I added a few more lines from the original black and white drawing after I added the color. The original was pretty much a sketch with a lot of white space. At one point I added some thick black lines to sort of frame it. That took away some of the sense of speed. Adding the color may have done the same thing. Hopefully not. I’m ready to draw someone making a bottom turn, all the action at the bottom right (could be the left), with nothing but white space on the top side opposite. No, maybe just the hint of a lip peeling over. No. Yes; maybe.
Tag Archives: real surfers
Erwin Would Go
Sure I would; but what if the waves get over two feet?
When I traded out five hundred dollars left on a painting job for an eleven foot SUP a few years ago, it was never my intention for this to be my go-to board for surfing on the Strait of Juan de Fuca. Now dinged to shit and weighing five pounds more when I get out of the water than it did going in (I’d fix the dings but I keep thinking it’s not my go-to board), it is, indeed, the board that fits the conditions. That is to say, if I didn’t have it, I’d be walking out on the reef, looking to the heavens, watching perfect little peelers not quite clearing the rocks, and pray (closer to asking, really) for just another foot of wave height. It has happened. A lot. That is, the asking/praying; the increasing swell, not so often.
The undervalued part of riding a standup paddleboard is, that, while it does enable a surfer to catch waves outside of the normal takeoff zone, and outside of other surfers, it also enables surfers to ride waves even a longboarder couldn’t get into. So, as happened just yesterday, when I pull up to an empty beach pullout, look at empty-but-barely rideable waves; and, though I’d hope for another foot of wave face, there was no doubt I’d be going out. “It’s practice” I tell myself, and others, “for when it gets, you know, bigger.” My motto is, after all, “I’m here to surf.” It’s the riding of waves that matters to me.

That’s Keith tucking into the outside bomb as I contemplate a move to the right with a move toward the nose. Really. Keith described the waves this day as ‘kind of weak,’ but went out anyway. The question Keith and I ask each other when waves are borderline flat, is, “Would Rico go?” Rico (Moore, I think) moved to Port Townsend, surfed even waves I wouldn’t make a try for. When he broke one of his fins on the rocks, he fashioned an embarrassingly crude one out of wood; then broke that one off (lots of big rocks, some popping up in the waves). Rico has since moved to Maine, probably (hopefully) going on a few thigh-to-knee rollers there.
No, I’m not so stoked on posting these photos of me. I’ve put it off, but, since I’ve lost, like, three pounds since these were taken by Tim Nolan, who also would go on any size wave, here they are. Meanwhile, once my go-to board dries out again, maybe I’ll find some time to patch those dings. Oh, and I promise, no more shots of me unless it’s head high. Okay, chest high. And now I’m hoping and praying for overhead. However, if I can catch a wave, I’m going.
First in a Series of Newly-Colorized B&W Drawings
Because I actually have a large number of drawings in my portfolio, and wanted to display as many as possible for the recent (and extensively covered in realsurfers.net) Surf Culture on the Strait of Juan de Fuca and the Salish Sea Event, I took some time, dug through various shelves and drawers and drawing books, and found quite a few of the variously-sized originals, some previously-made copies; took them all to The Printery in Port Townsend, and, with a lot of help for the money, got them sized to fit on 8&1/2 by 11 inch shinier, heavier stock, and placed them in five stacks on a six foot piece of 12 inch wide pine.
Almost instantly I wanted to add color to many of them. Oops; too hard to color on the shiny stock. But, I do have a scanner/printer. Here’s the first. There will be more.
Not so stoked on the way yellow reads like semi-worn out magic marker, but, not apologizing. And, somewhere here I’ll have to write about how I got some small waves today; small but… hey, look for both “Erwin Would Go, But What Will He Do When It’s Over A Foot?” and “If You Were Happy With Your Last Session, Don’t Talk to Adam Wipeout.” I have some photos; might even have some of me on really tiny waves.
A (Revised) Last Look at the Second Occasional Surf Culture Event- and A Bit on Drew Kampion and Something on Author Justin Hocking
Alienating Drew Kampion is something that sits high on my worry list; right up there with being called a Kook or a Hodad (first I was thinking young surf punks who don’t appreciate the experience and innate coolness of someone who has been surfing for, forever- but then I really mean anyone, even if I’ve done something Hodad-ish or Kook-like). Mr. Kampion is held in a rare position in the surfing community. While surfers like Miki Dora and Greg Noll are admired for living a lifestyle unavailable to those of us who love adventure yet opt for some sense of security, and other surfers are noted for gloriously blazing and tragically (but, maybe predictably) burning-out, Drew Kampion has kept a toe in the waters and an eye on the changes in the surfing world since the evolution/revolution in the mid-to-late 1960s, pushing “Surfer” into new-age journalism while most of us were cutting old boards down and sticking one hand in the wave to duplicate some controlled sideslip we saw in the magazine. It would be pretty difficult to find a surf-related book without a forward or comment or endorsement by Drew Kampion. Or written by him.
Well, there’s cheese and there’s cheese. As I mentioned, I’m fortunate enough to be included in a group receiving a weekly email featuring a poem by Walt Whitman. I always write back something long, frequently something about the latest surf trek to the wilds of the Olympic Peninsula; sometimes a rant. I get back (thrilled to get anything back) some terse and brilliant. I may never reach brilliant… or terse, but I am grateful to not be called out as a poser/kook/hodad; but if I did get called out, I’d have to believe it.
REVISION/NEW MATERIAL- Just to show there were younger folks at the event, and because he was the keynote speaker, I had to get back to this to say something about Justin Hocking, author of “The Great Floodgates of the Wonderworld.” Just this last weekend I ran into someone on the Strait who, like Justin, surfed Rockaway Beach in New York State. Connection? Because Justin spent some time in Colorado, and because Stephen Davis was raised there, and because Stephen read his book before Mr. Hocking was invited to speak, and was impressed by it, Steve sort of grabbed (someone more sophisticated than I would say ‘button-holed’) the author during the after-presentation part of the program; and then I attacked him, interrogated him. “San Diego, huh… what part?” “Well, and this affected my skateboarding verses surfing; it was mostly geographical.” It turns out he lived in La Jolla for a while, then, when his father remarried, moved inland. “Not to, like, El Cajon?” “Yes. El Cajon.”
It explains a lot. Stephen wanted to buy a book. I wanted a book. I had money, but someone else gave Steve enough for two books. “Steve, I can buy my own book.” “No, I’m buying you one.” Slightly more aggressive, maybe, than Stephen, Justin was busy writing something on mine when Keith came up, saying he wanted a book. He was out of books, but I still had some money, and bought one for Keith, offering some extra money for shipping. In my mind, it all kind of evened-out, and, anyway, I have my personalized copy.
So, what I’d like to say is, as always, there are connections, if we attack/interrogate/converse with someone enough to find them. I know this book isn’t the end of Justin’s work; I know attending cheesy gatherings and such activities is important to the promotion process; but, in the same way I hope for the best for those who are daring enough to pursue a career in the dangerous world of art and literature, like surfer/artists Todd Fischer and Jesse Watson, I would like to think Justin’s ride will find success. Go, Justin!
In Case You Missed the Surf Culture Event
Here’s the piece I read, with minimal ad-libbing, at the recent Surf Culture On the Strait of Juan de Fuca and the Salish Sea Event. I plan on adding some more photos, but it’ll probably be in another post. A pretty successful event- no one drowned, though I did hear some coughing.
CONJURING UP SOME MAGIC
ONE- I knew the two young guys, one on a soft top, the other on a yellow-but-at-one-time-white board were from Gold Bar, a town somewhere between I-5 and the Cascade Mountains. Because I asked them. Nicely. But I always ask surfers I haven’t seen before. This time, we were at a spot that, legend has it, sometimes features rights, off the island. That’s a clue. I’ve only experienced this lowtide phenomenon once; closeouts across the small bay many times.
Archie and I had gotten skunked at the place we had wanted to surf. At this spot there was a sandbar, there was a makeable right. There were several other surfers out, including a guy on the longest longboard ever, paddling with way too much nose out of the water (sure sign of a beginner/kook), but waiting in the perfect spot, catching the best waves (as in, the ones I wanted), jumping up, clumsily riding, arms flailing, and, somehow, making waves.
“Hey,” I said, nicely, “you don’t need that much nose out of the water.” “Hey,” he said, kind of snottily, looking at me kneepaddling a stand up paddleboard; “aren’t you supposed to be standing up on that thing?” “Oh,” I said, “yeah, I think so.” Eventually, whether or not he appreciated it, the surfer from… I didn’t ask where he came from… he got a rare treat; really great waves. Archie and I enjoyed them for another forty-five minutes after Long Longboard Guy left. Then the waves left.
But, the Gold Bar Boys. On this day it was a very high tide and the waves were wrapping around what in normally beach rather than sandbar. The best waves ended up in the creek. Another clue. “Um, maybe, if you want to actually catch waves, you might move over here,” I offered. “Thank you, sir.”
So, several waves later; and this was a few years ago, and I was on a non-SUP… just so you know… I took off and did what old fat guys who have ripped or torn, or merely worn out, tendons and ligaments on each knee, do on very small-but-peeling waves; I rode them on my knees. That made the wave, like, chest high. One of the Goldies was on the shoulder, doing the head down paddle-like-you-mean-it, and… and I know every gremmie practices this, the jump up to spiderman move, on the carpet of his mom’s house, out in the schoolyard to impress inland girls, wherever, and, whether they’ve actually caught the wave or not, the beginner is likely to leap up.
This time Goldie did catch the wave, jumped up, arms pumping, and actually was trimming down the line, on the shoulder, totally unaware I was behind him. Kneeboarding. It’s a long wave, as I intimated, and, though my fin was almost dragging, I kept going, into the creek. The wave sort of died in the deeper water, I did a smooth pullout while he just sort of stepped off the side of his board. He didn’t appear shocked he had ridden a party wave with a guy who isn’t fond of party waves, turned to me and said,
“That was EPIC!”
“Um; yeah, it was.”
TWO
Up until a certain point in my board surfing… career, life, experience… I truly believed, and frequently stated, that I could remember every wave I’d ever ridden. And, further, I believed that there was something magical about catching, riding, or even watching a wave from the first line on the horizon, to the last wash up the beach.
I still believe in the magic, and, though I have trouble remembering individual rides, even from my most recent session, my mental harddrive is crammed with images from 50 years of board surfing, with mat surfing, surfie surfing, body surfing before that, and, possibly, I like to believe, even some foggy recollection from my first three years of life, on the beach in Surf City, North Carolina, toddling down a bit of an incline, somewhat ahead of my mother, toward the waves.
Waves. The early morning light on the east coast is like evening on the west; the view from the water reverses the colors, dawn to dusk. In winter, on the Strait of Juan de Fuca, the sun hugging the mountains, it’s dawn all day. And then it’s dark.
The images are all so clear; things I’ve seen- storm surf with sideways-ripped waves, lines of broken soup to the horizon, indicator sets in the kelp beds with the greenest color on the wall as each wave lifts, toward the peak angle on a surfer hard against the wall, a whale in the darker corner of a cove blowing a geyser, the view of waves between the houses and along the low sections of old Highway 101, Oceanside to La Jolla, nineteen fifty-something.
And more. I can conjure up the photo of Rincon from the hill, from a mid-sixties “Surfer” magazine, a guy on the hill at dawn, witnessing lines to the horizon, and… and maybe you know the photo.
So, my beginning hypothesis was: If we store a mental slideshow, and add to it over time, then, if a surfer wants to do some mind surfing, at any given time, those images can be brought forth, and that would be magic. And I want surfing to be magic.
The problem is, all our memories are fiction. There’s some Master Record of All Truth, and then there’s our version. “Overhead and glassy at an afternoon session at Cardiff Reef in 1967, the time Phillip Harper had to get rescued?” Maybe.
And that photo. I looked for it online. No, it was afternoon, the same lines at Rincon to the horizon, and published in “Surfer” in 1973. 1973? What? Can’t be. I wasn’t studying surfing magazines in 1973; maybe a glance at the grocery store.
If I’m wrong about that, what about the image of the competitor freesurfing before the Oceanside Invitational in 1965? My slideshow has the guy taking off, dropping with the wave, an attempt at a headdip turning into a vicious lip-to-the-head, pile-driving wipeout. Wrong. I was the kook, paddling out because I was too embarrassed by my sister, Suellen, running around the beach, collecting autographs from surfers like Mike Doyle, even chatting with Doyle’s mother, that kind of thing. The real truth might be that the surfer possibly could have made the wave if some gremmie hadn’t been directly in his way.
Still, I like my fiction better.
THREE
It was still an hour and a half before dawn when three Peter Pans met at Fat Smitty’s, quickly moving boards onto and gear into the vehicle owned by the oldest of the three Pans. Heading west/northwest, coffee and expectations bouncing around inside, there would be adventure and excitement on this, as with most expeditions. Stories would be created: The drunk/or/sleepy driver; traffic tickets; a ripped-loose leash and a lost board saved by Big Dave; waves cresting near the pilings; the guy with the Shamrock on his board shoving Brett’s board back as he attempted to even a score for undue set wave hogging, and the follow-up screaming match in the lineup.
But, each of the Peters ended up with his fictional(-ized, maybe just slightly) account to save; each of us caught enough waves, got enough good rides. Other things, like real life, could be discussed on the way back home.
A few days after the above session, Jeff, a guy I occasionally sought waves with before his wife, my daughter’s old school friend, Ruth, got into surfing and they became what I call a ‘surfing power couple’, and who I didn’t realize was on the beach on that day, sent me a video of me ripping three bottom turns and totally in position on three sections before making a smooth kickout.
So, I was right. I do rip.
FOUR
So, here’s the go pro my daughter bought me. Thanks, Dru. GoPro selfies always, and it doesn’t matter if the surfer is on a small wave or huge, just look like someone doing calisthetics. But, a shot down the line… better.
If you could access your mental slideshow, bring up a just-glassed-off afternoon session. Now, a wave approaches. You paddle over to get near the peak. You wait, wait, then turn, throw your weight down, then use that rebound to start your paddle. One stroke, two; you’re dropping. You lean a bit more toward the peak, allowing the board’s dropping ease your leap to your feet, with, in the same motion, a smooth turn off the bottom. You spot a place high on the shoulder and down the line… When you hit it, you’re so close to the top, ribs of feathering wave in front of you. There’s a real question as to whether you can make the wave. You shift your weight forward, allowing the back inside edge of your board to release.
There’s one moment, the briefest of moments here for you to tuck, drive…
All right, so you made the wave. Great. Or you wiped out. That happens. No big deal, unless you had put yourself in that one moment; then it’s memorable. Click.
Now you’re looking up the barrel at me in a similar moment. I’m standing tall, allowing the lip to move my hand back and down as my board freefalls a bit. At that questionable moment of making it or not, I just can’t help but channel some ancient surfing magic, and lean back, arch, and I may be screaming some one-syllable non-word. “Owwwwww!” which really means, “hey, look at this.”
I want you to add this image to your harddrive, and, later, when you bring it back up, and bearing in mind you just got a great ride, you can only respond by saying, “That was EPIC!”
May all your sessions be epic. May all your magic be real. Thanks
A Look Back at the First ‘Surf Culture on the Strait of Juan de Fuca and the Salish Sea Event’
Somewhere before it was my turn to present my short story, “Locals,” I realized a twenty minute reading wouldn’t work with the somewhat fractured audience. By fractured, I really mean distracted. There was a lot going on in and around the Cotton Building, the former Port Townsend Police Station, and, for this evening, the site of the first ever Surf Culture on the Strait of Juan de Fuca Cultural Event.
The Kinetic Kar thingie was happening nearby, there was a dance about to happen at the American Legion Hall, and, hey, it was a High Season Saturday night on Water Street. Former “Surfer” magazine (and many others) editor and the man whose name must appear somewhere on any jacket for any authentic surf-related book, Drew Kampion, was just finishing a slide show. He’d been there (everywhere, with photos to prove it) during surfing’s post-Gidget, short board evolution. As a writer/journalist, Kampion was the Hunter S. Thompson, the Tom Wolfe for surfers. Yes, Wolfe wrote about surfing, but he wasn’t a surfer.
Somewhere after Drew’s casually-presented show-and-tell, with insider stories; with Archie Endo (he volunteered for this, and was very well received) playing surf tunes through a little amp; with people milling about near the tables and easels of art work by legitimate, professional artists Todd Fischer and Jesse Watson, checking out a painting by Stephen Davis that just (I mean just) sold to a surf shop in Malibu; with photographs by Christian Coxen; with some people taking to seats who clearly thought this was some other event; with people (some possibly bored tourists) wandering in off the street; I knew it would soon be my turn.
Gulp.
This first event came together much like the actual local surf scene; word of mouth, which includes texting, e-mails, random meetings between surfers at Waste Not Want Not (used merely as an example). Keith Darrock, surfing Librarian, came up with the idea of doing a surf-centered event, possibly including me because we ran into each other while looking for surf at a sort-of secret occasional-breaking surf spot. But this is how it worked. Tim Nolan, boat designer, will be displaying his new paddleboard and the cad drawings for it at the upcoming event, partially because Keith ran into him at a surf spot past Joyce.
“Yeah, but, Keith,” I had said prior to the first event, “if it’s sponsored by the library, shouldn’t there be something, you know, like, literary?”
“You know anyone… literary?”
I recommended Mr. Kampion, who actually dedicated a poem to me in “Surfer” magazine in 1969 (possibly because I have a funny name and did have a poem, heavily edited, published in the magazine in late 1968, written when I was 17), and who now lives on Whidbey Island. Keith reached out to him, he agreed to come over, and, relief, now I was the opening act.
Except I wasn’t. I was scheduled last. I tried to appear calm, but actually was unable to see the audience through my reading (only) glasses. That was just as well. I had rehearsed, thrown in some choreography, timed my readings. I didn’t want to screw this up.
At a normal, conversational rate, it took about nineteen minutes to read through.
And so I began.
“Whoa,” someone said, (like, fifteen minutes) afterward; “I didn’t think someone speak so… clearly, while talking so… (pause for a breath)… fast.”
So, this time, for this event, with the Northwind Gallery involved, there may be a bit of a change in the demographic. I would say more sophisticated. Maybe. Maybe the Port Townsend literati. We’ll see. Most of the original artists will have works on display. Background music will be provided by Pete Raab, including a couple by Archie currently working and surfing in Thailand). Drew Kampion has agreed to come back. Author Justin Hocking will be the main act, and I’m not sure how Keith arranged this, but, wherever I am in the lineup, I’ll be reading something shorter. And slower.
But I can read it faster if I have to.
See you this Saturday, starting around 6pm, uptown Port Townsend, upstairs at the Carnegie Library.
Melissa Lynch watercolor, “Boys on the Beach,” Featured
My sister, Melissa Lynch, texted me the other morning to tell me how annoying it is to her that I seem to apologize for my illustrations. I texted back, asking why this watercolor, which I thought was actually titled,”Boys on the Beach,” wasn’t on my site. Texts can be so easily misinterpreted, so, after a couple of confused back-and-forths, I called her.
The upshot is this: I’m a fricking genius and my stuff is incredible.
So, no more apologizing.
However, it should be quite obvious why I’m intimidated by my sister’s work. The watercolor is a commissioned work, done for a woman who lost one of her four sons. Though Melissa criticized what I thought was merely me candidly explaining my process, she did say, in reference to the piece, that she wanted to add a hint of the (stuck for a word here, don’t want to say ‘mystical’ or ‘divine,’ as they are words too easily pushed in one direction or another)… mysterious.
And she, of course, succeeded. We discussed how fear plays into art, how we each strive to replicate what we see in our minds. “Blah, blah, blah” you can quite rightly say, “it’s like poets pathetically pontificating.” No, don’t say that.
Did I say ‘intimidated?’ I meant ‘inspired.’ It’s just that my medium, and my muse, and my, um, choice of subject matter… what I go for is, what I’m striving to attain is… I’ll stop. Okay, geniusness. It’s just that… it’s just that I know better. Not apologizing, however. Thanks again, Melissa.
Singing and Surfing and Remembering and Not Remembering, In Reverse Order
The Second Occasional Surf Culture On the Strait of Juan de Fuca and the Salish Sea Event is coming up in Port Townsend on July 11. I’ve been working on several things for it. One item is music. For the first event, Archie Endo, now stuck in Thailand, working, some surfing, brought a little amp, played surf music. Great idea (his), and really added to the evening. This time, Pete Raab is putting together a sort of mixed tape from his huge music collection, with classic surf instrumentals and some island-themed ‘ambient’ music. Thanks, Pete.
My evil scheme was to have Pete (and he was willing) sneak two of my original surf songs without informing event curator Keith Darrock. That’s the evil part. I originally recorded the only two strictly surf-related songs I’ve written at a former Theater in Quilcene (right on Surf Route 101) with the help of longtime professional sound engineer Tom Brown of HearHere, with me playing harmonica and singing. Pete was doing a surf music show on the Port Townsend radio station, 91.9, KPTZ, along with his old friend, and former music store owner, Ron McElroy, and graciously incorporated one of my tunes, “I Just Wanna Go Surfin’.” The other song is “Surf Route 101.” Naturally.
But, here’s the failure: Pete couldn’t find his copy, I couldn’t find mine (and searched frantically), and Tom Brown, after checking, determined the digital recording is somewhere on a dead computer.
Oh, and although I’m willing to read the piece I’ve been doing more thinking about that working on, concerning the images and memories we save, I won’t perform music live at this event. A sigh of relief might be appropriate here. Not that I’m embarrassed by my harp playing or the lyrics…
But, thinking about music, and singing, I wrote to my old friend Ray. You have to read it bottom to top. I do think it was him with the Monkees tape.
NO way, I never owned a Monkeys tape, you must have me confused with somebody else I swear.
From: ERWIN
Sent: Tuesday, June 23, 2015 9:28 AM
To: Ray Hicks
Ray, have a good time on vacation. I checked back before leaving; glad to see a response. I’ll be working until dark anyway (9ish). I do remember you once telling me that the best song ever done was the Cream song…. wait, was it ‘white room with white curtains at the station,’ or, no, I think that was it. Otherwise, “driving in my car, smoking my cigar, the only time I’m happy’s when I play my guitar.” Join in anytime. Now I better go. And, hey, that was probably enough gas to get home, to school, wherever… See you, Erwin
I am pressed for time, so I might use this on my site, not mentioning that you had a Monkees tape, or that I liked some of their songs also.
From: “Ray Hicks”
To: ERWIN
Sent: Tuesday, June 23, 2015 9:14:06 AM
HI Erwin,
Not in Hawaii yet. Today is my last day before starting vacation but we don’t leave until Thursday. I’ve never been much on lyrics, to this day I hear the voice as another instrument rather than a method of delivering poetry or storytelling. My loss according to Carol. I do remember the ‘fruit of the vine’ song though. The music that brings back surf memories to me is Cream. When I hear some of those songs I am taken back to driving down the coast highway cruising by the camp grounds in South Carlsbad with an eight track player under the dash. I listen to the Sirius radio classic stations now and hear that music all of the time. Occasionally I’m driving down the coast highway when I’m So Glad comes on the radio and it really takes me back. I also hear the Doors often and still love it. Other than classic rock I listen to the blues. I just love the B B King channel on Sirius Radio.
I remember one occasion of us surfing at Swami’s then coming up starving and thirsty, buying something to eat at the liquor store in the middle of Encinitas then buying gas for your Morris Minor in Carlsbad with the left over change. Maybe 26 or 27 cents worth.
The only music I associate with Phillip is Jethro Tull because he introduced me to them, still one of my favorites.
Ray
From: ERWIN
Sent: Tuesday, June 23, 2015 8:08 AM
To: Ray Hicks
Ray,
not sure if you’re in Hawaii right now. I almost called you yesterday. I’m working on a thing for the surf culture event on surfing images we keep in our memory banks. The idea is, if we think of surfing as something magical, and we can conjure these (I was originally thinking only visual) images, allowing us to ‘mind surf’ when we can’t actually surf; this is kind of magical.
That got me thinking that my memories of my high school surfing adventures include fewer actual surfing images (maybe because I seem to concentrate on my own surfing rather than noticing that of others) than images of you and Phillip and the other assorted characters going to or from the beach, hanging out around various fires. Mostly pleasant memories, maybe with five of us in the back of a CHP cruiser less pleasant, but, overall, good images. Jeez, we were going to, at, or coming home from surfing.
So, as I was driving an hour to a job, I started thinking about songs we used to sing cruising around town or going surfing. Maybe we were in cars (like mine) that didn’t have radios; maybe we had only AM radios with the pop stations the best we could get. This line of thinking might have been helped along because the local Port Townsend radio station played the Doors cover of the song with the lyrics, “Show me the way to the next whiskey bar; oh, don’t ask why…” followed by something about “Whiskey, let me go home.” A theme, evidently; and I was trying to remember the song that seemed to be one of Phillip’s favorites, without much luck. A few miles later I pulled (from the brain archives) out a few lines. “Bottle of wine, fruit of the vine; when you gonna let me get sober? Leave me alone, let me go home, let me go home and start over.” It took a few more miles before I remembered, “Pain in my head, there’s bugs in my bed, my pants are so old that they shine; out on the street, I tell the people I meet, to buy me a bottle of wine.”
I’m not even sure if those lyrics are fit together correctly. Perhaps you remember. Oh, and my singing hasn’t improved a bit. If we were going surfing together and I started singing, I’m sure you’d still reach for the radio control knob, whether the radio works or not.
The other, and real point of the thing I’m working on is that if we keep trying to remember, we keep the connections straighter, and if we keep surfing, we’re always refreshing our image files. More to conjure.
Writing this actually helps in writing the real piece, keeps me away from a couple of peripherals.
I’m in the usual summer position of too much work, not enough time, and no rain in sight. Luckily, perhaps, the waves are really small. Hopefully you’ve managed to slide a few. See you, Erwin
Tom Paxton wrote the “Bottle of Wine” song, but we probably heard the version by the Kingston Trio. White people. Oh, but, when we sang it, it was sort of another contest, who could sing it with the most soul, raspiest voice… you know, another thing to compete in. Guess who usually won? And that’s why someone (else) always reached for the radio control knob. Oh, and maybe it was someone else with the Monkees tape. hey, hey!
If You Missed This Wave…
If you missed this wave, it’s probably because it’s at Kalim Beach, Phuket, Thailand. Archie Endo is over there sweating in the heat and humidity, and will be there for a while, working as a middleman in the worldwide fish market. Happy enough to find a wave at all, Archie said he’d much prefer to donning a wetsuit and sliding a few waves on the Strait of Juan de Fuca.

I actually got a video of Archie getting a thirty second ride on a wave that very well could have been at this spot. Go Archie!
If you missed this wave, it’s probably because the place only breaks when every where else is blown out. Or, maybe, like me, you were miles away, near some lake, sweating profusely, working on someone else’s castle, with boaters, insistent that their selection of waterworld music be louder than their boat’s oversized motors, whipping counterclockwise donuts, throwing screaming kids off whatever floatation device they were riding, sitting in, or clinging to; and, besides, there was no real swell.
Flyer and Update (and more updates) on Surf Culture on the Strait Event
First, here’s a shot of Port Townsend librarian, and curator of the upcoming Surf Culture Event, Keith Darrock taken by Tim Nolan on an above-average (average being flat) day at a not-unknown spot on the Strait of Juan de Fuca. “Chest high” we’re saying. You’ll notice Keith measuring.
For comparison, here’s a shot of Paul Strauch, Executive Director of the Surfing Heritage and Culture Center in San Clemente, in a classic photo at Haleiwa, performing the same maneuver, formerly called “The Paul Strauch Stretch” or “Paul Strauch Five.” No comment on the wave size.
Keith will be on the local Port Townsend radio station, KPTZ, 91.9, on Friday, June 19, sometime between 4 and 6 pm, on the FreeSpin program, hosted by Ron McElroy; the program also featuring surf music in honor of International Surf Day, June 20. KPTZ is online if you’re out of range.
All right; here’s the flyer. The graphics were done by Cindy Whacker. There will be more updates to come as other artists and exhibitors are signing on. So, check back.



















