Risen

Some believe one shouldn't try to depict any deity (not arguing this here) in any medium. I drew two different illustrations to commemorate Easter, actually put on on the site. For about ten minutes. This is an acrylic I did several years ago on canvas board, a bit warped from leaning on the piano. I had to weigh down the top of the scanner to make it work. I'd regret the wasted time I spent on drawings I won't use, but, really, what I'd prefer, is more time to waste similarly.

Some believe one shouldn’t try to depict any deity (not arguing this here) in any medium. I drew two different illustrations to commemorate Easter, actually put on on the site. For about ten minutes. This is an acrylic I did several years ago on canvas board, a bit warped from leaning on the piano. I had to weigh down the top of the scanner to make it work. It’s not really out of focus; it was painted that way.  I’d regret the wasted time I spent on drawings I won’t use, but, really, what I’d prefer, is more time to waste similarly.

There have been a couple of thousand Easters, and an unknown (to us) number of dawns, the daily reminder that we have another opportunity to struggle, to succeed, to fail; another chance to correct some of our blunders, to move beyond our failures, to push toward, toward…

…we have hours and days to worry about what we’re struggling against, about what we’re striving for. What we might do, for a moment, is consider love and compassion and grace and peace and redemption; realizing we need more than we possess or can attain.

May you occasionally stop to appreciate the journey, wherever your beliefs and your search to validate them takes you. Seriously. What I most firmly believe is that, wherever this adventure takes us, life is a solo trip for each of us. We share a few seconds or days or years; we find  a bit (or, hopefully, a lot) of what we’re searching for; and we keep going.  Stop, think about the gift of those moments; moments of love, of peace, of mystery and magic, maybe a few moments on a wave you’re not sure you’re going to make. And, incidentally, thanks for sharing this moment.

“So, This One Time, Back at Surf Camp…” a short story/illustration

I showed this, at a bit of a distance, to my wife, Trish. She nodded, approvingly, then asked why there were so many words. "I can't help it," I explained. So difficult to be clever, even with a few phallic symbols and a double entendre or two. Oh,and now I've over-explained. Damn.

I showed this, at a bit of a distance, to my wife, Trish. She nodded, approvingly, then asked why there were so many words. “I can’t help it,” I explained. It’s just so difficult to be clever, even with an “American Pie” reference, a few phallic symbols and a double entendre or two. Oh,and now I’ve ‘over-explained.’

Channeling Your Inner Greg Noll

It doesn't matter what beach you go to, how big the waves are; it's a part of the mystical ritual to get to the edge, find your inner Greg Noll (forever deified in the photo by John Severson), and prepare for the epic battle/love affair between surfer and sea. And then there's some kid/freak channeling an inner nine year old John John... and beware, that freak could be some old guy, that weird bit of spittle drooling onto his soul patch might just be froth.

It doesn’t matter what beach you go to, how big the waves are; it’s a part of the mystical ritual to get to the edge, find your inner Greg Noll (forever deified in the photo by John Severson), and prepare for the epic battle/love affair between surfer and sea. And then there’s some kid/freak channeling an inner nine year old John John… and beware, that freak could be some old guy, that weird bit of spittle drooling onto his soul patch might just be froth. So, froth on!

Two title illustrations for “Inside Break,” the Novelization

realsurferstitleTrish 001

Using the photograph used as an illustration in Chapter 3 of “Inside Break,” the novelization, I did a larger drawing, had it reduced and several copies made at the local (Port Townsend Printery) print shop. I then added color to two of the drawings. The top one is the one Trish preferred. I’d like to say I preferred the lower one, but, never totally satisfied, I went back to the original and colored it in. Now I have to wait until I can get back to PT to get it reduced to a size I can use. You have to know I’d love to add some color to the graphics.

I would really appreciate it if you could read some or all of the novel. I’m really trying (honest) to keep the writing tight and on point, but, there are just so many angles, so many other surf stories. Oh, yeah; that’s why I started this site; because real surfers have real stories in common, and each of us has a few that are just ours.

insidebreakTitle 001

The Same Wind

Does this drawing make me look gay? I only ask because, going back to do some work on it, adding the black lines (and I should add that the color, in person, is more intense and the lines that form the border are actually even on all four sides), I asked my wife, Trish, as I usually do, what she thought. “Pretty,” she said. Then she chuckled. “Is it meant to be… um… a gay wave?” “What? No. I just wanted to add some rainbows on a wave and… oh; now I see it.” This started a conversation that made me ask her if the rainbow lei, the faded one that’s been hanging, along with a Saint Christopher medal and a long-worn-out scenty thing, for about a hundred thousand miles, on the mirror in the old work/surf van, which had originally been her mini-van (way cleaner, didn’t smell like paint OR wetsuits)… um, is that a… I mean I always just thought it was, you know, Hawaiian… it’s not… I mean, would someone think that…I mean, it’s not, like, a rainbow coalition-y thing?”

realsurfersrainbowwave 001

Yesterday, in my new surf/not-work wagon, I was looking for surf on the Straits of Juan de Fuca. There’s been a serious lack of properly-aligned swell for most of February, and, though I’d almost decided to trek the extra hour or so to the coast, it looked like the waves might just cooperate at the second secret spot I checked. So I hung around, thinking how the coast has been the place to go all this winter; offshore winds, reasonably sized waves… no, I’d go out here and catch a few, maybe my timing would seem, once the long peelers started hitting the reef, brilliant.

Didn’t happen. The same east wind that was blowing against the open palms of the broken lines approaching the shores beyond the farthest headland I could see, out where the sun had already broken through the squalls; that same wind was reeling around the little point, ripping scars into the weak energy pockets I was trying to harness. I don’t give up easily.  ‘Exercise,’ ‘practice,’ ‘just had to get wet,’ take your choice. ‘Desperate’ is another motivational catch phrase.

And the wind got stronger, soon howling across the swells as they moved past me, sideways, tops blowing off. Once I got my fill of practice and exercise, once I had gotten wet and was no longer as desperate, using my car as a buffer, and just as I was about to lean over to grab my hoodie from the front seat… woosh! Whoa! Head dip! My big ass board flew over me, landed eight feet away.

The duck and tuck was the best surf move I’d made all day. And I did get home in time to check the buoys and the camera at La Push (not a secret spot). Swell up, direction better, and that same east wind that would bring better weather today was grooming the outside peaks. Brilliant.

“Maybe my mistake,” I told Trish about the time I realized the contest at Snapper Rocks had been on line for hours, and Kelly Slater had already lost in round one, “was I went too early.” “Oh,” she said, in sort of a mock-caring tone, “and now it’s almost dark.” By the time we had the discussion about the gayness, real or imagined, of my drawing, the women’s surfing had started. Full screen. Full color.

Trish looked at a replay of a woman in a bright orange bikini bottom bottom-turning into a decent walled-up section. She looked at me. “It’s Hawaiian,” she said. “What? Oh. Uh huh; I thought so.”

Hey, take a few minutes, when you get a chance, and check out ‘Inside Break,’ the novelization, a couple of place down from here. Thanks.

“Curves,” Boards for Girls Illustration

If it seems like I was going for a sort of Art Nouveau look, well; didn’t get that quite right. Not that I’m apologizing; it’s just… maybe when I add some color. Meanwhile, please feel free to just keep going through the site. Surf or not, we’re always mind-surfing.

UPDATE: 2/15/15- Allright; I got some, um, feedback. Maybe I shouldn’t have relied on my life drawing class from 1974 or so. I swear she looked right (that being anatomically) before I added the towel. Okay, there’s room for a third attempt. How does the board look? Yeah, I know; you want one. I would have drawn it right side up but didn’t want to draw wax or a tail pad. As always, stay tuned, and, as always, deep charging down the line (as in, check out some more). see you.

UPDATE: SLIGHTLY LATER ON 2/15/15- On second thought, since the worst thing about the criticism is that it is correct; I should just delete the drawings (even the color version) until I get it right. Sorry if you missed it.

But, to hold you until I do, here’s a photo of a secret spot inside the harbor near Ocean Shores, taken last week by Adam “Wipeout” James, just in case you want to blame someone the next time you’re there and you see someone else is out. I went to Ocean Shores for four days last spring, blown out the whole time until I was homebound, on the inland side of that same in-the-harbor spit. I did get a t shirt at the local surf shop. Not for me.

UPDATE: MORNING, 02/16/15- Adam Wipeout sent me a photo of his most recent expedition, to a popular unknown/secret spot on the north Olympic coast. I haven’t looked at it yet, but, if I don’t get the drawing right (and I’m thinking wetsuit instead of towel- oh, yes), I’ll post his photo. Meanwhile, next down the line is Stephen Davis’s story. And then there’s… so much more.

20150208_152104

The Keeper- Perspectives on Waves of Consequence by Stephen and Stig

realsurfersAloneColor 001

I did the line drawing, then added color; wasn't totally stoked on that, did the color version, then, because it seemed too bright, added lines. Different perspectives.

I did the line drawing, then added color; wasn’t totally stoked on that, did the color version, then, because it seemed too bright, added lines. Different perspectives.

STEPHEN DAVIS-
“Where the fuck is he?”, I thought, redlining on adrenaline and standing on a footprint free, remote Olympic Peninsula beach.
” Did he FUCKING drown?” Now I was really concerned. I had just navigated my Gordon & Smith, “funboard”/ turned Big wave gun through one of the most historically treacherous coastlines, on one of the biggest surf days of the Winter. Stig and I had been the only ones out, surfing together only fifteen minutes previous.
Now I was alone and he was… I didn’t know.
The waves were larger in the water than they looked from the beach, like always here. It’s odd when first paddling out and realizing the true size of the sets by being caught inside and out of position due to the long interval between sets. That interval is always the signature of a good swell and the reason we’d chosen this day.
Still, It had taken a curtain of water exploding right in front of me for my adrenaline system to bring my body into balance with the situation. Stig, like he always does, had just taken off deep and late on a monster I was trying to avoid and had disappeared.
I kept looking for him to paddle back out but he never did. I was alone. You are always alone here but I needed to know my friend was ok. I had just dropped in on a smaller set wave to come in over the reef and through the lavender, mussel clad rocks and eelgrass that protect the pools and ponds of this pristine tidal ecosystem.
Getting from the surf lineup to the beach has always been one of the most challenging aspects of this surf spot and, it seems like, most big wave spots. On the inside section, the wave hits the reef in a way that makes it hollow and powerful. Usually, I am cold and physically exhausted by the time I’m ready to head in to the beach. This makes trying to catch a massive moving cloud of white foam and then riding blindly into dry reef and protruding rocks a roll of the dice, especially on larger days when there is a lot of moving water. I have lost a camera and water housing here as well as had the reef shove fins through the deck of my favorite big wave board (with appropriate ‘Psycho’ traction pad), after using it sacrificially as body armor (which is why I was now riding the G&S) trying to get in.
On this day my effort paid off, except for being trapped on the Pacific side of two rock/reef clusters that were creating a four foot wide sluice that was unswimable every time a surge was draining from the pool beyond and nearer to the shore. I guess one could call it a “rip,” though not in the traditional sense. This was an ON/OFF-switching gusher of a different intensity, more like a rhythmic rapid or waterfall. I thought about paddling around it, but that would have presented me with the hazard of being slammed into numerous rocks, caves and reef formations, while eelgrass was petting me with the current.
Trying to time my exit move, I was able to clutch a rock with my left hand while holding my board with my right as the surge peak filled the pool. I beat the timing of the drain, like some old nintendo game, only in reality. From there I was able to find a route safely to the deep, barren, grey sand of the beach. It took a while to normalize my breathing.
Now, I was scanning the immense beach looking for signs of human life. There were none.
There was our stuff off in the distance, but no sign of Stig other than the deep divots we left when we arrived at the beach and where we had entered the surf. That’s all. My eyes turned back toward the sea in hopes of glimpsing Stig’s red board, perhaps tombstoning, and, at least, giving me an indication of his location. Still nothing.
“Maybe I could see better with my glasses…”.
I started the walk down the beach to where we had left our stuff, thinking to myself, “Should I try to carry Stig’s body back up the trail to the car or, should I leave him lying on the beach and go for help if I’m unable to resuscitate him?”. It was then that I saw him bobbing on his red board all the way on the other side of the channel, eyeing the massive lefts.
What I realized he had done was paddle over to the channel and beyond, which is the right thing to do, and offers a less terrifying route to the beach at this surf spot. Finally, I relaxed a bit and sank into a deep reverence for the amazing wave Stig had shown me and mentored me at so many years ago…
Stig was the first person to share this reef with me. He has been surfing it longer than anyone I know, and over the years, he has been the most committed to it of all my surfer friends. I’ve grown to appreciate the lessons and challenges this wave has dished out to my ego. It is definitely, without question, Stig’s favorite spot on the Washington coast. I KNOW I can always get him to surf there with me when no one else is down, especially if the conditions look like they are going to come together. By example, he has taught me a reverence and solemnity for this beach that I profoundly appreciate.
Earlier in our session, we were sitting together when a bomb lined up. I laid down and started to paddle towards it, angling for the shoulder from the inside ledgey part I was trying to race under. Once I realized I was ahead of the wall I stroked hard to catch it, only to catch a glimpse of Stig deep and underneath an overhanging, pitching, cartoon-like lip, taking off behind the peak, super committed, trying to backdoor it. This is what I completely expect from him. I pulled back and watched Stig drop into oblivion. It sounds cliche but Stig always does that here, that “don’t know ’till you go” style. I’ve seen it so many times it fucks my mind up. When I get serious and surgical he goes deep and late on BIG waves.
After seeing him charge from the safety of the shoulder I was able to get in position for the one behind it and see my friend paddling back out as I was focused on my take off and the long drop, trying to ignore what was happening behind me for the moment.
As a youth, Stig was fed a ration of North Shore, Oahu’s Sunset Beach. It’s another, even bigger right, with a hollow inside section. Some of the surfers that were inspiring to Stig growing up on Oahu were Duke Kahanamoku, Eddie Aikau, and Ken Bradshaw. In fact, Stig actually met the Duke at the Honolulu Yacht Club as a boy before his passing in 1968. Ken Bradshaw bailed Stig out on a big day at Sunset when he had lost his board and was battling a rip current.
Perhaps these and other events were the seeds of Stig’s hoale humility that he carries with him into the surf. He is very humble, reverent and soft spoken, letting his takeoff position speak for him.
Stig’s father’s paipo surfing molded him as well. Paipo is an extension of body surfing in which a plywood, delta shaped board is used as an aid, the parent of the contemporary boogie board. This may explain Stig’s enthusiasm for surfing warm water spots in a speedo, which is more a bodysurfing thing. One of the only men I’ve seen get away with it is North Shore lifeguard, Mark Cunningham. He is a master body surfer, which is a skill he uses as an accessory to help keep folks safe on the North Shore in heavy, Winter surf. I had the pleasure of a compliment from him down in Mexico on a fast left point wave after making a section backside. Stig says he sometimes enjoys the feel of speedo surfing because of the lack of resistance.
In Justin Hawking’s novel, “The Great Floodgates of the Wonderworld”, there is a chapter late in the book about being alone. The morning before our session I read some lines to Stig. Hawkings refers to the Herman Melville novel, “Moby Dick” throughout the book. In the chapter I read to Stig, Hawkings writes of an art show in San Francisco in which an artist cut out the last period of the last sentence of “Moby Dick” and pasted it in the middle of a large, blank white canvas.
So, at the end of that chapter in “Floodgates”, Justin did basically the same thing, a period on a blank page to give the reader that profound effect, the effect of being alone and floating on a coffin in the middle of a vast Ocean…
…Now, contrast that with a solid friend who charges hard and is there for you when the surf gets big and cold and empty. It’s impossible not to have humble gratitude.
realsurfersSteveAlone 001realsurfersalonecrosshatch 001
STIG WAIDELICH-
Dear Steve,
It’s an interesting experience to read of oneself from the perspective of another. Those details that we tend
to take for granted, the minutia that tend to take precedence over the more grand scheme of our lives itself.
While I was concerned with women at a gas station, and how I had failed to get the best waves for us, you, on the
other hand, were experiencing profound and beautiful moments. No less than life and death itself.
If so much can be received from a sloppy day of stormy conditions, what would have been had, from those glittering waves in the calm that preceded it?
But I remind myself that we were chasing a dream. You and I have always been chasing that dream, and it matters not
how many times we fail or strike out or get skunked. Because the true story is in the perseverance. The true story, YOUR
story, is in the friendship we share, and how it has brought us to this spot over and over again over the years. Absolutely
regardless of the relative success of “scoring it”.
We scored it my friend. Of that I am certain. No footprints. No trace did we leave behind. The point remained undisturbed
for another day. The seagulls and seals had their way, as they have had for aeons before. This is the wave we rode. The eternal wave that carries us through our lives and into our death as it has with all those who came before and all who will follow.
It is no co-incidence that your story and my reply found it’s way into the previous forward email documentary about “Why no
Waves in Titan’s Ocean’s”. What could possibly be the relevance between our session, and the possibility of waves on
a moon of Saturn?
Because both embody a promise of hope.
In 2008 I was studying photographs of Titan from my office in Dolce La Belle. I was blown away by what appeared to be the presence of lines of breaking surf taken from the Huygens probe during it’s two hour decent to the surface. I wrote a song inspired by it. Never mind life on another planet! Here was SURF!! And where there is surf, there is hope.
The video I forwarded to you denies the surf’s existence. And yet, a denial is a form of acknowledgement. To deny something is to recognize it’s possibility. It’s as if to say; “Why ISN’T there surf? -A question just as important.
The search for surf beyond our blue planet has already begun.
And it is colder. It is lonelier. It’s beauty, inconceivable.
And it is waiting to be ridden.
Thank you Steve.
Love,
Stig

Waiting, A Moment to Decide… Illustration for Stephen’s Story

Stephen Davis was reading from the first draft of his story on a surf session at a legendary and wild northwest coast spot, me on the cell phone, coming up a very long gravel road from another beach, knowing the signal would go all ghosty before it just went away. There was something about being alone in the water, waves larger than he and Stig had anticipated, larger than they looked from the cliff or the shore; and growing larger with each set. I thought I heard Steve read… “You’re always alone.”

realsurfersSteveAlone 001

And now I’m waiting for the complete story. Meanwhile, I kind of went overboard with the bigger lines in the foreground. I’ll have to fix that. Soon.

“Caught Inside” triptych, in progress

realsurfersreflectionmancolor 001realsurferstriptychoptional 001realsurferstriptychthree 001

It’s not like I’m looking for a vote, but: I did two versions for the right side of a possible triptych. I did the one on the right first but wasn’t completely stoked, mainly, I must admit, because the woman just didn’t look too attractive. Trish voted (because I asked her to), for the one on the right. This was before I did more work on the middle one, of which Trish said, “She’s prettier, but she doesn’t look happy.” “Oh, but the other one’s not too attractive.” “Either is the guy in the first one.” Well, maybe with some color… check back later. Thanks.

realsurferstriptychcolorright 001realsurferstriprightcolor 001

so, a little color and… I still like the one on the right, but… later on this one.