Satiated, Satisfied, Ready for More

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I was dissatisfied with the results when I added color to this drawing. I may try it again. Meanwhile, here’s a drawing for something I haven’t written yet. So, I’ll contemplate the complicated issue of wave lust while I scan the forecasts and the horizon, think about how great it might just be, and, probably, consider how long it’s been since I got a really super-satisfying surf experience, and how… you get the point. Even those who participated in, and were completely satiated by a recent feast of wave action, are ready for, ready for more.

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Okay, so maybe I have now written enough. May your wave lust never be completely (as in, only, completely) satisfied.

 

Illustration for World Mind-Surfing League

I’m going to insert this into the piece, but, since I have enough folks who get a message, psychic or over the mysterious intranet, when I post something new, I’m putting it here first. I’ve got a secret (okay, letting you in on it) plan to get this to the WSL, which I love (and was watching earlier, before the Seahawks game started. Wouldn’t it be great if they did a little skit where…

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…Hey, if you have some contacts… that’d be great. Greater. Also, I wouldn’t have finished the drawing if the surf had just cooperated and followed the forecast.

In Progress, In Color

I do appreciate a clean illustration. I just can’t seem to keep mine from getting ‘busy.’ Here is a sketch (actually third sketch) of my idea for a card for the shortest days of the year, the days when the sun, up on the USA’s north shore, barely clears the Olympics, when it’s dawn from dawn to dark.

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NOTE: I only added my name at this stage (usually I wait until the drawing’s done, then go back and add some more lines and dots and maybe color) because, if you’ll notice, I overran the corner. Here are in-color versions of two (older) drawings from my last post. Yeah, I saved the black and whites.

insidebrkSldrClrrealsurfersDrpInClr

“Damn Strait” and “Energy Between the Lines”

I’ve been trying to come up with a line that conveys the message that there are never any decent waves on the Strait of Juan de Fuca; or if there are, they’re rare fickle and probably not worth the effort of looking for them. Everyone who has tried a few times has been skunked on a percentage of these trips. The drawing is utter fantasy. Sometimes the waves are, too.

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I’m also always trying to come up with a slogan for realsurfers.net other than “shoulder hoppers and name droppers.”

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As with everything, working on it. Since I fired up the printer/scanner, I figure I should add at least one more so I can do a medium size; something one can look at without moving the image up and down. The waves may be going off right this minute. Somewhere, they no doubt are.

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Not that it’s all that relevant, but, after getting the drawings reduced and a couple of copies at the Fed-Ex/Kinko (unless they’ve dropped the Kinko altogether) yesterday, I made some inquiries as to what it would cost to put together a little book of illustrations. I discovered that… well, my second or third question was, “Then how does anyone make any money with books?” “Um, maybe a… printshop? Volume? Um; hey, we don’t know. That’ll be $3.66 for the copies. Oh, and you have some pens?” This morning I discovered the pens that make that in-between line I really need, the two-pack… blue. Not black. Blue. Blue like one gets from a trip to the Strait. Maybe the good kind of blue. Damn, I could have been there by now.

Sorry, I was just interrupted by Adam Wipeout. “I think it’s firing.” Bluer.

Going Not-Quite-Full-Picasso

It was Trisha’s pinochle night and it was going a bit past my bedtime and she wasn’t answering either of her two cell phones (the cheap one works almost everywhere, the fancy one almost nowhere, but it does work at Chick’s house). I was fooling around, sketching, waiting, did this.

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A bit frustrated that I had no place to put a surfboard or anything referring to surf, I started thinking about Picasso.

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Not to explain, but I wanted to keep some of the white from the board flowing into the background (that is, eliminating some of the outside line), and I thought about going a bit Dali on the background. And, I thought about adding a more rendered woman peering around the board. Too many lines in the background to add this. Mostly I decided it was done. For now.

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So, I did the black and white drawing (above), wasn’t too stoked on the heaviness of the part of the wave curling over the rider, but added some (too much) color anyway. It’s hard to go back and simplify. Redraw.  Thinking about it. I also added some color to an earlier drawing (middle) that made it just way too…(I’m torn between ‘sexy’ and ‘erotic’, though I don’t want to get into this discussion again) erotic.

Oh, I must add that surfer/librarian Keith Darrock commented on the new header: “You mean the one where you’re just standing there?” “Yeah, but the wave goes on forever.” Trish said, “Yeah, it’s very pretty. Did you make the wave?” “I’m saying I did.” Keith said, “Yeah, you probably did.”

 

Two New Surf Illustrations

I ran into Andrew, another house painter, up in Port Townsend yesterday. Checking out a historic building in the Uptown area, stepping back into the street, I practically ran into him as he got out of his car. We had passed each other at the paint store, but this time he was out of costume and carrying a small painting on canvas. It was a scene of this very street, almost black and white. Because I have questionable social skills, I took it from him, checked it out.

Andrew is through, he says, with exterior painting for the season. “Oh. No, it’s still warm enough,” I said. No, I’m no where near through with exterior painting.  He plans on building his inventory of paintings. “You make any money on this,” I asked as he took his painting back. “Maybe in a couple of years.”

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“Realsurfer.net” has always been a portfolio builder for me. And, with longer nights, I’ve been on a bit of a roll, lately. Trish recommended (strongly) that I not add color to the drawing above. I thought it looks ‘beatnik and 1959-ish,’ she says it’s Art Deco-ish. I probably will make a copy and color that. Oh, more than probably.

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While the top drawing evolved from a sketch, the lower drawing came from some reference material; specifically a photo of Kahea Hart at Backdoor Pipeline by Pete Hodgson/AFrame. This time, because Trish had trouble discerning the surfer’s head from the background, she insisted I add some color. No, I didn’t make a copy first. Darn.

A Woman/Wave Connection

We went out and bought a new computer because I couldn’t print anything and had to do my postponed, as usual, taxes.

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That didn’t mean the problems were over, particularly with transferring drawings to my site. This piece actually took about as long to get here as it took to draw. Well, not quite. Still, my hope is that I’ll remember how I did the scan/transfer and the find-it-in-the-computer, and the transfer-it-to-the-site.  Of course, now I have to figure out why the edges all get crooked.

Potential World Local tshirt designs

I’ve always wanted to design stuff for t shirts. I’ve had a couple done (by others, I just supplied the art) for local musical events. Being basically cheap, and having some experience at silkscreening (mostly on flat paper and such, my attempts at t shirt printing did not go well), I figured one color stuff would save a few bucks. So…

It's supposed to read 'world local.' I'll probably go back and put the globe into the lettering as I did in the lower graphic. And, since I have copies, I'll, no doubt, be coloring these two.

It’s supposed to read ‘world local.’ I’ll probably go back and put the globe into the lettering as I did in the lower graphic. And, since I have copies, I’ll, no doubt, be coloring these two.

It's meant to be 'world local-er' as in, perhaps, just a bit... yeah, you get it; a homeless person who sleeps under the pier is obviously more local than you.

It’s meant to be ‘world local-er’ as in, perhaps, just a bit… yeah, you get it; a homeless person who sleeps under the pier is obviously more local than you.

Clinton Burks on Point Grenville, Me on Jeff Parrish and Tom Decker, and a new Illustration

I received this comment in response to one of the most popular, over time, posts, “Tom Decker and Jeff Parrish.” Noticing the consistent number of hits the piece seems to get, I thought either Tom Decker, well known to pretty much anyone who surfs at Westport over the last twenty-five years, is a name people google, then find my article; or Jeff sends friends to check out what I wrote about him. I’ve had a sort of suspicion that, always just trying the real story, I may have written something that would or should offend Jeff. Since Jeff’s wife, Ruth, has started surfing, and, actually, before that, he seems to have other people he prefers to surf with (and, yes, I am somewhat hurt by this, but no longer whine about it when I see Jeff’s father-in-law, Jim Hodgson, at the post office.). Because I got this comment, I checked.

Yeah, maybe Jeff had a tough outing, called-out by Mr. Decker; but he’s not alone in that. I do drop the name (Tom Decker, though I always ask people from Seattle if they know Jeff. “Which Jeff?” They all know at least one) with folks from Westport, or those who say they surf there a lot, when I see them looking for waves on the Strait. Maybe Tom has mellowed; other names are mentioned as enforcers at the Groins and the Jetty.

So, here’s the contribution:

Clinton Burks (@soloncircus)

Erwin,

If it’s of any value to the surfing community, I’d like to recite some first-hand oral history about Pt. Grenville.

I surfed there from 1967 to -69, when I was in high school. We just showed up with surfboards and camped for the weekend, without any fuss from “authorities.”

Then, in 1969, we showed up as usual, and a truck pulled up and a well-spoken, close-shaved Indian came over to us in an very authoritarian manner, and spoke to us ominously, “Where are you boys from?”

“Bremerton,” we said.

Then he looked at the rock cliffs covered in grafitti, and most of it was the names of various high schools painted in great big letters in a wide variety of colors.

He paused and said, “If I looked up at these rocks and saw ‘West Bremerton,’ or ‘East Bremerton’ written here, I’d arrest you and put you in jail. But as it is, you can just leave.”

So we got kicked out, and never went back. Good thing us Bremerton guys specialize more in thievery and violence, and “school spirit” was for “soces.” Besides, our writing skills were sketchy, anyway.

In 1970 I heard that some friends tried to go there, and the Quinaults confiscated their boards and they had to pay fines. I left the state in 1970, and have not heard anything about it since, except for your piece on this web page.

BTW, concerning Washington surfing at the time, I had the feeling that Pt. Grenville was the only place, because the waves were dependable. I wasn’t part of any big surfing “scene,” because there were so few of us, so I don’t know if there were many guys scouting all the coastline in the state, looking for a good break. In those days, I’d never heard of surfing at Westport. (What’s more, I lived the 1970s in San Francisco, and never heard of Mavericks, though no one else seemed to know about it, either.) People in Bremerton were always going there for more fishing. When we got out of high school, it seemed like everyone went to Hawaii, got jobs, and stayed for awhile.

Aside: We didn’t use wet suits. When I was aged 6 to 9, I spent the summers living in a tent and a beach cabin at La Push, because my father was a commercial fisherman out of there & Neah Bay. My mom told me, “Just wait till you get numb, and you can play in the surf all day.” She was right. Last time I did it was 2010.

Clint Burks

So, I really don’t know anything about Mr. Burks except that he must be about my age, possibly another member of the class of 1969. And I have heard a few stories about Point Grenville in the mid 1960s, some which might explain why the beach was closed. Still, the image of some waves peeling off that point…

Here’s my latest illustration:

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