A Nod is Good Enough- John Severson

 

 

IN MY MIND-VIDEO VERSION of the very brief encounter; looking past the front desk where the receptionist was still telling me that “John, John Severson, actually reads over all the submissions himself, so, so…” when John, John Severson; appeared through an open door, moving from the right to the center of the (my) frame, to the center of what must have been the visitor side of his desk. He stopped, looking at something, then turned toward the visitor side of the “Surfer” magazine office, maybe focused for a moment, and gave the almost-seventeen kid a nod.

I probably just froze.

A NOD is everything, really; an acknowledgement of co-membership, perhaps; a gesture that says, depending on who gives it, that things are all right between us.

YEAH, maybe that’s reading too much into a simple gesture. Or not. Maybe a nod is just so ancient, so basically human, we forget that each one of us learns more from studying expressions than we do from language. In a fight-or-flight world, a nod can and has stopped many a conflict.

OKAY, now I’m thinking of times I’ve paddled out into a lineup, seen a surfer I chatted with on another beach. Nod. Nod returned. AND NOW I’m thinking of my first venture out at Windansea, seeing two guys I’d surfed around in Pacific Beach. I nodded, they, sitting well on the shoulder, kept their gaze down. No eye contact. AND NOW I’m thinking of the times my nod, paddling toward the lineup, was returned with the STINKEYE.

SO, I had written a bunch of stuff, my best longhand on college-ruled notebook paper, and had sent it, along with a self-addressed, stamped return envelope, to “SURFER” magazine. I waited for fame and recognition, my writings in the preeminent surf publication, the magazine I studied, front to back; the basic visual images that popped up like a slide show in my dreams.

“They’ll probably have to put some in one edition, other stuff in the next one,” I, no doubt, thought. “My friends will be so… so stoked. Me, my writings…”

I did mention I waited, telling myself this sort of self-induced insanity (waiting for someone else to realize one’s stuff is great), is what a real writer endures.

THIS WAS ME in the summer of 1968, living in Fallbrook, twenty miles from Oceanside pier, about the same distance, straight west, across Camp Pendleton, to San Onofre. If I was riding with someone who had the proper ID card, we’d often surf there, park on the beach. Otherwise, it was go to Oceanside, north on 101 (pre- I-5 connection), deemed “Slaughter Alley.” The “Surfer” magazine headquarters was somewhere north of there. I’d find it.

A WORD on what I’d written: Mostly, I’ll have to guess, crap; the kind of overwrought drivel one might expect from a hormone-afflicted, surf-crazed, skateboarding-‘cause-I-fuckin’-live-in-the-hills dreamer, just starting to get competent at surfing might right. There were pages of the stuff.

borrowed from “Surfer,” article on John Severson staring down Richard Nixon

WHAT I WROTE as a twelve verse (epic?) poem on those blocking access to surf beaches, became, in the fall of 1968, when I was back in school, shorter, better. I’m not sure if I ever got my original pages back, but I received a check for ten dollars and a copy of the magazine.

I WAS PUBLISHED. Oh, I mean, I WAS PUBLISHED! But, what John Severson had done is take the first verse, delete everything from the middle, add some of the lines from the last verse. It had changed enough from the original that, when asked to read it aloud in English class, I couldn’t quite get it right. “Didn’t you write this?” “Yeah, yeah, but…different.” Penny had to read it. She did a great job.

STILL, it was, probably, still a bit, um, overwrought.

IN 2001, the poem showed up again, in “The Perfect Day… 40 Years of Surfer Magazine.” I was, by this time, up in the Pacific Northwest, rarely surfing. Trisha’s nephew, Dylan Scott, surfing down in San Diego, saw the coffee table book, surprise, on a coffee table at his dentist’s office. “That’s my uncle,” he, according to him, said. “Whoa. Really? My poem?” Yes, we do own the book; it’s on a coffee table.

HERE’S the poem, written by me, edited by John Severson (he even shortened the title, though I forget what it was).

REFLECTION

The promised sand, Forbidden land,

Restraining line With sharpened spine;

NO SURFING HERE: The warning sign.

Perfection waves, Reflecting mind;

Humanity

Could be so blind.

HERE’S WHAT JOHN SEVERSON DID: He gave a nod to all the punks and kooks and kids who wanted to be surfers. He took a disparate group and made us a tribe. If we don’t always acknowledge this in the competitive, sometimes combative setting of the lineup; it’s hopefully different when surfers meet in some other setting, a grocery store or distant parking lot. A nod of acknowledgement.

I’m actually a bit amazed at how shocked and saddened I am at hearing of Severson’s passing.

Psychedelic in B&W, And In Color, Plus three cartoons

Trish recommended I add some flowers to a sort of abstract wave drawing I did. Hedging my bets, and because I wasn’t really sold on the idea, I got some copies of the non-flower version, then drew the flower outlines onto one of those, got copies of that, and then, this morning, added some color to one of the smaller (eight and a half by eleven) versions.

Image (186)Tilt your monitor/screen until the deeper and richer colors show up. It will be available for you color to your satisfaction in my next version of the realsurfers coloring book. Soon. Since I keep drawing, I’m going to produce limited editions, 20 or so each run, 48 images per copy, each with some favorites, some new drawings.  I’m hoping to get some done  tomorrow, run them down to my sister, Suellen (who got me into my surf addiction when she let me ride/hog her new-to-her Hobie back in 1965), before she heads up to Alaska.

If you want one, write me at realsurfersdotnet@gmail.com

Okay, I’m adding a couple of the cartoons not-accepted by “The New Yorker,” which, of course, they should have printed, but didn’t. I do have a “Blog,” “Stuff That Goes On,” at the “Port Townsend and Jefferson County Leader,” and was trying to post them there. It looks like I could only do one at a time, and I wanted to do these two. SO: Here’s my money and/or politics collection:

“Yes, there’s “in” someone’s pocket, and “IN someone’s pocket.”

Trying to Catch That Glass

It’s all about lighting; the perfect surfing photo or drawing; and color helps. We know that waves, spray; these can be translucent. At some point, rising and throwing out, a wave can seem, or even be transparent. And foam; it’s white because of the air bubbles. And the reflections, the shine, the shimmer; maybe these are easier to capture with pencil, charcoal, pastel; something pushed and dragged across the flat surface.

image-144

I just keep scratching.

MEANWHILE: I’m sure the northwest has been sending lots of waves, along with the rain, down south. If it doesn’t lessen the drought, maybe it’ll clean some of the toxic waste from the highways; and maybe, after a prescribed length of time to avoid getting sick from the water, surf.  Or maybe a die-hard surfer will get a course of shots and paddle out. “Just keep your mouth closed,” possibly not the best advice.

I did catch some waves recently, can’t be too specific about where, or maybe even when; trying to adhere to Clint’s Rules of Modern Surf Etiquette (which I promise to list when I get them all straight in my mind: Don’t call people from the beach; don’t talk specifics because someone will back-check against the buoy readings and figure out when the spot you named, but shouldn’t have, works; other rules); but I will say it ran contrary to the surf forecasts we all study.

Partially, what I wanted, was to catch a few waves to myself before I try to play the odds and go when the forecasts seem to guarantee waves. I’ve been on the beach before, with twenty or thirty rabid surfers (or in various stages of rabidity- a real word, I looked it up) standing around, perfect conditions on the forecast, and even the buoy readings the same as they were on days that were great (see, back-checking, or, more likely, anecdotal information gleaned over years), and there’s one guy in the water scratching for some dribblers, and the waves are just not there.

I’m just saying; it happens. And it explains why, the farther one has to travel, the more one has to invest, the more likely one (or thirty) is to lean heavily on ‘sure thing’ forecasts. But, I slid a few waves alone to sort of indemnify myself against a serious skunking.

AND, I do know Adam Wipeout got some waves. Not sure where, exactly, but I do know he did score because he wouldn’t tell me. Clint’s Rules. I think he would, and it’s probably all right to talk about sessions in crappy conditions. Come on, Adam… I won’t be posting. Really, I’m not sure why we want to know… Oh, yeah, I do. Because.

Here's a colorized version. It all gets washed-out a bit from the scanner/computer connection

Here’s a colorized version. It all gets washed-out a bit from the scanner/computer connection

Why’s This Funny?

FIRST, let me say I’ve been doing drawings of what amuses me for a long time. Somewhere in the early eighties, bored with my Civil Service job as a painter at the Puget Sound Naval Shipyard in Bremerton (having transferred her from the Public Works Center at 32nd Street Naval Station in San Diego as soon as I could after they moved/promoted me from a temporary to a Career-conditional employee), I, along with working on a novel (during breaks/lunch- mostly reading new stuff to other bored workers), put together a little collection of cartoons under the loose title of “Absurd Delusions.”

None of my co-workers thought any of the cartoons were funny.

The caption is, "No, I said I drew them 'for' the "New Yorker," not that they were "in" the "New Yorker."[optional] I also have some that weren't 'in' "Playboy." " A reasonable explanation for my new drawings as I solicited feedback.

The caption is, “Okay then; drawn ‘for’ the “New Yorker,” not “in” the “New Yorker.”[optional] I also have some that weren’t ‘in’ “Playboy.” ” A reasonable explanation for my new drawings as I solicited feedback.

SO, HERE’S THE DEAL: A couple of months ago, while working on my Realsurfers Coloring Book, and possibly because I’d heard that several cartoonists for the “New Yorker” had died recently, but mostly, probably, because I (along with thousands of others, no doubt) got an e-mail from Bob Mankoff, the cartoon editor, inviting me to get more involved with the magazine (I had entered the caption contest a few times; never really came up with a killer line for anyone else’s work- gave it up).

WELL, sure. I had a few ideas, found out the submissions are all handled online nowadays, e-submitted, maximum of 10 original cartoons per month, nothing that had been previously published, even in a blog/website like this one.

I just submitted my second batch of brilliant cartoons on the 14th, so, though I never received confirmation that they hate/dislike/don’t get/ don’t want any out of the first set, I’ll have to assume it’s safe for me to display some of them here.

Big fan of "New Yorker" staff writer William Finnegan's Pulitzer Prize-winning book, "Barbarian Days;" a surf-centric biography by a Real writer who lived/lives a real surfers life. Yeah, some jealousy possible.

Big fan of “New Yorker” staff writer William Finnegan’s Pulitzer Prize-winning book, “Barbarian Days;” a surf-centric biography by a Real writer who lived/lives a real surfers life. I was kind of hoping someone in the cartoon department might just… you know, pass it on. If not, expect to see the “I was different” line again. And, yeah, there’s some kissing-up obvious, some jealousy quite possible. Port Townsend librarian Keith Darrock, and I, having already solicited legendary surf writer Drew Kampion for help, are hoping to persuade Billy Finn, Finn-o, to participate, even if it’s by Skype (my backup plan idea) for the Third Occasional Surf Culture on the Strait of Juan de Fuca Event.

ACTUALLY, one of the first drawings I did was an update on the classic R. Crumb “Keep On Truckin'” drawing, imagining the character 48 years later. I thought of this, possibly, because my drawing style, cross-hatch-based (though I claim to have made some kinetic line changes), and which anyone old enough and real surfer enough to remember it, is directly linked to the “Surfer” magazine drawings by Rick Griffin. Still, my style is often compared to that of Mr. Robert Crumb, a contemporary of Mr. Griffin’s in the “Zap Comics” and ‘underground’ era of the late 60s.

SO, I wasn’t planning on doing this right now, maybe still hoping the “New Yorker” will come to their senses, but, since I’ve gone this far… No; I’ll give them a few days. I did write to Mr. Crumb, seeking his permission to use his image. When I got this response I was… I was so thrilled. So thrilled.

HMMMMM; I have to re-scan Mr. Crumb’s email and my response. That means setting up the scanner and… I’ll take that as a sign. Not really, but I’ll update this in the morning. No, really.

 

Woman (actually) Surfing Illustration

I was showing someone the first run of the RealSurfers Coloring Book, and couldn’t help but notice; probably because he pointed it out, that I have quite a few illustrations of women, but only one of a woman surfing. I almost said a girl surfing, and, in fact, did title this “Girl (actually) Surfing Illustration.” Whoops.

It’s part of the myth/fantasy/history/tradition, I guess; and, having just hit 65 years of age, I probably should also stop thinking I’m not 46 years or so removed from being anything like a surfer boy. Surfer Girl, Surfer Boy; nope, doesn’t even sound proper.

This is a slightly-altered version of a drawing already posted. Trish asked me if it was a woman or a man. "She needs a little more... definition." Okay.

This is a slightly-altered version of a drawing already posted. Trish asked me if it was a woman or a man. “She needs a little more… definition.” Okay.

Still, I do prefer a woman who surfs with flow and grace; Margo Godfrey Oberg, Jericho Poppler, Stephanie Gilmore; and, sure, throw in a few carves and power moves… no matter how manly a ‘man hack’ sounds, it’s all done on water. Water. Woman.

This week, men and women, boys and girls; I’m promising myself that I’ll get to the Printery. Not Monday; it’s a holiday, and I do have to go down to my Dad’s, and I do have a lot of work… this week.

Drawings: One New, One Redo

Image (90)I was thinking Honolua Bay, but probably not soon enough. Almost done, I had the thought that I should have raised the horizon to actually give the effect that this is from up on a cliff, and the waves are coming in from the bottom right. Okay, too late, but, still unable to try to verbalize and explain… working on that.

Image (89)I went through a lot of drawings a while back with my sister, Melissa Lynch, the real artist, and the one I’d done of The Little Mermaid, adding some waves rather than a harbor, was criticized, and Melissa doesn’t go into detail, at least when I’m flashing drawings at her, but the mermaid’s chin was too, um, prominent. Always (now) thinking of the coloring book, I redrew it, also doing a little lightening-up.

I have about twenty drawings (it’s four at a time for the pages) ready to add to the coloring book, coming soon, I promise, with… here’s my new idea: No staples, but (and I’ll experiment with this) maybe a ribbon in the fold, plus instructions to take out a drawing, make a copy, and color on that. That way, you can save the original book, maybe add to it down the line, and use marking pens (if you like), which would bleed through the paper.

If I have to explain that; it’s maximizing content on my end, having cake and eating it too on your end. Yeah, cake; if you’ll forgive my… even if you don’t. Coming. Oh, and I hope you don’t feel resentment for those times when you misjudge the surf situation, and, though you could have gone, you missed it. Fuccctttuppppppttuupdddd! Yeah, trying to get over the last (yesterday) episode of that story. NEXT TIME. Next…sob…time… yeah.

It was hot, Saturday, I couldn’t surf, didn’t want…

…to work… not that I need an excuse to draw, or even to post two drawings today (and I am going to do some real work today) in two days. Wait, three drawings; finished one yesterday morning (please check out Rico’s essay), started two, finished one, finished (finished is when I just can’t figure out where to put more lines) the other this morning.

Image (87)Image (88)Okay, so, so now I’m thinking, imagining what I want to see next. But, meanwhile…

Illustration for “Fortune Point”

Trish thought the drawing looked like a “young kid, kind of chunky, maybe.” Yeah, fine; let’s say that’s what I was… you know what? I’ll just post the drawing, also added to the story by Rico Moore, next down, for your scrolling and reading pleasure.

Image (86)Thanks, Rico.

new, revised, or redrawn images

I’m preparing to add some more images to the realsurfers coloring book, getting them resized, adding some lines; redrawing a few. Here are some I’ve been working on:

Image (79)Image (78)Image (80)Image (81)Image (82)And here’s a backstory on the drawing of the guy on the nose. I’ve drawn it several times, had it all finished, but it didn’t seem right. I went back to the drawing I took this from, realized the surfer’s left arm is supposed to be in front of his face. Oops. And now it’s a bit darker. If I could, on occasion, sort of duplicate the silky, magic-lighting look of classic John Severson photos, I would. Maybe this is as close as I’ll get (not that I won’t keep trying).

Hey, it’s all just lines and dots. Suddenly I’m not sure if I reported on how the poetry/singing/book selling event went with “Awkward Guy” writer Franco Bertucci and I… it went well, probably better than expected. We’re not done. I’ll let you know.