.

The caption is, "No, I said I drew them 'for' the "New Yorker," not that they were "in" the "New Yorker."[optional] I also have some that weren't 'in' "Playboy." " A reasonable explanation for my new drawings as I solicited feedback.

The caption is, “Okay then; drawn ‘for’ the “New Yorker,” not “in” the “New Yorker.”[optional] I also have some that weren’t ‘in’ “Playboy.” ” A reasonable explanation for my new drawings as I solicited feedback.

SO, HERE’S THE DEAL: A couple of months ago, while working on my Realsurfers Coloring Book, and possibly because I’d heard that several cartoonists for the “New Yorker” had died recently, but mostly, probably, because I (along with thousands of others, no doubt) got an e-mail from Bob Mankoff, the cartoon editor, inviting me to get more involved with the magazine (I had entered the caption contest a few times; never really came up with a killer line for anyone else’s work- gave it up).

WELL, sure. I had a few ideas, found out the submissions are all handled online nowadays, e-submitted, maximum of 10 original cartoons per month, nothing that had been previously published, even in a blog/website like this one.

I just submitted my second batch of brilliant cartoons on the 14th, so, though I never received confirmation that they hate/dislike/don’t get/ don’t want any out of the first set, I’ll have to assume it’s safe for me to display some of them here.

Big fan of "New Yorker" staff writer William Finnegan's Pulitzer Prize-winning book, "Barbarian Days;" a surf-centric biography by a Real writer who lived/lives a real surfers life. Yeah, some jealousy possible.

Big fan of “New Yorker” staff writer William Finnegan’s Pulitzer Prize-winning book, “Barbarian Days;” a surf-centric biography by a Real writer who lived/lives a real surfers life. I was kind of hoping someone in the cartoon department might just… you know, pass it on. If not, expect to see the “I was different” line again. And, yeah, there’s some kissing-up obvious, some jealousy quite possible. Port Townsend librarian Keith Darrock, and I, having already solicited legendary surf writer Drew Kampion for help, are hoping to persuade Billy Finn, Finn-o, to participate, even if it’s by Skype (my backup plan idea) for the Third Occasional Surf Culture on the Strait of Juan de Fuca Event.

ACTUALLY, one of the first drawings I did was an update on the classic R. Crumb “Keep On Truckin'” drawing, imagining the character 48 years later. I thought of this, possibly, because my drawing style, cross-hatch-based (though I claim to have made some kinetic line changes), and which anyone old enough and real surfer enough to remember it, is directly linked to the “Surfer” magazine drawings by Rick Griffin. Still, my style is often compared to that of Mr. Robert Crumb, a contemporary of Mr. Griffin’s in the “Zap Comics” and ‘underground’ era of the late 60s.

SO, I wasn’t planning on doing this right now, maybe still hoping the “New Yorker” will come to their senses, but, since I’ve gone this far… No; I’ll give them a few days. I did write to Mr. Crumb, seeking his permission to use his image. When I got this response I was… I was so thrilled. So thrilled.

HMMMMM; I have to re-scan Mr. Crumb’s email and my response. That means setting up the scanner and… I’ll take that as a sign. Not really, but I’ll update this in the morning. No, really.

 

While You’re Praying for Surf, how about…

…adding World Peace?

image-98Yeah, sure; but, I mean… okay, world peace… and some uncrowded and perfect waves.

MEANWHILE, I’m working on a commissioned (not, like, for a lot of money) poster for Franco Bertucci’s band, Locust Street Taxi.  Here’s kind of the progression:image-97image-99image-96Actually, I had to add a lot of copy in the blank space; and then add color. I’m getting the final poster copied today; I’ll post it tomorrow. Or tonight.

MEANWHILE, Archie continues to recover from his recent stroke; supposedly is using computer. I’ll write him, see what happens. MEANWHILE, continuing to get November weather in October here on the northwest corner; always praying for some alignment of the swell and wind direction… oh, and world peace.image-100

 

Fully-Packed Realsurfers Coloring Book Ready for… you

THE LATEST version has 56 drawings, ready to color. AGAIN, I didn’t draw with a coloring book in mind until recently, and, perhaps, I’m now simplifying the lines a bit, allowing a bit more blank space. MOSTLY it’s a way to get my work to an audience that probably has walls filled with surf photos, posters, paintings; coffee tables stacked with coffee table surf books, shelves, maybe boxes filled with old surfing magazines.

HERE are a few examples:

This is a slightly-altered version of a drawing already posted. Trish asked me if it was a woman or a man. "She needs a little more... definition." Okay.

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OKAY, I added a couple of colored-in drawings two that aren’t in the book, kind of as an example. I’m still figuring out how to market the book. Sales is not anywhere near my comfort zone. I’m checking out Paypal, getting some copies ready to, hopefully, sell at the Surfrider Cleanwater Surf Contest in Westport in a couple of weeks.  The plan is to contribute a couple of bucks from each one to the Olympic Peninsula Chapter. We’ll see. MEANWHILE, I’d be happy to mail an autographed copy to anyone willing to send $20.00 to Erwin Dence, P.O. Box 148, Quilcene, Wa. 98376.  OR, maybe you can contact me at realsurfersdotnet@gmail.com

Woman (actually) Surfing Illustration

I was showing someone the first run of the RealSurfers Coloring Book, and couldn’t help but notice; probably because he pointed it out, that I have quite a few illustrations of women, but only one of a woman surfing. I almost said a girl surfing, and, in fact, did title this “Girl (actually) Surfing Illustration.” Whoops.

It’s part of the myth/fantasy/history/tradition, I guess; and, having just hit 65 years of age, I probably should also stop thinking I’m not 46 years or so removed from being anything like a surfer boy. Surfer Girl, Surfer Boy; nope, doesn’t even sound proper.

This is a slightly-altered version of a drawing already posted. Trish asked me if it was a woman or a man. "She needs a little more... definition." Okay.

This is a slightly-altered version of a drawing already posted. Trish asked me if it was a woman or a man. “She needs a little more… definition.” Okay.

Still, I do prefer a woman who surfs with flow and grace; Margo Godfrey Oberg, Jericho Poppler, Stephanie Gilmore; and, sure, throw in a few carves and power moves… no matter how manly a ‘man hack’ sounds, it’s all done on water. Water. Woman.

This week, men and women, boys and girls; I’m promising myself that I’ll get to the Printery. Not Monday; it’s a holiday, and I do have to go down to my Dad’s, and I do have a lot of work… this week.

Drawings: One New, One Redo

Image (90)I was thinking Honolua Bay, but probably not soon enough. Almost done, I had the thought that I should have raised the horizon to actually give the effect that this is from up on a cliff, and the waves are coming in from the bottom right. Okay, too late, but, still unable to try to verbalize and explain… working on that.

Image (89)I went through a lot of drawings a while back with my sister, Melissa Lynch, the real artist, and the one I’d done of The Little Mermaid, adding some waves rather than a harbor, was criticized, and Melissa doesn’t go into detail, at least when I’m flashing drawings at her, but the mermaid’s chin was too, um, prominent. Always (now) thinking of the coloring book, I redrew it, also doing a little lightening-up.

I have about twenty drawings (it’s four at a time for the pages) ready to add to the coloring book, coming soon, I promise, with… here’s my new idea: No staples, but (and I’ll experiment with this) maybe a ribbon in the fold, plus instructions to take out a drawing, make a copy, and color on that. That way, you can save the original book, maybe add to it down the line, and use marking pens (if you like), which would bleed through the paper.

If I have to explain that; it’s maximizing content on my end, having cake and eating it too on your end. Yeah, cake; if you’ll forgive my… even if you don’t. Coming. Oh, and I hope you don’t feel resentment for those times when you misjudge the surf situation, and, though you could have gone, you missed it. Fuccctttuppppppttuupdddd! Yeah, trying to get over the last (yesterday) episode of that story. NEXT TIME. Next…sob…time… yeah.

It was hot, Saturday, I couldn’t surf, didn’t want…

…to work… not that I need an excuse to draw, or even to post two drawings today (and I am going to do some real work today) in two days. Wait, three drawings; finished one yesterday morning (please check out Rico’s essay), started two, finished one, finished (finished is when I just can’t figure out where to put more lines) the other this morning.

Image (87)Image (88)Okay, so, so now I’m thinking, imagining what I want to see next. But, meanwhile…

Illustration for “Fortune Point”

Trish thought the drawing looked like a “young kid, kind of chunky, maybe.” Yeah, fine; let’s say that’s what I was… you know what? I’ll just post the drawing, also added to the story by Rico Moore, next down, for your scrolling and reading pleasure.

Image (86)Thanks, Rico.

new, revised, or redrawn images

I’m preparing to add some more images to the realsurfers coloring book, getting them resized, adding some lines; redrawing a few. Here are some I’ve been working on:

Image (79)Image (78)Image (80)Image (81)Image (82)And here’s a backstory on the drawing of the guy on the nose. I’ve drawn it several times, had it all finished, but it didn’t seem right. I went back to the drawing I took this from, realized the surfer’s left arm is supposed to be in front of his face. Oops. And now it’s a bit darker. If I could, on occasion, sort of duplicate the silky, magic-lighting look of classic John Severson photos, I would. Maybe this is as close as I’ll get (not that I won’t keep trying).

Hey, it’s all just lines and dots. Suddenly I’m not sure if I reported on how the poetry/singing/book selling event went with “Awkward Guy” writer Franco Bertucci and I… it went well, probably better than expected. We’re not done. I’ll let you know.

The Real Surfers Coloring Book is…

…ready. I put it all together in time for an event at the Port Townsend Library last night; twenty copies, numbered, artist’s proofs. Here are a few drawings that were redrawn, resized from the large originals, or are actually new: Oh, not sure how this happened, but the drawing on the left is the cover for the poetry book I illustrated. Franco read some of his poetry, sang two of my songs, two of his; and I recited (rather than sang) a song or two, played some harmonica, recited some of Franco’s poetry. It went well. And we sold a few books.

Surfer/librarian Keith Darrock took this photo of Franco Bertucci and I setting up and preparing to kill it. It didn't feel like 'killing it' at the time; but, for a poetry reading, it was racy and raucous

Surfer/librarian Keith Darrock took this photo of Franco Bertucci and I setting up and preparing to kill it. It didn’t feel like ‘killing it’ at the time; but, for a poetry reading, it was racy and raucous

Now, if I could figure out how to approach the larger market.

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Image (72)Working on it.